You know what's really scary? You want to forget something. Totally wipe it out of your mind. But you never can. It can't go away, you see. And it follows you around, like a ghost.
A TALE OF TWO SISTERS 장화, 홍련 (2003, Kim Jee Woon)
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You know what's really scary? You want to forget something. Totally wipe it out of your mind. But you never can. It can't go away, you see. And it follows you around, like a ghost.
A TALE OF TWO SISTERS 장화, 홍련 (2003, Kim Jee Woon)

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DAILYWORLDCINEMA’S 5TH ANNIVERSARY EVENT day 2: favorite director — Hirokazu Kore-eda 🇯🇵
It’s easy to paint people as evil. And the audience wants that, because it means that they have a source where they can place blame for the injustices in the world. And then they can dust their hands off, because then it’s got nothing to do with them. I don’t want the audience to be able to shrug off responsibility so easily, and a version of that idea has crossed over into much of my work. (x)
Happy Halloween: A Tale of Two Sisters (2003)
It can’t go away, you see. It follows you around like a ghost.
Park Ji-young in Lingering | 호텔 레이크 (2020) dir. Yoon Eun-gyeong
First look at "The Intern" starring Choi Min-sik and Han So-hee. It is a remake of the 2015 film of the same name with Robert De Niro and Anne Hathaway. Directed by Kim Do-young (Once We Were Us), it is expected to be released on September 16, 2026.

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‘The King’s Warden’ Leads Korea to Best First Half Box Office Since Pandemic
Local films drove Korean box office recovery in the first half of 2026, with total industry revenue reaching KRW579 billion ($399.1 million) on 57.05 million admissions, up 41.9% and 34.2% year-on-year, respectively, according to figures released by the Korean Film Council (KOFIC).
Local titles accounted for the bulk of that growth. Korean-film revenue totaled KRW370.2 billion ($255.2 million) from 37.37 million admissions, an increase of 81.7% and 74.9% year-on-year. It is the strongest first-half showing for local cinema since the pandemic, with revenue now equivalent to 94.2% of the pre-pandemic first-half average calculated across 2017 to 2019.
International films generated KRW208.8 billion ($143.9 million) in revenue from 19.68 million admissions in the same period. Admissions dropped 6.9% year-on-year, but revenue still rose 2.3%, a gain the council attributed to heavy premium-format ticket sales for titles including “Project Hail Mary” and “Avatar: Fire and Ash.” Premium-format screenings made up 30.2% of total revenue for “Project Hail Mary” and 49.9% for “Avatar: Fire and Ash.”
He’s concerned that one actor isn’t seeing enough appreciation: Yeri Han, who plays Monica, the anxious wife of Steven Yeun’s idealistic Jacob. “In the editing room, she was the one who we were always centering our emotional story around,” Chung said of Han. “It’s her face, it’s her looks, and the way she picks at a bedspread because she’s upset. These little, subtle things that we knew: ‘This is making the film what it is.’” He paused. “And unfortunately, it’s invisible.” In Minari, Han navigates tricky, emotionally nuanced territory without the sort of melodrama or outsize performances that Hollywood tends to reward. “There are no loud speeches or anything,” Chung told me. “It’s just her being.” That’s the work that all actors do: the very act of being, which can range from emphatic to muted, animated to lethargic, impassioned to impassive. Asian performers are certainly versatile enough to capture that range—and yet tropes such as the “inscrutable Asian” have caused some casting directors to think of Asians as “not very expressive.” The pervasiveness of such casually racist myths—the inscrutable Asian, the perpetual foreigner, the racialized horde—is foundational to the invisibility of Asian actors during the Hollywood awards season. Given this backdrop, it’s little wonder when a quiet performance like Han’s is overlooked. — Shirley Li: ‘Minari’ and the Invisible Stars of Asian-Led Movies
JI CHANG WOOK as CHOI HYUN SEOK COLONY (2026)
COLONY 군체 (2026) Directed by Yeon Sang-ho

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@userdramas event 25: refresh 🌊 메소드 | Method (2017)
Imperfect communication is the source of all tragedies.
COLONY 군체 (2026, Yeon Sang-ho)
I have recently followed a lot of gif and photoset makers and wanted to share. They deserve more love because they keep our spaces vibrant.
I beg their forgiveness for the tag please don't block me 🥹
Hihi, I am back again with more lovely people who create that you definitely should check out as well ✨️
DRAMAS:
@jdramaflow
@storge
@kdramaxoxo
@koreandragon
@xiaolanhua
@jievn
@liveasbutterflies
@luna-lina
@ainokiseki
@rotblut
@shenzhiheng
@zhaolusi
@munjo
@chungmuros
FILMS, SHOWS & ANIME:
@smittenskitten
@bongjoonhoe
@psychicpinenut
@emziess
@atlantidea
@harrykim
@keyfili
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GAMES:
@songsomi
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SYMPATHY FOR LADY VENGEANCE 친절한 금자씨 2005 | dir. Park Chan-wook
SECRET: UNTOLD MELODY (2025) dir. Seo Yoo Min, wrts. Seo Yoo Min and Yoo Seung Hee, based on the screenplay by Jay Chou

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휴민트 / HUMINT (2026) dir. Ryu Seungwan
#me and who what book