You know what's really scary? You want to forget something. Totally wipe it out of your mind. But you never can. It can't go away, you see. And it follows you around, like a ghost.
A TALE OF TWO SISTERS ěĽí, íë ¨ (2003, Kim Jee Woon)
taylor price
Phantogram Three
almost home

Product Placement

shark vs the universe
todays bird

oozey mess
"I'm Dorothy Gale from Kansas"
NASA
Color Me Curious
Keni
Cosimo Galluzzi
Fai_Ryy

Discoholic đŞŠ
noise dept.

Love Begins
untitled

Game Changer & Make Some Noise

#extradirty

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@chungmuros
You know what's really scary? You want to forget something. Totally wipe it out of your mind. But you never can. It can't go away, you see. And it follows you around, like a ghost.
A TALE OF TWO SISTERS ěĽí, íë ¨ (2003, Kim Jee Woon)

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It's a birth. The birth of a new humanity.
COLONY 꾰체 (2026) dir. Yeon Sang Ho
I'll take you to mom no matter what.
TRAIN TO BUSAN ëśě°í 2016, dir. Yeon Sang-ho
TRAIN TO BUSAN (2016) dir. Yeon Sang-ho
TJ MIKELOGAN's HALLOWEEN 2024 EVENT Day 3: Foreign horror
ëśě°í | Train to Busan 2016, dir:Â Yeon Sang-ho

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Train to Busan (2016)
KIM GO-EUN as Seol-hee
HERO ěě (2022, Yoon Je-kyoon)
Yes, Iâll get to Busan in an hour.
Train to Busan (2016) dir. Sang - ho Yeon
Happy 10 year anniversary Train to Busan!
DAILYWORLDCINEMAâS 5TH ANNIVERSARY EVENT day 2: favorite director â Hirokazu Kore-eda đŻđľ
Itâs easy to paint people as evil. And the audience wants that, because it means that they have a source where they can place blame for the injustices in the world. And then they can dust their hands off, because then itâs got nothing to do with them. I donât want the audience to be able to shrug off responsibility so easily, and a version of that idea has crossed over into much of my work. (x)

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Happy Halloween: A Tale of Two Sisters (2003)
It canât go away, you see. It follows you around like a ghost.
Park Ji-young in Lingering | í¸í ë ě´íŹ (2020) dir. Yoon Eun-gyeong
First look at "The Intern" starring Choi Min-sik and Han So-hee. It is a remake of the 2015 film of the same name with Robert De Niro and Anne Hathaway. Directed by Kim Do-young (Once We Were Us), it is expected to be released on September 16, 2026.
âThe Kingâs Wardenâ Leads Korea to Best First Half Box Office Since Pandemic
Local films drove Korean box office recovery in the first half of 2026, with total industry revenue reaching KRW579 billion ($399.1 million) on 57.05 million admissions, up 41.9% and 34.2% year-on-year, respectively, according to figures released by the Korean Film Council (KOFIC).
Local titles accounted for the bulk of that growth. Korean-film revenue totaled KRW370.2 billion ($255.2 million) from 37.37 million admissions, an increase of 81.7% and 74.9% year-on-year. It is the strongest first-half showing for local cinema since the pandemic, with revenue now equivalent to 94.2% of the pre-pandemic first-half average calculated across 2017 to 2019.
International films generated KRW208.8 billion ($143.9 million) in revenue from 19.68 million admissions in the same period. Admissions dropped 6.9% year-on-year, but revenue still rose 2.3%, a gain the council attributed to heavy premium-format ticket sales for titles including âProject Hail Maryâ and âAvatar: Fire and Ash.â Premium-format screenings made up 30.2% of total revenue for âProject Hail Maryâ and 49.9% for âAvatar: Fire and Ash.â
Heâs concerned that one actor isnât seeing enough appreciation: Yeri Han, who plays Monica, the anxious wife of Steven Yeunâs idealistic Jacob. âIn the editing room, she was the one who we were always centering our emotional story around,â Chung said of Han. âItâs her face, itâs her looks, and the way she picks at a bedspread because sheâs upset. These little, subtle things that we knew: âThis is making the film what it is.ââ He paused. âAnd unfortunately, itâs invisible.â In Minari, Han navigates tricky, emotionally nuanced territory without the sort of melodrama or outsize performances that Hollywood tends to reward. âThere are no loud speeches or anything,â Chung told me. âItâs just her being.â Thatâs the work that all actors do: the very act of being, which can range from emphatic to muted, animated to lethargic, impassioned to impassive. Asian performers are certainly versatile enough to capture that rangeâand yet tropes such as the âinscrutable Asianâ have caused some casting directors to think of Asians as ânot very expressive.â The pervasiveness of such casually racist mythsâthe inscrutable Asian, the perpetual foreigner, the racialized hordeâis foundational to the invisibility of Asian actors during the Hollywood awards season. Given this backdrop, itâs little wonder when a quiet performance like Hanâs is overlooked. â Shirley Li: âMinariâ and the Invisible Stars of Asian-Led Movies

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JI CHANG WOOK as CHOI HYUN SEOK COLONY (2026)