The Artist that Never Was

You ever wonder what Sparda may have looked like as a baby?

“You puny pathetic thing”

( Starting to reach a point where I don’t wanna work on him anymore oTL

That said, Sparda’s massive horns appear to sweep up and backwards at the base, before turning down and to the front near the tips - a combination of the twins’ horn directions.

Development on the film began in 1999 when director Tomm Moore and some of his friends first saw Richard Williams’s The Princess and the Cobbler (1993) and Disney’s Mulan (1998). The stylings of those two films - Persia for The Princess and the Cobbler (1993) and China for Mulan (1998) - inspired Moore to make a similarly styled film based on Irish art. (x)

Or have good anatomy ever finish this damn thing apparently