OBSESSION (2026) dir. Curry Baker

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OBSESSION (2026) dir. Curry Baker

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LOUIS DE POINTE DU LAC Interview With the Vampire (2022-) - 3.06 Montreal

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fuck football
Always with you
everyone who is an excellent writer thinks they suck and will never get published. everyone whose writing sucks ass is actually getting published and displayed in barnes and noble
from âthe worst journey in the worldâ (1922) by apsley cherry-garrard
Summer be like this:

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AMC really struck gold with the unreliable narrator idea because now people will insist that any flaw in the storytelling is actually a genius premeditated reflection of a fallible narrator, any pacing issues are actually a genius premeditated reflection of a characters psyche, and any lack of character development is actually a genius premeditated reflection on a characters refusal to face their own trauma, and having cheap looking production is actually a genius premeditated reflection of a characters memories, and any unwarranted deviation from the source material is actually a genius premeditated lie that will be proven false at some unspecified point, and any poor handling of sensitive subjects is actually a genius premeditated commentary on the characters own failings, etc, etc.
ASSAD ZAMAN as Armand Interview with the Vampire â "I Want You More Than Anything in the World"
having a multi year long character obsession becomes like a abstract thought experiment at some point
I donât mean to be rude; but I donât think Iâve ever seen this, does anyone have any examples?
Supernatural
Doctor Who (Steven Moffat specifically)
Sherlock (Steven Moffat specifically)
Actually Steven Moffat is basically just this sentiment given human form.
A version of this happened with The Magicians, tbh. Though instead of expectation: men, reality: women it was expectation: smug nihilists, reality: mentally ill queer folks.
Arguably Game of Thrones.
If we broaden it outside of televisionâŚI think Star Wars falls into this, at least the sequel trilogy. Maybe the MCU as well. And I canât help but think of every band thatâs ever complained that their fanbase is mostly women. 5 Seconds of Summer comes immediately to mind.
In general, most white male creators seem to have this massively entitled mindset where they wantâand think they deserveâthe time, attention, and enthusiasm that creative fandom (i.e. the side of fandom more dominated by women) is known for.
They want our eyes for ratings, our word-of-mouth for free publicity, our metas for social media buzz, and our spending power for merch and cons. But they donât want us. And they donât really want the responsibility of telling a story to a thoughtful, engaged audience, regardless of that audienceâs demographic makeup. They just want to be praised for whatever schlock they cough up.
And like any other spoiled brat, they will break their toys before they share them.
It goes all the way to the top for kids shows. Toy sales will crash a show. Makes sense, but if those toys are gendered for boys instead of the female viewers, they wonât usually switch up the marketing and move them to the girl aisle. They cancel the show outright.
Mind you it is perfectly possible to make the switch in marketing, but execs would rather throw it all out than have something that doesnât perform well with male viewers. For example the Rey merch was not expected to be popular, for some reason, there had to be public outcry to get merch of one of the main 3 protagonists. A PROTAGONIST. The fact that she wasnât a huge part of the 1st launch says a lot already.
And what happened when female fans got too invested in the Sequel Trilogy? The entire writers room didnât necessarily lash out, but they sure forgot how to behave.
Young Justice
Paul Dini: Superhero cartoon execs donât want largely female audiences
#WhereIsRey (initial)
#WhereIsRey (ongoing)
The older, male generation of 'Star Wars' fans may be losing interest in the franchise, but female fans are stepping up.
Star Wars: The Rise of Skywalker was designed to be the opposite of The Last Jedi
Youâre all sitting on the hot take of the decade tbh
And yet when they fond out that boys were watching MLP:FIM in droves, they had NO PROBLEM with it.
#SONS OF ANARCHY!!!!!!!!!!!!!#LITERALLY SONS OF ANARCHY IS THE BIGGEST EXAMPLE OF THIS LIKE EVER#kurt sutter wrote that show for MEN and ended up with an overwhelmingly female audience#because heâs actually a good writer and knows how to develop characters well and wrote excellent female characters#but once he realized that his audience was almost entirely women he literally took it out on tara and gemma in the show#but like tara specifically#he resented her character for being a huge draw for female viewers so he tore her development to shreds and killed her#in the most brutal gut wrenching way possible#kurt sutter you will pay for your crimes#i actually wrote a manifesto about this on one of my old blogs i should try to find it sldkjsldfjsdljf#long post (via@m-oonknight)
OMG YES. I LOVED Sons of Anarchy, especially the women and then I got to season 6 and it was like - everything was just tossed in the trash? And like, why did Sutter hate that Tara drew tons of attention? That should have been a good thing! He should have been like âHey folks, this girlâs getting us more viewers, letâs put her in more scenes!â It just doesnât make sense to me. MEN donât make sense to me.
The 100 too. Iâll never forget how Jason Rothenberg would attacked female fans on Twitter and mock them in interviews, and then post links to male fan discussions on Reddit to praise and thank them. In his goodbye letter to the show he SPECIFICALLY thanked Reddit and it was so disgusting.
Star Trek from TNG on was also a boyâs club, even though the TOS fans were mostly women. Women, in fact, who literally created modern fandom with their zines. But after TNG it was all, âWomen donât understand Star Trek, only smart men hur dur.â
I think it would be harder for us to find examples of when this DIDNT happen than when it did. It happens all the time.
Doesnât stop it from boggling the mind
(though it could probably start to make some sense if you follow the money past audience bases to maybe a couple of investors or like a rich patron ⌠đ¤)
Stooooop I just wrote a masters thesis on this shit. Media creation and distribution is a means by which dominant power structures consolidate their hegemony. Dominantly situated creators get upset when the audience they attract isnât the audience they wanted, because they view the whole creation and sharing of the fiction as an exercise to sustain kyriarchal conditions that benefit themselves. When the audience is Other, they see it as a failure of those efforts and lash out.
Simply, theyâre trying to assert a particular worldview via fiction, and upon getting confronted with something else, begin foot stamping. Itâs not just men wanting male attention and gatekeeping. Itâs that the fiction in the first place was an attempt to curate dominance and whoopsie! they miscalculated.
(anyway if anyone wants to read 35k words of philosophy about this, hmu)
Hey folks, for anyone that was interested in the thesis (firstly thank you so much for reaching out I really appreciate the interest) the following is an open access link to download it. Please let me know if it doesnât work for some reason. Comments are now restricted so canât put it there, but I hope you see this if you were interested!
Iâd also love to hear your thoughts, as I literally wrote it for communities like ours to read, so, thanks.
Fictions are a cornerstone of human cultures: they are created, shared, discussed, modified, and valued. Yet, philosophical accounts which p
You know, when I've remarked that a lot of the responses to my posts feel like people are just plucking out keywords they think they recognise based on the shape of them and replying to what they imagine the post says based on that, the possibility never occurred to me that this is actually how many American schools are currently teaching kids to read.
Like, my assumption this whole time has been that when folks go "I misunderstood this post that says [thing] as saying [unrelated thing] because I mistook [word] for [completely different word that happens to start with the same letter]", that was a bit. What do you mean they're teaching kids a reading method that's tailored to produce this exact error?
Three cueing. Once you learn about it, a whole lot of very frustrating online discourse with US Americans makes so much sense đ
For decades, schools have taught children the strategies of struggling readers, using a theory about reading that cognitive scientists have
If you were taught to read with the three cueing method, and now struggle to read fluently, you can still learn to read properly!
-> Phonics For Adults <-
If you're a teenager, you can still use this resource.

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Ngl I really thought the documentary angle of TVL was a really cool idea it'd be like Daniel interviewing Louis for a book but this time it's a rock tour docseries for Lestat but then they dropped that documentary thing so fast and made it the Lestat tapes instead which is so weird bcs now we don't have any third party narrator (Daniel) it's all 100% Lestat's thoughts
reblog to diminish the horrors from the person you reblogged from