My Journey To Sucking Less At Video Games

Horror Film Taglines Replaced With Pornhub Comments

Fiction:

Babyji by Abha Dawesar

Blue Boy, by Rakesh Satyal

Funny Boy, by Shyam Selvadurai

Ode to Lata, Ghalib Shiraz Dhalla

The Paths of Marriage, by Mala Kumar

The Pregnant King, by Devdutt Pattanaik

Quarantine, by Rahul Mehta

She of the Mountains, by Vivek Shraya

The Two Krishnas, by Ghalib Shiraz Dhalla

The World Unseen, by Shamim Sarif

Non-Fiction & Anthologies:

AIDS Sutra: Untold Stories from India, by Amartya Sen and various authors

Because I Have A Voice: Queer Politics in India, edited by Arvind Narrain and Gautam Bhan

Gay Bombay: Globalization, Love, and (Be)Longing in Contemporary India, by Parmesh Shahani

Impossible Desires: Queer Diasporas and South Asian Public Cultures, by Gayatri Gopinath

The Invisibles, by Zia Jaffrey

A Lotus of Another Color, by Rakesh Ratti

Love’s Rite: Same-Sex Marriage in India and the West by Ruth Vanita

Made in India: Decolonializations, Queer Sexualities, Trans/National Projects, by Suparna Bhaskaran

Same-Sex Love in India, edited by Ruth Vanita and Saleem Kidwal

Sexual Sites, Seminal Attitudes: Sexualities, Masculinities and Culture in South Asia, by Sanjay Srivastava

Shikhandi and Other Tales They Don’t Tell You, by Devdutt Pattanaik

Queer Activism in India: A Story in the Anthropology of Ethics, by Naisargi Dave

Queering India: Same-Sex Love and Eroticism in Indian Culture and Society, by Ruth Vanita

By golly gee! I keep forgetting that Black people didn’t exist until the Fresh Prince of Bel Air came on television! Or that Black people existed in anywhere else than Africa even with slavery going on :) My apologies.

Anyway, here’s proof that Beethoven was Black:

"… Said directly, Beethoven was a black man. Specifically, his mother was a Moor, that group of Muslim Northern Africans who conquered parts of Europe—making Spain their capital—for some 800 years.

In order to make such a substantial statement, presentation of verifiable evidence is compulsory. Let’s start with what some of Beethoven’s contemporaries and biographers say about his brown complexion:

(Louis Letronne, Beethoven, 1814, pencil drawing.)

"Frederick Hertz, German anthropologist, used these terms to describe him: ‘Negroid traits, dark skin, flat, thick nose.’

Emil Ludwig, in his book ‘Beethoven,’ says: ‘His face reveals no trace of the German. He was so dark that people dubbed him Spagnol [dark-skinned].’

Fanny Giannatasio del Rio, in her book ‘An Unrequited Love: An Episode in the Life of Beethoven,’ wrote ‘His somewhat flat broad nose and rather wide mouth, his small piercing eyes and swarthy [dark] complexion, pockmarked into the bargain, gave him a strong resemblance to a mulatto.’

Beethoven’s death mask: profile and full face

C. Czerny stated, ‘His beard—he had not shaved for several days—made the lower part of his already brown face still darker.’

Following are one word descriptions of Beethoven from various writers: Grillparzer, ‘dark’; Bettina von Armin, ‘brown’; Schindler, ‘red and brown’; Rellstab, ‘brownish’; Gelinek, ‘short, dark.’

In Alexander Thayer’s Life of Beethoven, vol.1, p. 134,  the author states, “there is none of that obscurity which exalts one to write history as he would have it and not as it really was. The facts are too patent.” On this same page, he states that the German composer Franz Josef Haydn was referred to as a “Moor” by Prince Esterhazy, and Beethoven had “even more of the Moor in his looks.’ On p. 72, a Beethoven contemporary, Gottfried Fischer, describes him as round-nosed and of dark complexion. Also, he was called ‘der Spagnol’ (the Spaniard).

Other “patent” sources, of which there are many, include, but are not limited to, Beethoven by Maynard Solomon, p.78. He is described as having “thick, bristly coal-black hair” (in today’s parlance, we proudly call it ‘kinky’) and a ‘ruddy-complexioned face.’ In   Beethoven:  His Life and Times by Artes Orga, p.72, Beethoven’s pupil, Carl Czerny of the ‘School of Velocity’ fame, recalls that Beethoven’s ‘coal-black hair, cut a la Titus, stood up around his head [sounds almost like an Afro].  His black beard…darkened the lower part of his dark-complexioned face.’

  Engraving by Blasius Hofel, Beethoven, 1814, color facsimile of engraving after a pencil drawing by Louis Letronne. This engraving was regarded in Beethoven’s circle as particularly lifelike. Beethoven himself thought highly of it, and gave several copies to his friends.

Beethoven, the Black Spaniard

Thank you, history/fact-checking Tumblr.

In a bold comparative analysis of TheNarrative of the Life of Frederick Douglass, Jada Williams, a 13-year old eighth grader at School #3 in Rochester, New York, asserted that in her experience, today’s education system is a modern-day version of slavery. According to the Fredrick Douglass Foundation of New York, the schools’ teachers and administrators were so offended by Williams’ essay that they began a campaign of harassment—kicking her out of class and trying to suspend her—that ultimately forced her parents to withdraw her from the school. In her essay, which was written for a contest, Williams reflected on what Douglass heard his slave master, Mr. Auld, telling his wife after catching her teaching Douglass how to read. “If you teach that nigger (speaking of myself) how to read, there will be no keeping him,” Auld says. “It will forever unfit him to be a slave. He would at once become unmanageable, and of no value to his master.”

Williams wrote that overcrowded, poorly managed classrooms prevent real learning from happening and thus produces the same results as Mr. Auld’s outright ban. She wrote that her white teachers—the vast majority of Rochester students are black and Hispanic, but very few teachers are people of color—are in a “position of power to dictate what I can, cannot, and will learn, only desiring that I may get bored because of the inconsistency and the mismanagement of the classroom.”

Read more: Education - GOOD

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