The Many Adventures of Winnie the Pooh (1977)
Screencaps from animationscreencaps.com

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@disneyisperfection
The Many Adventures of Winnie the Pooh (1977)
Screencaps from animationscreencaps.com

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Princess Aurora (Elle Fanning) - Maleficent (2014)
The Rescuers (1977)
PETER PAN (1953)
dir. hamilton luske, clyde geronimi and wilfred jackson

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🔥🔥🔥
Mufasa: The Lion King (2024)
aristocats do not practice biting, and clawing, and things like that — that’s just horrible!
The Lion King 1½ (2004)
Moana distracts Tamatoa - (Moana - 2016)

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The Lion King's Sunrises 🌄
Nants ingonyama bagithi baba
Sithi uhm ingonyama
Nants ingonyama bagithi baba
Sithi uhhmm ingonyama
Ingonyama
Siyo Nqoba
Ingonyama
102 Dalmatians (2000)
ODDBALL! 😍
Alice Evans as Chloe Simon & Ioan Gruffudd as Kevin Shepherd
I love animation history and one of the things that always baffled me was how did animators draw the cars in 101 Dalmatians before the advent of computer graphics?
Any rigid solid object is extremely challenging for 2D artists to animate because if one stray line isn’t kept perfectly in check, the object will seem to wobble and shift unnaturally.
Even as early as the mid 80’s Disney was using a technique where they would animate a 3D object and then apply a 2D filter to it. This practice could be applied to any solid object a character interacts with: from lanterns a character is holding, to a book (like in Atlantis), or in the most extreme cases Cybernetic parts (like in Treasure Planet).
But 101 Dalmatians was made WAY before the advent of this technology. So how did they do the Cruella car chase sequence at the end of the film?
The answer is so simple I don’t know why it didn’t occur to me sooner:
They just BUILT the models and painted them white with black outlines 🤣
That was the trick. They’re not actually 2D animated, they’re stop motion. They were physical models painted white and filmed on a white background. The black outlines become the lineart lines and they just xeroxed the frame onto an animation cel and painted it like any other 2D animated frame.
That’s how they did it! Isn’t that amazing? It’s such a simple low tech solution but it looks so cool in the final product.
Hoppers (2026), dir. Daniel Chong

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