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Jimmie Durham - Prehistoric Stone Tool

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Jimmie Durham, production shot for action in Der Verführer und der steinerne Gast (The Libertine and the Stone Guest.)

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Jimmie Durham

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Hitoshi Karasawa

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Hitoshi Karasawa - Self-conceit II from portfolio “Illumined Sinful-Redemptional Sphere” (wood-engraving on paper, 1974-75)

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Hitoshi Karasawa - Cup of Chronos (woodcut, ink, opaque watercolor, 1979)

oceano-agridulce

La gota representa el diluvio y la sed. Es el vasto Amazonas y el gran Océano.

La gota estuvo allí en el principio del mundo. Es el espejo, el abismo, la casa de la vida y la fluidez de la muerte.

Para abreviar, la gota está poblada de seres que se combaten, se exterminan, se acoplan. No pueden salir de ella, gritan en vano.

Preguntan como todos: ¿de qué se trata, hasta cuándo, qué mal hicimos para estar prisioneros de nuestra gota?

Y nadie escucha. Sombra y silencio en torno de la gota, brizna de luz entre la noche cósmica en donde no hay respuesta.

La gota - José Emilio Pacheco

Imagen: Hitoshi Karasawa

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Arinori Ichihara - HBD (8), 1984

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Arinori Ichihara - Anti-World III (monotype on paper, 1960)

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Michael Buthe (1944-1994) — Stones (Tribute to Ramon Llull, 1232-1315) [acrylic and mixed media, 1991-1992]

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Michael Buthe (1944-1994) — Sydne Rome (paper, broom, ladle and feathers collage and acrylic, pencil, pastel and wax on burlap, 1981)

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mylistofthangs

Listening to Music through the Mouth, Nam June Paik & Wolf Vostell.

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Wolf Vostell, 6 TV dé-coll/age (1963)

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B 52 Lipstick Bomber (1968). Wolf Vostell.

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