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Agora Anshelm. 2017.Leth & Gori

Based on  Price, Cedric. “Fun Palace: Typical Plan.” 1964.

B&W infrared film

Charles and Ray Eames, Eames House, Pacific Palisades, California, 1949

The Architectural cult of synchronization. Mark Wigley (via deseopolis)

1999–2003 Location: Kalmar, Sweden Client: Municipality of Kalmar Project Status: Built

Oh, look! It’s the movie trailer for your life! Who wants popcorn?

Vishwa Shroff (Indian, b. 1980) - Doughty Street #45, Watercolour and ink on paper, 25.4 x 17.8 cm (2017)

Albrecht Dürer, six pillows (verso), pen and brown ink, 1493. The Metropolitan Museum of Art.

“In 1911, he began publishing pochoir drawings of modern villas and other buildings in a geometric style influenced by Josef Hoffmann, Frank Lloyd Wright and Charles Rennie Mackintosh. These led to the influential album. Unlike Le Corbusier, Mallet-Stevens had no interest in radicalizing the urban plan. He simply took each of the standard buildings of the modern town, from the fire station to the individual house, and applied a ‘modern’ style to it. It is possible, however, that these illustrations proved much more influential for contemporary architects than Le Corbusier’s austere urban and architectural projects.” (Charlotte Benton, Art Deco 1910-1939, V&A)

Bauer (1872-1938) was a pupil of  Otto Wagner at the Academy of Fine Arts in Vienna. He was both an architect and an arts & crafts designer, as well as a writer on these subjects. He took a mediating position between Historicism and Secession, thereby meeting the taste of most of his contemporaries. Antiquariat Rohlmann

Enzo Mari, Animal Puzzle

Medium: oil,canvas

marseille, 2008.