I have never been wise

in the club asking the dj to play the plagues from the prince of egypt

"you don't like mpreg?" i don't even like fpreg

Actually, can we talk about the combat structure in Obrimus Manor? Three distinct scenarios happening simultaneously, on the same initiative. I've long wanted a way to see in actual play the kind of cutting between fights that you'd get in a cinematic context, where the tension is emphasized by pulling away from one scene at the height of action to cut to another, and this genuinely achieved it, particularly as all three influenced and informed each other without being too interdependent or even without significant if any metagaming. What a cool way to run a set of encounters simultaneously in nearby but not the same locations. Keeping them all in the same initiative even while in disparate corners of the house really allowed for the dramatic irony to compound as the dungeon combat went so poorly, as Julien wavered, as the team in the aviary escaped. It's such a simple way to handle simultaneous combat, but it feels really affecting because you see it so rarely and the combats themselves were so dire.

We need more women characters who are Male Protagonists. You know. Slightly haggard. She's splashing cold water on her face and gripping the edge of the sink staring in the mirror for a minute. She's coping badly with her deadwife

someone's gonna have to fucking tell azune

someone's gonna have to tell KATTIGAN

by god we have got to popularize woman whump

white ppl with small dogs will go places u never thought possible

i need a polycule of tall skinny white guys preferably like around 10 of them so i can dress them up in nice outfits and give them cute little red ribbon chokers. (hiding a bowling ball behind my back) For no real reason

call that attending an Executive Function

going to start saying "it's ok i have the blood of akasha in me" when faced with any kind of problem at all

my favorite thing about louis is he's a business major in a world of theater kids. everyone's playing psychological games with each other through theater and rock music and the fractured art of storytelling and he's like "but what are the margins on my vampire hotel"