Are we dead yet?

Hey hey. Lookin' like a Mormon that hates his life 👨

Finally going to frame a few posters in the coming months that I've had stored away for years. . This ones a nice little print that I got signed back in 2014 by Keir Dullea and Gary Lockwood. . No custom framing required here. Just a $4 Kmart one worked nicely 👍

I am trying to be productive but it's hard.

Everybody sucks today but at least the weather is beautiful 🌞

I do so smile 😠

Overeating and lonesome 🙄

When you're shopping and you know there's something you forgot and end up here. Need me an animal to love.

Well if this ain't me... Haha.

View out my front window. It's the clouds - my glass isn't filthy I promise.

Angela Pleasence - Symptoms (1974) | Dir: José Ramón Larraz

I rarely make friends but if there's a connection and you're consistent, I don't see why I couldn't be your friend.

The Human Condition.

Happy voting, America.

What is up though ladies. How's it hangin'?

Vintage halloween costume. Parents wary of letting their kids watch horror movies but dress them up to look like a walking nightmare 😳

Mood.

Well, I guess I wasn't miserable enough. Just finished binging Kobayashi's 9.5 hour wartime epic sourced from a 6-part novel about an idealistic pacifist student named Kaji (played by the great Tatsuya Nakadai) relocated to supervise the mines and POW camp of Manchuria during WWII to improve conditions for workers and prisoners and subsequently sent into rigorous training then eventually into combat. His ideals never waver as he's repeatedly crushed by his superiors but as his situations change radically so too must his actions in order to adapt and fight for basic human survival if he's ever going to get home to his wife. I'm not sure if it's more depressing or inspiring but its well worth everyone's time to check it out. I found the second film lacked some of the weight in the first and (definitely) third films, but that's mainly because it reminded me so much of Full Metal Jackets first half. There's a certain character in particular that I can't help thinking inspired Kubrick for the one played by Vincent D'Onofrio. I'm actually half surprised it's paced so well, considering some of it's repetitiveness and of course the length, but Kobayashi, Nakadai and cinematographer Yoshio Miyajima in particular manage to make this near ten hour undertaking not only extremely watchable but interesting. Feels like a great series coming to an end and I'm sad to see it over.