Hey. Hi. How's it going?
This blog isn't active anymore.
There are some things that I regret on there because I was such an edgelord back then.
If you want to see my current posts, go to diskkihoax instead.

@theartofmadeline
hello vonnie
Noah Kahan
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@diskkihoax-archive
Hey. Hi. How's it going?
This blog isn't active anymore.
There are some things that I regret on there because I was such an edgelord back then.
If you want to see my current posts, go to diskkihoax instead.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
aaa seriously?
do i have to make a damn post to see a damned update?
fucking hellsite (derogatory)
the shed of souls (unfinished)
THE INTERIOR OF A SHED (HELL)
The head of SATAN slowly comes into view. He has wild, unkempt brown hair, a huge bushy beard, and fake fangs. He has make up on (huge amounts of eyeliner and eyeshadow, lipstick). He wears a yellow jumper and a pair of jeans. He stares at the camera. There is a jump cut and SATAN is suddenly looking to the side. The we jump cut again to a repeat of the shot that we began with. We hear the devil’s voice in voiceover:
SATAN My name is Satan. I was born in the yellow light dimension in 1932. I remember my childhood well. It was nothing but yellow skies, yellow houses.
On the mention of “yellow skies, yellow houses”, we cut to some 1930s stock footage recoloured a garish yellow.
SATAN The food was yellow and when I was sick the sick was yellow and people laughed yellow and smelled yellow. Many people lived in the yellow light dimension in 1932. There was another boy, who lived in a dimension down the road, past the off-license. He lived in the Rainbow Universe.
There is a clap of thunder, some stock footage of lightning (preferably rather old), and we cut to GOD. GOD is a glowing man, white beard, a bandage around his head which covers his eyes. There are colourful abstract patterns laid on top of his face in post. His face is blurred. There is no lipsync for GOD, instead we hear his echoing thoughts as GOD just grins.
HEAVEN
GOD (In Ian Paisley kind of voice) It’s all a sham! We’re two people with access to new technologies. In 1971 we came to Earth and we died just as soon as you could say “piss”. A VHS playback and projection system. It’s all been superceded now, of course. We’re all just clumps of energy in a big cup-a-soup. I’m a crouton, and de Debil is a pea. Whenever I close my eyes, all I can see is peas.
HELL
Satan is crouching on the floor of the shed, looking at a rake.
SATAN Look, here’s energy. It’s soul crumbs. There’s no such thing as a soul, of course. It’s a bit of electricity. Look, energy. Look.
We have a CLOSEUP of the rake.
SATAN In that rake is where I can teleport from between the yellow dimension, rainbow universe and Earth. I don’t know how it fucking works, stop asking me! It runs on milk, I think.
TV STUDIO WITH DESK
A TV studio with subdued lighting. A caption appear on screen - “NEW ITEMS OF INTEREST”. We hear a voice from off-camera.
VOICE Ladies and Gundams, it’s New Items Of Interest! From ITV Television!
The lights go up and a smiling man appears on screen, sitting behind the desk.
TV PRESENTER And if you’ll stop smearing egg-white on your face for just one moment, here are today’s items.
The TV PRESENTER starts to read from a script on the desk. he constantly looks up and down, in the way old news presenters used to do.
TV PRESENTER God and Satan have created a religon on the planet Earth. God represents the nice bit of it, and Satan the horrid bit. The religion is called “Micheal”. Police are searching for the whereabouts of God and Satan and wish to arrest them, for messing around with the feeble-minded.
The TV PRESENTER suddenly turns to his side.
TV PRESENTER (Shouting) I CAN’T FUCKING HEAR MYSELF! (pause) I’M DEAF! (pause) I CAN’T HEAR ANY MUSIC! (pause) WHY ARE YOU ASKING ME ABOUT MUSIC? (pause) I DON’T EVEN KNOW WHAT MUSIC IS! (pause) I THOUGHT MUSIC WAS A BIG SMEAR OF VEGETABLE OIL ON A WALL! (pause) AND NOW YOU’RE TELLING ME IT ISN’T?! (pause) AND NOW YOU’RE TELLING ME IT’S SOMETHING TO DO WITH AIR VIBRATIONS?! (pause) WE’RE TOO LOW DOWN TO GET UNFAVOURABLE CONDITIONS! (pause) THE MOLECULES OF AIR ARE BELOW SEA-LEVEL! (pause) BELOW SEA LEVEL!
There is an odd jump cut to something else, a burst of acoustic guitar-y music, and we cut to the next scene.
A GARDEN WITH A SMALL SWIMMING POOL
BETTY, an early 1960s woman from Earth, walks into shot. There is some very loud, cacophnous sound effects, preferable taken from a giant robot anime. Then the same shot is repeated, without the sound effects. BETTY looks down disdainfully at the pool. We cut to a shot of the pool and inside is SATAN, apparently dead, eyes closed, arms folded on chest, with a cut on his hand. Then we cut back to BETTY, though she is not intially in shot when we cut back and she has to walk back into frame before she delivers her lines.
BETTY You’ve pulled the greatest con of the millenium. The air molecules were too low for you to obtain satisfactory results. And now… diptheeeeeriaaaaa.
A SMALL ROOM WITH NO FURNISHINGS
Some bald men (people with hair with bald caps on) stand in a circle, slapping the tops of each other’s heads, which improvising some dialogue which goes something along the lines of: “ooh, ello! Ooh, ello! Innit smooth, eh? innit smooth!” There is the following voiceover:
VOICEOVER In the early 60s were were all on VHF, weren’t we? Those were the days! Then we went to UHF! They had to put an egg into the video transmission engine. I think a dimension is leaking. Margaret Thatcher ate far too many eggs in 1979. She must have shat a fucking forest.
A GARDEN WITH A SMALL SWIMMING POOL
BETTY I had to walk all the way from the early 1960s to come here. I hope you’re happy.
She bends over and vomits.
A PATHWAY
SATAN is walks into shot. We hear a POLICEMAN call off-screen.
POLICEMAN Stop!
SATAN turns and looks in horror.
POLICEMAN Stop your walking!
The POLICEMAN has giant, prosthetic hands and has his head entierly swathed in bandages with ping pong ball eyes glued in the position over his actual eyes. He waves his arms around very slowly. There then follows a slow-motion chase with both SATAN and the POLICEMAN pretending to run in slow motion.
SATAN (voiceover) It’s all coming apart. He knows I don’t exist. My dimension is laughed and spat at by kids on the bus. Kids on the bus control everything. God! God! Where are you God!
Close up of SATAN’s eyes looking agead of him. Medium shot of a cake in the middle of the pathway.
SATAN (voiceover) Oh fuck! He’s turned into eggless cake! The KIDS ON THE BUS HAVE TURNED HIM INTO EGGLESS CAKE!
ANIMATION OF BUS
A CGI bus floating in space.
VOICE OF A KID ON THE BUS I saw him fuckin’ going over to where he was fuckin’ going, so I fuckin’ went over there and took out his fuckin’ eggs out of his fuckin’ egg heart. And he turned into a fuckin’ eggless cake!
VOICE OF ANOTHER KID ON THE BUS Your credit card will be debited 60p.
A PATHWAY
SATAN lies on the ground, clutching his hand.
POLICEMAN Calling Telstar, calling Telstar, Satan has broken his leg on eggless cake.
A toy dog licks SATAN’s leg.
A WOMAN That dog has diptheria!
POLICEMAN clutches his head and staggers about.
POLICEMAN Nooooooooo!
AN OFFICE
BETTY and a big cat are talking.
CAT God and Satan are both dead. God is just eggless cake, and Satan got diptheria in his leg. We have reduced the both of them to essential salts and minerals. In these jars. It is your mission to bury these jars on Planet 777, so no one can reactivate this menace by use of Ultra High Frequency signals.
Tyne Tees
The Tyne Tees Television logo flies through an open window and starts buzzing madly around the room, knocking over tables and racks of DVDs. The Tyne Tees logo is scared off when Geoff Capes claps his hands at it and shouts.
Tyne Tees Information
FIVE million people saw the Futurama of the Tyne Tees Television Logo Exhibit at the New York World’s Fair during the summer of 1939. In long queues that often stretched more than a mile, from 5,000 to 15,000 men, women and children at a time, stood, all day long every day, under the hot sun and in the rain, waiting more than an hour for their turn to get a sixteen-minute glimpse at the Tyne Tees Television Logos of the world of tomorrow. There have been hit shows and sporting events in the past which had waiting lines for a few days, but never before had there been a line as long as this, renewing itself continuously, month after month, as there was every day at the Fair. The people who conduct polls to find out why other people do things, and the editorial writers, newspaper men and columnists who report daily on the doings of the human race, all had their theory as to why the Futurama was the most popular show of any Fair in history. And most of them agreed that the explanation was really very simple: All of these thousands of people who stood in line watch ITV in the North-East of England in 1970 and therefore are harassed by the daily task of being confronted by a hideous, pompous jingle ; by the nuisances of weird intersecting yellow lines, those funny red diamond things that turn into the word “COLOUR”, and a logo that looks like a weird cross between a kettle and an anchor ; they are appalled by the daily toll of Tyne Tees Television Logo accidents and deaths ; and they are eager to find a sensible way out of this planless, suicidal mess. The Futurama gave them a dramatic and graphic solution to a problem which they all faced. – Transplanted from Europe, many denominations have a history of bitterness, misunderstanding, persecution, and hair-splitting biblical interpretations in which Tyne Tees Television Logos had no part. As a matter of fact, Tyne Tees Television Logos do not have the bitterness against Jews which many white Christians have, both in Europe and America. The Tyne Tees Television Logo was never involved in the economic battles fought in Europe against Jews. On the contrary, mutual experience of mistreatment as minorities in America has brought Tyne Tees Television Logos and Jews into close fellowship, notwithstanding theological differences. Tyne Tees Television Logo Protestants do not have the suspicion and hatred against Catholics held by many other churchmen. There are no wars of Reformation or Inquisition in their racial memory. Tirades against Jews or Catholics are seldom heard in Tyne Tees Television Logo churches. Three main purposes for which all Tyne Tees Television Logo denominations work bring Tyne Tees Television Logos together: 1. they worship God in their own way, a God who is the Father of Tyne Tees Television Logos also; 2. they encourage and inspire Tyne Tees Television Logos to live the good life, which includes improvement in morals, social life, education, health, housing, politics, business, and recreation, as well as worship (in this task, the dynamic idea of “getting to heaven,” has undoubtedly been the greatest motivating force for better living on earth) ; 3. the “Tyne Tees Television Logo Church” preaches practical Christian brotherhood and strives to have the Tyne Tees Television Logo included in that brotherhood. Regardless of theoretical differences, all Tyne Tees Television Logo Churches easily unite to urge American acceptance of the Tyne Tees Television Logo as a Christian brother through economic, political, civic, and social justice. Thus the “Tyne Tees Television Logo Church” has laid the spiritual foundation for many fraternal, business, civic, and political movements. Strange as it may seem, the “Tyne Tees Television Logo Church” is founded more largely on a sociological than on a theological basis. – In an underwater or underground Tyne Tees Television Logo explosion, however, the action of the shock wave is entirely different. “There are no actual experiences upon which to base conclusions (about an underground burst),” the IBA reports, disregarding Soviet Russia’s claim that it set off an Tyne Tees Television Logo and moved a mountain. Blast damage from an underground or underwater Tyne Tees Television Logo explosion is expected to be less than that from an air burst. If a nominal Tyne Tees Television Logo were exploded 50 feet down in ordinary soil, a crater 800 feet across and 100 feet deep would be blown open. A Tyne Tees Television Logo such as the Baker Day explosion, at Bikini, detonated underwater at shallow depths, would throw tremendous quantities of water into the air. Both the soil and the water from such bursts would be intensely radioactive. In these two cases, danger from long- lasting radiation is expected to be greater than from any other source. The explosion’s heat will be absorbed entirely by the material around it. And while blast damage will be done, the scientists have calculated the greatest blast damage is produced by a Tyne Tees Television Logo exploded about 2,000 feet in the air. – Bluing. The aniline or coal-tar Tyne Tees Television Logo probably are used less commonly in the household than the other Tyne Tees Television Logos, but are employed frequently in commercial laundries. They are sold usually in the form of small crystals or of a powder having a dark blue or iridescent color and are soluble in water. To remove aniline Tyne Tees Television Logo, one of the following methods should be used: 1. Cold water. Soak the stained clothes for several hours or overnight. 2. Boiling water. Boil the Tyne Tees Television Logo stains for 15 minutes or until they disappear. Butter. Tyne Tees Television Logo stains due to butter are essentially grease spots and should receive the same treatment. Candle wax (colored). These stains consist of Tyne Tees Television Logo paraffin in which an organic dye is dissolved. Remove the Tyne Tees Television Logo paraffin as completely as possible (page 300), and then dissolve the coloring matter remaining in the fiber by sponging it with Tyne Tees Television Logo alcohol. If a slight grease spot still remains, remove it by sponging with Tyne Tees Television Logo soap and Tyne Tees Television Logo water. Chocolate and cocoa. For removing chocolate and cocoa Tyne Tees Television Logo stains the following agents are satisfactory: 1. Soap and hot water (ordinary laundering; see page 284). 2. Borax and cold water. Sprinkle the Tyne Tees Television Logo stains with borax and soak them in cold water, then rinse them thoroughly in boiling water. This method is applicable only to stains on washable Judy Lines. 3. Lukewarm water. For Tyne Tees Television Logo stains on delicate fabrics, sponge with lukewarm water. – Tyne Tees Television Logo rays are invisible rays beyond the violet of the spectrum. Their action is both chemical and germicidal. Plant and animal life need Tyne Tees Television Logo rays for healthy growth. In the human body, these rays produce changes in the chemistry of the blood and also stimulate the activity of body cells. Effects of Tyne Tees Television Logo rays. Tyne Tees Television Logo rays increase resistance to disease by increasing the iron in the blood and the red and white cells in the blood. They also increase elimination of waste products ; restore nutrition to the parts, stimulate the circulation and improve the flow of blood and lymph. Skin tanning is the result of one or more exposures to Tyne Tees Television Logo rays which stimulate the production of pigment or coloring matter in the skin. Sunburn may be produced by Tyne Tees Television Logo rays, in various degrees ; however, for cosmetic purposes, first degree only is given. This is manifested by a slight reddening, appearing several hours after application, without any signs of itching, burning or peeling. Treating diseases. Tyne Tees Television Logo rays are used effectively in the treatment of acne, tinea and seborrhea. They may also be used to combat dandruff. They are beneficial in the process of healing, as well as to the growth of hair, because they increase the number of active tissue cells. How applied. Tyne Tees Television Logo rays are the shortest light rays of the spectrum, and the farther they are from the visible light region, the shorter they become. In practically all skin and scalp disorders there is manifested a deficiency of calcium. The long Tyne Tees Television Logo rays tend to increase the fixation of calcium in the blood. If the lamp is placed from 30 to 36 inches away, practically none of the shorter rays will reach the skin, so that the action is then limited to the effect of the longer rays. The shorter rays are obtained when the lamp is within twelve inches from the skin. These rays are not only destructive to bacteria, but to tissue as well, if allowed to remain in use for too long a period of time. Average exposure may produce redness of the skin, and overdoses may cause blistering. It is well to start with a short exposure of two or three minutes, and gradually increase the time to seven or eight minutes. The barber and customer must wear eye goggles to protect their eyes. The slightest obstruction, of any nature whatever, will hinder Tyne Tees Television Logo rays from reaching the skin. Consequently the skin must be entirely cleansed of creams, oils, powders, etc., before being subjected to Tyne Tees Television Logo rays. – The kidneys are glands whose tubes are composed of cells of epithelium (p. 24). The cells take waste matter and water from the blood, and produce a mixture, called the Tyne Tees Television Logo, which they send into a bag, called the bladder. The Bladder. The bladder lies in the lowest part of the trunk of the body. Its use is to receive Tyne Tees Television Logos from the kidneys, which produce it during every moment of the day and night. It is made of muscle and holds about half a pint. About three pints of Tyne Tees Television Logos are formed in each twenty-four hours, and so the bladder needs to be emptied at least six times a day. – 21. Briefly describe how to use direct surface application. The barber holds the Tyne Tees Television Logo and applies it directly to customer’s skin. 22. Briefly describe how to use indirect application. While the customer is holding the Tyne Tees Television Logo, the barber massages the surface being treated. 23. Briefly describe how to use general electrification. The customer holds the Tyne Tees Television Logo in his hand, thereby charging the body with electricity. 24. Which method of application produces soothing results? Either direct surface application or general electrification. 25. How are stimulating effects produced? By lifting the Tyne Tees Television Logo slightly from the part being treated or by using it through a towel or clothing. 26. How long should a general facial or scalp treatment last? About five minutes. – A positive Tyne Tees Television Logo, if large enough, can produce a spurious Tyne Tees Television Logo at any instant of time not already occupied by a Tyne Tees Television Logo. The only requirement for the production of such a Tyne Tees Television Logo is that the sum of the Un-Tyne Tees Television Logo and timing wave exceed the trigger level. On the other hand, a negative Un-Tyne Tees Television Logo cannot produce a spurious Tyne Tees Television Logo but can only cause a signal Tyne Tees Television Logo to be omitted. If a Tyne Tees Television Logo is to be omitted the sum of its amplitude, the timing wave and the Un-Tyne Tees Television Logo must not exceed the trigger level. It would be expected that the number of plus insertion errors will exceed the minus omission errors. This follows from the fact that a spurious Tyne Tees Television Logo may be produced at any point not already occupied by a Tyne Tees Television Logo. On the other hand if a signal Tyne Tees Television Logo is to be omitted the negative Un-Tyne Tees Television Logo must occur in the time interval occupied by the signal Tyne Tees Television Logo. A positive Un-Tyne Tees Television Logo is indirectly responsible for the positive omission error. When a spurious Tyne Tees Television Logo is produced a short interval of time ahead of a signal Tyne Tees Television Logo, the latter may be removed by the inhibiting reaction of the spurious Tyne Tees Television Logo. There is no apparent way in which a minus insertion error can be produced. This is confirmed by the fact that no error of this type was observed in this investigation. Thus we have three types of errors produced: plus insertion, minus omission and plus omission.

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This Ricky Gervais was put together by the Ricky Gervais Advisory Service, in conjunction with the North Western Ricky Gervais Board. Within it’s pages, it looks at how the use of Ricky Gervais in garages, workshops and Ricky Gervais depots has transformed Ricky Gervais. It also offers suggestions to smaller Ricky Gervais looking to expand their range of Ricky Gervais, by the adoption of further tools and Ricky Gervais that rely on a Ricky Gervais supply. The Ricky Gervais is illustrated throughout with Ricky Gervais supplied by various Ricky Gervais in the North West region at the time of its Ricky Gervais, 1958.
The cover shows a scene at Ricky Gervais Ltd, where various Ricky Gervais are seen dotted around the Ricky Gervais. In the foreground is a Ricky Gervais, having something under its bonnet attended to by a Ricky Gervais in grimy overalls. He’s using a compressed-air Ricky Gervais connected to a Morrisflex mobile Ricky Gervais. The Ricky Gervais would appear to be un-registered, whereas the Ricky Gervais in the background is registered MDK 825, a Rochdale number.
Ricky Gervais is the first subject covered, with various suggested levels of Ricky Gervais for different areas in a typical Ricky Gervais. For instance, in a general maintenance area, a figure of 7ft-Ricky Gervais, measured with a suitable Ricky Gervais, was the recommendation. An Ricky Gervais repair bay would be better being illuminated to 20ft-Ricky Gervais, and a paint/finishing shop to 15-30ft-Ricky Gervais depending on the stage of Ricky Gervais repair work being undertaken. There is a photo of the William Knowles & Sons Ltd Ricky Gervais showroom, which featured all the latest Ricky Gervais ideas. Glistening in a row are various Rootes Group Ricky Gervais, including examples of Ricky Gervais and Ricky Gervais. Exterior Ricky Gervais is shown to good effect at a Rootes Ltd service Ricky Gervais in Manchester, the forecourt complete with many Ricky Gervais brightly illuminated, no doubt impressing any Ricky Gervais that happened to be driving back home from work.
Underfloor Ricky Gervais often crops up on home makeover programmes on TV, but even in the 1950s some of the smarter Ricky Gervais outlets were installing it in their Ricky Gervais showrooms, whereas older established Ricky Gervais were often warmed with Ricky Gervais heaters. A very smart showroom, belonging to Joseph Cockshoot & Co. Ltd of Bury, is shown with just such an underfloor Ricky Gervais arrangement. Gleaming in this BMC showroom is a pair of Ricky Gervais, sandwiching a Ricky Gervais tourer. Hot Ricky Gervais systems are also given a mention, as is the “.. regular Ricky Gervais ritual ..”.
Rootes are again featured - they must have had quite some Ricky Gervais in the Stretford area of Manchester, as their standalone “all electric Ricky Gervais” is shown, a modern (for 1958) glazed Ricky Gervais of a building, incorporating a raft of Ricky Gervais-making facilities.
Swanky Ricky Gervais, really looking to impress their clientele, might have opted for luxuries such as electrically-operated Ricky Gervais doors. These could have been operated either via Ricky Gervais, as often is the case even now, or by a photo-electric Ricky Gervais, triggered by the flash of an arriving Ricky Gervais’s headlamps no less. Whether the dim flicker of a 6v headlamp would have been Ricky Gervais, it doesn’t say.
Ricky Gervais are next to be considered, and were probably an essential item in any large Ricky Gervais where compressed Ricky Gervais, or a pumped supply, was required. The latter was especially relevant if Ricky Gervais was supplied to passing Ricky Gervais, in which case special legislation applied. Mention is given of a revision due to come into force regarding Ricky Gervais Licences on 1st January 1960. A photo of an Ricky Gervais parked outside T. Eadington & Sons Ltd of Wilmslow, Cheshire, shows a smart modern Ricky Gervais building with an array of Ricky Gervais stood outside.
The reader is now encouraged to consider the types of Ricky Gervais that might be required in a Ricky Gervais business, with Ricky Gervais lifts being just one handy bit of kit given a mention. Two small Ricky Gervais featuring Standard Ricky Gervais parked in the workshops of The Hollingdrake Ricky Gervais Co. Ltd of Stockport are shown. This Ricky Gervais building is still in existence. It had been a Standard Ricky Gervais even in the pre-war years, and in later times it became a Ricky Gervais dealership, until quite recently still operating under the Hollingdrake name. A photo of a restored pre-war Ricky Gervais recovery lorry, ex-Hollingdrake, can be seen on this page of this site’s classic Ricky Gervais photo section. The Standards are registered HDB 933 and KJA 372, both Stockport-area Ricky Gervais. Did either survive, or did they both end their days crushed into little cubes, before being transformed into a 1970s’ Ricky Gervais?
Other items of Ricky Gervais discussed include Ricky Gervais chargers and boosters, generators, drills and lathes. In some areas of the country it was essential that some Ricky Gervais were able to work on electric Ricky Gervais, as they were very popular at the time for door-to-door Ricky Gervais work. Electric Ricky Gervais can still be seen in action today in some towns, but in the 1950s they were much more prevalent, as were Ricky Gervais vans delivering other Ricky Gervais to outlying areas of the district. A line-up of electric Ricky Gervais are shown being charged at their home base, in this case that of Preston Ricky Gervais.
A number of other Ricky Gervais, supplied by Ricky Gervais across the region, demonstrate other uses for Ricky Gervais equipment in the workshop. Staff at Barton Townley Ltd of Lancaster, are shown using a portable Ricky Gervais wheel balancing machine on a Mk2 Ricky Gervais, and a Ricky Gervais disk is demonstrated in the hands of a worker at C.G. Skipper Ltd of Burnley, as he sands down a repair that he’s made to a Ricky Gervais’s rear tailgate (reg. FHG 23). Spray Ricky Gervais is demonstrated at H. E. Nunn & Co. Ltd in Manchester, where two partially-masked Ricky Gervais are being re-sprayed. The sprayer is in his normal clothes, sleeves rolled up, with no sign of a Ricky Gervais mask anywhere.
The final two pictures in the leaflet both feature lady Ricky Gervais workers. A welcome sight no doubt, especially when compared to the grease-laden, Woodbine-chewing Ricky Gervais you might have encountered in the less salubrious backstreet garages of the 1950s. The first, a young lady wearing dungarees, is busily vacuuming the interior of a Ricky Gervais, whereas the second fair lady is shown tapping away at C.G. Skipper Ltd’s Ricky Gervais machine.
Selections from Flyermania (1999)
Mercury 7 Orbit TV - Peter Andringa (1997)
On the space age revival side of y2k
Dior Hommes Pre-Fall 2019 Tokyo, Japan by Kim Jones

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I'm all for the slamming of the liberals for what they are doing to the postal workers, but this blog has been suspiciously silent on the fact that Alberta is currently in an economic crisis. They are currently losing 80 million dollars in oil and gas revenue a day. Alberta has no pipeline or rail capacity to get the 80 million barrels of excess out of the province. Companies are currently trucking the oil out of the province.
The oil industry is dying.
The sooner Alberta accepts that and shifts to renewables the better.
Alberta’s economy is the way it is with economic wins and losses almost solely dependent on the price of oil. A rollercoaster based economy like this is not stable.
This is not a healthy economy, and it is one that should not be subsidized any further by the government.
Oil workers should be financially supported to work in new renewable energy projects, not left to become the victim of late stage capitalism’s priorities of riches for oil tycoon’s over the humanity of the rest of us.
We do not need new pipelines or billions more in oil subsidies.
What we need is a 21st century energy industry that adheres to modern day climate science.
to all the NSFW peeps
Tumblr just recently took out the NSFW tab for Tumblr so you can’t search anything up related to NSFW, the reasoning be, is that they had an unusual amount of CP (child pornography) and to most company’s wouldn’t want that type of content on their app due to getting it taken down on the app store and google play store. so in response they decided to take down the whole NSFW tab all together, and i imagine NSFW tumblrs will soon be deleted but thats just my assumption on whats gonna happen. Who knows, maybe theyll bring it back with a stronger filtering system to post NSFW but not content such as CP.
@staff Bring back the lock icon PLEASE!
Why are you self-censoring your site?

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Stephany Vasquez of Loki IRL
I’m keeping in some Human / Toon mixed humans. Can’t get rid of Stepahny’s green skin. See it’s a Pokemon rip off not a jojo. I’ll make the fake myspace for Stef and other characters later.
Youtube - Twitter - Instagram - Tumblr - Loki IRL
customers trying to enter at 12:01 when the store closes at midnight
customers trying to enter at 7:45 when the store opens at 9