bipoc | queer | she/her | grown adult | stop posting your exact age and all your personally identifying info on your profiles 2k22 | TERFs, SWERFs, & purity wankers blocked on sight | header image from here
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cant do the mutual first memory rb game because i genuinely cant remember anything. i dont know you were all my mutuals at birth. we were joined by the stars and by blogging
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
I'm sure that working in social media – dealing with people as mass statistical abstractions – is a cognitohazard, the sort of thing that could make anyone a little solipsistic, convinced that everyone else is a kind of stimulus-responding automaton lacking the interiority that you yourself experience.
But when it comes to Mark Zuckerberg, I'm increasingly convinced that he didn't acquire his worldview through the self-inflicted brain damage of his long exposure to the back-end of a vast social media system. I think the causal arrow points in the other direction: I think that Zuck founded Facebook because he doesn't really believe that other people are truly real, at least not as real as he is.
We see this in Facebook's very earliest days, as we see it today, as we see it at every critical juncture in Facebook and Zuckerberg's history.
Consider Facebook's origins, founded by a young Zuckerberg in his dorm as a means to nonconsensually rate the fuckability of his fellow Harvard undergrads:
The boy Zuck was delighted and surprised that so many of his fellow students entrusted him with their data but even then, he had no inkling as to why they would do so. Privately, he jeered at his users for trusting him, calling them "dumb fucks":
Zuck has since prosecuted history's most ruthless war on privacy, a surveillance campaign that would put the Stasi to shame and make Orwell scoff at the hacks butchering his work with over the top absurdities.
Zuck doesn't think you deserve any privacy, but boy does he ever value his own. This is a guy who bought the four houses surrounding his San Francisco home and left them empty in order to form a buffer zone:
When a single candid photo of Zuck and his family in their kitchen leaked (from Facebook!), Zuck, his lawyers, and his operatives treated it as a three-alarm fire:
https://abc7news.com/archive/8933289/
Zuckerberg's acquired a vast Hawaiian acreage and left most of it undeveloped, fenced off and patrolled by guards to prevent anyone from catching a glimpse of his private life. In order to acquire this acreage, Zuck exploited a dirty legal tactic called "heirs property," which leverages the informal basis of indigenous land claims by locating a single person with a colorable claim to their distant relatives' territory in order to force an auction of the ancestral land:
If Zuck thought other people are as real as he is, he wouldn't spy on them in ways he himself could never tolerate. He certainly wouldn't pay fancy white-shoe lawyers to steal their land out from under them. At heart, Zuck is a billionaire solipsist to beat all other examples of the form – a billionaire social media solipsist who sees others as manipulable collections of statistical abstractions, and not as people at all:
When Zuck is forcibly reminded that other people do indeed exist, he takes it very badly. He's insisted that Sarah Wynn-Williams, a former FB exec turned whistleblower, must pay him $111,000,000 as punishment for her excellent tell-all memoir Careless People. His lawyers say that Wynn-Williams violates the non-disclosure and non-disparagement "agreement" of her old Facebook employment contract merely by standing motionless and silent for an hour on-stage:
Once you realize that Zuck doesn't really think other people exist, "the metaverse" starts to make a lot more sense. Why would Zuck light $61b on fire in a bet that we will all stand still while he converts us and everyone we love into legless, sexless, low-polygon, heavily surveilled cartoon characters that he imprisons in a virtual world he stole from a 25 year old satirical dystopian cyberpunk novel? It's easy to understand if we're all non-player characters – if that's true, then the metaverse is surely our native habitat.
For Zuck, people aren't co-equals with needs that are as real and important as his own. For Zuck, people are problems to be solved. He embodies Terry Pratchett's maxim (voiced by Granny Weatherwax) that "sin is when you treat people like things."
Nowhere is this sin more on display than in Zuck's relationship to the social connections that bind together the users of his platforms. Zuck has benefited enormously from the fact that you love your friends more than you hate him, but (because hell is other people), you can't all agree on when to leave and where to go next, so you stay put on Facebook and Instagram:
For Zuck, the fact that you and your friends have trapped one another in a mutual hostage-taking is maddening, because those friends who've tied you to his platform refuse to organize their social contact with you to "maximize your engagement" with Facebook and Insta, which would let him maximize the number of ads he shows you. Rather, these friends just want to be your friends, which means that they don't want to get into stupid endless fights to keep you replying or stage little entertaining skits to keep you scrolling.
At first, Zuck tried tweaking his algorithm to replace your friends with trolls who'd bait you into flamewars. When that petered out, he stole a march from Tiktok and recruited an army of theater kids to do amateur dramatics for you in exchange for the promise of an intermittent reward schedule payment for the sketches that got the most views:
The problem (for Zuck) is that theater kids are also people and they resent being jerked around by the algorithm and ripped off by Meta's rigged revshare slot-machine. Last year, he started signaling that he would replace the theater kids – and your friends – with chatbots:
Chatbots have been a catastrophic bet for Meta, far worse than the metaverse. Meta shares are in a death-spiral as investors figure out that when Zuck fired all his coders and replaced them with chatbots while spending $300b on AI, he was excising the heart of the company's skilled workforce, pissing away all its free cash-flow, and sinking into a bottomless pit of debt to produce a substandard product that no one wants, at the expense of the company's only profitable lines of business:
But Zuck is sure that chatbots can solve his most pernicious problem: the search for a gimmick that will keep you locked to his platform that is under his complete control. Zuck doesn't want to rely on your friends with their unwillingness to maximize your engagement. He doesn't want to depend on volatile and unpredictable trolls to bait you into sticking around to argue and see more ads. He wants to be shut of theater kids and their amateur dramatics that inevitably come with demands for decent treatment.
For Zuck, chatbots dangle the promise of social media without socializing. Zuck thinks he can solve all his problems by imprisoning you in a house of mirrors where you interact with LLMs that are tuned to keep you scrolling no matter what, chatbots that will never demand anything of Meta.
He's been at this for a while, and each generation of chatbots was worse than the last. How bad? The last batch had to be killed off after they took to luring children into explicit sexual role-play:
https://archive.is/fopCh
Nevertheless, the dream of a world without people is one that Zuck can't let go of. Solipsism's seductive song convinced him to buy a company called Social.ai, which specializes in trapping people in conversations with chatbots, and now he's announced his plan to flood Facebook and Instagram with LLM slop:
The amazing thing about this is that Zuck is talking about chatbots as a way to capture a younger audience for his graying platforms. Kids hate chatbots. My 18 year old and her friends use "that's so AI" as a pejorative to dismiss anything distasteful or ugly:
For Zuck – who owns a controlling share of voting stock in his company and need not answer to his board – it's a spectacular act of delusional self-sabotage. Zuck refuses to understand that the majority of his users are on his platform because they love their friends more than they hate him. Zuckerberg is on a relentless quest to isolate you from the friends who keep you on his platform and transfer your bond to groups of people (and now chatbots) who can be commanded by Zuckerberg.
Only someone who doesn't think other people are real could believe that you'd prefer to talk to chatbots than your friends – or that a habit of talking with chatbots would be so hard to break that you'd endure an ever-increasing number of advertising interruptions to maintain those pointless conversations.
In 1993/1994, AOL connected its millions of users to the public internet. These users were unaccustomed to the internet's conversational and technical norms, and they kept coming. It wasn't that the old internet was incapable of absorbing surges of new users: every September, an incoming class of undergraduates found their way online through their universities' computer labs.
But the AOL bridge was different: the flood of users was much larger, and it never stopped. The old internet people who struggled to transfer the culture and techniques of the internet to that flood of newbies called it the "Eternal September."
For the Facebook and Instagram users who are about to be buried in an endless botshit avalanche, this is the beginning of the "Eternal Sloptember." From here on in, the slop only gets worse and thicker and harder to avoid. Zuckerberg refuses to acknowledge that he owes his fortune to the fact that his users love each other more than they hate him, so he has set out to shatter those bonds of love and sharpen that hatred.
It won't end well. Zuck and people like him call themselves "high agency," a disgusting bit of jargon meant to denote someone who has real interiority, wishes and desires (as opposed to the rest of us, who do as we're told and stay where we're put). Zuck's "agency" isn't higher than yours or mine. The difference between him and us is that he doesn't think we're really real, and we know that he's really a monster.
Zuck and people like him call themselves "high agency," a disgusting bit of jargon meant to denote someone who has real interiority, wishes and desires (as opposed to the rest of us, who do as we're told and stay where we're put).
Zuckerburg has gone well beyond proving that he just hates any form of social interaction at all and is willing to collapse entire economies so that he doesn't have to ever do so.
This is the kind of guy who reads about Dead Internet Theory and thinks it's a great idea (because he also thinks money is fake and that chatbots will have their own capital to toss around like a beanbag to simulate GROWTH.
Guys like this eventually conclude that people can't be real like them because we don't do the things they would do. Sure Zuck would spend all day chatting to bots. But most of us don't want to. For Zuck it's the same as talking to people- because he has no friends, because he's a nasty little guy who no one wants to be friends with. But it's easier for him to think of himself as the only real person on earth than realize the truth.
Horny people legally cannot consent. Horniness is a clouded state like inebriation. If you are partway through sex and you realize you might've become horny, it is illegal to continue. If you have ever made someone horny, you are a bad person.
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your home is absolutely beautiful!!! do you have advice for people who’d want to decorate like you or any methods you use when decorating?
@starsabove-aspect
Take it slow, take it sincerely, and don't take it seriously.
If you like to watch people do home decor online, you will often see people doing professional level whirlwind makeovers, where the whole space is transformed in a matter of days. That is not realistic for what decorating your own home is like, unless you have hella money to throw at the project. In which case, congratulations.
But more practically, I am usually only doing things one step at a time. I have a vague vibes-based concept for each room--I can reblog an older post about that, if you like--and then it's just a question of stumbling across the right items for the space. Usually I start with a paint color, and even then, there's often a process of trial and error. I painted the whole sunroom three times before I mixed a shade of verdigris I liked. I did my whole bedroom in one shade of black before I realized I wanted a different sheen of paint and a more complex color. And then it's a waiting game. Waiting to come across the right furniture. Waiting to find art that I like for the walls. Waiting to feel like I've got my head around what I want for the room.
It's really just figuring out what you think is interesting, and cool, and beautiful, and finding places in your home that fit.
"having a large chest is the beauty standard" no having a large chest is the Sexual standard theres a difference. i can only even be Hot and everything i ever wear will be deemed too sexual for every single situation. tank top shows too much cleavege or side boob a button up is always too busty and a crop top will always show too much skin. having a large chest leads to so much back pain and sexualization and complaining about it makes people go "ahh grass is alwahs greener/you are the beauty standard, why complain?" like genuinely i urge yall to watch anything with a larger chested woman and notice, REALLY notice, that her chest is her entire personality. notice that people critiqing misogynist charavter designs alwayd tend to rally in the statement that large chest=misogny, casting aside the Many Many Many women and people who look like Me and just . have a large chest? and exist? and deserve respect and not to be seen as nothing more than a sex symbol by both sides? idk ikdayy
Look, it’s a weird hill to die on, especially when I don’t really explain, but children deserve to experience fear, disgust, and discomfort in safe scenarios where they can process those sensations.
Media for children used to be scary and that’s important.
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