𝒟𝑜𝓉𝓈𝓉𝒶𝓇

ive observed when drawing a cat with extra fat, its easy to lose the form and have it look like a balloon animal. if you keep bony landmarks and silhouette in mind as you caricature this can be avoided. these landmarks are places like joints, the spine, some points of the ribcage, and certain bones in the face.

the joints are where you "break" the silhouette of the figure. these are essential to a strong drawing and selling the volume of your character. interpreting the contrast of straights and curves around the figure will give a visual rhythm and prevent your drawing from appearing stiff and lifeless. some inner descriptive lines in places where muscle, fur, skin and fat are more obvious create a more defined shape that can really add something extra if you find your drawing is appearing too flat.

selling the markings by having them follow the contours of the body will also really help in making sure your drawings come across as volumetric. its easy to slap them on as an afterthought, but copy pasted looking markings can totally ruin the illusion of your characters dimension!

this of course is all relative to your own goals when drawing a piece, if you want your art to be flat and graphic, go for it! i will say it always helps my design sense to understand how things work in a 3d space before i get really abstract with them. the more you can understand your subject the easier it is to find success with the end goal of your piece.