Magic Shop Employee

The Mummy (1999) and The Mummy Returns

Men in Black

Dungeons and Dragons: Honor Among Thieves

Kingsman: The Secret Service and Kingsman: The Golden Circle

Pacific Rim

The Man from U.N.C.L.E.

PS it's got both Rachel Weisz and Brendan Fraser

are the absolute most batshit insane heroes in the entire franchise

these two are intellectual loner siblings with archeology backgrounds who read and speak ancient egyptian, hire a dude directly out of prison to take them to a lost city of gold, and fight mummies literally with their bare hands. twice.

no one in these movies stands a chance against the carnahans. frankly they're lethal in how willing they are to make the absolute and most undeniably deranged decisions. jonathan pickpockets a dude on fire. evy's resurrected from the dead and immediately remembers how to use sai. they're racking shotguns from a cliff in this scene and then proceed to blow away half the antagonists.

Andor: undocumented immigrants are facing sexual violence every day. left wing infighting will get everyone killed. rich people buying back things stolen by colonists is still an act of colonialism.

Star Wars, at its core, is a love story. In the OT, it was love that saved the galaxy; Luke’s love for his father, and Anakin’s love for Luke, while in the prequels, it was Anakin’s love for Padme that led to the destruction of the Jedi and the birth of the Empire.

Andor is also a love story. But not entirely the kind of love story you’re probably thinking of. 

It’s a story of agape; selfless love. A person’s love for humanity. And Andor explores this kind of love through the use of a theme that has been consistent throughout both Andor and Rogue One. 

Home.

Both seasons of Andor begin with Cassian trying to find a connection to his home. In s1 that means searching for his sister- his last connection to Kenari. We all remember how that ends. In s2, that means getting the fuck off Yavin and back to Bix, Brasso, Wilmon, and B2- his last connections to Ferrix. Brasso, of course, died, and B2 had to be left behind. In the very next arc, we see Wilmon solidify his bonds with the rebels and Saw, choosing to inhale the Rhydo, become the spark the lights the fire. Choosing the Rebellion over any of his other connections- even, as we saw in the finale, his eventual connection to Dreena. There’s a reason he never told her about the radio under his bed. 

Choosing the Rebellion- which, at this point, is everywhere. Wilmon, by choosing the Rebellion, is choosing his love for humanity over his individual relationships. 

This is a choice that almost everyone in Andor makes- to keep to themselves and their kind, to choose and prioritize that which is comfortable and familiar, until the truth comes knocking that eventually they won’t have a home to choose unless they rebel against the Empire and fight alongside their fellow man. Lieutenant Gorn made his decision after he “went native” and loved and lost a woman on Aldhani. Maarva begs the people of Ferrix to make it in her speech at the end of s1- “...the moment they pulled away, we forgot them. Because we had each other…if I could do it again, I’d wake up early, and fight these bastards from the start.” We saw Mon Mothma make it in s2e9- leaving Coruscant, abandoning her Chandrilan blue, to become a leader of the Rebellion. 

We see Bix struggling too- all season long, she was trying to make a home of where they were at the time, and all the while Cassian was trying to make a home of her. He wanted Bix to be a place of comfort and safety, a place he could go where he didn’t have to “look up” and see the flags of the Empire. Somewhere he could rest easy.

But Bix, after her torture at the hands of Gorst, will never be able to rest easy and turn a blind eye to the suffering of the rest of the galaxy and the need for the Rebellion. It has been haunting her dreams and robbing her of sleep since. And the truth is, neither will Cassian. Any home he found with her would have been a lie. 

Cassian may have loved Bix, but he wasn’t in love with her, and it certainly wasn’t a selfless love. They were codependent, and Cassian loved her for what she represented. With Bix, Cassian could shut out the atrocities being committed by the Empire, the cries for help, the truths that Mon Mothma, Maarva and eventually Jyn all convey in their speeches: Palpatine is a monster. The Empire is a disease. We created them and it is our duty to stop them; if we give way to enemies with that much power, we doom the galaxy to an eternity of submission. The time to fight is now.

Here’s another truth: for revolution to succeed, it’s not enough to hate your enemy. You have to love the people and place that you’re fighting for and who are fighting for you in turn. You have to put aside your differences and work together, and do so without hesitation. 

For the Galaxy to survive, Cassian has to choose the Rebellion. He has to choose selfless love over a love that is selfish. But he can’t bring himself to do it. He’s not Nemik; he’s not a “true believer.” Even less than a day or two before Rogue One begins, Cassian is still being haunted by dreams of his sister and Kenari. He’s still searching for a home. 

And then he meets Jyn.

With Jyn, Cassian sees the truth, and he cannot look away. He sees a woman who is a summary of everything terrible the Empire has ever done. He sees someone who is scared, angry, and bitter, who wants nothing more than to escape away to the Outer Rim and turn away from it all- and then he sees her change, into a woman made of stardust and hope who makes the Rebellion her home, and he realizes he can do that too. Cassian doesn't have to cling to the past to find a home; he has one in the present. He sees it on the horizon. He feels it all around him. 

"Welcome home," he says, and he believes it.

fascism rises, again and again. the empire is only one mask it wears. it speaks different languages, waves different flags, but it’s always the same fear, the same cruelty. and every time, people who fight it –not jedi, not chosen ones– are farmers, students, workers, lovers.

a manifesto written in hiding, a prison break echoing “one way out”, a funeral that turns into a riot; the fire always starts small. a single act. a handful of people willing to stand up. it grows, and so does the cost. the prisons fill, the streets choke with fear, and still someone shouts. someone resists.

andor gets it: there’s no clean victory, no hero to save us. only people, scared and stubborn, who refuse to let the dark be the only thing that survives.

Star Wars: Andor, Season One, Episode 5 | Critical Role, Campaign 4, Episode 11

bonus: