never take yourself so seriously that you wouldn't wear the beanie with the pom pom

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2025 on Tumblr: Trends That Defined the Year
let's talk about Bridgerton tea, my ask is open
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@coughdropenjoyer
never take yourself so seriously that you wouldn't wear the beanie with the pom pom

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did you know that its impossible to throw an egg really hard onto your bedrooms wall right now try it
ok anyways. post this beast
I HAVE THE OTHER PART TO THIS PHOTO
tv from the mid 2000s was so good. if you can look past the everything
Amazing that we call him the cookie clicker guy and not the "this website's hate mail game is insane" guy because one of those things had a much bigger impact on Tumblr culture than the other
#I think it's nice that the thing he'a known for is something he's put a lot of work into and was passionate about#as opposed to some funny posts he made in a few minutes#would you rather be known as large for your funny posts or your books if given the choice?
I'm already known for my funny posts and not my books. People express surprise that I'm a writer constantly.
#wait what#Derin I didn't know you were funny

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Curious pond greets butterflies
the eva stratt in my mind is a conglomeration of movie stratt and book stratt because god fucking bless sandra huller put her entire pussy into that performance, but while weir is bad at character writing (women especially) he IS disconcertingly good at coming up with plots that generate interesting character concepts through circumstances... which due to story cuts the movie sadly missed out on.
it's really interesting looking back at both iterations of the story and how stratt and grace's rapport hinges on unrequitedness. there's obviously the karaoke scene in the movie acting as grace's bid for human connection vs stratt's necessary refusal in order to do her job. the book rarely if ever interrogates stratt's interpersonal relationships in the project and how her sense of duty and utilitarianism extends to them (well, aside from grace. more on that in a sec). She's a History major and an administrator and She Loves Humanity, but it's a characteristic that when analyzed deeper rings pretty hollow (possibly because the author thinks social analysis/critique in science fiction is stupid and thus doesn't exactly have much to say about People like someone in the humanities would. SAD!) so that's an addition to her character from the movie that i'm deeply pleased about. what i don't like as much is that the bid for connection starts from grace.
because book stratt and grace? the one sidedness of their rapport is the driving emotional conflict of the entire pre-launch plotline—and of grace's character development throughout the whole book.
like most scientists on the team, grace was brought onto the project by force, but he's the only one who fulfilled his purpose, was allowed to return to his own life, and then came back of his own volition, out of a sense of personal duty and responsibility. which is the reason stratt takes him back on! and why she begins to rely on him more and more, as an administrator, as a mediator, as a scientist, as an advisor. she has all the more reason to do that when she discovers he's coma resistant, but she was already doing all that baby!
grace spends the rest of their relationship half-assing that sense of responsibility. one thing i adore about book phm is how merciless it is with grace's "modesty" "insecurity" and "social anxiety". children are easy to dote on. they're not stupid, obviously, but on an interpersonal level they're not your equal, they have no way to actually demand accountability from you and call your ass out. he doesn't actually think he's a failure, he's not blind he should know damn well he's not like the other scientists. "science lapdog", "ooo i'm just a little guy cmonnnn i'm just a middle school teacher", he downplays his own importance because if he genuinely grappled with the level of responsibility she holds him to towards the people in the project he'd run like a fucking dog.
he is a good man AND he is a coward. stratt's relationship with him verges on the tension between those coexisting truths. he is both someone she wants to respect but can't, someone she can rely on but has to act behind his back least he realizes. she WANTS them to be equals, she WANTS him to understand. on the day the hail mary is scheduled for launch she paces HIS prison cell like SHE'S the caged animal, trying to get through to the glimpse of the man she saw that day, the one who barged into an FBI guarded facility, looked atlas in the eye and told her scoot over, i'm carrying this with you. she cares about him. she wouldn't feel so betrayed if she didn't. please understand why i'm doing this to you. please understand why i need you to be that fundamentally good man. i am tied to the tracks right next to you. and as far as she is concerned, ryland grace dies on earth saying "no".
Tags from OP, because they are also gold:
#eva stratt is in possibly the loneliest position of power anyone has ever filled#she has the weight of the entire world on her back and ryland grace storms into her lab and demands he shares part of that load and when no#one else will do IT HAS TO BE HIM he fucking bails out on her#of course she is anything but an idealist so she knew perfectly well this was a possibility and prepared for it in advance#but the personal betrayal remains. how she didn't rip his throat out is beyond me i would've wrung his neck like a goose
Yes to OP. I love your read of Eva Stratt and I agree that neither the book nor the film explains her perfectly. The film shows much more emotion and in a sense Eva Stratt is more likable. I loved the talk on the deck and the karaoke scene. But the book shows more of her workings and the choices she needs to make. There, she is like a frog in a slowly boiling pot, every decision making it harder for her to turn around (not that she was ever going to deny the call to action).
Book or film, her story is a tragedy. Not in a sad way, but in the sense that it was always going to end this way for her. Readers always knew she would do anything to succeed. Watchers always knew that she wasn't afraid to send astronauts to their death. It's an old song, it's a sad song, it's a tragedy.
Yes to 'Grace came back willingly to help, which is why Stratt trusts him'. Lokken and I imagine quite a few other people came there because they were either forced or because they felt like they 'had to' help the project (this also include Stratt herself in my opinion). In the book she has him join her on her strange quests to help her understand the science (see the meeting with Lokken or Redell). But the most telling moment is the conversation when Stratt decides to go for the coma-resistant astronauts; she already knows what she needs to do, but she wants Grace's input. And straight up: such an important decision just shouldn't be shouldered by one human. That is just unfair to said human. And who does she go to?
Yes to 'He would run like a fucking dog if he stood still and thought about responsibility'. Grace has these mental gymnastics On Lock! It is amazing how much impostor syndrome and avoidant behaviour one narrator can contain. When they blow up Antarctica in the book, Grace has this peculiar moment: Stratt Leclerc and him are standing on the Vatt staring at the ice. Grace stares at Stratt and Leclerc and thinks that these two have 'the greatest authoroty and power invested in them in the whole world'… Grace does not understand that Stratt would not have done that had he told her it wasn't worth it. There are three powerfull people standing on that deck and Grace doesn't even know it.
Yes to 'she wants them to be equals and she wants him to understand'. People have verbally fought Stratt all through the book. Lokken, Leclerc, Redell, the whole piracy debacle, every world leader and politician and most of all Grace himself. YET, there is only one person she ever listens to. Three guesses who. She wants to be on equal footing with him, but I also think she knows he cannot meet her there. Grace is willing to help in his own way, but he cannot shoulder the responsibility that Stratt is carrying. Stratt cannot go and meet him halfway, her position as director does not allow that. In the end she is BEGGING him to agree and understand.
Yes, by the end of the project Grace is doing much more than just teaching the astronauts. Yes, the others see him as a second in command. Yes, he has been present for every major meeting. But I don't believe for ONE second that Stratt has given him more than he could carry. And do I think that is because Grace is perfect and could do anything? OH HELL NO. Grace freaks out when faced with too much responsibility. Which tells me that Eva Stratt knew EXACTLY what she could give to him. Which means that she knew he could not help her shoulder the heavier things. She knows he would have refused and I wonder if that ever made her feel lonely.
And when he refuses the Big Call, as he had refused for all that time, I know for sure that I would have cried. Had I been Eva Stratt, I would have cried; for him but also myself. Because it would have meant that his refusal sealed her fate as well. It was always going to end this way.
Thinking more about the last post and how so much of the tension between Grace and Stratt comes down to responsibility. He can't think about it too hard or he'll run. She can't ever allow herself to think about anything else. And they're able to maintain the balance for a while, but when the tipping point comes it comes apart along fault lines that are already there. A responsibility that he can't minimize comes up and he balks. And she knew he would, but also she doesn't understand because she cannot conceptualize refusing. She has taken on the weight of the world and here is a responsibility she cannot take, that everything hinges on, and precisely because everything hinges on it Grace can't do it.
we need a new tumblr palette called desolate wasteland that's all washed out browns and the background is sand and sometimes a tumblrweed blows across the screen

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we gotta get back into revolving bookcases i'm begging
truly we allow the pinnacles of human achievement to wither and collapse into ashes in the wind
I’m not saying it was a good idea but every society has tried to solve the problem of “society needs organization to function but power tends to corrupt people” and I like how ancient Rome’s answer was the position of the tribune, where you get to have unchecked power with no accountability for one (1) year but after that you’re just a guy and everyone you pissed off can beat you to death with hammers.
Xenomorph frogs sculptures by Li Changchun
Sketchbook drawing from a moment in Verőce, Hungary.
what game devs think are tough choices in games: you have to kill this person or spare them
what tough choices in games actually are: this armor will make you more powerful but it’s ugly

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ohhh we love a good “forced to torture your friend while undercover as a bad guy” don’t we
like. when you meet their eyes and you both know you have to do it and you have to do it well
I haven't seen this one yet...