these are getting weird
One Nice Bug Per Day
sheepfilms
he wasn't even looking at me and he found me

Product Placement

❣ Chile in a Photography ❣
Today's Document
🪼
Sweet Seals For You, Always
we're not kids anymore.
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todays bird

Discoholic 🪩

JBB: An Artblog!

Love Begins
I'd rather be in outer space 🛸

oozey mess

izzy's playlists!

祝日 / Permanent Vacation

seen from Ecuador

seen from Ukraine
seen from Belarus

seen from United States
seen from Bulgaria
seen from China
seen from United States
seen from Türkiye

seen from Malaysia

seen from Türkiye
seen from United States

seen from Chile

seen from Argentina
seen from United States
seen from Netherlands

seen from United States

seen from United Arab Emirates

seen from United States

seen from United States
seen from United States
@cryptid-mosses
these are getting weird

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I just love love love that there’s a guy wandering about Dungeon Meshi going, ‘but what are the socioeconomic and geopolitical consequences of this fantasy quest adventure, both while it’s ongoing and after its inevitable completion?! The skillset required to find and kill a Mad Mage is different than that required to responsibly, benevolently and effectively rule a kingdom. I personally must either find a good candidate, somehow make one, or, most likely, take on the whole Mageslayer/King role myself.” Except he doesn’t have the first skillset, and his whole party keeps dying while these highly competent chucklefucks wander past, kill and eat the monster, and save their bodies for the nth time. Kabru would demand to know if Aragorn is familiar with Gondorin tax law. His isekai energy is off the charts, because this is all exactly what I would do if dropped into a fantasy quest adventure, right down to repeatedly dying due to not actually being suited to the genre conventions.
made in blender, based on a soviet era postcard. this is all rendered in eevee, with the windows and light details drawn with grease pencil. I animated the little people in the windows as well, but maybe I shouldn't have bothered.
Some is better than none. Some is better than none. Some is better than none. Walking for three minutes, is better than nothing. Drinking a glass of water and eating a snack, is better than nothing. Wiping down the counter, is better than nothing. Small things are not nothing. Small things are not nothing. Small things are not nothing. You don’t have to achieve grand things if all you’re capable of right now is the smaller things. They are still achievements. Don’t do nothing just because you don’t think you’re capable of doing bigger things, just do something you’re capable of today. 

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once you realize you don’t actually need to sleep, you can really (stops talking abruptly and stares straight ahead for 4 minutes)
when two musicians sing into the same microphone and lean in very close to each other… like omg are you guys gonna kiss now to relieve the homoerotic tension?😳
THIS IS NOT ABOUT ONE DIRECTION I DON’T KNOW WHO THIS “HARRY” PERSON IS GO WATCH BRUCE SPRINGSTEEN AND CLARENCE CLEMONS KISS ON STAGE RIGHT NOW
op is the only valid person i’ve ever met. everyone else needs to come to the light
Okay, but this is really important: Bruce Springsteen occupied this really weird place in music history. His songs were all from this pessimistic, nihilistic view of an America that had let him down:
Just like the anti-Vietnam War protest songs that we associate with the 1960s, or the early nihilism that spawned punk music in the 1970s. But he didn’t *sound* like a punk anarchist; he sounded like a country rock singer. When he released Born in the U.S.A. people completely misinterpreted (or possibly ignored) the lyrics in favor of the tone of the music.
Politicians used his music to promote their ‘Murica Yes! brand, and he had to literally explain that that was not what he was about. He’s over here asking when we’re going to have jobs and heathcare, not stanning the politicians who weren’t helping the people.
It was also kind of a big deal that he had an integrated band, because even as late as the 1980s music was still kind of segregated and MTV was straight up racist. They refused to play and promote black artists and then claimed that were no black artists in the first place. Michael Jackson’s record company had to threaten a boycott of their white artists to get MTV to play his Thriller video.
Plus, the first black/white interracial kiss on TV was in 1968 (OG Star Trek). Also it took us until the 70s to get sympathetic gay characters on screen, and the 90s to get gay characters to kiss onscreen. And all of those firsts were met with outrage.
So keep that in mind when you see Bruce Springsteen not just playing with an interracial band, but engaging in an interracial, gay kiss on stage repeatedly.
Passages from American Popular Music by Larry Starr and Christopher Waterman
I used to think that Bruce and Clarence kissing onstage was exuberance, showmanship, and telling racist homophobes to fuck off. Like, they picked up a certain kind of audience and went “Racist homophobes? Not in our house!” And started the kissing then but then I actually looked it up and
https://www.gq.com/story/this-fucked-me-up-bruce-springsteen-singing-about-clarence-clemons
It was a story where… we remade the city. We remade the city, shaping it into the kind of place where our friendship and our love for one another wouldn’t have been such an exceptional thing. - Bruce Springsteen
It wasn’t about showmanship or rejecting bigots or anything it was just. Damn right that was one of the loves of his life and damn right he was going to kiss him onstage
It gets me a little that Bruce has had a divorce, that he’s been married twice, but he loved Clarence for the rest of Clarence’s life and will presumably love him the rest of his own
Clemons said in one interview. “Bruce and I looked at each other and didn’t say anything, we just knew. We knew we were the missing links in each other’s lives. He was what I’d been searching for.” In another version of the story, Clemons says “He looked at me, and I looked at him, and we fell in love.”
I’m having some emotions about it!
“He was elemental in my life,“ Springsteen adds, “and losing him was like losing the rain.”
Not just! I love you pure and deep and true but! I am going to love you like that in front of the whole damn world!
We have fewer narratives about taking risks and making statements for platonic love rather than romantic and supposedly it would be easier to downplay this onstage than romance and! They refused! They fucking refused! In front of hundreds of thousands of people, over the course of years! In the spotlight, in word and deed, I love you!
God I’m not okay about it
Now I’m mad that this is not among any of the things I was ever told about this artist.
I knew about this in general (& via all those fabulous photos), but this just adds even more beautiful context <3
Just to add to the pile: this was the cover of Springsteen’s break-through album Born to Run, in 1975:
I mean, will you LOOK at this:
This was the pic chosen for the album cover from an extensive photoshoot, too. A few others:
There’s a lot more online if you search. They’re all pretty amazing. But the photographer is right, the one chosen for the album cover just pops.
pros of being on testosterone: my kermit impression is getting better
cons of being on testosterone: my Mort from Madagascar impression is getting worse
peace and love on planet fucking earth

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my super sustainable bmw
"🥪" is shorthand for "🍞🧀🍅🥬🍞"
can you people stop reblogging this my notes look like lunchtime
kinda work in progress. they're rockin' out! rockying out even :D
i get that americans love their cultural imperialism, but it really does piss me off that june is “international” pride month just because something happened in the united states.
in aotearoa, june isn’t our pride, it’s theirs. marsha p johnson and sylvia rivera are their historical figures, not ours. the phrase that “you owe your rights to Black trans women” is true there, but here we owe our rights to (mostly) Māori historical figures. i have the freedoms i do because of the legacy of an entirely different set of people operating in an entirely different context at entirely different times.
But because of american cultural imperialism, most queer people in Aotearoa don’t even know our own queer history. Carmen Rupe, Ngahuia Te Awekotuku, the Dorian Society, Gillian Laundon, Georgina Beyer, and the Wolfenden Association are some of our queer history. We should know their names! we should know what they did for us! but because of the power of the american imperial machine, we don’t.
our national pride month should be july, the month that the Homosexual Law Reform Act passed in 1986. our two largest cities hold their pride festivals in february and march, respectively. american queer history has very little (or nothing, depending on who you ask) to do with our queer history. anecdotally, from my own queries, queer youth in aotearoa know more about american queer history than our own.
anyway, happy pride, americans. i’m truly sorry that most of you don’t see the negative impact your nation’s culture has on the rest of the world. and to the rest of the world reading this, try searching for your own country and culture’s queer history, don’t accept the american narratives as your own. we deserve our own histories divorced from the cultural hegemony of the USA.
Anna Archive was a goddess of knowledge worshipped in the early 21st century[1][2]. Cultists of Anna would frequently move the shrines dedicated to her from place to place in great secrecy[1][3], requiring worshippers to possess secret information in order to access the far greater knowledge provided by worship, possibly as a form of sacrifice[Original research?]. Worship of Anna is associated with the increased enforcement of intellectual property rights at the time[1][4], as well as greater inaccessibility of academic materials due to the late-imperial academic crisis[5][6][Failed verification.]. It has been suggested[By whom?] that the name Anna Archive may be the origin of the word archive, referring to a repository of information[7].

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Sound designing a vampire being hit in the face with a shovel is... challenging. Who would've guessed.
[Audio transcript: Ben Galpin voicing Jonathan Harker from Dracula by Bram Stoker. He says, "There was no lethal weapon at hand, but I seized a shovel which the workmen had been using to fill the cases, and lifting it high, struck, with the edge downward, at the hateful face," followed by a cartoon "bonk" and the Wilhelm scream. End transcript]
Didn't realize they made emergency thermal blankets for babies
It's scary to think about babies in an emergency but I guess it's a crazy world out there
Emergency baby
[Francisco de Goya]