Wallaby, oilpaint
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Wallaby, oilpaint

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Koala, oilpaint, 2026
Vincent van Gogh Old Vineyard with Peasant Woman pencil & wash, 1890
Vincent van Gogh The Garden of the Parsonage with Arbour, 1881 pencil, ink and watercolour 44.5 x 56.5 cm
Richard Claremont (Australian), On The Way Through, 2026, Acrylic on panel

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Surreal bug
Sidney Nolan
Bedroom Nick Alm â 1985
This isnât just a pigâitâs a parade of symbols, a crown of absurdity, a jewel-laden oracle in pink
Sometimes I donât know why I keep painting.
It would be easier to paint what people expect.
Easier to follow a trend.
Easier to try and make something that just âworks.â
But when I do that⌠it doesnât feel like mine.
The truth is, painting for myself is uncomfortable.
Thereâs a lot of uncertainty.
A lot of second-guessing.
Moments where I think,
âIs this going anywhere?â
And I donât always have the answer.
But that space â the not knowing â
thatâs where something real can happen.
Itâs slow.
Itâs risky.
Sometimes it feels exposed.
But when it finally comes togetherâŚ
it feels honest.
And thatâs why I keep doing it.

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Bluebirds. Oilpaint
âSydorĂŠcup et crĂŠationsâ ⲠSpoons bent into portraits that watch you back
Fragment of an anthropomorphic brazier, Mexica culture, 1300AD, Teotihuacan
This painting sits comfortably in contemporary abstract expressionism, with a strong lean toward painterly abstraction.
Style & characteristics
Expressive brushwork: Thick, gestural strokes and scraped passages give the surface a physical, worked quality. The paint feels pushed, dragged, and layered rather than blended.
Abstracted landscape sensibility: While non-representational, thereâs a suggestion of landscape structure â horizontal bands, a central vertical form, and surrounding fields that hint at water, vegetation, or terrain without defining them.
Bold, emotive colour: Saturated greens and magentas dominate, creating tension and contrast, while the cool blue accent acts as a visual anchor and focal point.
Colour-field meets gesture: Broad colour areas are interrupted by energetic marks, balancing calm atmospheric zones with moments of intensity.
Intuitive composition: The work feels driven by instinct rather than strict geometry, prioritising mood, rhythm, and movement over literal form.
Overall, it reads as an emotionally charged abstract landscape â more about sensation and atmosphere than depiction, inviting the viewer to feel their way through the paint rather than decode a fixed image.
Cat art

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Art
Art