shallow grave

Í̷̲̼̭̯̠͎̗̠̝͝ ̵̡̍̉̈́̽H̵̗̲̰̠̪͋̔͋ạ̵̬̙͑̀̐̇̚v̶͓̂͌̕e̴̫̼͔͔͚͕͙͉̎̀̊́̾̈́̔̈ ̷̮͑̈́̌͗͛͗̈́̚͝N̶̢̹̪̹̻͈̂̌̊̈́̄̕ͅớ̶͓̯̗͚͖̀̍͗ ̷̝͓̆͒͌̃̎͠M̶̧̰͈̞͖͔̥̉̀̔̏͛̌͛̑̕o̷̡̧̗͙̝͍̙͙͊̋͛̄̚u̸̧̻̗̦͕͙̎͆̃̃̅͜͠t̴̨̹̟̲̾̾̉̌͊́̄̚ḣ̴̛̭̃̍͑̈́͆̕,̴̛̺͖̾͒͋͋̿̈́̊̑ ̸̛͍͕̰͇̟̯̃̔͗͒̀͌͆̽a̸̢͔̖̟̪̣̬͇̅̓̎͛̒̌̀̚n̸̫̦̞͍̐̈́̐̏̚̚d̸̘͖͇͍̲̼͙̂̿̽̌͊͠ ̶̰̙̬̯̤̘̝̝̍́̈́̉̈̌̌ͅI̵͚̙͛ ̷̖̙̙̟̦̲̤̕͘M̸̢̯̣̯̑ǔ̷̲͉̪͕̎̈͜s̵̳̤͉̊̈́͂͑̂̽t̷̞̒̍ ̷͔̣̩̳̲͍͙̩͑̊͒͛̕͝ͅŠ̸̘̗̺̈́̇̚͝c̸̛̘̟̼̼̓͗̄͆̕r̸̡̛̩̽̍͒̂̎ė̵̠͙̈́̊̊̔̋̈́͝a̷͚̰̎̈̅͂̑̑͒͝͝m̶͓̠̙͈̰̳̓̊́̅̈́̅̌̋̈

by Pierre Soulages (Fairy Market, favored by Ronan, “complexly black”)

by Willem De Kooning (Fairy Market, “violent or passionate, depending on your point of view”)

Street In Venice by John Singer Sargent (Fairy Market, painted by Jordan)

Portrait of Madame X by John Singer Sargent (the Hennessy mansion)

Angel sculpture by Reinhard Stubenrauch (Declan’s attic, “enormous sculptural stainless steel lamp in the shape of a violent, art deco angel”)

by Chu Teh-Chun (Declan’s attic, “black bloomed at either end, and darker black stripes bisected it both violently and delicately, like bamboo leaves or handwriting or wounds”)

by Robert Motherwell (Declan’s attic, “more black ink, rolled and splattered in pleasing, architectural shapes, like a creature flying or a sentence she couldn’t quite read”)