Images of surrealist/occult painter/writer Ithell Colquhoun’s 1970s tarot card designs.

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@citrusfeelings
Images of surrealist/occult painter/writer Ithell Colquhoun’s 1970s tarot card designs.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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help i am in hell except my body is the host of hell
i am collapsing in this void of sound. no one can see it but my skin is breaking apart.
who would have ever thought that a quiet room hurts?
i’m trapped inside of the never-ending spin inside of my skull
ㅤㅤ

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Cyclopette
adulée par les hommes telle une déesse
Lola photographed by Mayan Toledano for MadeMe x X-Girl

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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a year of red and blue behind my eye lids
so heavy a year later
Rupert Bunny-A summer morning
Spanish Ranch, Tuscarora, Nevada, 2015, Kurt Markus
Parmigianino Cupid Making his Arch(1533-1535)detail

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
One of the things that I love about music from the 50s and 60s is that even the most commercial, treacly stuff was still forced by the technology to sound human. There was no autotune and often not even any overdubs. They’re essentially live performances and they no matter how much they tried to smooth everything out and make it sound absolutely perfect, they just couldn’t do it.
“Sweeter Than You” is, without a doubt, a commercial, teen-pop crooner song. You can almost hear the teenage girls screaming over it. But after decades of perfectly produced pop, this almost sounds subversive: a shadowy song with a graceful, feather-soft touch. It’s gorgeous.
Pierre Nolasque Bergeret (French, 1782–1863), Vénus et Mercure,