up late wrestling with my clitoris, you know the deal
Lint Roller? I Barely Know Her

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@cvntycannabis
up late wrestling with my clitoris, you know the deal

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Lichen Marked Noctuid Moth (Pansemna beryllodes), family Noctuidae, NSW, Australia
photographs by David Fischer
by macstonephoto
โHumans are inherently selfish--" Then why do so many cultures value hospitality, to the point of dictating it in their religions? Why is it so common for hosts to offer their visitors their best food, and as much of it as they can? At some point, multiple cultures decided that they knew what it felt like to be alone and vulnerable, and promised each other to never let those who stay with them feel that way. That doesn't sound very "inherently selfish" to me.
one of my biggest pet peeves is "humans are inherently evil" or "inherently selfish"

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Blue ice and soft light
(c) gifs by riverwindphotography
"But if we resort to violence we're just as bad as them!"
One man did with 3 bullets what decades of peaceful protesting failed to do. It sent a message. For the first time in decades, the ruling class was afraid.
And now, barely 3 months later, things are back as they were. Not because Luigi's act of violence wasn't effective, but because it was forgotten as a one-off thing and treated as a trend. People Idolized him for his actions but not for the reason they were done.
One man's act of violence was enough to shake the foundations on which this country is built, the rot that had eaten away the hearts and minds of the people had been pushed back, and for the first time, there was clarity in the minds of everyone. There was no Left or Right, there was simply the Working VS the Ruling.
One man was enough to cause the closest this country has ever come to class consciousness, to solving real problems. Imagine ten, a hundred, a thousand more just like him.
byย hotkisslove
An Le aka An Le Studio (Vietnamese, b. Ho Chi Minh City, Vietnam, based Brooklyn, NY, USA) - Scar, Photography

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Tomoko M. - ๅฒ้ ใขใใฎๆฑ :: Monet's Pond (2023)
Yet another moss appreciation post ๐ซถ
Dundee, Scotland.

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Mona Hatoum, Grater Divide, 2002 Mild steel, 204 cm x variable width and depth
Mona Hatoum is a Palestinian artist. From Artformโs 2021 Rape is a Border:
Take Grater Divide, 2002. The work is ridiculous: a standing metal cheese grater more than six feet high. Installed in a gallery, it works as a room divider, but the holes make privacy impossible. The wall is a weapon rather than a shield: A person undressing behind it could be cut as well as peeped at, opened up by sharp edges made for shredding. The work is not only an enlargement of a grater, however, but also a miniaturization of a divide, prototyping, in particular, the West Bank barrier Israel had begun to construct on appropriated Palestinian land. A person traveling through a border checkpoint may be asked to undressโstrip searches are not prohibited by Israeli law. In the United States, they have been allowed ever since the 1985 Supreme Court case United States v. Rosa Elvira Montoya de Hernandez, which originated with the cavity search of Hernandez, who was traveling to Los Angeles from Colombia. In both countries, the coercive invasion of bodies is more likely to be visited on people of color, who are disproportionately singled out for selective or heightened โscreening.โ This wordโs very meaning is reframed, or enlarged, by the Grater Divide. Gloria Anzaldรบa, the queer Chicana theorist of Borderlands/La Frontera (1987), called the United StatesโMexico border an โopen woundโ where โthe Third World grates against the first and bleeds.โ All borders are graters: not solid walls but permeable ones whose pores are sharpened to pierce what passes through.
[ID: an object that resembles a room divider or folding privacy screen with three panels. each panel is one side of a box grater; one that slices, one that grates or finely grates, and one that shreds. there are metal arcs atop the outer two panels where the handle would be on a box grater. the sharp side of the grater is pointing towards the viewer. end ID]