Hello, Iâm dilettantefeminist or DF for short (she/her). Iâm a writer (mainly of romantic comedy starring Tolkien elves) and a reader of all sorts of things. My AO3 is here.
Things I write about: Elrond (especially celrond), CĂrdan, my modern au, and OCs. Most of my work is explicit, but occasionally I write a nice little story in canon that is not.
Things that make me happy: brainstorming plot, reblogging writersâ work I enjoy, beta reading (including and ESPECIALLY explicit things), and of course writing. Like all writers, I would be thrilled if you wanted to tell me you liked something I wrote IN ANY WAY (kudos, comments, DMs, ask box...).
Iâm an elf person but not a silm writer, Iâm a book person but not a lore master. Iâm an explicit writer but I usually feel the need to have a lot of plot thrown in there. I occupy a weird little corner of LOTR fandom, and I am lucky to have been adopted by a few very nice mutuals. Trying to impress them keeps me motivated.
I donât ever have as much time to write as Iâd like because of the stage of life Iâm in (intense job, married, kid, elderly parent), but I enjoy connecting here. If I seem overly sincere itâs because I am old and genuinely think that the meaning of life is to connect. I donât often get bothered by peopleâs interpretations or opinions. I have plenty of ungenerous thoughts but my goal is that you wonât see them here (at least not too often).
3 pieces of advice that I tell myself on a regular basis:
If you're concerned that not enough folks are interacting with your art, first think about how (or IF) you are interacting with others' art.
You are not for everyone because you have a unique voice and interests. If you are lucky a few people will love what YOU bring. Only a very few of them will tell you this. Sorry! Try to enjoy making the art if you can because that is the only thing that you are guaranteed to get out of making art
Personally, my enjoyment of being on tumblr hinges on my enthusiasm for others' work, my willingness to interact, and my assumption that others are acting (most of the time) in good faith. If I find any of these flagging (AS THEY DO), or if I start feeling a certain way, I disengage for a bit and go touch grass.
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Is it too late for the WIP guessing game? You miss one tumblr day and the dash moves on into the far distance⊠anyway if not have you done HANDS?
An ask is never too late, nor is it early, it arrives precisely when it means to!đ§ââïž
(also you basically read my mind, on the day I was answering the asks I literally thought, "It's a pity DF isn't around today, she'd have loved asking for 'hands'.")
Anyway, there are many references to hands in my fics - unsurprising - but here's a bit from Love Thy Neighbour where Finduilas is having a quiet 2 AM crashout about how bad things really are for her right now and just needs something to hold onto.
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â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
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I guess editing a long novel is making my brain restless (focusing on the same things again and again) so I finally finished this chapter of my fic "A Momentous wedding".
Still not the one that I wanted to write first (It'll come, I promise) but still one I really enjoy writing.
About Arwen and Ăowyn. Hope you'll have fun reading it.
By the way, I couldn't remember with whom we had this chat about Faramir's statue... So I am very sorry I couldn't tag correctly.
Of Princesses and Queens - Chapter 2 of a Momentous Wedding.(on AO3 - 3977 words - tag : fluff, a bit of angst, politics.
Eowyn's life in Gondor had brought her many surprises but her friendship with the High Queen has been one of the most important.
It had happened during another of those dreaded meetings. Lords Aragorn, Imrahil, and Faramir, along with Ăomer, were gathered with representatives from cities across the realm. While the men delved deep into discussion, Lady Arwen had quietly led their female companions from the council chamber. Much to Ăowynâs surpriseâand outrageâthose women were to be âentertainedâ by the High Queen and herself.
This meant she would not attend the discussion that would shape their peace efforts. Bristling with barely contained anger, Ăowyn followed Lady Arwen and the host of perfumed women. She knew her duty, of course, and would not make a sceneâcertainly not before the High Queen, who remained ever serene and gracious.
With the deliberate grace of attentive hosts, they guided the wives, sisters, daughters, and aunts of those men through the city. They lingered at artisansâ shops, where eager craftsmen demonstrated their skills, and explained the history and architecture of Minas Tirith. All day Ăowyn found herself surrounded by a flock of vividly colored butterflies, who exclaimed âoh!â and âah!â at every new discovery. At last came refreshments, and the women were only too glad to sit after the long walk, to eat, drink, and rest.
Looking at those pampered dolls and at the High Queen walking regally among themâoffering a smile here, a kind gesture thereâĂowyn felt the anger coiling inside her all day grow tighter. Then the Queen turned toward her and, with the same composure, gestured discreetly toward the nearest balcony. Ăowyn nodded and, summoning the last reserves of her calm, followed her out of the reception room, offering polite nods to the seated women as she passed.
The air felt fresh, whispering promises of a sunset ride beneath open skies. As she joined the High Queen at the balustrade, a flock of birds swept past, their cheerful chirping a welcome relief after the mindless babbling she had endured all day. The two women stood in silence for a moment, gazing down at the White City and listening to the voices of its people rising from the streets below.
The Queen turned to face Ăowyn, her eyes dark and serious.
âI hope you will trust me when I say I understand how you feel about this affair. I, too, would rather be at my husbandâs side, listening and seeing through the words and thoughts of those men.â She looked intently at Ăowyn, who answered with an arched eyebrow.
âWe have our own dutiesâtoward our guests, and toward our husbands.â
Ăowynâs nostrils flared, her lips pinched, and her back went ramrod straight.
âDo not speak to me as if I do not know my duties.â
At those words the Queenâs face became a mask. Yet the fury held in check within the shieldmaidenâs heart refused to be cowed. If anything, Ăowyn stood even straighter.
âAnd what duty can I fulfill if I am set aside merely to entertain baggage? What insight could they possibly offer when they barely know the ways of the world?â she charged on. âWe cannot even weigh in on the exchange now taking place between our husbands and those men⊠All because we are women.â
The last words were spat with anger and the sting of old wounds. The Queen did not answer at once, but her eyes softened with compassion. The Princess of Ithilien bristled beneath the Elven maidenâs gaze. She certainly did not need the Queenâs pity.
The Queen turned her eyes toward the horizon and leaned against the balustrade. Behind them, the hubbub of the womenâs conversation continued, punctuated by exclamations as they discovered new delicacies or embroideries.
Ăowyn felt a fresh wave of resentment. Was she expected to act like them? To become a pretty flower, an ornament on her husbandâs arm? She glanced back at the Queen, who still gazed outward.
No. That was not what the QueenâLady Arwenâhad said. And if she were fair, the High Queen, like her husband, often meant more than the simple words she spoke. What, then, could they achieve?
Ăowyn drew a few steadying breaths, trying to calm her racing heart. The rays of the setting sun caressed the Queenâs face, lending her an air of melancholy.
She remembered that Lady Arwen was a woman like herself, not merely a queen. She came to stand beside her in silence. The sounds of the city were slowly ebbing as people returned to their homes and loved ones, while night spread her velvet wings.
âNo decisions will be made today,â the Queen said quietly. âAragorn is humoring them for now, letting them preen like young stallions, issuing challenges and demands as though they held the power. Showing disrespect to those who fought to free them from darkness while they hid⊠or worse.â
Ăowyn turned a curious eye toward the woman beside her. Anger trickled through Arwenâs words like mice beneath blades of grass on the plain.
âAnd he will let them. Estel is far more than a mere ranger. Though it is not a burden he sought, he has accepted it. He will let them speak. He will let them believe they command. This whole play may take a day or two.â
Ăowyn knew how long and treacherous such meetings could beâthis delicate, dangerous dance. Faramir had always found them amusing. He had told her how she had become a symbol, and she had replied that he could wield her presence if needed; she quite enjoyed the discomfort it caused those men. She smiled at the memory.
âLord Aragorn has Prince Imrahil and Faramir beside him. Both men possess the same observant mind as he. I suppose I should not worry so much.â
âIt is much more than mere observation for dear Faramir.â
Ăowynâs eyes narrowed, but Arwen continued to look away, lost in memory. Something twisted in her heartâa fear she had never thought to know.
âFaramir is a good leader of men, like your husbandâŠâ
âHe is indeed. With a kind and generous heart. It is easy to love him.â
Ăowynâs hands balled into fists. Surely this was a misunderstandingâŠ
âEstel relies greatly on your husband, for the people trust him far more easily than they do the High King.â
âNot only the men.â
The words tasted of acid. This time Lady Arwen turned to her, puzzled. Then understanding flickered across her face and she smiled, clearly amused. Ăowynâs anger flared anew.
âYou cannot imagine how relieved I was that, in the end, Aragorn chose me.â
The sudden change of subject unsettled Ăowyn. She blinked, confused.
âForgive me, Lady Arwen, I do notâŠâ
But the Queenâs smile turned mischievous, and Ăowynâs mouth fell open in a perfect âO.â Then Arwen chuckled, a touch bitterly.
âI do not think there was ever any doubt about whom he would chooseâwith all due respect, Lady Arwen.â
âI think there was. For one moment⊠when all seemed lost and you shone like a bright flame. But I am glad that moment passed and that, in the end, he returned to me.â
To say Ăowyn was baffled would be an understatement. Aragorn would have chosen her? The silence stretched between them for long minutes.
Ăowyn searched her own heart and found nothingâno regret for the path not taken. If she were honest, there was only⊠relief. Slowly she shook her head, golden locks slipping free of the silver circlet on her brow.
âWith all respect to the High King, I will say this: there is no regret in my heart that Lord Aragorn chose you. I am happy at Faramirâs sideâwhether as princess or ranger in the woods.â She looked at the Elf-woman before her. âI have no wish now to stand in your stead.â
Lady Arwen regarded her, and the sadness in those grey eyes stabbed Ăowyn to the heart.
âFaramir is not the only one able to read the hearts of others.â
Maybe Ăowyn was still a stranger in Gondor, but she was human, with the same understanding of human woes. Lady Arwen, with her otherworldly beauty and air of agelessness, seemed more a figure from ancient tales than a mortal woman. Many admired her; many feared her strangeness. It would forever set her apart.
âFaramir has become dear to my heart, it is true. And though he is younger by many long years, he reminds me, in his wisdom and kindness, of my father.â
âYou miss him.â
A laugh escaped the Queenâbitter enough to surprise Ăowyn. The Princess of Ithilien was slowly discovering the fragility of the woman before her.
âI have dreams: the flowers of my fatherâs garden, the golden trees of my grandmotherâs forest, the voices of my people singing⊠So many whom I love and missâŠâ Lady Arwen drew a deep breath and glanced back toward the room where the other women still rested.
âBut thisâŠâ She gestured toward the city. âThis is my place. Where I was meant to be.â She turned to face Ăowyn. âBy my husbandâs side.â
Ăowyn nodded. She knew the ache of loneliness, how it could devour the heart. She sighed.
âI still think we should be there with our husbands.â
Arwen hummed in agreement but pointed to the stones beneath their feet.
âYet here we are.â
Then she gestured discreetly toward the room behind them.
âLike us, not all those women are mere baggageââ Ăowyn grimaced ââso do not let them deceive you. Some study every gesture we make. Many are simple dolls, but others possess sharp minds and sharper tongues. They are the ones who will carry our words back to their husbands. They are the ones we must learn aboutâand, if possible, win over.â
Ăowyn sighed and looked down at her hands. She did not like this feeling. The ghosts of her past had left wounds that could fuel righteous anger, yet she must not let them blind her.
âNonetheless, I owe you an apology.â
âAn apology?â Ăowynâs eyebrow rose in surprise.
âYou kept your composure admirably. I admit that when I saw your anger simmering, I feared you would unleash it. But you were a most gracious host.â
âI know my duties,â Ăowyn replied, her tone still sharp. The Queen half-smiled.
âI see that now. And that is why I owe you an apology. I misjudged you. It is not a mistake I will make again.â
Both women stood straight, facing each other like two blades ready to clash. Then Ăowyn smiled with genuine mirth.
âI suppose I owe you an apology as well⊠and to those women.â
It was Arwenâs turn to arch an eyebrow. Saying nothing, she smiled and bowed her head slightly.
âShall we return to our guests?â
âWe had better. Or they will have tales to tell their husbands.â
âAbout the High Queen and the Princess of Ithilienâs apparent strife.â
Ăowyn giggled and held out her arm.
âThen let us sow some confusion, shall we?â
Arwen nodded with a soft laugh and took the offered arm. Together they returned to the room, faces once more perfect portraits of serenity.
* * *
It had been like a danceâan intricate oneâof subtle moves and hidden smiles. Ăowyn did not like it much, but she had grown skilled at it after years of practice hiding her true thoughts and feelings.
Sometimes she spoke her mind. Sometimes she listened, measuring her opponents, whether men or women. To her surprise, Ăowyn came to admire the bright minds among those womenâArwenâs most of all. Her serene bearing and quiet smile had a way of quelling even the most confrontational guests.
Often Ăowyn and Arwen walked together, speaking of the women who showed promise as allies. Frequently the High Queen deferred to her judgment.
Once, when they were alone during a brief respite in a tiring day, Arwen seemed agitated. Ăowyn wondered what could unsettle the Elf-maiden so deeply that her mask of serenity cracked.
âSome of those men⊠they threaten everything we fought forââ she glanced at Ăowyn ââthat you fought for, while I remained hidden in my fatherâs house.â
Ăowyn shrugged the remark aside.
âWhile you were not present with a blade in hand, Aragorn kept hope alive for the love he bore you. You had everything to lose, as much as any of us.â
Arwen nodded her thanks, though her hands remained cold in Ăowynâs.
âThey do not want this vision of a unified realm at peace. They would rebel, fight tooth and nail, and bring about another war.â
âDo you truly believe our ways are the best and should be imposed upon all peoples?â
The Queen turned to her. There was no challenge in her eyes, only wonder.
âNot always. But more often than not, our ways are better. And we remain openâwe wish to hear othersâŠâ
They continued walking arm in arm, silent for a time. Then Arwen turned to Ăowyn with an enigmatic smile.
âYou know of those conversations one may have with a husbandâor wifeâlate at night?â
For a moment Ăowyn was speechless. Then a sheepish smile appeared.
âI believe I doâŠâ
âMaybe that is where our true battle should be fought.â
âIn bed?â
Both women burst into giggles.
âWell, not ours, but⊠our alliesâ. Those women could share our ideals and then spread them⊠like sparks upon dry hay.â
âBurning people is generally frowned upon,â Ăowyn said dryly.
Arwen raised a delicately arched eyebrow, her eyes dancing with laughter.
âYou have a point.â She sighed, and Ăowyn squeezed her hand. âBut we should use every manner of persuasion if we wish to avoid another war.â
âWith only our pillows as witnesses,â Ăowyn replied, voice full of mirth. Arwen laughed.
âSo our husbands hammer the ideas while weâŠâ
âThe hand in the silk glove, which caresses and nurturesâŠâ
ââŠand yet holds the reins.â
âI am convinced Estel would not love that comparisonâŠâ
Ăowyn arched an eyebrow at Arwen, who giggled.
âBut we wonât tell him.â
* * *
As the last guests departed Minas Tirith, carrying with them gifts, cautious hopes, and a few new ideas, Ăowyn and Faramir returned to Ithilien. Yet even in the comfort of their home, surrounded by the restorative work of rebuilding their land, Ăowyn found her thoughts returning often to the High Queen.
When they next came to the White City, Ăowyn sought Arwen out and was pleasantly surprised by how warmly the Queen greeted her.
âI must admit, the seamstressesâ circle is dreadfully dull⊠and yetââ
âOh no. Are you trying to win them over as well?â
Arwen smiled. âNo. This time I simply sit and listen. They are noblewomen of Gondor. They speak freely among themselvesâabout their lands, their daily lives, the troubles brewing⊠and everything else.â
âIt is not my favorite pastime either. I would much rather lose myself in the Great Library, among its countless tomes of history.â
âI never imagined you as an avid reader.â
âWhen one is as long-lived as I, one must find ways to occupy both mind and time.â
* * *
Ăowyn would have gone mad with boredom, trapped in that room with women focused only on needlework and idle gossip. Knowing Arwen as she now did, she could not bear to leave her friend in such a position. And so, playing the perfect Princess of Ithilienâpoised and gracefulâshe came to the Queenâs rescue, not with a sword, but with a request.
That afternoon, Ăowyn joined Arwen and the ladies of the embroidery circle: high-born women of Gondor, all confident in their pure blood and refined manners. Strangely, Ăowyn felt less alienated than Arwen. While many were openly admiring (and some envious) of the High Queen, she did not miss the sidelong glances and veiled smirks they exchanged.
Arwen, of course, noticed everything but chose not to show it. She listened quietly, gathering news of the realm: who was discontent, what rumors were spreading, which houses might yet prove troublesome.
Many of the women dismissed Arwen as little more than a beautiful Elven maidenâgood only for bearing children to the High King, lovely but empty. Ăowyn could not understand how her friend endured it.
âI have you at my side, Ăowyn, and others as wellâLothĂriel shall come, and Aragorn, of course. Yet it is necessary that I heed those who murmur with discontent, for they are the ones most like to betray the King.â
âBut I still do not see how you can live like thisâyour whole life revolving around a people who may never fully accept you.â As she spoke, Ăowyn recalled the old tales of Vidumavi, the Northmen princess who wed Valacar but never ruled as Queen, and the rebellion that rose against her son Eldacar for his mingled blood.
Arwenâs expression softened. âMy friend, I sense you are restless today.â
âIt is nothing. The heat is simply harder to bear when one is enclosed by stone walls.â
Ăowyn hated how the marble made her feel small and trapped.
âThen I have a quest for you,â Arwen said, a spark of mischief in her eyes. âI need a certain book. But you will have to wander through a labyrinth to find it. Will you accept this quest? There will be a prize at the end.â
âThere is no need for any prize if it means I may escape this room for a while.â
Arwen gave her that enigmatic smile, and Ăowyn chuckled.
* * *
Ăowynâs simple errand quickly became a true quest. The Master of Lore was thoroughly confused, consulting registers and archives for what felt like hours. Finally, the librarian handed her a candle and pointed her toward one of the furthest and oldest chambers.
Ăowyn frowned. What kind of book required such secrecy?
The deeper she went, the more the world seemed to fade. Dust lay thick on forgotten shelves. Candles long abandoned had melted into strange shapes. Spiders scurried away from her flickering light.
Though she could read well enough in the common tongue, Arwenâs hand was another matter entirelyâflowing and graceful as the branches of a silver birch, but altogether too full of loops and flourishes for her liking. It was as if the letters themselves were dancing, and she kept missing the steps.
When she had confessed as much the first time, Arwen had laughedâa bright, musical sound like water over stones. âAlas,â the Evenstar had said, smiling, âI fear I cannot write otherwise, even if I wished it. The hand remembers what the heart has learned.â
Ăowyn still did not know the exact title she sought.
If I die here, buried under dust and cobwebs, I will haunt her, she thought with dark amusement.
At last she reached a small, sturdy shelf of dark wood. Despite the haphazard piles of booksâFaramir would have been appalledâit stood solid. After some searching, Ăowyn found the volume.
It was a beautiful old book, bound in worn leather with faded gold lettering. A book of recipes.
Ăowyn blinked in confusion. Arwen did not cook. Why send her all this way for recipes?
Puzzled, she turned to leaveâonly to find herself facing someone she knew very well.
In a shadowed corner stood a marble bust of Faramir as a young man. The candlelight gave the stone a warm, golden glow, almost godlike. He looked so young, with unruly curls and the faintest curve of amusement on his lips, as though he knew a private joke.
Ăowyn stepped closer, mesmerized. She had seen many statues of Boromir throughout the city: proud, noble, heroic, displayed in places of honor. Yet this was the first likeness of Faramir she had ever encounteredâand it was hidden here, forgotten among dust and cobwebs.
Without thinking, she reached out and gently brushed her fingers across the stone curls. A small, fond smile played on her own lips. Only when hot wax dripped onto her fingers did she startle back with a laugh.
Before the candle could gutter and die, leaving her to grope her way among the dusty stacks, Ăowyn hastened back to the brighter, more public chambers of the library. She returned the candle with a hurried word of thanks and gave the librarian a vague, somewhat distracted waveâkeenly aware that the Princess of Ithilien must have seemed rather odd in her sudden flurry.
When she returned to the sewing room, now empty except for Arwen, the Queen was quietly reading.
âI am most curious to taste whatever recipe you intend to try,â Ăowyn said, setting the old book down. âHow ancient is this volume?â
Arwen looked up and laughed, the sound like clear ripples of water. âVery old. I heard goodwife Ioreth speak of it once. Even in her youth it was already considered ancient.â
âI wonder what our hobbit friends would make of it.â
âThey would no doubt regale us with half a dozen of the recipes before the week was out,â Arwen replied, eyes twinkling.
Ăowyn studied her for a moment then added, more softly, âAnd I believe I found the prize you spoke of.â
Arwen looked up, her eyes twinkling with quiet pleasure. âAh. So you discovered the bust.â
âI did.â Ăowyn hesitated and stayed silent for a long moment, the image of the marble face still vivid in her mind. âThank you,â she said at last, voice thick with feeling. âIt was a kinder prize than I expected.â
Arwen smiled gently. âI am glad.â
Ăowyn glanced at the recipe book, âHow did you discover its existence?â
Arwenâs expression grew wistful. âWhen Faramir and I first spoke of the Library, he mentioned how much knowledge had been left to decay under the old Stewards. The librarian gave me a map and⊠well, one thing led to another.â
Ăowyn laughed. âHow many hours?â
âToo many, even for an Elf!â
They shared a laugh, warm and easy. The two women spoke a while longer of recipes and hobbits, of stories of olden time and overlooked hearts, as the golden afternoon light slowly turned golden and purple beyond the windows.
Ăowyn gazed outside, thinking of Faramir. When she returned to their chambers, he would ask about her day. She wondered whether she would tell him about the bust, standing quiet and noble in the shadows.
Perhaps not. Some secrets were best kept between friends.
A smile touched her lips. How fine it would be, she thought, to share another adventure in these vast halls with her friend. Perhaps even to slip away from the embroidery circle on some noble pretext. They might seek out a book of the highest importance⊠such as the one concerning the most auspicious days for planting certain seeds.
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for WIP asks (sadly sent from disused and dusty main because no amount of love can get me out of sideblog purgatory): đ and đ for the brewing great time that is celebrĂan/elwing island milf-fest! top ten fic ideas that make me go awooooo despite knowing approximately zero details đ -@/riding-with-the-wild-hunt
literally i have NO idea how to describe this fic because it is indescribable. in the same way an anglerfish is. so. u must content yourself with a snippet i am afraid đ (note: nsfw, mention of historical sexual assault)
Elwing has her pinned, the great flightbird spreading her fair and terrible wings to choke her in awe over and over, mothering her and smothering her by turns, but now her fingers are dancing beneath Celâs smallclothes, diving shallowly over and over, and CelebrĂan simply cannot think anything aside from this woman must be very, very good at masturbating and immediately follows the thought with the fuck else does she have to do around here? and then she imagines Elrond laughing at her words and that is when Elwing raises her head and slaps her cheek.
âNone of that, now,â she instructs. And then she says âmaybe later, though, maybe later,â and as she says that, she dives like a fucking herring gull of all things, because CelebrĂan has not gotten over it, she still hears the cry of the gulls and the pull of the sea here in Valinor and she is very afraid what that says about herâ
(The grass beneath her feet is too green for her grief. Everyone is very kind. The gardens are pleasant. But they donât heal her so much as they ask her whether the wound was truly ever as deep as she thought it to be. She presses her frantic hands against the clouded glass of her body. Letmeoutletmeoutletmeout.
Behind her hums a hundred doubts.
Beside her, Elwing.
Was the Redhorn Pass real? Did the FĂ«anorian host mean to sack Sirion? Did CelebrĂan enjoy it, in the caves? Might she have, for even a moment? It is not an impossibly. Did Elwing sleep soundly, the night of her breakneck fight? Peace? Quiet? What if she never wanted children? What if CelebrĂan was not running from terror but towards comfort? Was what happened truly so unfixable? It is untenable, this bombardment. They demand certainty, madwomen in their refusal to forget every little detail. Aman keeps them gently under its warm tongue, two bitter pills chased down with nectar. Loved deeply and disbelieved entirely.)
âbut here she is strung up, spread-eagled, and Elwingâs tongue is just at that spot over her pubic bone, flat and rugged, slick and slim by turns, and she whimpers into the gag, spreads her legs even wider, as wide as the ropes permitted. This then, was the woman who sired and bore Elrond, who had begged to be strapped to the headboard on their first night and last, and Elros, who had loved wine and women and the hunt, who had sunk into them eve after eve.
Sheâs instructing her, for godâs sake, Elwing is still bloody talking, saying âyouâll have to remember this later, for me,â saying it into her almost, âlift the hood with your tongue so, and suck,â and CelebrĂan thinks helplessly at the gently burbled instructions, she wanted no children, but longed ever so for motherhood.
Finally writing Aredhel's fic for The Stars Thy Witness series and she's going to make me insane. How many contradictions can one woman hold? How absolutely nuts is she gonna make her part of the fic? Fuck, Aredhel, you're gonna make my heart hurt by the end of this.
She breathes in deep and steadies her heart. Kneels. Lowers her head so that her forehead touches the ground. The dirt seeps into her white dress, staining it. How furious her mother will be when she sees what ĂrissĂ« has done to such a lovely thing!
How devastated she will become when she learns the path her daughter has chosen to follow.
It does not matter. Not her parents and brothers in Tirion, or the many expectations of the Noldor for the first grand-daughter of King FinwĂ«, or even the pretty silk dress. Nothing matters except for the forest, green and silent, as OromĂ« approaches.Â
A hand grasps her face and lifts it up. Gently, of course. OromĂ« is one of the Valar, and even with all their strangeness they are never anything but gentle with the Eldar they love. ĂrissĂ« turns her eyes to meet his and despite it all, shudders. Though a symbol of the forest, her lord is not like Yavana, who fashions herself from roots and flowers. He takes a form of flesh and bone, the body and limbs not unlike that of an elf, with the head of a beast, changing to fit his mood. When ĂrissĂ« first met him, nearly running her horse into his hunting party, it looked to her like a brown bear. Later, when she and Tyelkormo ran wild beside him, it was a grey wolf. Now, OromĂ« has put on the head of a white stag, with antlers that reach towards the stars.
âHunter,â he says, âwhat do you want?â
âTo serve, my lord,â she answers. Her voice wavers, and she digs her nails into the dirt to try and steady herself. âTo devote myself to your craft, to the cycle of the chase and beasts.â
âThis is a grave thing to ask of me,â says OromĂ«. Around them, the birds watch. Wait. ĂrissĂ« can feel their judgement, weighing her soul against that of the forest.Â
âAnd yet, I must.â Her heart beats fast, so fast she could be sick. But it is not fear of OromĂ« that shakes her, nor of the forestâs power that pins her in place. She fears refusal. To be sent back home with nothing but a mud-stained dress, forced to follow the path her mother has so delicately laid out for her.Â
The stagâs eyes, red and black, study her. âMany of the Eldar hunt without binding themselves to me. Why choose this, little one? Why chain yourself to a godâs will?â
âIt is not a chain I ask for, my lord,â says ĂrissĂ«. âIt is a life.â
âA life?â he repeats.
ĂrissĂ« nods. âTo spend my days at your side, as inseparable from you as your hounds. That is the life I want, my lord. Not to be a hunter within your woods, but an arrow in your quiver.â She lowers her head. âTo be yours and no one elseâs.âÂ
The forest around her says nothing. No rustle of feathers, no breeze drifting through the leaves. There is only the weight of its gaze, the hundreds of eyes and the red-black stare of her lord, crushing down upon her.Â
Say yes, she begs. See my love for you, my loyalty. See me and make me yours, my lord. Let me be wild.Â
there is this really specific thing that very Online women of a certain age (mostly older millennials and younger gen x in my experience) who are married to a man will do where they will refer to their husbands as "Mr. (Part of My Username)"
so like if the username is something like "dancingwithbears" they'll refer to their husband as "Mr. Bears"
Some of you on this site are so scared of writing fairly conventional anatomy-based sex porn because of the cringe-words and general discomfort with sex. It helps to have had sex, but that's not necessary. After the break, as it is somewhat explicit, here is all you need to do, and it is not a list of euphemisms for penis or vagina or xenoapparatus:
Choreograph it in the same respect that you would any scene. If you can do this, you can have some confidence that your porn is exactly as good as your fights, your key gambling maneuvers, your political oneupsmanship, whatever. The key to writing any scene is to know where everyone is and what they are doing and impart this from the lens of the point of view character. If something feels "off" or weird, check in with yourself: what is the point of view character doing? Say it. She has her nails digging into her lover's shoulders. Was that, what she's doing, the last sentence? Let her react to it instead: the thrill of hot blood against her fingertips is intoxicating.
Many of the "porn mistakes" are just writing mistakes, and writing is an unending dialogue between the material (what is physically happening) and the ideal (how a perspective processes the material, with human and personal limitations but also human and personal additions). When you've firmly established the material, you move back to the ideal, the thought-space, the recollection-space, the processing. Then back to the material. Each action spins out and away from the earth, into the ether, where it is reintegrated, leveraged, subverted, and then returns, changed, to collide with the earth again, changing it in turn.
You do not have to say words for penis over and over any more than you need to keep clarifying proper names in a dialogue, and in fact, even less than this. Remember, unless your character is specifically having sex with the penis, she is in fact having sex with a woman, and her feelings and reactions and ideal likely center that woman more than her penis. Put her in dialogue with the woman rather than the penis and you have your answer: you only need to say cock as many times as you would say "rapier" in a swordfight. Once you know what sword it is, you move to sensation, movement, "large scale choreography", and processing.
The unique thing when talking about genitals is that most people don't think much about genitals when they are having sex. They think about sensations: what feels good, unexpected, painful, pleasant, intimate, jarring, etc. Saying "her cock" over and over is not just a little offputting because it's excessively repetitive; it's like putting "gauntlet" in five subsequent paragraphs. We get that there's a gauntlet and a penis. It feels wrong because the gauntlet is an extension of the striking-appendage and the penis is an extension of a character.
To avoid saying gauntlet over and over, as in any writing, you either get vaguer or get specificer. You describe the interaction with the wrist-plate, where the rapier rebounds from the shape of the steel, or the fingertip sliced-through by the superior blade, just barely shallow enough to spare the digit beneath (specific). Alternately, you get vaguer and describe the strike itself - the reader knows there's a gauntlet there! - a fist thrown in desperation after losing hold of a dagger, the weight both pulling down the blow and putting momentum behind it until it meets the enemy's helmet with more of a thud than a clang as the cheap steel crumples into the leather padding beneath, dented skull-deep.
Neither of those used "gauntlet". Both used the concept of the gauntlet. This can be done with anything that you establish - once it's on the stage, it's not off until you take it off.
Of course it helps, to an extent, to have had the kind of sex you are describing. It helps more to have been thoughtful about your own sensation and reaction and action during sex in general; few people really do this, but doing it is extremely useful for writing, the same way riding a horse and not thinking about it will lead you to over-describe the tack you're familiar with vs. riding a horse and thinking about it will help you develop a coherent material dialogue with the content of your own narrative. To an extent, to write about sex, you need to have some level of comfort thinking and reading about sex. Anyone can do those two things, and allow themself to think: at the moment of being penetrated, is her shaft sliding into my fragrant blossom? Or is the sensation more like pressure, more like pain, more like an insistent heat, more like an awareness of her and her shape or an awareness of myself and my limits or my pleasure?
As in sword fights, it helps to imagine yourself in the scene rather than only observing it, when it comes to blocking out a scene like something other than stage directions or a video game novelization.
The last thread this leads me to is pussy. No one wants to write pussy, unless they do. So they write entrance, which you can only really write once before it sounds goofy. Or cunt, which not every character would say. There is not really a cock of pussy, at least in my literary opinion. So how do you say this stuff? How do you say "into her pussy" if it causes you physical pain to write pussy?
You may not need to specify at all. When penetrating someone, you are penetrating a person, not just an organ. Depending on the nature of the sex, you may want to get into more or less detail, but I'm not talking to the people who are already writing about the color of the labia and the specific tactile sensation of a blood-flushed clit, okay? I'm speaking to you if you have stopped and made a terrible face at the thought of "pussy" and then deleted it and written "cunt" and cringed again.
My hot tip, as connects to all the rest of this, is that if there is not a word for the place you are stabbing her, you are just stabbing her. You are dragging your fingers over her until she yields. You are lining yourself up with her, pressing in, adjusting cautiously until she wriggles her hips, urging you to get on with it already. You are drawing your hips back against the friction of her trembling body. Could any of these be her asshole? Her neovagina? Her alien hole where she excretes salt waste? Of course! If it's important to specify, specify! If what's hot about fucking someone is the logistics of the hole, then by God, logistics the shit out of that hole without shame. But what makes porn hot is not the hole itself. It's the interaction with the hole, gone warm and molten as her desperate breaths come quicker. It's how the hole makes you feel. Fuck you.
Word choices for describing sex organs are an expression of how the perspective character feels about them. A heavily euphemistic description may either reveal something important about the character and her misgivings or set the narrative itself up for subversion - the girl who winces and thinks of her penis as "her manhood" is going to have something to unpack later or even during sex. The dispassionate "shaft" could either reflect disinvestment, to be dramatized later on, or set up that disinvestment to be subverted, as the humble shaft becomes the instrument of orgasm.
Think of how anime often has internal-monologue turning points to explain where a character's last reserve of energy comes from - the setup, the dead parent, the tragic past, the loss of a friend, it comes from somewhere, and the payoff to winning the duel is catharsis. It's just a more straightforward way of illustrating the point of most building-to-a-climax, which porn often deliberately does: you can only pay off on what you set up. Otherwise you revert to tropes and the underdog-hero wins for no reason and the girl-hero cums and it doesn't even matter because ten thousand she/hers have cum exactly that way in ten thousand prior okay scenes. The difference in payoff is all in a setup that the payoff can reintegrate: a material and an ideal that unite in a moment of pure emotional release.
I can't make you better at writing sex scenes than you are at writing fight scenes, but if you follow this advice you can be just as good.
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