mx.piss

Vi, an undercity kid that spent most of her formative years imprisoned, seeks out pain and oblivion. She finds herself lost and abandoned and immediately reaches for what she's most familiar with - violence. The self harming nature of her fighting career is obvious but I think the other stuff we see in the montage deserved more time too. She drinks to an unhealthy excess, blacking out, getting into more violent altercations. We don't see her seeking out any form of intimacy or connection with people - there are no depicted one night stands or groupies. Instead we see her hallucinating Caitlyn and reacting violently when a guy tries dancing with her.

Whether it's an intrinsic part of her or a trait that was cultivated through trauma, we know that Vi doesn't have many close relationships, but she loves the people near to her fiercely. It's kind of heartbreaking and so fucking interesting that when she's apart from Caitlyn she doesn't try to fill the void with other people. She just misses her.

Vi reacts to being left behind by isolating herself further. She reacts to being hurt by piling more hurt onto herself, channeling her pain into aggression, and when she's not fighting she's trying to numb herself with alcohol. It's a brutal montage and I really wish we'd been able to dive in more to Vi's self destructive tendencies.

Caitlyn meanwhile also reaches for the familiar but in a totally different way. We see her indulging her privilege in a very particular way. Unlike Vi, instead of fully isolating or burying her pain, we see her hold her grief tight in both hands and use it as fuel. She channels her pain into obsessively hunting down Jinx and suppressing Zaun through her increasingly militarized policing campaign. She becomes a workaholic who can't ever stop focusing on her agenda, even as the doubts she has continue to increase. She's stone cold sober in every scene and the combat practice she undertakes at Ambessa's side is controlled, goal-oriented and the complete opposite of Vi's reckless prize fighting.

Instead of solitude, we see her take up with a subordinate that she doesn't have a strong emotional attachment to and take comfort in sex within a dynamic where she perceives she has total control. Maddie doesn't mean enough to Caitlyn to meaningfully challenge her, which we see as Caitlyn ignores her advice and pulls away from her in bed. Hooking up with someone under her is a move that it's hard to imagine the idealistic s1 version of Caitlyn ever approving of and that's why it's so interesting to me. I think it highlights how much of s1 Caitlyn's morality is related to her resisting the ability to abuse her privilege as a favored daughter of Piltover. In s2, she forgoes her earlier attempts for egalitarian reform and justice in favor of indulging more wantonly with her baser impulses for control and power and immediate satisfaction. It suggests this beautiful death by a thousand cuts of her moral center as she loosens her grip on her noble ideals and gives in to this rash impulse, and that pragmatic cruelty, and this selfish want until she's in so deep she's become the sort of brutal oppressive force she had once tried to tear down.

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