a slaughterhouse. an outlet mall. slot machines. fear of god. you know the usual
hello vonnie
Stranger Things
$LAYYYTER
almost home

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styofa doing anything
d e v o n
I'd rather be in outer space 🛸
todays bird

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noise dept.
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★
PUT YOUR BEARD IN MY MOUTH

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@cowboyswain
a slaughterhouse. an outlet mall. slot machines. fear of god. you know the usual

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kate's dizzying array of hairstyles [66/?] — 5.10・“Significant Others”
swarla + hand kisses ♡︎
#it's the fourth of fucking july
THE PITT — S02E03 "9:00 A.M."

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#very much a big fan of carla gripping her wife’s neck😵💫😮💨
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free my girl she did all that and that’s what makes her such a compellingly complex character. that’s her essence
r u gonna make me cry during sex or am i wasting my time
there goes the yarn ball!

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'he would not fucking say that' maybe he would if he knew he was starring in his very own porn fic for the sole purpose of delighting some freaks on archive of our own dot org. maybe he'd play it up for the cameras. ever consider that
CORONATION STREET | March 2, 2026
i have three whole chapters and 23k words of my swarla age gap au written

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About your rizzoli and isles post, that's just how "lesbian" shows were made in the mid 2000s cause nothing on tv could be lesbian. They definitely played the characters an wrote them as being in love
This ask is from January and I genuinely have no idea what post it's in response to, and even though this ask comes off incredibly condescendingly, I'm going to respond to it anyway because I fundamentally disagree.
There's really nothing about Rizzoli and Isles that was just the way "lesbian" tv shows were made in the mid-2000s (and I promise, I was alive in the mid-2000s). There is a fundamental difference between queercoding because a network or audience wants plausible deniability rather than putting openly queer characters on screen and the specific combination of queerbaiting and ignorance that produced Rizzoli and Isles. It was harder to find, for sure, but lesbians were on TV in the 2000s. I was literally steered away from watching Rizzoli and Isles in its original run and pointed to, by the queer people in my life, gayer TV that didn't taunt its audience. These characters may have been written as in love, but a lot of it seems to come from a sort of clumsiness rather than deliberate queercoding. So much of it they tried to walk back. And finally, we all know how Angie Harmon felt about Jane being read as gay. She was not a happy camper. Jane reading SO lesbian was again, a kind of clumsiness.
I mean, I love my blorbos from my show but my show is problematic. It was queerbait-y (look at the marketing material), it taunted the audience, and it was just... a mess, not some beautiful piece of queercoded television.
sopranos summer