I.
We've had sex three times, but I managed to put a good three weeks between those. I told myself I had to, because you were so romantic and sensual in bed. The fourth time there'd be only 7 days since the last -- I softened my rules because my monogamous exboyfriend was newly single and had rented a hotel room for us in DTLA the previous night. We've had sex on and off (when he's single) over the last six years, but never once in LA. After a few rounds of sex, I'd taken him to a ramen shop I'd been to other times with other men I was dating. It was odd to see him there, this figment from my-life-in-San-Diego eating karaage and sipping Asahi across from me in this place I'd only been with men from my-life-now-in-LA.
I agreed to see you so soon after I'd last seen you because I was flattered that you wanted to see me, and I didn't have travel plans to blame like the last time, and I thought it'd keep me from forming any unhealthy attachments to my ex. I wanted to advance the plot. I wanted to be in my-life-now. I've only seen you a handful of times, but I know that being with you makes it impossible for me to be anywhere else. I am embodied when I am with you.
You make love to me in the fully present, sensual, romantic way that I want you to, that you have the other times. The way you whisper "oh my god" on a loop when you're inside me, like it's a prayer and like you're in awe of your luck. You behold me afterward, too, like I'm something worth treasuring, like the guy from last night should realize how lucky he is to get 6 years of this. You continue your vulnerable disclosures that I marvel at with my friends after every time I see you, the way you just say exactly how you feel standing in such stark contrast to how most men operate. This time, you tell me you were scrolling my Instagram feed and saw a photo where I looked especially pretty. Who admits to that? When I was at Yosemite and handed my phone to my friend to show her your Instagram feed, she said, "Don't worry, I'll be careful not to accidentally 'like' anything." That's what we all do.
But not you.
---
II.
I laughed with you a lot last night, naked and sweaty in your bed, the first day of the heat wave that has even West LA seeing temperatures in the upper 90s for 5 days straight. I told you that I felt self-conscious about how much sweatier I am than you, something I told you the first time we had sex at yours (we both had the West LA confidence to rent places without air conditioning and then had the audacity to be on dating apps in July). You told me not to be. It wasn't like S who told me he wanted to lick sweat off my body, and did, but it felt more honest. You feel more honest. You feel true blue.
There was a moth in my car when I drove home. It got caught in my hair somewhere south of yours on Sawtelle -- I rolled down the windows and coaxed it back to where it belongs. Moths can be symbolic of transformation, but moths can also be symbolic of disguise.
I parked in front of my apartment and watched my neighbors shuffle their two cars and motorcycle around in their tandem spot. I recorded a voice note for Rena about how happy I was, how part of me wants to believe you're different than the others, your openness and your tenderness. But I won't let myself do that. I'll just let myself love that I'm here right now.
---
III.
I saw you again six days later, and things shifted. The other times that I drove home I thought to myself, "I'm so glad to be having this experience of feeling this excited about someone again," and, this time I thought to myself, "I'm so glad to be feeling this with B." The feelings I feel for you now are you-specific -- they are not general feelings anymore.
You tell me that you feel comfortable around me but still get nervous but that your nerves melt away the second we start kissing. You tell me you've been feeling unattractive. You tell me that sexual fantasy you have that you've only told two other souls on this planet, one of whom is your therapist. You tell me that I am a member of that elite club not as some manipulating move to make me feel special, but just because you seem fine telling me anything so long as it's the truth. I wish on every stoplight on my drive home that it'll stay that way, for good.
The next morning all I can think of is us in bed cuddling and talking after sex. I rolled over onto my stomach and you groaned at the sight of my curves and told me I was so sexy. I laid my head on your chest for a while, but then you started talking about your family again and I wanted to see your face as you described the people who raised you, so I pulled myself up to look at you and rested my head in my right hand. You stopped mid-sentence and said, "you're so beautiful." And then stuttered to start a sentence again but couldn't. The way our eyes locked in that moment.
You told me you were self-conscious about your hair, and I couldn't even bring myself to tell you "you're my first redhead," because you don't feel like a category to me anymore. You feel like B.
---
I wrote this triptych in August and September, charting three weeks where I saw you every week. I started writing for the reasons outlined in the first paragraph of the first one: I wanted to be fully in the present. I so often only want to write when I'm heartbroken, when a dark pall has been cast over everything, when every detail seems significantly foreboding. I told myself, you ought to write in the present for once, as you're first beginning something with someone, specifically with someone you don't feel like you'll have a serious relationship with. It's an act of mindfulness. It will show you the joy that your life is saturated in that you sometimes do not see.
And then you were coming over to mine before a sex party and I was asking you which perfume you preferred; you were waking up in my bed and spilling coffee all over yourself from laughing too hard at me quoting the lyrics to Drake's "Child's Play"; you were making me cum with you, our eyes locked; you were introducing me to everyone at your Halloween party and whispering in my ear at 1am "I'm so glad you're still here"; you were telling me that I still make you nervous, but because you're afraid to lose me; then you were telling me that you think you're falling for me.
The second time I stayed over at yours, I tell you about writing this, about trying to map out initial desire and figure it out fully by dissecting it. I don't tell you that at some point it became less a study of desire and more a study of my desire for you, B. You you you.
When we have sex the following week, my mind keeps whispering to me, "sex with B feels like getting everything you ever wanted."

















