it's not what you appreciate, it's that you appreciate

which path will you follow?

imagine your ex who you haven't seen in a decade (since he stole your car) shows up at your house. in the car. the one he stole from you. it looks like shit. your ex asks you to fix the broken car. then he tells you that the hot girl with him and his buddy (the one that helped him steal the car) is his new girlfriend. she is a member of the royal family and she looks capable of murdering you AND your ex with rage alone. you try to say hi. she does not say hi. no one admits it out loud, but you get the feeling that they're all running from the cops and they all want to hide out in YOUR house.

That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:

J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ‘80s/early ‘90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.

Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin “Feet Man” Tarantino.

2) the people who run Disney would be the first to fall in line with a fascist regime.

Dude I need the plot sequences to stop being an hour long with no reasonable pauses, please.

I was, in fact, very close to the end of act 2. Now I'm doing act 3, and making poor life choices (and amusing ones).

The quest with Cynthia and the megascope prototype is kind of nonsensical - Philippa and various other Northern sorceresses talk about megascopes like they're fucking cell phones (or at least telegraph machines) repeatedly. Why is this prototype so exciting?

Also, I want to acknowledge how much of a departure this game is from my usual (to the tune of "Ride of the Valkyries") "fuck the DRAGON, fuck the DRAAAGON, fuck the drAAAAGOOON."

Dude I need the plot sequences to stop being an hour long with no reasonable pauses, please.

I was, in fact, very close to the end of act 2. Now I'm doing act 3, and making poor life choices (and amusing ones).

The quest with Cynthia and the megascope prototype is kind of nonsensical - Philippa and various other Northern sorceresses talk about megascopes like they're fucking cell phones (or at least telegraph machines) repeatedly. Why is this prototype so exciting?

Dude I need the plot sequences to stop being an hour long with no reasonable pauses, please.

I was, in fact, very close to the end of act 2. Now I'm doing act 3, and making poor life choices (and amusing ones).

The quest with Cynthia and the megascope prototype is kind of nonsensical - Philippa and various other Northern sorceresses talk about megascopes like they're fucking cell phones (or at least telegraph machines) repeatedly. Why is this prototype so exciting?

Dude I need the plot sequences to stop being an hour long with no reasonable pauses, please.

I was, in fact, very close to the end of act 2. Now I'm doing act 3, and making poor life choices (and amusing ones).

The quest with Cynthia and the megascope prototype is kind of nonsensical - Philippa and various other Northern sorceresses talk about megascopes like they're fucking cell phones (or at least telegraph machines) repeatedly. Why is this prototype so exciting?

Dude I need the plot sequences to stop being an hour long with no reasonable pauses, please.

I was, in fact, very close to the end of act 2. Now I'm doing act 3, and making poor life choices (and amusing ones).

The quest with Cynthia and the megascope prototype is kind of nonsensical - Philippa and various other Northern sorceresses talk about megascopes like they're fucking cell phones (or at least telegraph machines) repeatedly. Why is this prototype so exciting?