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@delicatebluebirdruins
Ellie, Virgo, She - Her, complete and utter multi-fandom trash, which causes a mess. NOT SPOILER FREE. as I am bad at tags. Please don't judge what is in my likes; main ships: Rowaelin, Hunt x Bryce, Bellarke and many, many others; Bi! Manon Blackbeak rights... Ethan Winters stan and RE9 Mia and Rose Winters centric hopeful. If you hate RE3R for being too short look at the speedrun database and compare it the OG and RE2R and of course learn about the director you know the guy who worked on OG1 to 4 that guy you're shitting on one of the OG creators of the thing you like so much
on summer & its hauntings, of which you are one: your childhood is over. your childhood sleeps in the bed next to you at night. your childhood is buried beneath your parents' back porch. you are always out of time.
the diaries of franz kafka, franz kafka // jordanna kalman // you don't have to like me, alida nugent // destruction of the riverhouse motor lodge, @/deadmotelsusa // @/ryebreadgf // "to the bone" dorothy allison // @/heavensghost: georgia o'keefe: art & letters + rené magritte // bill hader on andy muschietti's direction during it chapter two (2019) // "erasure" zoë lianne // calvin & hobbes // the chronicles of narnia: prince caspian (2008) // "how to eat your watermelon so the best bite is last" @/haunting-the-narrative // hotel poole (2019), angela deane // google street view, 2016 vs 2025 // @/ryebreadgf // "imitations of drowning" anne sexton // "summer of '69" bryan adams // "landscape" louise glück // "relapse" blythe baird
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shared it with my friends already yet putting it on here so it doesn't get lost in the discord messages but
If we couldn't get Jill, then we should've been playing as Sherry in RE9. She was the person in RC the longest. Was probably born there, and just.
The feeling of something both familiar and unfamiliar when visiting places you haven't been too since you were a child. Realizing the structures you thought were huge were actually tiny. Recognizing names from broken street signs and remembering long car rides and the conversations that happened along them. Seeing a place you grew up with destroyed and unrecognizable in the way that you know how it looked but are unsure how much of your own memory to trust. Remembering faces but not names until she reads old documents and files that should've been weathered into dust by now, and wondering if she knew them personally albeit briefly or actually only heard about them from stories.
Reliving her trauma from within the police station and facing the demons from her last time with her parents as a perfect mirror to Grace. Her seeing Grace running around with a small defenseless child and turning on every thing she learned from Claire with her behavior to make sure everyone is okay and reassure them they're all getting out. The horror at seeing Emily changed and realizing how that absolutely could've been her in RC and having to take the shot anyway. Seeing Zeno and being so in her own grief and nostalgia she slips up and says "Uncle Wesker?" Something she hadn't uttered in decades only to get an apathetic gaze and ignored in return. Combat that utilizes her strength and healing factor from the G-virus. The commander aka Hunk presenting an actual threat considering his original job was to get a G-virus sample and here's the culmination of what a perfect super soldier would look like with Sherry right in front of him.
Can't nostalgia bait the audience with reused bosses cause Sherry didn't fight those so they'd have to come up with personal ones for her. Her getting so hurt her arm actually mutates meaning Grace has to take the last boss fight against Victor, her kidnapper. Elpis cures the latent t-virus and subdues the mutation but a new fear of what she could turn into rears it's ugly head and settles deep in her chest.
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ID: a reddit post in the subreddit "mtf" by user @.apotatomassacre. "My 84 year old Navajo grandmother gave me one of her bracelets (that my silversmith grandfather made for her in the 50s) after seeing me as myself for the first time. It was one of the pinnacle moments of my transition and definitely made me cry.
i came out to my grandma at the beginning of the year over the phone. She really didn't (and I knew) know what transgender was or anything but this past weekend, we were able to see each other in person for the first time since i started my transition. For being 84 years old, the chat went as great as it could have gone! She caught me as I was leaving and she gave me a silver bracelet with turquoise and coral stones. She told me that this style is what Navajo women wear.
I was speechless as she barely learned what transgender was just minutes earlier. I cried for the entire drive home." End ID
So I was scrolling and saw this image in an article about the European heat wave,
And was like, uh, are you missing something there, buddy? Like all that red in northern Africa? Because that's a lot of red.
And I was going to give them the benefit of doubt, since I don't know much about the climate in Northern Africa, aside from Morroco and Egypt, which seem like really hot places, so you know, maybe it's normal there?
But nope, that's not the case:
Africa is struggling with heat waves and many countries on the continent lack the resources rich economies have to deal with rising temperat
Some selections from the article:
"The region has been experiencing some of the most intense heat waves in recent years, but in many cases they’ve been under-reported due to misconceptions about Africans’ ability to withstand them.
“Africa is seen as a sunny and hot continent,” said Amadou Thierno Gaye, a research scientist and professor at Cheikh Anta Diop University in Dakar, the capital of Senegal. “People think we are used to heat, but we are having high temperatures for a longer duration. Nobody is used to this.”
"The Sahel, for instance, has been heating at a faster pace than the global average despite being hot already. Burkina Faso and Mali, both in West Africa’s Sahel, are among countries that are set to become almost uninhabitable by 2080, if the world continues on its current trajectory, a UK university study found. Its people are especially vulnerable due to shrinking resources, such as water, and poor amenities, and a dearth of trees and parks means there are few options for places to cool off."
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yknow out of every show/movie/whatever thats tried to do the whole ‘girl power’ subplot, ATLA is the the only one I’ve seen stick the landing. cause like, they didn’t try and condense it down to a one episode problem then never speak of it again, but they also didn’t subject us to constant misogyny during the entire series. and they were also realistic about it! the point they wanted to make was that gender has nothing to do with a persons capabilities, and that is the point they wound up making every time!
probably the best example is the katara vs pakku fight, cause like. any other show would probably have katara kick his ass, and that would convince him to teach her and also drive home the girl power theme. the conflict of the story is katara not being allowed to fight bcause girls are considered too weak; if she loses a fight to a man, then it just proves him right, she has to win. but that’s why the message always falls flat in other stories, because it wouldn’t make any sense for katara to beat pakku in that fight. she’s a teenager with literally no training, and has spent all season struggling to teach herself the basics, while pakku has decades of experience and is one of the most skilled waterbending masters in the world. if katara won the fight, it would be contrived bullshit, and make the intended feminist themes painfully heavy handed, and a blatant token effort. but instead, we get a hardcore two minute smackdown of katara trying to murder the everloving shit out of pakku, and making him work to kick her ass. like yeah she loses, but it’s a vicious fight, she manages to hold her own despite all the odds stacked against her, and it’s the first real display of intense combat waterbending in the show. and despite losing the fight, she still wins the overall argument, because she successfully gets through to pakku about the patriarchal system being damaging to everyone - up to and including him.
my point is katara going absolutely fucking feral against pakku is the best fight scene ever, and atla is a really good show
unfortunately, even atla doesn’t quite stick the landing, particularly in regards to pakku’s sexism–because the fact is, katara doesn’t win the overall argument. she shows some truly ferocious waterbending ability, she keeps a master sixty years or more her senior on his toes for a protracted battle, and considering the fact that she could barely hold a little water together at the beginning of the series, it’s truly fucking astounding how well she fights, and how far she’s come in her abilities with zero formal training.
and pakku. doesn’t. care.
she does not successfully get through to pakku about the patriarchal system being damaging to everyone. she doesn’t get through to him about anything. because at the end of their fight, pakku says ‘lol doesn’t matter i’m still not gonna train you’. and that would’ve been the end of it, if pakku didn’t notice katara’s necklace and recognize it as the betrothal necklace he’d made for kanna decades earlier.
he only agrees to train katara because he was in love with her grandmother. (and it kind of seems insidiously gross when you consider the fact that he tracks kanna back down in the south pole and marries her off screen, making it seem like he only agreed to train katara to get in good with her grandma when he went to find her again. all of this ignoring the fact that he was at least part of the reason she ran from the northern tribe in the first place.) there’s no evidence that anything actually changed in the tribe, by the way. to my recollection, katara is the only girl we see training with pakku after that fight. none of the other girls seem to be taking lessons from him, and there’s never any indication that things changed long term, either.
for all we know, katara was the Exception to the Rule and the northern tribe went right back to saying ‘girls belong in the healing huts while the boys learn to fight’.
that’s not exactly what i’d call ‘sticking the landing’, personally. and it’s one of the things that bothers me a lot more in hindsight, because yeah, watching it at the time??? it was so badass! i love katara so much, and the fact that she was able to kick ass in a fight with a master decades older than her and do well, even though she ultimately lost the fight, was amazing! but then afterwards, when you think about it and realize nothing actually changed, and he didn’t even agree to train her because she proved girls deserved to be taught, it feels like… a really hollow victory, if i’m being honest.
it actually kills me how little thought was put into the air nomads and their culture, despite the fact that the main character was one and it was literally in the title of the show
no, they said how little thought was put into the air nomads culture, and that’s NOT true at all. we couldn’t see air nomads culture as much as we did with ek, fn and wt because there’s no one to show us this. every air nomad is DEAD.
if you’re not forgetting it, we also don’t get to see how the fn and the wt celebrate birthdays so what’s your point?
we got to see a lot more than expected about them, about their system, their politics, their beliefs. that’s because i’m not even counting the comics!
Except it is true, however little you want to admit it. Very little thought was put into the culture of the Air Nomads in the original show, which is what my post is about, and frankly, what very little we see expanded on in the comics isn’t anything to write home about, considering how the Air Nomads are always presented as the paragons of purity with very little depth. (And I notice that, once again, you’ve failed to even attempt to provide any examples of this alleged development. Very curious indeed.)
The single existing exception to this is the Kyoshi novels, which a) were not written by Michael or Bryan, and b) came out eleven years after the show ended, which is far too little, far too late for me to give the creators credit for the worldbuilding (especially since, again, neither of them wrote the books; that credit should go to FC Yee).
We may not see how birthdays are celebrated in the other cultures, but we see how their governments function. We see how and why their belief systems developed, and what those systems were rooted in. We get to meet spirits who are crucial to the development of the other cultures–the dragons and Tui and La in particular. We get to see the flaws of each of the other nations, too–we get to see where their predispositions lead them, and where they falter because of their belief systems.
We get none of that for the Air Nomads. All we know about them is based on the existence of a handful of artifacts, Guru Pathik’s lecture about chakras (which was never once revisited after book 2), a handful of sayings that Aang parroted from the monks who raised him without any evidence of wisdom or understanding, and an alleged dedication to pacifism to an extent that flies in the face of one of the first things we learn about the Air Nomad genocide, which is that Monk Gyatso killed a whole bunch of Fire Nation soldiers in defense of his temple.
And the structure of the story isn’t an excuse because it’s not like they were a culture that really existed and AtLA is some kind of historical record. The creators chose to set the story up this way, and then they chose not to devote any significant time or effort to developing the culture of their titular protagonist. All we really know about the Air Nomads is that they are supposedly so spiritually pure from birth that 100% of them are airbenders, and I really shouldn’t have to explain why equating spiritual purity with bending ability is more than a little problematic, especially since it doesn’t work that way for literally any of the other nations.
Also to add to this: on the Air Nomads being dead, there were many opportunities to bring them back in some shape or form! Especially in post canon, like LOK, or in a possible Book 4.
There obviously should have been many Air Nomads left in the world. Genocides usually don’t manage to kill everyone! The Air Nomads had friends in all Nations and they could fly on Sky Bisons. The writers managed to hide Appa from the Gaang for half a season in Book 2! I’m sure there would have been room to hide Airbenders around the entire world.
It’s been theorized many times that Ty Lee was a descendant of the Air Nomads who was a non-bender. Through her, the writers could have introduced her grandparents and other survivors, and they could have taught Aang and Ty Lee about Air Nomad culture, stories of how they lived back at the Temples, and stories of how they survived and, at times, thrived. Ty Lee was friends with Azula, the Fire Nation Princess! I think we can call that “thriving”.
After introducing Ty Lee’s family and, say, their village of Air Nomad survivors, we could have learned about a whole network of Air Nomads who survived and kept in touch. Keeping traditions alive, from foods to clothings to festivals, while adapting their lifestyles to their new environments.
Some people could move back to the Air Temples who are being rebuilt by a group of Earth Kingdom, Fire Nation and Water Tribe peoples, lead by Aang of course, while others could keep to their new ways. More Air Nomads could be born, non-benders and benders alike, and they’d all still be Air Nomads.
When this topic comes up I keep hearing the same excuse, that all the Air Nomads were dead so there was no way for us to get any real insight into their culture, but like… that was a deliberate choice on the part of the creators. And it makes very little sense–how are you expecting your audience to believe that a nomadic people were completely wiped out (when that has never, in the history of this planet, been how genocides actually work–there are always survivors and descendants), and then show us hidden societies and secret tribal offshoots of the other nations that virtually no one knew existed?
If the Sun Warriors and the Foggy Swamp tribe managed to remain completely off the global radar for however long their societies have existed apart from the Fire Nation/Water Tribes, why are we supposed to believe it’s completely impossible for any of the Air Nomads to have survived the past century? And why is this an excuse for laziness in the worldbuilding when it was very much a deliberate choice, and nothing mandated that they not devote any time or energy to uncovering information about the Air Nomads both past and present?
Book 3 actually would’ve been a perfect time to have Aang’s rosy-colored view of his people challenged by showing him that not only were the descendants of his people still alive (and while I do love the idea of the show having gotten a book 4 for all of this, how poetic would it have been for him to discover that his people were still alive in a book devoted to the element that destroyed them?), but that there was more to his culture than pacifism and catchy proverbs?
Anyway, the ultimate point is that they could have given us a show in which the main character’s people and culture are explored in at least as much depth as the other three nations, and they chose not to. (Especially since, as someone else pointed out in the notes, they used flashbacks to show us plenty of information about what occurred decades and even centuries before the events of the show. They could have done more with the flashbacks of the monks than they did.) And that is what annoys me.
(As a sidenote, this becomes an even harder pill to swallow when you remember that the Air Nomads are largely based on Tibetan buddhist monks, and that their genocide is uncomfortably reminiscent of what China did to Tibet–making the complete lack of survivors, and the caricature of Pathik being the only living person we see who has any kind of deeper understanding of the Air Nomads and their culture, even more distasteful.)
after letting it brew for a while, discussing a bit with others and reading other people's opinions on it, i feel like i have fully solidified what my thoughts are on it (spoiler, theyre not good)
im focusing more on the characters here, since everyone has already done a wonderful job dissecting the plot of the movie (and how it serves no purpose + the holes it has)
long post ahead so beware, everything is under the cut to prevent spoilers + to not have a whole wall of yapping out there. im gonna be sectioning this in specific points i want to talk about (both what i liked and what i didnt like in the movie)
disclaimer: i am NOT gonna be arguing about zutara here. i am a shipper and im not gonna stop liking them, and they are tagged because frankly its relevant to the topic
everything below the cut, NOT spoiler free !!! movie screenshots added aswell !!!
getting the short part out of the way:
THE GOOD
- zuko's adult design
frankly, out of all the characters, i believe zuko has the best design. a detail I specially like about it is the hair: unlike his predecessors zuko wears a looser bun, his hair is not as straight and he wears bangs. i find this decision quite fitting, first because it visually sets him apart from the other fire lords, its different, feels more relaxed, less strict (= he is not like those that came before him). and i also find it appropiate for his character and a natural development from the messier look in book 3, with his hair always in his face. its an appropiate development
also, in this scene specifically i love that instead of the flamey dark room he has an open space with a lot of light and is surrounded by a lot of advisors/governament officials/idontknowwhattheyrecalledimsorry
(reference here of sozin, azulon and ozai)
in terms of actual looks he still looks like himself. zuko has always been the more anime-ish out of everyone in the gaang, so this animation and drawing style is very appropiate for him
and... this is it ._. i have no other good points to bring up beyond the animation, which we have all established that is amazing and beautiful and they did a great job with it. but this is pretty much it for anything else
THE BAD
- zuko's nonexistant lightning scar
this was a terrible decision. usually im not too picky on things like these because i understand that with all the rush and the way animators are permanently overworked in the industry, its not unheard of that details (even important ones) get overlooked. if zuko only had a couple shots shirtless i would brush it off as a mistake and i wouldnt think much of it, we are all human, etc etc
however, considering that a good chunk (if not most) of his time on screen looks like these screenshots, i am inclined to believe this was an intentional decision
and honestly, it annoys me. zuko's scar has so much symbolic weight for his redemption arc (the culmination of it, his last step to redemption, going against his sister to save the life of someone his family wanted to and tried to exterminate, facing his decisions and his consequences head on, willing to die for it), and it ties him to two very important characters in his arc: katara (his parallel) and aang (his mirror). choosing not to add this one physical characteristic is severing those ties, effectively disconnecting him from them, and erasing all the personal work he has done to become who he is
and i can't help but think that this was done purely because of zutara, because it's a very visible conection between them and very relevant in their relationship (both platonically and romantically), and of course, if they're gonna have him shirtless for so long they cannot possibly give more content to the shippers (how dare we).... ironically, this damages aang's character too because it eliminates part of their mirroring, but there doesnt seem to be actual, real care and thought put into his characterization either, so what's one more disservice to the protagonist, right?
- aang's adult design
i deeply, deeply dislike his design and i think its the worst out of all of them. i already didnt like it in TLOK but i think i dislike this one even more. it feels like there is absolutely no intention or thought put into it just muscles = hot = more views
he is a monk. we have seen what the monks looked like, we have seen what his parents could have looked like, so why does he only resemble Generic Anime Man #27 (minus the eyes, the only feature they stayed true to) instead of them?
i can give it a bit more grace considering he is the avatar and he needs to know how to fight, but he is not like korra. korra had always been shown to favor offensive fighting styles and element choices, raw strength and a good punch, so it would make sense that she is very strong and buff. aang, on the other hand, was always shown favoring air bending and defense over offense. so what is the reasoning behind his looks now other than fanservice that makes little sense for the character + plot + lore?
yes it is an attractive design, yes i do like attractive character designs. but i also like meaningful design that shows the thought, the care and the genuine interest that the artists put behind it. this does not show that
- aang's character portrayal
this movie does a good job at one thing: solidifying a lot of the critique towards aang's character evolution. and the best/worst part is that it seems entirely unintentional
up until now most of the main critiques towards him were centered around his selfishness and disrespect and his lack of accountability from the narrative (critiques mostly centered in atla season 3 and what we know of him in tlok). and this movie managed to make him look even worse for:
-bringing his friends (for no reason, because they only served as props) to a mission that he did not know the full extent of, putting them in danger more than once
-refusing to listen to his friends' reluctance towards this suspicious dude they have know for all of 5 minutes (and that somehow has managed to offend every one of them)
-telling his girlfriend of god knows how many years (also a victim of genocide, also the last of her kind, his number 1 supporter from the very begining, the person that has always been by his side, the one that always had the most faith in him and always tried to understand him and help him) "no you dont understand me, this dude that i have know since yesterday gets me you dont"
-getting his friends killed
the impression i get from aang as an adult is that he has not matured and has only grown to be even more selfish and self-absorbed and that he has no real love nor respect for those that are supposed to be his friends and family. and, of course and as always, there are no consequences for his actions. no one is mad that they died indirectly because of him, no one mentions the danger they were put in for no reason. no one is genuinely furious with him for acting the way he did. the narrative refuses to awknowledge that he is not acting like a good person
- katara's character portrayal
this is the part that hurts me the most, because katara is my favorite character and seeing it get butchered over and over (for no reason other than that she is no longer relevant because she has accomplished the intended task of being the trophy for the hero) makes me sad
in this movie, i am especially annoyed by the fact that katara, who is traumatized after witnessing the death of her mother when she was just a child, now had to bring her own brother back to life (because again, aang indirectly killed him), along with her other two friends. realistically, this should be a tremendously important point for her character and if the narrative cared about her in the slightest we would get to at least see how it affected her
but no, she is not angry, she is not upset, she is not scared. this was not another traumatic event at all (even though when you spell it out like this it seems huge, what do you mean sokka, toph and zuko basically died? what do you mean katara had to play necromancer? this part of the movie is minimal and inconsequential) and it is brushed under the rug because adressing the negative effect of this event would necessarily imply that aang gets consequences for his actions, that people get mad at him, that he is held accountable and that the writting recognizes that he has fucked up, done things wrong and been inconsiderate. and we cannot have the golden boy go through that, right?
this is just another example of katara's character getting bulldozed for the sake of avoiding repercussions for aang.
this obviously means that her characterization is entirely inconsistant with what is introduced to us in the original show. back in atla she is presented as someone very strong willed, that does not accept disrespect from anyone (not even from figures of authority), that has solid morals and an unshakeable sense of justice, that stands her ground no matter what, that fights for what is right. the katara we originally meet is a fighter by necessity, but a diplomat and an activist by choice.
we see none of that
all we get here is a girlfriend that is always reassuring her boyfriend, someone that hardly reacts when disrespected by said boyfriend and by a stranger and that doesnt speak up when those that she loves are mistreated. who is this?
- interactions among the gaang
near nonexistant. to put it simply
zuko, toph and sokka are all no more than background decor for the nostalgia, to make sure that the fanservice baiting hits every fan and for marketing purposes. that is all. katara's purpose is very little beyond "cutesy girlfriend" so she is a shinier decor. a fancier lamp, i guess
we do not see the closeness of katara and sokka's relationship as siblings after the war, we do not get to see aang and toph's bantery friendship (and how it has developed over the years, since toph still seems to be quite fond of him as an elderly woman in tlok), we do not get to see anything positive about kataang's romantic relationship (and i mean positive as in, healthy romantic sweet interactions that would made me think "aw they can be such a cute couple", the most we got is a couple kisses... and then katara being motherly)
and, most of all and again very obviously, we do not get any platonic zutara interactions. i am not asking for shipping crumbs mind you, i am asking for the canonical very strong bond and friendship to be shown. these two are established to be close by the end of atla, they have shared emotional moments, they understood each other very well and they became very good friends in the end. why do we have to be robbed of a genuinely beautiful friendship for the fear of a ship? why cant we see how they would interact and develop as adults? youre telling me that mrs "i would use spirit water to physically erase your trauma" and mr "i would take a lightning strike to the chest to save your life" are not still close in their 20s? they dont have contact with each other? they dont have a single conversation for the entire duration of the movie? (yes i am fixating on this because i adore the ship and the characters and i know most about them, but theres a lot to say about aaaaaall of them)
FINAL WORDS
i would have gladly gone to see it in theaters upon release but considering that:
A) it ended up being the dissapointing mess it is
B) paramount pulled it out of theaters only to put it on an exclusive platform not avaiable in my country
I agree with every bit of this post, and I'm baffled and angry all over again at what was done to Katara.
I didn't go over it a ton in my posts about the movie, but the fact that Katara quite literally brought herself and her best friends back from the dead and, as far as we can tell, felt nothing about that is just.... utterly insulting. We don't even get to see it, except for a brief moment of her yelling Aang's name and then a two-second flashback of her surrounded by the dead bodies of her brother and friends and not even a moment's panic, hesitation, grief, anguish.... nothing.
The most emotion we get from her the entire movie is right before that, when she's yelling for Aang, but even that performance felt incredibly phoned-in. Nevermind that it doesn't actually make sense, because how would her healing abilities have kicked in while she was dead--which also leaves the question of how dead is dead to be bafflingly glossed over--but they could have so easily fixed this by, I don't know, letting us see the aftermath of the fight and of Katara's struggle in bringing her friends and brother back from the brink, maybe even them finding Aang's body afterwords, let them all sit with that loss for a moment, but that would require the movie to care about anyone not named in the title and it barely even cared about him.
And in fact none of them feel anything about dying, or almost dying, or about Aang dying, they're right back to business five seconds later and they all look sadder about Appa being missing (and where have we heard this story before) than about what they'd just been through.
But no, the movie spent too much time on a bunch of new characters who will ultimately mean nothing to anyone because they effectively don't exist in the sequel series and all other post-canon materials (and could not affect the storyline or world in any meaningful way without completely altering the trajectory of the future already set by said sequel). Made me think of that dril budget meme.
A new study published online today, April 25, in the scientific journal Science provides the strongest evidence to date that not only is nat
From the article:
“If you look only at the trend of species declines, it would be easy to think that we’re failing to protect biodiversity, but you would not be looking at the full picture,” said Penny Langhammer, lead author of the study and Executive Vice President of Re:wild. “What we show with this paper is that conservation is, in fact, working to halt and reverse biodiversity loss. It is clear that conservation must be prioritized and receive significant additional resources and political support globally, while we simultaneously address the systemic drivers of biodiversity loss, such as unsustainable consumption and production.”
This massive meta analysis (for those not familiar, a study analyzing the results of many studies on similar topics) found that the vast majority of conservation efforts show much much better results than doing nothing. In many cases, biodiversity loss was not only stopped but reversed.
This shows that conservation efforts really work and money invested is put to very good use. Legally protecting endangered species really works, restoring habitat really works, removing invasive species really works, returning land to Indigenous communities works. All of the blood, sweat, and tears being poured into protecting the natural world has been making a real, big, tangible, difference on a global scale.
We fixed it. We did fix it and we can fix it and we are fixing it and we WILL fix it!!!
Forty years ago there were zero condors in the wild.
There are over 300 condors now, free and wild and breeding by themselves without our help.
We did that. We did. Lots of people said "that's stupid, you won't succeed" but people made condor puppets and they said "fuck you we're gonna try anyway" and they fed the babies and raised them up wild and did their best with their big human brains and human cooperation and WE FIXED IT!!!!
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I think the solution to kids on the Internet is to have specific, kid friendly spaces on the Internet. Kids wouldn't come across "adult content" on YouTube if barbie dot com still had flash games and this is a hill I will die on.
Oh! Then I know the EXACT person you should be mad at! Michael O'Rielly! He's the one that gutted the Children's Programming Rules, which covered internet as well as television.
#so the death of the Saturday morning cartoon is THIS motherfuckers fault?????
Indeed it is! The FCC controls how much of broadcasting has to cater to children and that includes how educational that programming has to be, and exactly how much and in what way you are allowed to advertise to kids. That's why for the entire 90s and up to the early 00s, kids shows had shorter commercial breaks, and ads that talked about a website had to say "ask your parents before going online", and those websites had to be non-commercial--i.e. they could not be shops, and could not have any way you could spend money or were encouraged to spend money. That's why Barbie.com was flash games, and O'Rielly LIFTING that ban is why Barbie.com now takes you directly to a storefront instead.
If you're mad about Saturday Morning Cartoons, dark patterns in ads targeted at children, online protections for kids, or wondering why educational children's shows aren't as much of a thing as they used to be, get mad at the FCC and the person in charge of it who is gutting the Children's Brodcasting Rules (sometimes called the Kid Vid Rules), because those rules control all of that!
While O'Rielly is responsible for gutting the rules in 2019, he was replaced in 2020 by Nathan Simington as head of the FCC, and Simington resigned in June of this year. The post remains vacant as of the time of this writing (August 31, 2025).
And a side note: Things like KOSA and SCREEN and all those other censorship bills that use "think of the children" are not going to protect children at all; if you want to protect kids online, there is already a way to do that it's called the Kid Vid Rules and the FCC is the one that can update and change them to keep up with the times! It doesn't need a congress vote, it already got voted on in 1990!
(For context, apparently this is from Avatar, the Last Airbender: Legacy, which came out in October 2015. Given its contents, I’m no longer surprised that it had much less of an impact on the fandom [I’d only vaguely heard reference to it in the past and never seen images or excerpts from it] than Legacy of the Fire Nation, despite the latter having come out only two years ago.)
I’m just gonna go chunk by chunk here, because. Oh man I hate it. (A pre-emptive tl;dr: katara deserved better, why is her letter of memories to her son ENTIRELY ABOUT AANG FROM BEGINNING TO END)
Copious amounts of Aang and Kataang salt ahead. You’ve been warned.
Every once in a while this post gets a new influx of notes and I get pissed off about it all over again.
But also. I just realized that you couldn’t tell from this letter that Tenzin even has siblings. It reads like he’s an only child and that’s why he’s the only one who has the ‘burden’ of passing on Air Nomad traditions. If Kya or Bumi ever read this letter they’d be extremely justified in feeling seething bitterness and resentment cause what the actual fuck, guys, lmfao