I'm so endeared by the French term for a stray cat being "chat errant." This implies the existence of a stray knight. Or that a chat errant is searching for noble purpose.
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@crankyfacedknitter
I'm so endeared by the French term for a stray cat being "chat errant." This implies the existence of a stray knight. Or that a chat errant is searching for noble purpose.

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Do you wanna play mermaids? Yay. Okay so my tail is light blue and I have ice powers. And I live in the Arctic sea and watch British sailors die horrible deaths while trying to find the Northwest Passage.
In the summer of 1940, Paris fell under Nazi occupation. German soldiers marched through the boulevards, and swastika flags replaced the vibrant cafĂŠ illuminations that had defined the City of Light.
Yet, the beautiful Josephine Baker continued to captivate the French capital.
Born Freda Josephine McDonald in St. Louis, Missouri, in 1906, she was an African American dancer and singer who had risen to stardom in Europe during the 1920s. Â
To the Nazis, she appeared as little more than an entertaining celebrity, fixated on glamour, performances, and luxury.
This was a grave error on their part.
Baker deeply opposed the Nazisâ ideology of racial superiority, brutality, and discrimination, views shaped by her own experiences of racism in the United States. Â
When France declared war on Germany in September 1939, she was recruited by the Deuxième Bureau, Franceâs military intelligence agency, as an âhonourable correspondentâ. She agreed without hesitation, driven by loyalty to the country that had embraced her.
As part of the French Resistance, Baker operated openly rather than in secrecy. She frequented high-society gatherings at embassies and salons, mingling with Italian diplomats, Japanese officials, and German officers. Â
These figures spoke candidly in her presence, sharing details of military strategies, troop positions, and alliances.
Baker committed this intelligence to memory, then relayed it to her contacts.
Smuggling the information posed significant risks, with borders tightly controlled and luggage routinely inspected. However, her status as an international star allowed her to travel extensively with trunks of costumes and stacks of sheet music. Â
She concealed sensitive data by writing it in invisible ink on her sheet music, which appeared innocuous to inspectors.Â
Her fame often spared her thorough searches; border guards frequently requested autographs instead. In this way, she transported crucial intelligence across Europe and into North Africa, where she also entertained Allied troops, sometimes performing atop military vehicles in the desert while clad in elegant attire.Â
During the war, Baker suffered a severe illness, likely peritonitis, which hospitalised her in Casablanca from 1941 to 1942. Even then, she persisted, using her recovery period to host Resistance meetings.
After the warâs conclusion in 1945, France recognised her contributions. She was awarded the Croix de Guerre and the MĂŠdaille de la RĂŠsistance, and General Charles de Gaulle named her a Chevalier of the LĂŠgion dâhonneur, the nationâs highest civilian honour. Â
Baker passed away on 12 April 1975, at the age of 68, following a cerebral haemorrhage. Her funeral at LâĂglise de la Madeleine in Paris drew over 20,000 mourners, and she received full French military honours, including a 21-gun salute. Â
She was the first American-born woman to be accorded such a tribute.Â
Josephine Bakerâs story illustrates a profound truth: underestimation can prove to be a formidable adversaryâs undoing.
@LiquidFaerie
Uncle, how to get to the beautiful country? by Xiaoyu Wang

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what the success of project hail mary has proven is that we need more movies about nerds. The original twisters, jurassic park, national treasure, Atlantis, all of these movies are centered around one big nerd and the people love it
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âmom codedâ âsister codedâ âwine aunt codedâ what if sheâs his friend instead. youâre actually allowed to be friends with women
the unimaginable power of saying "huh, guess that's not for me" and moving on with your life
as a lover of historical fiction and art about women and horny art and silly art i am so so into this premise. everyone can't stop being like "ohh his is dick made of wood too" it's magic dumbass. i am obsessed with how this sounds like an obscure medieval european folk tale. peter dinklage plays a basketmaker with the power to bring life to inanimate objects for an spinste's sexual pleasure. suspend your disbelief about his cock and have a little fun
and the leading lady is played by a woman whose gay man. perfect movie perhaps
for those who haven't seen the trailer.
#I assume his dick is ribbed for her pleasure and well-lacquered#like yes I assume the wicker guy who is ostentatiously 100% wicker everywhere we can see also has a wicker dick#I also assume a basket-making wizard who can make a whole-ass articulated dude out of wicker in one month#while *also* keeping up with his bill-paying day-job baskets#knows how to make a dick where none of the pokery is anywhere near the jiggery#sorry to everyone who's only seen shitty big-box store baskets that are made out of spite and neoliberalism#his dong is wicker and also perfectly fit for purpose#wicker? I hardly knew her! etc.
beautiful + true tags from @tyrannosaurus-trainwreck

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Everybody say "thank you south america" for the humble potato
Actually let's get specific with it
*checks wiki*
Everybody say thank you indigenous people of present-day southern Peru and extreme northwestern Bolivia from 7-10,000 years ago for the humble potato
this duck LOVES pink drink
watching this with sound gives you access to excellent duck noises.
Mammal in a Sunday Dress, by Georgina M. Cox, 2026
Mammal in a Sunday Dress explores the uneasy relationship between femininity, civilisation, and the animal body. At first glance, the figure appears modest and withdrawn. Her posture is composed, her gaze seemingly lowered towards her bare feet, recalling the conventions of nineteenth-century portraiture where women were often depicted as passive objects of observation. Yet as the viewer moves closer, the illusion collapses. Her eyes are not lowered at all. She is looking directly back. The delayed eye contact transforms the encounter. The viewer approaches believing they are safely observing a woman; instead, they realise they have been observed themselves. The work refuses the traditional power dynamic of portraiture, denying the comfort of anonymous spectatorship. Looking becomes a reciprocal act. For Cox, the painting considers humanity's persistent desire to separate itself from the rest of the animal kingdom. The title quietly undermines this distinction. A "mammal" is not another creatureâit is us. The Sunday dress, rich with cultural associations of femininity, morality, and respectability, becomes an attempt to distinguish ourselves from nature. Yet clothing cannot alter biology. Beneath lace and ritual remains the same vulnerable animal body. The work also reflects on the historical relationship between women and nature. Across art, religion, and philosophy, women have repeatedly been positioned as closer to instinct, emotion, reproduction, and the body itself, while men have been aligned with reason, culture, and civilisation. Mammal in a Sunday Dress does not reject this comparison. Instead, it questions why proximity to nature has so often been treated as something lesser. Chiaroscuro isolates the figure within darkness, allowing the luminous dress to symbolise the performance of civilisation while the bare feet quietly return the body to the earth. Neither is presented as more truthful than the other. The painting exists in the tension between performance and instinct, refinement and biology. Mammal in a Sunday Dress ultimately asks a simple but unsettling question: if every layer of culture were stripped away, what would remain? Not a king. Not a saint. Not a gentleman or a lady. Only another mammal, looking back.
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Someone asked me a while ago if I still had a photo of the worst sink I had ever seen while apartment hunting in Los Angeles. I assumed I deleted it so I didn't answer the ask and now it's gone, but as it turns out, yes, I do still have a photo of it.
another huge piece of advice: separate out 'tidying', 'cleaning' and 'organising' in your head. they're not the same thing and a lot of paralysis and overload comes from either misidentifying what your space needs, or trying to do all of them at once with conflicting goals.
TIDYING means clearing space, making your environment orderly and inviting. it usually entails removing clutter from surfaces, clearing the floor so you can move around easily, and creating psychological ease by putting everything visibly in its place. It's very visual, and can also involve things like straightening picture frames, squaring pillows, folding blankets on the couch, etc. It reduces chaos and noise and makes a space comfortable.
ORGANISING means sifting through belongings, ensuring that what doesn't need to be kept is thrown out and what does need to be kept is kept well. This often means categorising by room and function â teaspoons go in the teaspoon drawer, and the teaspoon drawer stays in the kitchen. It can also mean indexing things so you can find them easily (markers sorted by colour, paperwork divided into topical folders, books alphabetised) and preserving things (moving photos out of direct sunlight, keeping open flour in a sealed container, sleeving trading cards).
CLEANING means removing built up dirt, dust and grime, reducing the level of environmental contaminants and making your space sanitary. Bacteria are a fact of life, they love to hang out in dust and cling to pet hair and multiply on any given surface. Cleaning is how you keep that stuff in check, preventing it from building up to the point it affects your health. This means wiping frequently touched surfaces with disinfectant, sanitising utensils (doing the dishes), washing bedding and clothes (and yourself), and sweeping/vacuuming and taking out the trash to physically remove dirt from your home.
Tidying is not the same thing as organising â shove the mail, bills, dirty teaspoons and your gardening gloves in a drawer, and you've tidied the table. Sort the paperwork into piles by deadline, put the teaspoons in a cup, and roll the gloves together so they don't get separated, and the table is untidy but organised.
Similarly, a tidy or organised space can still be filthy. Just because all the yellowed newspapers and trash bags are sorted by date in the basement, out of sight, doesn't mean they're clean. A chaotic, cluttered space can still be very sanitary if it's being kept clear of refuse, and wiped and dusted often.
Sometimes tidying makes your space less organised, and vice versa. Organising often shakes out a lot of dust and makes the space dirtier. The classic "it's even worse than when I started" feeling is often the result of going into a room with the intent of tidying, then actually starting the task of organising instead. It's a lot easier to tidy an organised space, and organising first is usually the right instinct, but the distinction isn't intuitive so the sudden cluttering effect can be really demoralising. Remember they're three different things with different goals. Sometimes they overlap, but sometimes they conflict. That doesn't mean you're doing it wrong.

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but on the real though, here is your guide to assyrian rice preparation from your friendly neighborhood assyrian:
start wanting rice. (or, if you are traditional, simply recognize your constant desire for rice.)
measure out two cups of rice. then one more. then two more. then another. this seems fine. you love rice. there is no way that this will backfire on you.
remember that your great-great-uncleâs recipe says it should be soaked overnight.
become consumed with despair.
decide to soak it for half an hour instead, acknowledging that the final product will be inferior and anger your ancestors but will still satisfy your now almost-overwhelming need for rice to be inside your body much faster.
remember that you should have set the water to boil when you soaked the rice. goddammit.Â
once the water boils, put the rice in until it is half-cooked. the eyeballing or intuitive method is less effective than a timer but thatâs how your aunt does it so you feel compelled to meet her standards.
now that the rice has fluffed up, realize how much rice six dry cups really is. holy shit. youâve fucked up immeasurably.Â
take a minute to dwell upon your failings.
grease a baking dish with butter. this will never be as elegant as you want it to and your fingers will get greasy, but the slightly shameful, self-indulgent joy of licking your fingers afterwards will make up for it.
pour the rice into the dish. wonder immediately if you actually buttered the dish beforehand and if youâve just fucked up.Â
melt approximately one thousand pounds of butter in the microwave and pour it over the rice, pondering your imminent death from rapid-onset arterial clogging. put a small pat of butter on the top to properly gild the lily.
put your pan into the oven, which you have absolutely preheated after your previous lack of foresight. shake the rice once or twice while it bakes to make sure the butter is well distributed. resist the impulse to climb into the oven with the rice. for the last ten minutes, sit next to the oven and count the seconds until itâs done.
remove the dish from the oven. shed a tear or two at the perfection laid before you. if you are dining with others, this is the time to serve the rice while making passive-aggressive statements about how oh no, you donât need any help, you just made dinner all by yourself, you can serve everyone as well. (this is still fun if done alone, but optional.)
CONSUME THE RICE.
realize that you have eaten half of the dish in one sitting. no matter how much rice you made, this will always happen.Â
put the leftovers away, if there are any, and enjoy a cup of chai while marveling at the amount of food you have just eaten. if possible, fall asleep in an armchair, sitting up, head tilted slightly back, like a grandpa.
for the rest of the evening, think fondly of how much rice you have in the fridge now and how many meals it will supplement, refusing to acknowledge that you will almost certainly eat the rest of it in a few hours for a midnight meal.
i really played myself with this post huh. every time it gets a note i start wanting rice.
for anyone who wants it, here is my familyâs actual recipe for assyrian baked rice:
1lb / approx. 2 â cups basmati rice (any long-grain rice will do)
3 tbsp salt
8 tbsp / 1 stick butter (you can reduce this if you donât want to have a heart attack)
Put the rice in a pot and cover it in cold water and salt. Let it soak overnight. (If you donât have the time to soak it, rinse the rice with cold water until it runs clear.)
Edit: The reason you want to soak basmati and other aromatic rice before cooking is to preserve more acetylpyrroline, the compound that gives aromatic rice its characteristic scent and flavor. Soaking rice allows the grains to absorb water, which reduces the cooking time, which means less time for the acetylpyrroline to cook off. Itâll still taste pretty good if you canât do this, but you donât want âpretty goodâ, you want mind-blowing, so for that perfect flavor youâll want to soak your rice overnight. The soaking process also washes away the layer of starch on the outside of the rice, which allows the grains to separate rather than sticking together; this is why you want to rinse your rice thoroughly if you donât have time to soak it.
Preheat your oven to 325°.
Boil three quarts of water in a separate pot. Once itâs at a fast boil, drain the rice and add it to the water. Boil for 5-7min or until one grain tastes half-cooked, but not soft. Pour the rice into a colander and rinse with cold water.
Edit: This step also helps get rid of any remaining starch on your grains, for perfectly separated rice. If your colander or strainer has large holes, you can put a paper towel/cheesecloth/clean dishcloth on the inside in order to drain your rice. Pour carefully if youâre using a paper towel, though, and put a bowl underneath your colander; I once lost a heartbreaking amount of rice when my paper towel got oversaturated and tore open.
Liberally grease the bottom of your baking pan with some of your butter. Pour the rice on top. Melt the rest of the butter in the microwave and pour on top of the rice.
Bake for 45min. (If you like, cover the rice for part or all of the baking time, but I find it gets less crispy on top if you do this.) Shake the pan a couple times during baking to ensure that the butter distributes throughout the entire dish.
Eat.
Serves four. Can easily be scaled up if needed (or down, but why would you do that?). Best enjoyed with a nice cup of chai.
(cc @raisedbyhyenas )
reblog for the awesome recipe and to make op want rice (rice is so good. ofc you want rice)
>:(
youtube with ublock origin experience of the 20 second gap between every video on a playlist where youtube desperately throws itself against the impervious ever-evolving uncaring face of the adblocker's wall screaming and clawing and calling PLEASE! PLEASE, OUR AD REVENUE!! DON'T YOU WANT TO SUPPORT THIS CREATOR? DO YOU NOT CARE ABOUT OUR WALLETS? AND THEIRS? into the vast and empty sky before the adblocker gently raises one of its many iron-banded arms and flicks youtube away into the void just to hear its wails fade slowly into nothing
It's funny when I get the "You seem to be experiencing interruptions. Find out why" popup as if two unskippable 30-second ads wouldn't feel way more intrusive and annoying than a slight delay for a video to start.