The Heart Of Darkness- JOHN MARTIN
John Martin (19 July 1789 – 17 February 1854)[1] was an English Romantic painter, engraver and illustrator. He was celebrated for his typically vast and melodramatic paintings of religious subjects and fantastic compositions, populated with minute figures placed in imposing landscapes. Martin’s paintings, and the engravings made from them, enjoyed great success with the general public—in 1821 Lawrence referred to him as “the most popular painter of his day"—but were lambasted by Ruskin and other critics.
Martin was born in July 1789, in a one-room cottage,[2] at Haydon Bridge, near Hexham in Northumberland, the fourth son of Fenwick Martin, a one-time fencing master. He was apprenticed by his father to a coachbuilder in Newcastle upon Tyne to learn heraldic painting, but owing to a dispute over wages the indentures were cancelled, and he was placed instead under Boniface Musso, an Italian artist, father of the enamel painter Charles Muss.
With his master, Martin moved from Newcastle to London in 1806, where he married at the age of nineteen, and supported himself by giving drawing lessons, and by painting in watercolours, and on china and glass—his only surviving painted plate is now in a private collection in England. His leisure was occupied in the study of perspective and architecture.
His brothers were William, the eldest, an inventor; Richard, by trade a tanner became a soldier in the Northumberland Fencibles in 1798, rising to the rank of Quartermaster Sergeant in the Grenadier Guards and fought in the Peninsular War and at Waterloo; and Jonathan, a preacher tormented by madness who set fire to York Minster in 1829, for which he stood trial.
1.) The Great Day of His Wrath
2.) The Destruction of Sodom And Gomorrah
3.) Sadak in Search of the Waters of Oblivion
4.) The Destruction of Pompeii and Herculaneum
5.) Satan Presiding at the Infernal Council
7.) Joshua Commanding the Sun to Stand Still
9.) Manfred on the Jungfrau
stormborns
theartofmadeline
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