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"I'm Dorothy Gale from Kansas"
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Daniela Melchior by An Le for Vogue Portugal, 2024
Silence in green
michaelkagerer
Maria Zoccola, from a poem titled "the spartan women discuss tennessee," featured in Helen Of Troy, 1993: Poems
Les Nymphes by Gustave Doré

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Louis-Léopold Boilly, Vase of Flowers (detail)
Date unknown
Kinga Rajzak by Branislav Ĺ imonÄŤĂk for Vogue Portugal, 2022
Maggie Smith, from a poem titled "Self-Portrait as an Incomplete List of Mysteries," featured in A Suit or a Suitcase: Poems
The older i get the more i understand why some people become obsessed with privacy, not because they’re hiding something, but because being constantly perceived starts to feel spiritually exhausting.

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Juan Carreño de Miranda, 1614-1685
Penitent Magdalene, 1654, oil on canvas, 220x180 cm
Real Academia de Bellas Artes de San Fernando, Madrid Inv. 0638
This blog is my adult version of cutting pictures out of magazines and glueing them on to paper
Parisian windows by Raphael Metivet
Andreas Achenbach (German, 1815–1910), "Storm at Sea off the Norwegian Coast" (details), 1837. Städel Museum, Frankfurt am Main.

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Moon Shot
(c) riverwindphotography
My biggest tip for fanfic writers is this: if you get a character's mannerisms and speech pattern down, you can make them do pretty much whatever you want and it'll feel in character.
Logic: Characters, just like real people, are mallable. There is typically very little that's so truly, heinously out of character that you absolutely cannot make it work under any circumstance. In addition, most fans are also willing to accept characterization stretches if it makes the fic work. Yeah, we all know the villain and the hero wouldn't cuddle for warmth in canon. But if they did do that, how would they do it?
What counts is often not so much 'would the character do this?' and more 'if the character did do this, how would they do it?' If you get 'how' part right, your readers will probably be willing to buy the rest, because it will still feel like their favourite character. But if it doesn't feel like the character anymore, why are they even reading the fic?
Worry less about whether a character would do something, and more about how they'd sound while doing it.
I don't remember where I saw this piece of advice so I can't credit it, unfortunately
But it was along the lines of "instead of asking whether something is out of character, ask 'what would it take for this character to do this'"
Which I think fits really nicely with this advice of making the actual action itself also feel in character