Dayglocrazie

About a girl (or boy) you may know.

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Lyrics

Waiting for a different day; Waiting for something to shine a light on. And every door is closed so tight; The window in her room is with the blinds on.

She doesn't need her mother now: Got no right to tell her when to get home. And the daily job, it pays her well. She feels the power that she never felt before.

Jealous boyfriend's such a pain. Can’t he see that she has got to be strong? And you’re going up the ladder girl: Top of the rung is where you've got your sights on.

But wait, baby wait; Don’t run too far, you’ll never find your way home. And stay, baby stay; Think it through, you’ll never find your way home.

Cuz when a wave will rise, a wave will fall: You never know the one that you arrive on. And when daddy’s dead and mamma’s mad, And Cody was run over the other day oh.

She doesn't have a friend inside: Pushed them out with her red heeled stilettos. And the walls are slowly closing in, Night is catching up to steal her smile oh.

So wait...

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Credits

All aspects of song-writing and performance by Dayglocrazie. Recorded by Anindo Bose, Plug ‘N’ Play Studios, New Delhi.

Thank you!

Dr. AV Koshy and AP Vinayak. My work stands humbly on the foundation you helped build. And thank you, you, for listening. 🙏

About Dayglocrazie

I’m a part-time singer/ songwriter; a full-time energy consumer, solutions brewer, wiro-neuralizer and tropical fruit. My songs emerge from my own experience. I hope you like them! 😊 Sign-up for my newsletter and get my songs delivered straight to your inbox, as soon as they’re released.

The quietly devastating experience of being lost in the belly of the whale.

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Lyrics

I was waiting for the raft to arrive. I was hoping you’d be by my side. But I guess I’m alone, like everybody else; The deep we must survive.

I was keeping the time and making plans. I was cursing, did it have to be so bad? But I guess I’m alone, like everybody else; The deep we must survive.

You gotta keep moving now. You gotta keep moving now.

Forever and ever and ever And ever and ever and ever And ever and ever and ever And ever and ever and ever Now.

So watch your back and I’ll keep watching mine. Wave goodbye to all those golden times. And boy don’t you slip now cuz the world is watching you: It doesn’t care if you die.

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The Next Step

Keep moving, yes, but towards what? As Apollo, the Greek god of the sun, of music, prophecy and archery was known to have said: know thyself.

Credits

All aspects of song-writing and performance by Dayglocrazie. Recorded by Anindo Bose, Plug ‘N’ Play Studios, New Delhi.

Thank You!

Dr. AV Koshy and AP Vinayak. My work stands humbly on the foundation you helped build. And thank you, you, for listening. 🙏

About Dayglocrazie

I’m a singer/ songwriter, an energy consumer, solutions brewer, wiro-neuralizer and tropical fruit. My songs emerge from my own experience. I hope you like them! 😊 Subscribe to my newsletter to get my songs delivered straight into your inbox as soon as they’re released.

Sign-Up For My Newsletter

Get my songs delivered straight into your inbox as soon as they’re released. Follow the link below (you’ll be done in less than a minute):

Your Song O’ Lone Traveller

Buy The Song

If you liked the song, do buy it too. It’ll help make my project sustainable. Use the options below:

Bandcamp (credit cards only) | OKListen (requires sign-up)

Lyrics

O’ mother, show me the way... Prem dibi mok jibon dibi, Aro kisu nalaagey mok.

// Translation: Give me love, give me life; I need nothing else. //

I don’t know where I’m going, I don't Know where I’ve been coming from. Still the wheel is turning and I'm Going round and round and round. The voices in my head, they’re telling me That I must carry on. And I don’t know who to listen to Cuz everybody’s got the whole thing wrong. Prem dibi mok jibon dibi, Aro kisu nalaagey mok. Civilization just another dream That you are tumbling through. Faces they are grinning and they’re Asking what you’re planning to do. But looking up into the sky, There’s nothing but your fading memories. And everybody’s saying: "this is life" And "you are served what you will eat." Prem dibi mok jibon dibi Aro kisu nalaagey mok.

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*Extras!*☀️🌽🧀🍯😊

Video

My friends at GrowlingPixels just surprised me with a video of this song. Check it out:

Clip

A short clip of my recording session.

Context

The tune of this song is based on a musical motif that’s prevalent in Goalpariya Lokageet (folk songs of Goalpara region, in Assam, India). Listen to this lokageet by Pratima Pandey and Bhupen Hazarika -- two giants of Assamese music.

Credits

All aspects of song-writing and performance by Dayglocrazie. Recorded by Anindo Bose, Plug ‘N’ Play Studios, New Delhi.

Thank You!

Dr. AV Koshy and AP Vinayak. My work stands humbly on the foundation you helped build.

Thanks for listening!

About Dayglocrazie

I'm a singer/ songwriter, an energy consumer, solutions brewer, wiro-neuralizer and tropical fruit. My songs emerge from my own experience. I hope you like them! 😊 Subscribe to my newsletter to get my songs delivered straight into your inbox as soon as they’re released.

What are the origins of the iconic voice in Enigma’s “Return To Innocence?” Did they have the permission of the original artists to use it? Is Beethoven’s 9th Symphony an original composition or a “copy?” This last episode of the 8-episode podcast series called The Wire discusses questions about copyrights, their infringement and the limits of sampling. Very interesting listen, especially if you are a creator. Created by Jowi Taylor for the Canadian Broadcasting Corporation.

Listen to the full series from the beginning here.

This is the first part of the brilliantly conceived six-part podcast series called The Nerve, produced by the Canadian Broadcasting Corporation. The following is a description written by them:

“On Episode 1 of The Nerve, host Jowi Taylor takes you on an aural journey, from the creation of sound at its source, through the air and the outer ear to the cochlea, the spinal column, and the cerebral cortex. On the way, you'll hear about how and why hearing evolved, and how the human ear is designed to react to certain sounds. Why do we hear some sounds as music, and other sounds as noise? What's the critical relationship between anticipation and satisfaction that drives music? Just what happens when the human brain and music become dance partners? And what roles do the elements we call rhythm, harmony, melody and timbre play in that dance?”

Listen to the subsequent parts here.

IN ONE EAR AND OUT THE OTHER -- Tim Hinman

What sort of bizarre world exists inside your ears? And between them? Find out in this fascinating podcast. The narrator takes us from the world outside into the auditory passage: then further in, diving into the waters of the cochlea: and further still all the way into the brain. And with each step, the world becomes more and more bizarre. A must listen!

Orange Festival.

A Guided Walk Through The Hoh Rain Forest.

Brene Brown explains the difference between empathy and sympathy in this very short RSA Animation (3 mins).

“In the last of his three talks on art, philosopher Roger Scruton looks at the real thing, as opposed to cliche or kitsch. We must ignore the vast quantities of art produced as commodities to be sold, unlike symphonies or novels that cannot be owned the way a painting or sculpture can be. Real art has to have lasting appeal, he argues, and for that it needs three things: beauty, form and redemption. It takes immense hard work and attention to detail, but then it can give meaning to our modern lives, and show love in the midst of doubt and desolation.”

From BBC’s podcast series, “A Point of View.” Short piece. 10 mins.

For the two previous parts go here:

Part 1 -- Faking It -- http://www.bbc.co.uk/programmes/b04sy4tv

I was struck by the simplicity of Carrie Newcomer's songs. There's a lot that can be learned from her conversations with Krista Tippett on this episode of On Being.

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DESCRIPTION FROM THE WEBSITE

"If you can’t afford to make a million-dollar film, raise $10,000 and produce it yourself. That’s all you need to make a feature film these days. Beware of useless, bottom-rung secretarial jobs in film-production companies. Instead, so long as you are able-bodied, head out to where the real world is. Roll up your sleeves and work as a bouncer in a sex club or a warden in a lunatic asylum or a machine operator in a slaughterhouse. Drive a taxi for six months and you’ll have enough money to make a film. Walk on foot, learn languages and a craft or trade that has nothing to do with cinema. Filmmaking — like great literature — must have experience of life at its foundation."

Krista Tippett speaks with Yo-Yo Ma, an award winning cellist, about music and life.

Music Happens Between the Notes

Krista Tippett speaks with Marie Howe -- whose poetry is breath taking.

The Poetry of Ordinary Time