Jacques-Louis David (French, 1748 - 1825)
Femme au turban (Sketch of the head), 1794
Black pen over pencil, 37.2 x 26.1 cm
Claire Keane

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Jacques-Louis David (French, 1748 - 1825)
Femme au turban (Sketch of the head), 1794
Black pen over pencil, 37.2 x 26.1 cm

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Emile Chambon (1905-1993), Pygmalion, 1961.
The Grey Iris c 1923, pencil and watercolour by Charles Rennie Mackintosh
It is the sinking of things. And it matters. Always, always, the sinking of things.
Virginia Woolf, from a diary entry c. November 1928 featured in The Complete Works of Virginia Woolf; Selected Diaries (via violentwavesofemotion)
Louise Bourgeois, “Acid Rain”, circa 1984

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Louise Bourgeois
this mannequin was made by andré masson for the 1938 international surrealist exhibition……
The abject is an extremely strong feeling which is at once somatic and symbolic, and which is above all a revolt of the person against an external menace from which one wants to keep oneself at a distance, but of which one has the impression that it is not only an external menace but that it may menace us from inside. So it is a desire for separation, for becoming autonomous, and also the feeling of an impossibility of doing so—whence the element of crisis which the notion of abjection carries with it
(Kristeva in a 1980 interview, qtd. in Weiss 93)
Day of the Dead - Carlos Schwabe
‘To tame or to destroy?’ ‘To destroy.’
Edna St. Vincent Millay, from ‘Huntsman, What Quarry?’ (via carnavage)

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Sandro Botticelli
Frederic Leighton, Portrait of May Sartoris, c.1860
Woman of Tokyo (Yasujiro Ozu, 1933)
1800s Week!
José Tapiró y Baró
Portrait of a Moroccan Man
Spain (1890)
Watercolor, 67.6 X 47.6 cm.
Orientalism
[source] [source] [source]
Nydia Lilian

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Jacopo Ligozzi