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@chenellearose

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âiâm always on my own
fake boyfriend! jack x eldest daughter! reader
âKnow I wanna beat it, wanna beat it bad Oh, everyone looks happy in a photograph I've crossed the county line, I cannot go back I'm always on my own.â -All Them Horses, Noah Kahan
summary: your family is in town for the annual âparents berating their kids for their decisionsâ get together. jack overhears you talking about how much easier it would be if you had a boyfriend to shove in their face, and offers his services. No strings attached, of course.
wc: 15.7k (steak is too juicy lobster is too buttery)
tags/tropes: jack falls first and harder, reader is an eldest daughter (but not the eldest child) to a large judgmental family who are constantly disappointed in her, jack pretty much uses the fake dating as a chance to show reader what a good boyfriend he COULD be to her if she let herself have nice things, jack 'i'll pay for it' abbot, jack is YEARNING in this one, a teeny bit of mean dom jack as a treat
a/n: how are we all feeling about the latest noah kahan album. Doors is great. i do NOT repeat timestamp 2:14-2:21 of All Them Horses. iâm normal and can be trusted with noah kahanâs discography. fic has been crossposted on ao3 and is linked below :)
acknowledgements: thank you @wesandresons for the amazing gif and @saradika-graphics, @chrisssiren, and @uzmacchiato for the dividers! and thank you @leeknowpegger for your work in keeping up morale and being deranged with me
masterlist | ao3
âYour familyâs in town?â
Youâre at the nurses station, tucked into a corner with your head in your hands while Shen, of course, drinks what has to be his third Dunkin coffee of the day. Where heâs getting them is one of the worldâs strangest unsolved mysteries.Â
You canât see his face, on account of the heels of your hands being pressed into your eyes so hard stars are bursting and swirling behind your eyelids, but you can hear the grimace in his tone.Â
âYeah. I moved out here to get away from them, but they decided to host the annual family dinner circuit here in Pittsburgh instead. My mom always complains about how itâs such a huge imposition to have the entire family fly out, but I never asked to do it and offered to just fly to them on multiple occasions. Apparently, my work schedule is too hard to work around.â
âDinner circuit?â
You wave a hand. âItâs actually a lunch circuit now, since I work nights. Basically, for every single day that theyâre here everybody has to attend a lunch, no matter what. Most of the time theyâre at different restaurants, but sometimes my mom demands to have them at my place.â
âYikes,â The attending says, sipping on the last bits of his coffee, âAnd the whole successful doctor thing doesnât work on them? It got my parents off my back.â
You shake your head. âIâm the only doctor in the family, but they thought I shouldâve been a hospitalist or go into general surgery.â
The sound of ice being shaken in a plastic cup rings in your ears. âThereâs money in emergency medicine. Eventually.âÂ
âThereâs money in all medicine eventually,â You groan, lifting your head and leaning against the wall, blinking dazedly up at the flickering fluorescent lights. âIâm sure if I'd picked general surgery they wouldâve found a problem with that too.â
âSo your fucked, basically.â
Your eyes slip shut again. âYep. Anything short of showing up with a rich boyfriend and a promise of grandkids on the way wonât get my mom off my back.â
Shen clasps you on the shoulder. âBest of luck with that. Youâre the only intern the night shift has got, so weâd rather you donât off yourself via poisoned wine.âÂ
âI wouldnât do poison. Iâd choke on bread so theyâd have to live with the guilt of not being able to save me.â
âJesus fuck, man. I mean, clearly, they suck, but thatâs brutal.â
You shrug. âNot as brutal as my mom not coming to my med school graduation.â
He gapes. âWhat reason could she have possibly had for not showing up?â
âI told her at dinner the night before that I was going into emergency medicine.â
âThatâsâŚâ Shen trails off, flabbergasted, ââŚWow. Now I'm worried youâre going to kill one of them.â
âWay too much effort. They arenât worth the jail time.â
The attending tosses his now empty coffee in a nearby trash can. âWell, if you snap and kill them all in a fit of extremely valid rage, please donât call me. I canât afford to be implicated.â
âYou saying I canât hide a body myself?â
âIâm saying I canât hide a body.â
âWhoâs hiding bodies?â Jack says, sidling up to the two of you with a tablet and a chart open in his hand.Â
Shen jams a thumb in your direction. âSheâs killing her parents later today.âÂ
You roll your eyes. âIâm not. Honestly, so long as I agree with whatever my mom says and donât bring up any trigger topics, Iâll be fine.â
Jack snorts. âYouâre describing being held hostage by someone mentally unstable.â
âDr. Intern?â Ellis interrupts, using the stupid nickname Santos picked for you when she found out youâre the only PGY1 on the night shift, âThereâs a woman in the lobby here to see you. Says sheâs your mom.â
Your stomach drops to your feet and your heart seizes in your chest. âItâs six in the morning. Oh my god. Oh my god.â
Someone behind you says âHoly shit,â but youâre already gone. As youâre speed walking you whip out your phone, checking the dates of their flights that youâd only had a chance to skim andâ fuck. They got in an hour ago. Why the fuck would she stop here? At the PTMC?
You practically slam the doors open and make eye contact with your mom across the crowded lobby.Â
âMom?âÂ
âThere you are sweetie. I was trying to explain that thereâs nothing wrong with me and I was here to see you, but they wouldnât let me. Something about a security issue?â
âItâs not safe. Weâve had incidents in the pastââ
She waves a hand, dismissing you. âIâm your mother. Honestly, I wouldnât have had to come down here if youâd just respond to my texts.âÂ
âIâve told you mom, Iâm really busy here and I donât get very much time to look at my phoneââ
âYour brothers take the time out of their busy schedules to text me back,â She sighs, then continues on, âDid you get time off this week for dinner?â
You frown. âI thought we were having lunch.â
âWell, I figured since weâre all making it easier for your work schedule to come to you, you could manage to take a few days off for your family. But if we need to make an extra effortââ
âItâs fine, mom,â You tell her with a gritted-toothed smile, âI can make something work. Can you just send me the dates again?â
âItâs this Friday and Saturday.â
Before you can even open your mouth to respond, a large, warm hand settles on your shoulder. Accompanied by the hand is a steadying one on your lower back, a familiar, rich scent and a low voice.Â
âCan I help you, maâam?âÂ
Jack.Â
Jack fucking Abbot.Â
Hottest man in the ED. Probably in the world.
Your mom blinks, clearly caught off guard, before regaining her judgy senses and narrowing her eyes at him.Â
âIâm trying to have a conversation with my daughter. Donât tell me youâre security.â
You know for a fact that Jack has his stethoscope around his neck and his keycard in his scrub pocket that says âDOCTORâ on it, so your momâs just being bitchy. Figures.Â
Jackâs hand in your shoulder gives you a tiny, reassuring squeeze before he speaks.Â
âIâm Dr. Abbot,â He sticks out a hand for her to shake, the one that was on your shoulder, âIâm an attending here at the ED.â
And my boss, you mentally add. Your mom probably hears it anyway.Â
âYou work with my daughter?â
âYes maâam. Sheâs the most promising intern we have here on the night shift.â
Your lips twitch at his words. Heâs joking. Testing your motherâ youâre the only PGY1 on the night shift. If your mom remembers that, sheâll pick up on his joke.Â
She doesnât. She purses her lips for a moment before giving him one of her big, fake smiles.Â
âWell thatâs good to hear. Weâre very proud of her.â
Proud of the money I send home, maybe.Â
âIf youâll excuse us, I need her working on patients.â
âOh yes, of course,â Your mom gushes, clearly already charmed by Jack. He has that effect on people. âI didnât realize she was so important and busy here.â
You would if youâd ever let me talk about work before interrupting me and telling me what I should be doing better.Â
Jackâs thumb makes tiny sweeping motions on your lower back, little tingling motions that distract you enough to unclench your jaw and relax your shoulders.Â
âIâll text you as soon as I can, okay mom?â
Your mom sweeps you into a hug, a rare show of affection. Putting on a show for Jack, more than likely.Â
âNo rush. Whenever you get the chance, sweetheart.â
Jack gives her a parting nod, but you wait until your momâs turned around and walking out of the lobby before allowing Jack to steer you back inside.Â
The second the doors close behind you and youâre enveloped in the sounds and smells of the heart of the PTMC, you shut your eyes and release a long exhale.Â
âI,â You start, âAm so sorry. I never thought sheâd show up here, I got the flight times mixed upââ
âHey,â Jackâs voice is low and steady, a much needed anchor. He uses the hand still on your lower back to turn you towards him, âNone of that was your fault. We deal with patients like that every day. It is not your job to keep your mother in line.â
âI know. I know. Still, Iâm sorry. She can be⌠difficult.â
He snorts. âUnderstatement of the year. But seriously. Donât worry about it. If I didnât want to get involved with her, I wouldnât have swooped in there.â
You huff a laugh. âMy hero. Iâm pretty sure if youâd introduced yourself as my boyfriend she wouldâve had an aneurysm. Or a heart attack.â
âAre those desired outcomes?â
âMostly.â
He slides his hands into his pockets and leans against the opposite wall. âMight be worth a shot, then.â
Itâs a very well kept secret that youâve harbored an embarrassing, âthink about him while youâre falling asleep at nightâ crush on Jack.Â
So naturally, your response is to laugh. Loudly. And semi-awkwardly. Because he has to be joking. Obviously.
âYeah, right,â You say, looking down at your feet because eye-contact has never been your forte and Jackâs gaze is too intense, âCould even take you to dinner with me. Maybe my dad would have a heart attack too. Really just wipe out the whole family.â
âYou could.â
âWipe out my entire family?â
âTake me to dinner with you.â
Jackâs body is relaxed and his tone is even. Not light and humor-filled. Thereâs no mischievous uptick to the corner of his lips. He looks like heâs serious.Â
âAre you joking?â
He canât really be serious. Heâs probably just fucking with you. He wouldnât actuallyâ
âNo.â
You run a hand over your hair. âYeah, sure, laugh it up, hahaââ
âIâll go to dinner with you. As your boyfriend.â
What. The. Fuck.Â
âNo.â You gape, incredulous.Â
âNo?â He raises an eyebrow.Â
âNo, I meanâ fuck. Dr. Abbotââ
âJack.âÂ
You purse your lips. âJack. You canât just⌠pretend to be my boyfriend at a family lunch.â
âWhy not?â
âWhy not?â You sputter, âFor one, we hardly know each otherââ
âYouâve been working here for three months. Weâre hardly strangers.â
âYouâre my boss, your way older than me, youâreââ You cut yourself off before you can say something embarrassing like âyouâre ridiculously fucking hot and I havenât washed my socks in monthsâ, âIt wouldnât even be believable. How would we even have met?â
âIn the ED, obviously.â
âHow long have we been together?â
âMonth and a half.â
âWhy are we even dating?â
âBecause youâre a beautiful and intelligent woman, not to mention a good doctor.â
Your mouth goes dry, and your stomach does an entire gymnastics routine.Â
âHave you⌠thought about this?âÂ
He makes a noncommittal hum, tilts his head back a bit. âWould it work?â
âAre you rich?âÂ
Thereâs that devilish, pants dropping smile.Â
âIâm a senior attending on night shifts in an emergency department. Iâm comfortable.â
You worry your lip between your teeth. âI still canât⌠I appreciate the offer, but I canât subject you to my family. No one else should have to suffer through these lunches and dinners.â
âBut you do?â
âTheyâre my family.âÂ
Jack doesnât respond, but he doesnât move off the wall and walk away either. Distantly, you really hope a patient isnât coding somewhere.Â
You sigh. âWhy would you even offer, anyway?âÂ
âYou need help, and Iâm in a position to give it. Plus life has been kind of boring recently. My therapist told me to pick a new hobby that doesnât involve people dying or getting shot at.â
âSo you thought spending an evening being subjected to backhanded questions, comments, and not very subtle micro-aggressions was a good substitute?â
âBeats drinking beer in the park.â
You canât say yes. Itâs crazy. One, it would make your crush a million times worse and you might never recover on that fact alone, and two, when this inevitably blows up in your face, your family will never let you live it down and bring it up in literally every conversation for the rest of your life.Â
On the other hand, if it works, it will work. Your mom would probably get off your back for a while. You wouldnât be a complete and total disappointment. If it works, it would be a much needed win.Â
âSo. Weâve been dating for a month and a half?â
Jack nods, another smile playing at his lips. âI asked you out, of course.â
âFlowers?â
âNaturally.â
âYou pay?âÂ
âFor every meal.â
âWhatâs my favorite color?â
âNavy blue. Mine?âÂ
You roll your eyes. âBlack. What are we going to tell my mom when she pokes at the age gap?â
Someone rushes by, pager beeping, and you both wordlessly start moseying towards your respective patients.Â
âWill she really be that upset about it?â
âProbably not, but sheâll definitely ask about it. My dad will probably be angry, but heâs easier to placate than my mom is.â
Jack hums thoughtfully. âWhenâs the lunch today?â
âTwelve-thirty, at that Italian place that has that mussel dish.â
âHow about this,â He starts, apparently not needing anymore clarification on the location, âLets focus on finishing our shifts right now. Then go home, get some sleep, and Iâll pick you up at eleven so you can pick my brain for every detail that you want to make this work. Deal?â
Last chance to back out. Say hell no, this is a crazy idea, why would you even volunteer for it, I changed my mind.Â
âDeal.â
â
Holy fucking shit. Jack Abbot is your boyfriend.Â
Fake boyfriend. But for the next few hours, heâs as good as yours. Kind of.
In a way.Â
Youâre standing in front of your bathroom mirror, dressed in the outfit you picked out for the stupid lunch when your mom texted you the plane ticket details a month ago.
Neither your makeup nor your hair are cooperating and you really need them to because you have to be perfect, so you need your mascara and stop clumping and your hair to stop laying like that and you just donât want to fucking go.Â
Before frustration induced tears can ruin your half-done makeup, a knock sounds at the door.Â
You rush through your apartment, nearly cracking your skull open on the corner of the couch when you trip over a stray shoe.
Shit, heâs here and youâre not ready, god heâs going to be so upset you have to make him wait itâs so rudeâ
âHi!â You swing open the door and plaster what you hope is a cute-frazzled smile and not a panicked one. Itâs a thin line between the two, âIâm almost ready, Iâm so sorry, you can come in and sit down wherever, I promise I wonât take too long to finish up. Sorry.â
You turn, unable to bear the anger or frustration on his face and dart away (an old methodâ hiding and disappearing is much better for everyone in the long run) but a hand encircles your wrist before you can successfully escape.Â
âWoah, easy girl. Nobodyâs mad at you. We have time, remember?â
Your smile is definitely coming across as panicked.Â
Your nails wander and find a hangnail to pick at while you talk. âI know, but that was so weâd have time to plan and itâs rude to make you wait and I really need time to plan, but I canât get my makeup to look rightââ
Jack nudges you into the house and you cut yourself off with another apology. Right. Cause heâs just standing in the hallway and youâre rambling on like someone deranged. God. Why canât your brain just work? Get into gear? Actually function properly?
âFirst of all,â Jack starts, gently steering you towards your couch, âYou look beautiful.â
Why does he have to say these things? Has he no care for what heâs doing to your heart? Is he unaware that Simone Biles would be impressed with the flip routine your stomach is currently doing?Â
He places a throw pillow in your hands which were previously clenched in your lap. Itâs your favorite throw pillow, actually, because the texture is very soothing. You squeeze it and rub your fingers across the grain.Â
âSecondly, we donât have to do this if you donât want to. I can go home and go to bed and if you want, Iâll never bring it up again. Not even to Robby.â
You crack a wobbly smile. âNot even to Nurse Evans?â
âSheâd probably guess on her own, but I would never confirm her suspicions.âÂ
You tuck your feet under your legs, shrinking into the corner of your couch. âI couldnât even if I wanted to. I already texted my mom to add a person to the reservation, and if I show up without a plus one thereâll be hell to pay.â
âYou could swap me with someone else?â
âDo you think I would have agreed to let my boss be my fake boyfriend if I had someone else to bring?â
âTouchĂŠ.âÂ
The corner thread of your throw pillow has begun unraveling, and your wandering fingers pull and tug at it erratically.Â
âIâm sorry. Iâm not usually this neurotic, I swear. My family brings out the worst in me.â
âI ainât judging, sweetheart,â Jack soothes, âBesides. Weâre ER doctors. Weâre all a little neurotic.â
Steadfastly avoiding his gaze (again, just a little too knowing, like he can see every insecurity youâre trying to hide) you stand on shaky legs and rush to the bathroom.Â
âIâll just. Finish up. Sorry again.â
âIâm gonna start a tally of unnecessary sorryâs. Youâre gonna owe me an hour of overtime for each one.â
Oddly enough, getting ready (the rest of the way) feels much more manageable and much less difficult with Jack nearby. He doesnât critique how long it takes you, the fact that you change earrings three times, or tell you that you look good enough and should just go.Â
He just hangs out in your living room, on the couch, practically oozing calm and nonchalance. The foolish, romance-starved part of you wants to cancel on your mom and spend the rest of the day curled up next to him on the couch, like a cat. Lazily dozing while Jack watches TV or something sounds like a much better way to spend your time after work than experiencing all five stages of grief over the course of one lunch. Repeatedly.Â
Finally ready, and with your sanity intact thanks to Jack, you pause by the kitchen and debate the merits of taking a shot to loosen your nerves. Unfortunately, your mom would undoubtedly somehow smell the alcohol on you and no doubt chew you out for a minimum of twenty minutes. Heaven forbid you make the event bearable.
Ever the kind host, you peek your head around the kitchen wall. âDo you want a shot, Jack?â
âYouâre aware that Iâm fifty?â
Right. That's probably an unhinged question.
âJust thought Iâd offer,â You say, meekly tucking the bottle back under the shelf, slightly embarrassed, âSometimes alcohol is the only way I can survive these things.â
Heâs leaned up against the couch, hands in his pockets when you exit the kitchen. âIt was very considerate, thank you. But I think the days of vodka and tequila shots are behind me. Iâm more of a whiskey man, anyways.â
âIâll keep that in mind when we end up at a bar afterwards to drink away memories of the lunch.â
Jack raises an eyebrow. âYou act like weâre going to be hung, drawn, and quartered after showing up.â
You worry your bottom lip between your teeth. âSorry. I just donât want you to be unprepared, because theyâre not always bad but when theyâre bad theyâre bad, you know? And I just donât want to scare you off, and ruin the day you could be spending sleeping, and I really am thankful, by the way, I just donâtââ
âDo you always ramble when youâre worried?â Jack interrupts, tilting his head to the side.
âUm. No? I donât know. I try not to. But like I said. My family brings out the worst in me.â
He searches your face for a moment, then taps the underside of your chin with a crooked finger, raising it slightly.Â
âWe got this, okay? Iâm not easy to scare. Combat med vet, remember? Plus, if it really gets that bad, Iâll fake a call from the hospital. Say there was some horrible accident and weâre being called in.â
âWonât my mom get wise when she never hears it on the news?â
Jack shrugs. âItâs the city. Something horrible is always happening here.â
He holds the front door open for you when youâve got your shoes on and purse ready, but as youâre sliding past him, he leans down, the angle of his jaw almost brushing the side of your neck, and breathes in deeply.Â
âYou smell good.âÂ
Fuck the gymnastics routine. Your stomach is going for Olympic Gold.Â
âOh,â You exhale, a shiver running up your spine and a pleasant tingling sparking where your skin barely brushed his, âUhâ Thanks. Vanilla and spice. I like layering scents.â
âItâs nice. Suits you.âÂ
You manage to squeak out another awkward âThanksâ before hastily locking the door, hoping he canât tell just how flustered he keeps making you. Judging by the smile playing at his lips, your hopes are in vain.Â
The car ride to the restaurant is longer than it should be, on account of Pittsburgh traffic, but the time goes by quickly as you pepper Jack with questions to prepare for the million and one that your mother will no doubt ask.Â
(âWhat should I say if she asks if weâve slept together?â
âDo you really, honestly, truly think your mother is going to bring up the topic of sex at the table, in a nice restaurant, with your entire family present?â
âFair point.â)
By the time you arrive, youâve picked and torn every single hangnail and loose cuticle around your fingers down to raw flesh and tiny dots of blood. Jack parks the car (parallel parks easily in one go, no repositioning needed, in downtown Pittsburgh. Itâs one of the hottest things youâve ever seen in your life) a good distance away from the restaurant, so that your family wouldnât be able to see you if you decided to flee to his car to escape them.Â
At least, thatâs what he says.Â
âI want you to hang onto the car keys, okay? If they get too much, you can sneak out through the kitchen and go to the car. Iâll meet you there.â
You canât help but smile at his efforts. âAnd what will you be doing while Iâm sneaking out?â
âSinging your praises, of course.â
Exhaustion from the shift you worked in what seems like a lifetime ago lines your limbs, but as you step out of the car (through the door Jack insists on opening for you âIn case theyâre still watching,â) and loop your arm through Jackâs, you feel⌠almost capable.Â
The lunch is going to suck. Thatâs a given. But Jack assured you heâs seen worse (âProbably done worse, sweetheart,â) and will not leave the lunch in a fit of rage and cause a scene. His arm is firm and solid âand fucking huge, how are his biceps that bigâ under your arm, and his presence is steadying.Â
As you cross the street and begin your final walk towards the building, he un-loops his arm from yours, but after you make a questioning noise in your throat, worried youâd be completely untethered (how pathetic to already be this reliant on a man, but thereâs no time to unpack that now) but instead he wraps his arm around your waist instead, drawing you to his side and effectively grounding you to his body.Â
The entire left side of your body lights up at the contact, and if this were your apartment, it would be very difficult to refrain from climbing him like a tree or doing something equally embarrassing, like plastering yourself to his side and begging him to never stop touching you.Â
Youâve almost managed to come off unaffected, but then he leans down, lips almost brushing your ear, and whispers:Â
âYouâve got this, baby. And if you donât, I do.â
Forget your family. Jack Abbot is going to be the death of you.Â
When you walk into the restaurant, hyper-aware of Jackâs grip on your body (your delusional mind has you thinking how⌠possessive the hand almost feels, if you ignore the fact that this is all fake) your family is waiting in the foyer, talking amongst themselves.Â
Your mother immediately zeroes in on you. âHoney, weâve talked about you being on time to these things. You canât be late to important familyââ
You watch in real time as your motherâs gaze finally flicks to Jack, and the shades of recognition, shock, almost disgust, and confusion before settling back into forced pleasantness.Â
Your father, however, looks downright murderous. Looks like the age gap isnât going down too well.Â
If Jack is at all nervous or put off by the several stares and outright glares from your family, he does not show it. He exudes cool confidence, the same unflappable energy he has during chaotic night shifts. The same calm that makes him so alluring to you in the first place.Â
He sticks out his hand for your mother to shake, a mirror of earlier that day in the PTMC lobby.Â
âI believe weâve met before, but Iâll introduce myself again. Iâm Dr. Jack Abbot.â
Your mother shakes his hand, but looks between the two of you like youâve just spilled wine on her Persian rug that she canât afford in the first place.Â
âYouâre my daughterâs plus one?â
Jack nods. âHer boyfriend, yes.â
Your brotherâs gape. Your dadâs glare intensifies. You want to kiss Jack.Â
âHoney,â Your mother says, gaze darting to you, âYou didnât sayââ
âI didnât want you to meet him at the hospital,â You tell her, hoping the lie doesnât come across as too rehearsed, since you did rehearse it several times with Jack in the car on the way over, âThe lobby of the hospital isnât the best place to introduce people. And we really did have patients to get back to.â
Your mother purses her lips. âWhy the last minute addition? If youâd told me that he was coming before today, it wouldâve been easier to make the reservation.â
Jack is quicker to respond than you. âThatâs my fault, actually. I didnât think I was going to be able to come, what with my shifts as a senior attending, but when we met in the lobby I understood how important it was to make the time.â
You have to try hard not to smile at Jackâs not-so-subtle flex. Senior attending.Â
âYes, well. My daughter doesnât always stress the importance of these things.âÂ
Jackâs grip on your waist tightens ever-so-slightly at the backhanded remark, and your motherâs gaze darts to the point of contact. But your father jerks his head towards the tables before she can say anything. âIâm starving.â
Everyone files in behind him, with you and Jack at the back of the line. Again, he leans down to whisper to you.Â
âHowâd I do?â
You elbow him in the side. âWeâll discuss your performance after this is over.â
âLooking forward to it.âÂ
The hostess leads everyone over to a large table near a window (your mother is particularly about seating) and everyone finds a seat. One of your brothers, either as a test or just to be a shit (your moneyâs on the latter) slides into the open seat next to you before Jack can.Â
To his credit, Jack doesnât cause a scene, but he doesnât back down either. He just stares at your idiot brother for awhile before finally asking:Â
âDo you really wanna do this right now?â
Your brother must sense that Jack Abbot is not a man to be fucked with (just a man you want to fuck), and scurries to his own seat, tail between his legs.Â
Once everyone is seated and the food is ordered (you donât bother ordering anything other than the salad; Jack orders the most expensive thing on their menu. Heâs never seemed like one to care for finery and expensive Italian restaurants where you practically have to order in Italian, but again, his unfazed demeanor makes him fit in anywhere) your family immediately begins peppering him with questions. Questions you knew theyâd ask and appropriately prepared him for.Â
âSo. Dr. Abbotââ
âJust Jack is fine.â
ââHow long have the two of you been dating?â
âA month and a half.â
âWhyâd you start dating?â
You take a generous gulp of your wine.Â
âBecause your daughter is an incredible woman and an even better doctor.â
âDo you think sheâs pretty?â One of your brothers chimes in.Â
Jack takes it in stride, despite that not being a question you prepared. âIâd have to be blind and stupid if I didnât.â
You feel hot from the tips of your ears down to your toes.Â
Thatâs going in the mental folder.Â
âHave you always wanted to be a doctor?â
âPretty much. Took a bit of a detour as a combat medic first, though.â
âWhyâd you leave?âÂ
âHonorably discharged after I lost my right leg. Below the knee amputation.â
You drain the rest of your glass and inconspicuously motion to the waiter for more wine.Â
The table is silent for the customary length of time after someone drops the âgot a limb chopped offâ bomb. Your family is clearly mildly uncomfortable, but Jack just keeps sipping his drink, his free hand drifting down and brushing the side of your thigh.
Your dad clears his throat. Here we go. Home stretch. Final questions before weâre in the clear.Â
âMr. Abbotââ
âEither Doctor or Jack works.âÂ
Ooo. There was some bite in that one.Â
Your Dad frowns. He does not like to be interrupted or corrected. Youâve been on the receiving end of far too many hour long lectures (read: berating and borderline verbal abuse) to know better.Â
But Jack isnât his daughter. Jack is pretty much his equal. Actually, the fact that Jack not only served but is now a doctor places him above your father, by social conventions.Â
This no doubt infuriates your father. Heâs always hated it when he couldnât tear somebody down to his level. A true coward.Â
âJack,â Your dad continues, a trademarked forced smile to save face, âYouâre a smart man, yeah? Havenât you ever considered the age difference between the two of you might be a little much?âÂ
Yikes. Questioning Jackâs competency is not the way to go. Jack is very competent. And smart. And capable. Itâs really hot.Â
Your fake-boyfriend just reaches over and grasps your hand, over the table, and looks at you with such devotion in his eyes that you forget how to breathe.Â
âWar doesnât really lend to longevity. Iâve learned to hold on tight to things I care about.âÂ
For a moment, it doesnât feel fake. Thereâs raw, punched emotion in his voice, and his thumb rubs your hand gently. Like he really does care that much. Like he wants to hold on.Â
But then your brother fake-gags and your fake boyfriend looks away with that, heâs passed the tests, and the conversation moves onto to different topics. Jack laughs at all the right moments, doesnât bring up any argument-starting topics, doesnât rise to bait when itâs thrown his way.Â
Heâs perfect.Â
Eventually lunch is drawn to a polite close. You have one last glass of wine while Jack settles the bill. Himself. With one card. He doesnât even look.Â
Your mom sends a smirk your way after he waves off your fatherâs attempt at splitting the bill or offering to pay. Itâs probably the third time sheâs actually looked at you for the entire duration of the lunch, but since itâs positive, youâll let it slide.Â
Pretty soon bags are grabbed, hands are shook, and Jackâs hand magically finds its way back to your lower back and youâre being (very gently) escorted out of the restaurant and to the car.Â
âWow,â You breathe as you slide into the passenger seat of his car. âI think thatâs the smoothest a lunch with my family has ever gone in my entire life. Youâre really good at this.â
Jack doesnât respond though. Doesnât make any kind of noise that he heard you. His hands are nearly white knuckled on the steering wheel and heâs staring straight ahead.Â
âJack?âÂ
âThey didnât even talk to you.â
You blink.Â
âWhat?â
âYour family never tried to include you in the conversation. Didnât even ask you any questions.â
You snort. âTrust me, itâs better that way.â
He hasnât started the car yet, just keeps staring off into the middle ground. He canât be old enough to start doing a thousand yard stare already, right?
âYou ordered a salad.â He says, a very prominent frown on his lips.Â
âSo? It wasnât too expensive, was it? I swear, if I knew you were gonna pay for the whole bill I wouldâve looked at something cheaper, I donât know why salads are so expensiveââ
âPlease donât apologize for ordering a salad,â Jack says, voice pained, âEspecially because I know you hate salads.â
Oh.Â
âHow do you know that?â
âI overheard you talking to Dr. King that time you two were discussing the merits of Olive Garden. You said the salad there was the only kind you like, because of the dressing and the pepperoncinis.â
Your cheeks heat. âI never said I hated all salads. I said I like that one in particular.â
âYou hardly ate anything during lunch.â
âMy family tends to have that effect on my appetite.â
Jack does not look placated. He doesnât take the out that your little joke provides. Doesn't so much as huff. He looks upset. Distressed.Â
Something about what he said goes ding! in your mind.
ââŚMel and I had that conversation like, last month. You seriously remembered that?âÂ
He frowns harder, like the answer to your partly rhetorical question should be obvious.
(Itâs not. Why would he remember that conversation? Why would he care at all?)
âOf course I remember.âÂ
There isnât much to say after that. Youâre not really sure what in particular has upset Jack, what possibly blunder or error youâve made to incur him going completely monosyllabic and frowny. Ever eager to appease, you refrain from any attempts to cajole him, make conversation, breathe too loudly, or make any kind of indication that youâre still present.Â
The tension in the car is thick and uncomfortable. It prickles at your skin and the hairs on the back of your neck, but the only thing you dare to do is scroll through Pinterest, only looking at the safest, basic boards in case Jack glances over (he doesnât.)
But then he does glance over. He just doesnât look at your phone.Â
Jack just keeps looking at you.Â
Heâll look over, eyes darting over your face like heâs looking for something, and then heâll look away. Over and over for almost the entire course of the drive. He only stops when you accidentally time your staring (monitoring) of him wrong and make eye contact.Â
He parks by your place (he once again sexily parallel parks with ease) and then puts the car in park. And then he starts talking.Â
âYouâre so much more than them.âÂ
Jack has the heat on, but the air in the car suddenly feels cold.Â
âWhat?â
âYour family,â Jack clarifies, like that was the confusing part âYour parents. I hated watching you⌠disappear like that. You deserve better than that. You are better than that.âÂ
You try to swallow, almost choking on the sudden lump in your throat.Â
âListen,â You start, unaware of how to even begin processing what he said, let alone formulating the best response because your brain is just flashing abort! Abort! Abort! in big neon letters,, âThank you for today. I really appreciate it. But if this is all just too much, I can handle things from here. Really. I can say that someone called out and you had to cover shiftsââ
âNo.â
Jack says it with such vehemence, bordering on vitriol, that it startles you, and you flinch backwards ever so slightly.Â
An old habit.Â
Something flashes across his face âgone before you can decipher itâ and he noticeably forces himself calmer. Â
âI wouldnât be able to live with myself if I let you go alone again. Ever.âÂ
Your brain starts short-circuiting at his words. âI really canât ask you toââ
âItâs a good thing youâre not asking me then.âÂ
âJackââ
âPlease.â
Youâre stunned silent at the rawness in his toneâ the pain.Â
He said please. He said it like he was begging. He is begging.Â
âI donât know how you do it,â He continues, jaw working, âI can see it on you, plain as day. How you hate what they do, how it makes you hurt. But you keep going.â
You shrug uselessly. âIs there another option?âÂ
Jack reaches out for you, then falters, like he thought better. A tiny part of you wishes heâd followed through; bridged the yawning gap between the two of you thatâs made up of the center console in his car, a couple decades, and your own unwillingness to try at vulnerability.Â
âIâll walk you to your door.âÂ
The walk to your door is a stark contrast to the walk to the restaurant. Thereâs no mischief on his face now, only a mask of stony distress.Â
At the doorway to your apartment building, you pause. It seems customary. Appropriate. Necessary.
Really, you just want to look at Jack some more. Try to puzzle out why the lunch that felt like it went so well made him so upset. Where youâre getting signals wrong and crossing wires. Why success to you is failure to him.Â
(As an ED resident, youâve seen child abuse cases. Youâve seen foster care children littered with cigarette burns and criss-crossing scars of broken bottles and the corners of coffee tables and haunted eyes. Â
You know your family isnât great. But there arenât any cigarette burns or glass scars or eyes that track fast movement.)
You have this burning inclination to apologize to Jack. Logically, you know you havenât done something wrong, but you feel like you have because heâs upset so maybe you can make it better?Â
âYou have that look on your face.â
You frown. âWhat look?âÂ
âThe âIâm gonna apologize for something stupidâ look.â
âI wasnât going to.â
âYou were thinking about it,â Jack ducks down, catches your eyes, âHey, listen to me. You cannot fix what I am upset about. It is not your job. My mood is not your responsibility.âÂ
âItâs freaky when you do that.â
âDo what?â
âYou always know what Iâm thinking.â
Jack just huffs; shoves his hands in his pockets.Â
Emboldened by his reassurance, you ask: âWhy are you upset?âÂ
âBecause your family treats you like shit, and I want to fix it, but I canât.âÂ
âOh.âÂ
Itâs not that bad. It canât be that bad. Youâve seen bad. This isnât it. Itâs hard, but itâs not bad.Â
He stays quiet, seemingly sensing the inner turmoil his words have sparked. That, or he really is that good at reading you.Â
Jack nods towards your door. âWe can talk later. Get some sleep. We both have shifts tonight.â
Right. Yeah. All of these events roughly occurred over the course of six hours. Time makes sense.Â
Despite the fact that you are exhausted and desperately need to sleep if you have any chance of surviving your âquickly approachingâ shift, you linger.Â
âHow am I supposed to repay you for all of this?âÂ
The question thatâs been burning a hole in your pocket since he said Iâll do it.Â
He just shakes his head. Like itâs simple. Easy. âThis isnât something I want repayment for. Now go. Youâre no good to me as a zombie.âÂ
âIâll just have some of Shenâs Dunkin.â
âHe doesnât share that shit. Besides, heâs off tomorrow.â
âMaybe Iâllââ
âSleep,â He points at your door, âNow.âÂ
You smile at his insistence. Heâs sort of like cold coffee with sugar. Seems all bitter but then you get a bit of that sweet crunch, so it balances out. He balances out.Â
Sometimes it feels like he balances you out.Â
âGoodnight.â
He gives you a little smile of his own.Â
âGoodnight.â
â
Jack Abbot does not take his own advice. Mostly because he knows if he doesnât talk about what happened during that lunch from hell, heâs going to do something that will end in him being thrown in prison and having his medical license revoked. More importantly, if that happens, he wonât be around to take care of you.Â
So instead he collapses on his couch, works his prosthetic off to give his stump a needed break, and dials the number at the top of his favorites in his contact list.Â
âThis really isnât a good timeââ
âRobby,â Jack starts, âThey didnât even fucking talk to her.âÂ
âJesus, okay. Whitaker! Cover for me a sec, will you? I gotta deal with this.â
âThey justâŚâ Jack continues, genuinely at a loss for words. His vocabulary feels woefully unequipped to relay the depth of anger he feels about the events of the lunch, ââŚIgnored her. They talked over her, didnât ask her questions, hardly ever let her finish speaking when she did finally get a chance to speak, and threw jabs at her constantly. It was fucking awful.â
The background noise quiets over the phone, and Jack knows Robbyâs moved to either the break room or an empty patient room.Â
âShe fight back at all?â
âNo. Just⌠grinned and beared it. It was fuckinâ unsettling, man. Iâve seen her yell back at rude patients, watched her stand her ground to EMTâs who think they know better. It was like she hollowed herself out to sit at that table.âÂ
âChrist.â
âShe flinched away from me. Afterwards, in the car, when I raised my voice on accident.â
âFuck. Do you thinkââ
âI donât know. Maybe when she was younger. They donât live in state, so if they are, sheâs safe.âÂ
Jack scrubs a hand down his face. âGod. I donât know what to do, Robby. It doesnât seem like sheâs got⌠anybody. She didnât even understand why I was upset. She doesnât get why that would be upsetting.âÂ
âSheâs friends with Mel and Santos, right?âÂ
âAnd Whitaker by extension, yeah. But those are recent friends. Iâve never heard her mention anybody from back home. No boyfriend or best friend or anything. Sheâs just been doing everything on her own.â
Jack can picture Robby nodding. âWeâve done our fair share of that.â
âYeah, and look where that got us. I canât just leave her here. Fuck, it was like watching someone kick a puppy, over and over.âÂ
âThat bad?âÂ
âYeah.âÂ
The line goes silent for a bit, both men stewing on the subject at hand.Â
âSheâs always had these habits. I thought they were just personality quirks, you know. I mean, weâre all fucked up, but watching it happenâŚâ
âItâs different.âÂ
âYou could say that,â Jack sighs, âShe soaks up praise like a fucking sponge. She looks surprised every time I do something nice for her. And she keeps trying to make me happy.â
âYou lost me on that last one.âÂ
âIt doesnât⌠Sheâs not doing it to make me happy, exactly. She just does everything she can to keep me from getting mad.âÂ
âIs there a difference?â
âThere is. Eager to please versus eager to appease.â
âAre you sure you want to get involved?â
âBit late for that.â
âYou could pull back.â
âFuck no, I canât. Then Iâd be kicking the puppy.â
âShe is a grown woman.â
âWho happens to look like a kicked puppy.â
He scrubs a hand down his face, groaning into the microphone.Â
âYou finally realize how ridiculous you sound?â
Jack grunts. âIâm not giving you the satisfaction of answering that.â
The line crackles with the staticky sound of Robby chuckling. âThatâs an answer in it of itself, and you know that.âÂ
He lets the line go quiet again, briefly debating just hanging up.Â
âI donât know, Robby. Itâs justâŚâ
âWorse than you expected?â
âYeah.â
âCome on. You knew that was a possibility. Has it put you off, at all?â
âFuck no.â
âExactly. Now please, go to bed so I can get back to saving lives? Whitaker is covering for me and heâs only gone through two pairs of scrubs so far today. Iâm not a betting man, but if I were, Iâd bet money that heâs moved onto his third during this conversation.âÂ
âI save lives too.â
âYou wonât save any if you fall asleep on the drive over and die.â
âI would never fall asleep behind the wheel.â
âThatâs what they all say.âÂ
Jack really does hang up after that, plugging his phone in and rushing through everything he needs to do before bed.Â
But even as exhaustion pulls his body down into deep, dreamless sleep, he canât stop thinking about that hollow look on your face. And he knows, even half-asleep, that he wonât be able to let it go.
â
The next night at work is weird, because nothing has changed, except now you know what the inside of Jackâs car looks like and how his voice sounded when he begged you to let him help.Â
Itâs jarring, to say the least. Unsteadying and mildly world-rocking if youâre being honest.Â
But gossip travels fast within the walls of the PTMC, so by the time night shift is halfway over, youâre convinced youâve heard every variation in existence of the same two questions:Â
âDid you and Jack go on a date yesterday?âÂ
And:Â
âWhatâs Jack like on a date?âÂ
The answer to the first question is complicated and embarrassing, so you donât answer it or any of itâs variants. The answer to the second question is not complicated but it does, however, stir some very complicated feelings, so you refrain from answering that one too. You just try to refrain from thinking about or seeing him in general.
Youâre not avoiding Jack, per se. Just keeping busy. With other stuff. Thatâs conveniently nowhere near him.Â
Ellis keeps shooting you entirely too knowing looks, Mckay, whoâs pulling a double, pats your shoulder and tells you sheâs there if you want to talk, Shen is absent as Jack said he would be, and Jack himself is acting like nothing happened and everything is normal and heâs never been to your apartment smelled your perfume.Â
(ââŚI like layering scents.â
âItâs nice. Suits you.â)
Itâs all too much.
Hence the avoiding.
You try to curb your own ridiculousness for the sake of your patients, but itâs oddly difficult. Youâve always been amazing at compartmentalizing. If your family gave you any kind of skill, itâs the ability to shove your feelings in a box, and then shove that box in a corner of your mind you wonât access consciously until you end up on public transportation with your headphones. You should be more than capable of gathering up all the loose feelings labeled âFor: Jack Abbotâ and tucking them all nice and neat in that little box and then shove it in a dark mental corner.Â
But you canât. And along with the flurry of Jack Abbot causing a hurricane in your head, thereâs a lesser storm that is the result of your family. More specifically, how they look to Jack.Â
All roads lead back to Rome. Or, in your case, to Jack.Â
You catch yourself during every spare moment or menial task that doesnât require 100% of your brain power analyzing every interaction he had with them. Everything they said, everything they did, and how Jack wouldâve taken it. And why. Because clearly, the act of dealing with them isnât the problem. The ease and finesse in which he did so crosses that off the list. So itâs something else.Â
Itâs how they treat you.Â
You understand, logically, that it would be upsetting, from his point of view. If you were in his place, youâd also probably be upset too.Â
But this feels different. Jackâs reaction is different. Jack is different.Â
Itâs just never really been something that anyone should be upset over. Your family are who they are. Not great, but not truly bad either. You deal with them sparingly. You donât even live in the same state anymore. Itâs not a big deal.Â
âWhy are you hiding from me in a supply closet?âÂ
You whirl around, a box of gloves clutched in your hands.
âIâm not hiding from you.â
Jack crosses his arms and leans against the doorway. âThis is the third time youâve been here in two hours.â
âSo? I just want to be⌠on top of things. Iâm a productive person.âÂ
âYou are,â He amends, âBut all of your productivity tonight has been pretty strictly nowhere near me. Funny how that works.â
You sigh, placing the gloves back on the rack. âThings are just⌠weird, okay? I donât know how youâre being so normal about all this?â
He raises an eyebrow. âNormal how?â
âYou seemed pretty upset yesterday. Youâre acting like nothingâs changed, butââ
âNothing has changed.â
Your fingers wander and find a loose piece of skin on the edge of your cuticle, and you begin absent-mindedly picking at it.Â
You canât exactly disagree with him, right here, in the supply closet at the hospital. But you canât quite bring yourself to agree eitherâ because whether he acknowledges it or not, things have changed. Seeing him outside the hospital, perfectly placating your family into one of the most peaceful get-togethers youâve had in years isn't just nothing.Â
Itâs everything. And you, for one, canât just pretend that it didnât happen.Â
âHey,â He calls your name softly, âWhatâs on your mind? Whatâs bugging you?âÂ
âNothing.â
He snorts, pushing off the doorframe and shutting the door behind him, so itâs just the two of you alone. âLiar.â
He doesnât probe any further, just leans against the now closed door with his hands in his pockets, eyes flitting over you like theyâre looking for an answer. An answer youâre too hesitant to give.Â
âIâm just worried.âÂ
âYou? Worried? No.âÂ
You cut him a glare, âThereâs a very real chance that this could all go horribly awry, you know.â
âSure,â Jack dips his head, âBut thatâs not what youâre really worried about.â
âAnd how do you know that?â
âBecause that doesnât address the fact that youâre avoiding me.â
You sigh, scrubbing a hand across your face.Â
âWhy do you care?âÂ
The question thatâs been nagging at you since the beginning. The little itch in the back of your mind that you just canât seem to get rid of. The puzzle you canât figure out; the tune you canât place.Â
Youâre a logic driven person. You like knowing how things worksâ why they work. Why things do the things they do.Â
You like having the why. Having the why makes the world make sense.Â
Nothing about Jack Abbot makes sense.Â
âWhy do I care about what?â
âThis,â You gesture vaguely to the air, âMe. I donât buy that you just didnât have anything better to do or whatever it was you said. People donât just⌠do that. Youâre really ruining your life for an entire week for what? So I'm a little less uncomfortable? Me? At the end of the day, weâre just coworkers. I know how important your down time is for you, so I just donât get why youâre so okay with being miserable just for my sake. Iâm not that important. These stupid lunches arenât that important.âÂ
Itâs a stupid confession. Much too vulnerable for a supply closet and a man youâre harboring feelings for.Â
He doesnât respond right away. Hums, stares at his shoes for a bit. Re-adjusts so his prosthetic isnât taking so much weight.Â
âYou are important. Youâre important to me, to this hospital, to your patients. And for the record, I am not âruining my week.â If it was that easy for my week to be ruined, I never would have become a doctor, let alone joined the military.â
âBut why?âÂ
âJesus, you watched a lot of the science channel growing up, didnât you?âÂ
You snort. âGuilty as charged.âÂ
Now itâs his turn to sigh.Â
âYou⌠seem to have this misguided belief that caring is reciprocal in nature.â
You frown. âIt is.âÂ
âIt isnât. At least it shouldnât be, but I donât think anyone ever told you that.âÂ
You scoff. âSo this is about my family.âÂ
He shrugs. âAmongst other things.â
âTheyâre not that bad.â
âThey are.âÂ
âOther people have it worse.â
âItâs not a competition.âÂ
You resist the urge to throw your hands in the air. âWhy is this such a big deal to you?âÂ
âBecause itâs a big deal to you.âÂ
The air gets quiet and tense. Like the supply closet and all the medical supplies in it are holding their breath. If they were alive, if they were holding their breath, youâre convinced theyâd all be looking at you.Â
Itâs Jack who speaks first though.Â
âI can see it. You do everything yourself, get back up even when itâs hard. You look out for other people more than you look out for yourself. Youâre selfless and kind and I donât think very many people give that back to you.âÂ
A reflexive smile pulls at your lips, a habit you never quite managed to kick after years of people telling you âsmile, look grateful, stop looking so upset, thereâs nothing to cry about.â It feels awkward and clunky on your mouth but you donât know what else to do. Thereâs no pre-written protocol for something like this.
âI still donât really get it.â You murmur, more to yourself than to Jack.
Jack sends you a light grin. âWeâll work on it.âÂ
âWe will?âÂ
âSure,â He shrugs, âAlready started anyways.âÂ
âIf youâre sure.âÂ
âIâm sure,â He opens the door, âNow get back out there. And bring the gloves too.â
You roll your eyes but comply, snagging the box off the shelf where youâd left it and following him out.Â
The rest of your shift passes much smoother than before, even with the routine influx of patients as the time inches closer to morning. Jack doesnât hover, but doesnât pull the disappearing act that you (totally fairly) pulled on him either. He truly seems unfazed. Like it really, actually doesnât bother him.Â
Well. Correction. It does bother him, but not because itâs something heâs doing for you, the part that bothers him (apparently) is how all of this affects you. All this caring makes you feel like a deer in the headlights.
You recall something he said that night. Something that had made you shiverâ something that hit the nail right on the head.Â
âHey, listen to me. You cannot fix what I am upset about. It is not your job. My mood is not your responsibility.âÂ
He always seems to know exactly what to say to you. How to act, what to do, what specific worry youâre feeling and the best course of action to soothe it. Itâs great but itâs also difficult, because thereâs a part of you that wants to let him keep doing it, but then thereâs the part of you that bristles every time and wants to snap that youâre completely capable of doing things yourself.Â
That probably wouldnât even work. Heâd just say something infuriating and sexy, like âI know, but I want to do this for you.âÂ
He would. He totally would.Â
The thought is equal parts haunting and reassuring.Â
(And maybe, also, a little, kind of really sweet?)
â
The next two lunches go great. Jack is still freakishly incredible at charming your family. And, with his help, you actually manage to hold a (mostly) civil conversation with your parents for the first time in⌠years.Â
The lunches are fine, but the part youâve started looking forward to is the before and after. Before, Jack comes to pick you up, and sometimes he comes early and helps prepare (which mostly involves him either talking you off the ledge, pouring a shot or two, or assuring you that your makeup and outfit look great. Not fine, great) or just to hang out. The hanging out part is nice, because he never comes with any sort of expectation. Heâll sit on your couch and scroll through his phone and entertain all the inane chatter you like to get out of your system beforehand but never had an outlet for before.Â
The after is even more fun. You run through the highlights of the night and hate on all the annoying things your family said to you. This usually also involves stopping somewhere for food (only for you, Jackâs never hungry because he eats t=at the restaurants but youâre never allowed to order anything that isnât a salad) and then the two fo you fight over who pays. You always insist since youâre the only one actually eating any of the food, but then Jack usually takes your card, puts it in his pocket, and uses his own.Â
Itâs as frustrating as it is hot.Â
But for the most part, the lunches and your shifts at work have actually been pretty goodâ as good as night shifts in a trauma center can be, anyway. Jackâs presence is⌠steadying, even when heâs not physically there. Heâs always present in some wayâ whether itâs little reminders he leaves at your favorite spot for charting (he only uses blue sticky notes) or a real lunch left for you in the breakroom fridge (you werenât previously aware he actually knew how to cook, or that he knew how picky you are when it comes to what youâll actually eat for lunch and how often you get too busy to properly make something.) Sometimes heâs there in your head; in little things heâs told or taught you that you remember in the moment.Â
Itâs nice. To have someone be around. Someone you can relax with, joke withâ someone who hasnât looked down on you for the the way you turned out.Â
You were pretty ready to declare smooth sailing ahead, but then on the third lunch your mother shows up and is decidedly not in a good mood and the seas turn choppy and the boat smashes into the rocks below.Â
At least, two peach bellinis in, thatâs what it feels like.Â
âHonestly,â Your mother puffs, âI donât understand why making some simple appetizers could take so long. This is why I hate going to restaurants during lunch hours, the staff just gets so lazy. The menu is always better at dinner anyways.âÂ
You ignore the thinly veiled dig and instead choose to quietly drain the rest of your third peach bellini. They taste like juice and take a much needed edge (or two) of the evening. Lunch. What-fucking-ever.Â
Jack, ever aware of the best way to survive these functions (somehow) whilst keeping his sanity, remains silent as your mom huffs and puffs, seeming to understand that trying to placate her when she gets in these moods is a fruitless endeavor that only leads to your mom getting more upset and everyone else more annoyed.Â
You, made slightly optimistic by the wonderful powers of alcohol, attempt to put her in a better mood.Â
âI have the next three days off, mom. Weâll be able to do dinners instead.â
Your mother, however, only scoffs. âThatâs no good to anyone now. Weâve already spent half this week dealing with poor restaurant service. I mean, no respectable job would have such a ridiculous schedule."Â
âIâm a doctor, mom. It doesnât get more respectable than that.âÂ
Jack nudges your leg with his, either a silent laugh, show of support, or quiet question of your sanity. Maybe all three.Â
Another bellini appears in front of you, this one heavier on the alcohol than the last. Your server is getting a giant tip when this is all over.Â
âYou work in the emergency department, dear. Thatâs hardly stable, and stable is respectable,â Jack clears his throat, and your mother at least has the manners to look mildly sheepish, âNo offense, Jack.âÂ
He smiles thinly. âNone taken.âÂ
Conversation from there is stilted at best with even your brothers tip-toeing around your mother. No one wants to be the subject of a nitpicking lecture, even when the version she gives them is a slap on the wrist compared to what you endure.Â
So you keep drinking your belliniâs and they keep coming. After your fourth, you think you should maybe slow down a little, but then your dad starts grilling Jack about his life (again) and you decide that alcohol is, in fact, necessary.Â
âHave you ever been in a serious relationship before, Jack?âÂ
That one almost makes you ask the server for a shot of vodka, straight. Thatâs a question you ask a nineteen year-old pimple-faced boy, not a fucking fifty year old man.Â
âI have, yes. But, like most things in life, they were learning experiences. Iâve moved on.âÂ
Your dad snorts, then gestures to you. âYou could teach her a thing or two about moving on.âÂ
Your blood runs cold.Â
Jack sets his glass down. âAnd what do you mean by that?â
Itâs your mother who answers. Because one vulture circling your soon-to-be carcass wasnât enough.Â
âIâm surprised she hasnât told you. It was all she ever talked about for years. Sheâs had exactly one boyfriend before youâ what was his name honey?â
âChristopher,â You answer hollowly, stomach churning.Â
Your dad snaps his fingers. âThatâs it. It took ages for her to get her first boyfriend. We were fairly convinced it would never happen, but then one day she came home with Christopher. Whole family wanted to throw a partyâ finally found someone to put up with all that attitude!â
Your family laughs, but Jack doesnât.Â
âWhereâs the funny part, in all this?â
Your mother clears her throat, just a tad awkward. âWhen she broke up with him it was awful. She refused to leave her room for works, cried all the time. Honestly, I would have understood if he had broken up with her, but it was all her decision.âÂ
Your dad nods in agreement. âWe had to have a sit-down conversation with her about decisions and consequences before she finally stopped crying and hiding in her room. Christopher was such a nice boy, we hated to see him go.â
Jack opens his mouth, poised to fire something back and defend you, but you beat him to the punch.Â
âHe cheated on me with my best friend.âÂ
At that, your mother frowns. âThatâs not what Christopher said. You were in your teen angst era, remember? Always picking fights? He told your brother that you were so distant with him he didnât know you were still together.âÂ
âI wasnât distant, I was really busy. I was studying for the MCAT. He knew that. He knew how important medical school was to me.âÂ
Your brother rolls his eyes. âMed school was all you talked about. Itâs not like you were putting out.â
Your mother snaps her fingers once. âThat is inappropriate talk for public. You know better.âÂ
âCome on, mom. Itâs true. Everyone knowsââ
âSorry to interrupt,â Jack says, not at all sounding sorry, âBut the hospital just texted. Thereâs an emergency, and weâre needed, so we have to go.âÂ
Jack does not wait for your mother or father to excuse him. He just stands, offering you his hand. It turns out that you need it, because there is, apparently, such a thing as too many peach bellinis. Your mom sends you a pointed glare as you stumble once, after which you make a concerted effort to look more sober.Â
Neither you nor Jack bother saying proper goodbyes. Once he grabs your jacket and purse (and your vision stops swimming so much and youâre sure you can walk in a convincing approximation of a straight line) youâre both gone. You pass your server on the way out, who is slipped a very generous cash tip for the excellent bellini service.Â
By the time you get to the car, you realize that youâre about to have to save patient lives and you are very, extremely, drunk. There is no way you are capable of doing any life-saving at the moment.Â
âJack,â You mumble, fumbling with your seatbelt, âI think Iâm too drunk to go in. Did they say how serious the emergency was? Can I just get a banana bag?âÂ
âThere is no emergency,â He says calmly, batting your hands away and buckling you in properly, âI made it up. I figured youâd be okay with ducking out of there.âÂ
âOh. That was nice of you.âÂ
He clicks you in and gives you a wry grin. âTold you I would handle things.â
You nod, the movement exaggerated and lopsided. âI hate it when they bring up Christpher. They always take his side. Like, is there ever a situation where itâs okay to cheat on a girl with her best friend? I was studying for the MCAT. I didnât even wallow or break up with him when I found out. I waited until after I took the exam so I didnât fuck up my score.âÂ
âThatâs my girl.âÂ
âChristopher was an asshole. He was a real dickhead. The whole situation sucked. I lost the only two people who I thought cared about me at the same time. My family acted like I was the fucking anti-christ for being upset about it, too. It was fucking terrible. Iâm so glad I donât live with them anymore. I mean, I still love them, and I care about them, cause theyâre my family, but everything is just so much easier when theyâre not around.âÂ
âYouâre allowed to hate them, you know.âÂ
âI know,â You say, fiddling with a hangnail. âI know I probably should.âÂ
You sigh, tilting your head back against the headrest. âI always keep holding out hope, you know? That one day theyâll apologize, figure their shit out, care about me in a way that matters. I know itâs stupid.â
âItâs not stupid.âÂ
You frown. âItâs not? It kinda seems stupid. Youâd think by now I would know better.âÂ
âNo,â Jack eases the car out of the parking space, âWeâre biologically wired to love our families. Itâs the reason why they can fuck you up so bad. Your brain canât compute why the people who are supposed to love you above all else just⌠donât. Not in any of the right ways.âÂ
You blow air through your lips. âI think my parents fucked me up. I was so happy when I matched into the Pitt, because it was so far away. But then I got out here it just kind of hit me, all at once, that I was alone. My best friend was gone, my ex boyfriend sucked, and I was too busy in med school taking care of myself and my family to make any friends.â
Shit, that sounds so whiny. âBut it turns out it wasnât so bad. Now I've got Mell, and Santos, and Iâm pretty sure Iâm friends with Shen too. Mckay is nice too. I like her. Sheâs cool.âÂ
Jack huffs something that could be a laugh, and you turn to study him; the angles of his face awash in the glow of the red light youâre currently stopped at. From here, you can see the tiny bits of tension he carries in his faceâ a slight pinch in his brow, the tiniest downturn of his lips. Itâs the only evidence that heâs not as unaffected by your family as he pretends to be.
Then the light turns green, and his face isnât illuminated the same.Â
âAnd what about me?âÂ
Oh. Well. Thatâs a loaded question.
The alcohol emboldens you to answer honestly. âI donât know what to think about you.âÂ
âOh really?âÂ
âMmm. Nope.âÂ
âHow come?âÂ
"You're soââ You gesture vaguely, âConfusing. I canât figure you out. For a while there, I was pretty sure you hated me, but then you offered to help me with this and you keep saying you care so I think Iâm wrong.âÂ
âYou think youâre wrong?â
âStill canât figure you out.âÂ
âAnd how can I show you that I mean it?âÂ
Thatâs. Hmm.
âI donât know. I think what youâre doing is working,â You pause, debating the pros and cons of continuing to just say whatever the fuck you want before deciding youâre too tired to care, âIt helps that youâre really hot.âÂ
His lips twitch. âOh, does it now?âÂ
âMhm. Youâve got this whole⌠capable thing about you. Itâs hot. Competency is in.â
âIf you say so.âÂ
âI do say so. I feel like if I had a problem I could call you or something and you would fix it. Youâre soâŚâ
âCompetent?âÂ
âThatâs the word.â
If heâs at all irritated, annoyed, or otherwise put off by your stupid rambling, he didnât show it.Â
âYou should call me whenever you have a problem. Chances are, I can fix it.âÂ
âAre you like Bob the Builder?â
âIâm a doctor, so no.âÂ
âYouâre kind of like Bob the Builder.âÂ
âWhatever you say,â He pauses at an empty intersection before continuing on, âBefore I start heading towards your place, do you want to stop by mine? You didnât even get to eat your salad, and I have leftovers. You can say no.â
âAre you gonna be mad at me if I say no?âÂ
âNo.âÂ
âThen yes.âÂ
âYou sure? I wasnât lying.âÂ
âI know. But I like your cooking.â
You spend the drive to Jackâs continuing to ramble about nothing and everything, to which he entertains with a seemingly endless amount of patience. The only time he interrupts is to hand you a bottle of Gatorade he procured from his back seat. Apparently, he bought a few to keep in his car after the first lunch. âFor any alcohol excursions.âÂ
Itâs freaky how prepared he is for every situation.Â
When you arrive, he unbuckles your seatbelt for you (unbuckling is just as difficult as buckling when youâve had an unknown amount of peach bellinis) and helps you up the stairs to his apartment.Â
His gigantic apartment.Â
âWoah,â You mumble as you shuffle through the doorway, pulled along by your hand in Jacks, âI didnât know they made apartments this size.âÂ
âIts not that big.âÂ
âI think, like, four of my apartments could fit in here. Your living room is the size of my entire place.âÂ
You stumble once, heel catching on the little rug on the entry way, and heâs immediately motioning for you to sit on the little bench by the door and pats his thigh once. You clumsily raise your leg, barely managing to land your foot on the general area he gestures to. He pulls the first shoe off, then repeats with the second with an air of total calm. Like this is normal and he does this all the time for you. Like you regularly find yourself drunk in his apartment.
You decide to unpack the moment when youâre sober.Â
âOne, itâs not that big, and two, thatâs what you get for renting a studio apartment.â
âLike you could afford better when you were an intern.âÂ
He snorts, leading you to his couch and gesturing for you to sit. âIf you want to change clothes you can borrow some of mine.â
You chew on your lip. The outfits you choose to look nice for your mother are never exactly comfortable, and when else are you going to get the chance to privately live the scenario you fantasize about several times a week before falling asleep?
âOnly if you donât mind.âÂ
âI wouldn't have offered if I wasnât. Stay there.âÂ
Jackâs only gone for a few minutes before he reappears with a dark grey sweatshirt and a pair of sweatpants in a slightly lighter shade. The sweatshirt is oversized and looks well worn, but the sweatpants are suspiciously new, close to your size, and look eerily similar to a pair you changed into after a shift a few weeks ago.
He hands them to you. Neither of you mention the sweatpants. âYou can change in the bathroom. Door locks from the inside. Iâm gonna change too, and then Iâll heat up the food.âÂ
Jack shows you the bathroom (you donât bother unpacking why exactly he felt the need to tell you that the door locks and from the inside, thatâs for when youâre significantly more drunk than you are now and when youâre not in his fancy-ass apartment.)Â
Because heâs a man and men take approximately three seconds to change, heâs already in the kitchen setting stuff on the counter by the time you emerge from the bathroom. His countertops are solid granite, because the apartment is clearly expensive and heâs a man. Theyâre an inky black color with tiny flecks that sparkle when the light hits them just so.Â
âWhat are you doing?â Jack asks when he turns from the fridge to find you tilting your head this way and that.Â
âLooking at the sparkles.âÂ
âOookay. Do you want me to heat up the vodka pasta or the chicken?â
âYou made vodka pasta?âÂ
He shrugs. âYou said you liked it.âÂ
You slide into a seat at the kitchen island, a flush creeping up your neck. âThe pasta, please.âÂ
Suddenly exhausted now that youâre in soft, comfortable clothes that smell like Jack, you decide to just rest your head on your arms for a bit. And close your eyes. But youâre not going to fall asleep. Youâre not.Â
âDonât fall asleep. You need to eat something first.âÂ
âMâ not fallinâ asleep.âÂ
âMhm. Sure.âÂ
With great effort, you blink your eyes open and watch Jack while he heats up the pasta and prepares something else. A salad maybe?
âWhatâreâyouâ making?â
âJust a little salad. In case the pasta is too heavy for you.âÂ
âOh. How come?âÂ
âBecause I donât want you to throw up.âÂ
âI promise I wonât throw up on your furniture. I donât usually throw up when Iâm hungover.âÂ
âYou drink often?âÂ
âNo,â Your head lulls to the side, âIâm too busy. Iâm actually not-so-secretly very boring. I donât really like partying. I much prefer staying at home.âÂ
âThought you went to that thing with King and Santos?âÂ
âYeah, but that was âcause Trinity really wanted me to come and I felt bad and I didnât want her to think I was a boring, uptight bitch.âÂ
âI see.âÂ
âYeah. I kinda had fun, though. I wished you were there.â
âReally?âÂ
âYeah,â You sigh, probably a hint too dreamily, âMakes me feel better when youâre around.âÂ
âIâll keep that in mind.âÂ
He slides a little bowl with a light salad in it to you across the counter, and it's perfectly refreshing. Not at all heavy like the pasta ends up being.Â
âSorry I couldnât finish it,â You say, forcing down a yawn and resisting the urge to burrow into your arms and go to sleep right there, âI feel bad that you went through the trouble of making it and heating it up.âÂ
âIt wasnât that much effort. Besides, now you can just eat it for lunch tomorrow instead. Iâll send it home with you.âÂ
âMhm.â You hum, slowly inching your arms forward and down onto the counter, your head quickly following suit.Â
Jack chuckles, and you can hear the light step of his feet as he rounds the corner of the island and nudges you in the arm.Â
âCome on, sweetheart. You wanna get home to bed, donât you?â
âNo,â You shake your head, âI wanna sleep right here. Itâs comfortable.â
âIt wonât be when you wake up.â
You whine, curling away from him.Â
He just puffs another little laugh. âYou can either sleep in your bed, or my bed. You canât sleep on the kitchen island.â
âWhy not?â You finally lift your head, âAnd why is your bed an option?â
âOne,â He lifts up one finger in front of your face and slowly drags it back and forth, âBecause the kitchen island is not a bed. Two, Iâm not letting you sleep on the couch.â
âWhy? Is your couch uncomfortable?â
âNo,â He says, shuffling back over to where the leftovers are and tucking all the food away in the proper places, âItâs just not right to make a woman sleep on the couch.â
âI like sleeping on couches.â
He shoots you a look over his shoulder, âIâm sure you do. But youâre still a little drunk, and my bed is closer to the bathroom than the couch is.âÂ
You prop your head on your hand. âWho said Iâm even staying here tonight?â
Jack closes the fridge. âDo you want to? Because I donât care either way. We both have tomorrow off.â
âItâd be weird to wake up here.â
âWhy?â
âBecause youâre my boss.â
âAnd Iâm faking being your boyfriend so your parents get off your back. Pretty sure weâre past coworkers.âÂ
âWhat would we even do in the morning?âÂ
âSleep.â
âI donât want to kick you out of your bed. Iâll sleep on the couch.âÂ
âYouâre my guestââÂ
âYouâre already doing so much for me,â You blurt, stomach clenching, âIâ You know me. I can only handle so much. Let me do this one thing? Please?âÂ
Jack glowers for a bit, then sighs.Â
âOnly because you asked nicely and I believe in rewarding good behavior. And because I know my couch isnât uncomfortable. Iâll help you make it up.âÂ
Jackâs apartment is surprisingly tidy for the fact that a man lives in it (Christopherâs room at his parentâs house always looked like shit) and he pulls down a couple options for bedding. You go with the plain black sheet and its matching thick, fluffy comforter. He insists on making up the couch himself (despite the fact that the alcohol has mostly worn off by now) and even sets up a glass of water, a liquid IV packet, and a bucketâ âJust in case those belliniâs donât love you back.âÂ
The sight of it all is almost too much. Itâs just so much care. All of it. The fact that heâs helping out with you and your disaster of a family, the way that despite the horribleness of it all he hasnât judged you at all for how you deal with them. He refuses to let you drive yourself, always pays for every lunch for your entire family and the little snacks you get afterwards. Listens to you rant and he makes you food and gets you blankets andâ
âYou okay there?âÂ
âMhm,â You hum, âJust thinkinâ.âÂ
He leaves you be for a moment, busies himself with fixing your pillows and and tugging the comforter into its proper place.
Before you can talk yourself out of it, you turn, throwing your arms around Jackâs middle and burying your face in his chest.Â
âThank you,â You say, voice muffled by the fabric, âFor doing all of this. Thank you for looking out for me.âÂ
Jack is still for a second, just long enough for you to second guess initiating physical contact âa line you were previously too scared to crossâ but then his hands come up and it's so, immediately, remarkably over. Because youâre never ever going to draw that line again. You can never go back to your life without having this. Without having him.Â
Jackâs hands are big and deliciously warm as they slide up, around your waist, lingering to rub a few circles on the mid of your back before moving on. One arm stays, tightening around your waist and drawing you closer while his other glides further up, up, up, his callused palms sliding over the knob at the very base of your neck before his hand settles around your nape, fingers just barely brushing the edge of your hairline.Â
You barely manage to suppress a whine at how warm and incredible it feels to be fully enveloped by him. You never want him to let go. Goosebumps erupt everywhere he touches, little sparks of electricity lingering under your skin in his wake.
âI will always,â He presses the lightest of kisses to your temple, just a feathering of his lips, âLook out for you, baby. Iâm always gonna be right here.â
His arms tighten around you, drawing you inâ closer, closer, closer. Wrapped up in everything that is Jack you canât help but sag, going completely boneless in his grip and allowing yourself to just bask in him.Â
âYou smell good.â You mumble into his shirt, completely lost in the moment.Â
âDo I?â
âYeah. Good. Like man.âÂ
He chuckles, the sound vibrating pleasantly against your cheek. âThank you sweetheart.âÂ
âWhy do you call me sweetheart?âÂ
âBecause youâre a sweetheart.âÂ
âI am?âÂ
âDonât play dumb now,â He pulls back a little, just enough to get a good look at you, fingers curling in the fine hair at your nape and tugging down, angling your chin up so youâre forced to look at him, âYou know you are.âÂ
You shrug, eyes darting to the side, your cheeks flushing, âI donât know. I was just making sure.âÂ
âMhm.â He hums, tone almost mocking, fingers tightening around your hair just before the precipice of pain.
You stay like that for a few moments of charged silence. Jackâs eyes shamelessly rove over the planes of your face, mapping it out in his mind. He keeps his grip on your hair, not completely forcing eye contact but keeping your head firmly in place.Â
Itâs possessive. Bold. Probably too intimate for two people who (supposedly) are not actually dating
And you love it.Â
Jack only lets his hand (and your head) drop when your jaw opens in a splitting yawn.Â
âOkay,â He huffs, taking a step back, âTime for bed. Get going.âÂ
Embarrassment is the only thing keeping you from whining at the loss of contact and impending reality of sleeping on the couch alone. But you made your bed (figuratively) so now you have to lie in it.Â
The couch does look comfortable. Especially since Jack put all the blankets together.Â
He waits until youâve crawled under the comforter to bid you goodnight, followed by a parting reminder to âWake him up if you start aspirating on vomit.â Itâs a very Jack thing to say.Â
Youâre out almost the second Jack turns the lights off. You fall into deep, blissful sleep, dreaming of that final moment in the living room, your eyes boring into each other.Â
Except in the dream, you tilt your head up those last few inches, and kiss your fake boyfriend as hard as you can.Â
â
Generally, the annual lecture event ends with a massive blow out argument. Something dramatic and filled with expletives, after which your mother will refuse to answer any texts or calls you send before finally telling you thatâs sheâs sorry if (always if) something she said offended you, but talking to you is just so hard sometimes so she doesnât want to unless youâre ready to be more civil. By the time the two of you are on neutral terms again, itâs time for the next annual lunch circuit.Â
Youâre a mess of nerves in the hours before the last one. Like usual, your mom requested that the last dinner be held at your place. âSo it can feel like a real family dinner.â While you know that there isnât any saying no to your mother, you also know that there is no way youâre cramming your entire family in your tiny ass studio apartment. It happened once. It will not happen again.Â
You originally asked Jack during a last minute shift you both got called in to cover if he would help you move some of the furniture at your place to accommodate them, and then heâd gotten this incredulous look on his face and then told you to tell your mom that youâre having dinner at his place.Â
âJack,â Youâd gaped at him, âItâs fine. My apartment isnât that small, and you donât have to help move the furniture if you donât want to. I can ask Dennis to give me a hand instead. I really donât think you want to host my family.âÂ
âSweetheart, itâs just logic. Youâve seen my place.â
âOkay. No need to rub it in.âÂ
Heâd just rolled his eyes and pinned you with a firm look. âCome on. You know this is the best option. If your mom throws a fit, tell her I insisted and give her my number.âÂ
âDo you have a death wish?â You hiss, âThatâs asking for torture.âÂ
Jack had just shrugged. âWould having it at my place be easier for you?âÂ
â...Yes?âÂ
âThen weâll do it there. Youâre off in a bit, right?âÂ
Youâd nodded.Â
He fishes something small and shiny out of his pocket and tosses it to you. âThatâs my spare key. Iâll be here later than you, so just let yourself in if you want to get there earlier to start setting up. Iâll be home soon.âÂ
Robby shouted his name soon after and Jack was whisked away, leaving you standing in the middle of the ED, holding the fucking spare key to his apartment, gaping like a fish.Â
The line between real and fake has become so blurred youâre not sure if it ever was there to begin with.Â
Heâs started calling you sweetheart more and more oftenâ sometimes when no one's around. No familial audience to be persuaded into the romantic lie youâre selling. Is it still a lie if it doesnât feel like one anymore?
The question and accompanying feeling follows you all day. All throughout your harried dinner preparation. Even now, with a solid hour until your family is supposed to start showing up, you canât help but pace the length of Jackâs kitchen, heeled feet clicking on his floor. Jack himself is similarly dressed up, wearing a pair of dark jeans (âIâm not wearing slacks in my own home, and Iâm not old enough to start wearing khakis with everything.â) and a black button down shirt with the first two buttons undone and the sleeves rolled up to his forearms. He makes a very nice view and under other circumstances you might take the opportunity to climb him like a tree. But alas. Anxiety.Â
âTake your shoes off if youâre going to pace. Youâre gonna give yourself blisters.âÂ
You ignore him, chewing on an already stinging cuticle.Â
âThings have been pretty good this far, right? Do you think sheâs just waiting until the very end to bring up some secret thing that sheâs upset about?â
Jack begins preparing the wine âyour mother only likes redâ for decanting. âI think if your mother were that upset about something she wouldnât be able to hide it.âÂ
âTrue. But what if?â
âIâm not going to help you spiral.âÂ
âWhy not?â You whine.Â
He looks at you with a heavy glare and points to the shoe tray at the door. âShoes. Off. You can put them back on when they get here.âÂ
You grumble under your breath the entire way but comply. Only because your feet were starting to hurt.Â
When your family finally does arrive, it ends up being annoyingly anti-climactic. You spend the entire time on the edge of your seat (literally and figuratively) waiting for the other shoe to drop. Waiting for conversation to turn sour, arguments to erupt, someone to choke on a piece of lettuce and die despite professional intervention.Â
But the argument never starts, conversation remains what it usually is and becomes no worse (or better, unfortunately) and no one passes away due to unevenly chopped vegetables.Â
The torture is over fairly quickly. Most everyoneâs flight back home leaves early the next morning and your dad is paranoid about flight times.Â
Pretty soon itâs all just⌠over. They leave, your mother bickering with your father on the way out about something that probably doesnât matter, and then itâs just you and Jack and the entire scheme is just done. Finished. Just like that.Â
There won't be anymore knee's brushing under the table, no more shared glances and pecks to the cheek when you make a joke that actually lands. No more excuses just to sit and watch him under the guise of playing the adoring girlfriend. No more late night milkshakes.
You'll just go back to being coworkers-- People who pretend not to know each other intimately. Jack probably won't struggle with it. But to you, right now, the idea of just not having him anymore seems like a another wound, right over top all the others.
You don't want him to become another person who used to know you.
Youâve been staring at the closed door for upwards of five full minutes, clenching and unclenching your fists when Jack comes up next to you. He hands you the same clothes you wore the last time you were there and jerks his head in the direction of the bathroom. Â
âWhy donât you go and change, huh?â
Your lip wobbles a bit as you answer. âBut I want to help you clean up.âÂ
âYou can,â He soothes, âAfter you change.â
âButââ
âHey,â He interrupts, âNo. Youâve been stuck in those clothes for hours. Go change. Iâll wait for you.âÂ
Jack keeps his word. Heâs leaned up against the kitchen island when you emerge, rubbing at your ânow bare, having had the foresight to bring makeup wipes with youâ face.Â
He looks up when the door opens. âBetter?âÂ
âYeah. Thanks.âÂ
He just hums, heading back over to the kitchen table, stacking plates and cutlery. You follow in silence, and he thankfully doesnât push for conversation.Â
Cleaning up doesnât take long enough. Jack has a fancy dishwasher (and probably doesnât want to stay standing any more than he has to this late in the day) and there arenât any leftovers to pack up. Your brothers are bottomless pits when it comes to free food.Â
It canât just be over like this. It can't.
When everything is finished and there isn't anything left to do, Jack wordlessly leads you to the couch and puts something quiet and calm on the TV. The white noise washes over you as you attempt to get comfortable, but the knowledge that it's all over proves to be an itch under your skin that you just can't seem to squash.
âSo,â You say after the two of you are seated on opposite ends of the couch, âThatâs it then.âÂ
âSo it is.âÂ
âGuess I owe you big time, huh?âÂ
âIâve already told you I donât care about that.âÂ
âRight,â You look down at your lap, âYeah. Sorry.âÂ
You lapse into silence.Â
Jack sighs. âSweetheartââ
âWas it fake to you?â You blurt, jiggling your knee, still staring at your lap, âWere youâ did you mean it?â
It never felt fake. It never felt like pretending.Â
It felt real.
It felt like, for the first time in your life, things could be easy.
Maybe easy isn't the right word. But it life sure as hell didn't feel as hard.
When you look up, uncomfortable in his silence and hoping thereâs answers in his face, but instead of finding something like disappointment or irritation, heâs grinning.Â
âWhat do you think?âÂ
âI donât know.âÂ
He dips his head once. âYes you do. Youâre a smart girl, I think you can figure it out.âÂ
Your fingers are curled around the hem of his sweatshirt, white-knuckling the fabric as if to stabilize yourself. Like youâre liable to somehow float away if you donât dig your heels into the couch and hold on tight.Â
âWhat if Iâm wrong?âÂ
âYou wonât be.â
A scoff escapes your lips, âYou canât know for sure.âÂ
He taps his pointer finger on his leg in an unhurried rhythm.Â
âYou do.âÂ
Your stomach is rolling in a combination of leftover anxiety from the dinner that went better than it was supposed to and the weight of Jackâs gaze on you.Â
âI thinkâŚâ You pause, worry threatening to overwhelm you, and take a deep breath before continuing, âI think you might like me.âÂ
âYou think,â He drawls, âI might.âÂ
âI donât want to be wrong!â You cry.Â
Jack huffs, throwing his head back in a good-natured sigh.Â
âCome here.âÂ
You scoot further down the couch, sitting criss-cross right in front of him. This is not going the way you thought it would. You were almost certain youâd walk away shamed and embarrassed, forced to fake your death and flee the country out of the sheer humiliation of thinking your boss would actually have a crush on you.Â
Jack does love to prove you wrong.
âSoo,â You start, still hesitant, âYou do like me.âÂ
Jack props his head on his hand, his expression something youâre starting to recognize as fond. âYes.â
âMore than a little?âÂ
âYes.âÂ
âAnd you werenât faking anything. You were serious about theâ You know.âÂ
âUse your words.âÂ
âThe flirting.â You clarify, ears burning.Â
âAll correct,â He nods, âThough I would have said it differently.âÂ
You frown. âAnd how would you have put it?âÂ
âI would have said,â He reaches out, snagging your arm and tugging until you fall down onto his chest with a little oof, âThat you have a hard time believing things that are good, so I had to audition for my role. Like old-fashioned courting.âÂ
You want to be offended, but unfortunately, it did work.Â
You frown.Â
Wait.Â
âHave you known I liked you this whole time?âÂ
Jack snorts. âOverheard you talking to Whitaker about it during your second week.â
Heâs known since the second week?
âOh my god.âÂ
âDonât worry, I didnât tell anyone. Except Robby. Heâs been hoping you would figure it out for awhile now.â
âOh my god.â
âI thought it was cute,â He smoothes a hand over your hair, âYou were so much more nervous back then. Youâve come a long way.âÂ
You shift uncomfortably at the praise, but Jackâs having none of it. He wraps his arms around you, holding you in place.Â
âCan you take a compliment?âÂ
âNo.âÂ
He re-positions under you, getting more comfortable. âWeâll try again later.âÂ
âAm Iâ Can I stay here tonight then?âÂ
âOf course,â he murmurs, âMy one condition is that youâre not sleeping on the couch.â
âFine,â You sigh, long and drawn out, âI suppose we can share.âÂ
âHow kind of you to share my bed with me.âÂ
âI have been told Iâm kind.âÂ
You both smile, and everything just feels so right and so perfect that you can't help but lean up, clearing the last few inches, and pressing a hesitant, gentle kiss to his lips.Â
Itâs just like your dream.Â
Only this time, itâs real. And Jack is kissing you back.Â
And youâre not alone anymore.Â
Under Her Hands | part II
Click here for part I
description: A storm traps you in her private space, blurring the lines between control and trust. What begins as tension-filled proximity unfolds into something intimate. Beneath her calm authority, you discover just how willingly you place yourself under her hands.
Professor!Emily Prentiss x fem!student reader tags: smut, age gap romance, emotional intimacy, power dynamic, professor x student
words: 12.5 k
Outside, the rain turns violent.
It doesnât fall anymore, it hits hard and relentless against the windshield, each drop blurring into the next until the world beyond the glass dissolves into blurry streaks. The wipers struggle to keep up, dragging back and forth in a steady, mechanical rhythm that does little more than carve brief, fleeting clarity into the storm before itâs swallowed again.
Inside the car, everything feels⌠contained. You swallow, fingers tightening briefly in your lap before you force them to relax, your voice coming out softer than you intend. âThank you⌠for the ride, Professor Prentiss.â
Thereâs a pause. Not long, but long enough for your pulse to pick up again, for your awareness to sharpen.
Then, without looking at you, Emily's mouth curves slightly. âYouâre welcome.â
But thereâs something in it, something that lingers. Something that settles low in your stomach, heavy and just a little unsettling. For a few seconds, neither of you speaks. The only sound is the storm and the steady hum of the engine, the soft creak of leather when you shift ever so slightly in your seat.
Then the radio crackles. ââŚreports of multiple obstructions on RouteâŚfallen trees⌠drivers are advised toââ
Emily exhales quietly through her nose, one hand adjusting the volume just enough to make the words clearer before lowering it again. âLooks like weâre not the only ones having a difficult evening,â she murmurs.
Another flash of lightning illuminates the road ahead, followed almost immediately by the low, rolling growl of thunder that seems to vibrate through the frame of the car itself. You glance out the window, watching the storm lash against the glass, and for the first time since you left the building, the reality of it settles in.
âOkay,â you admit quietly. âMaybe itâs not just a little bit of rain.â
That earns you a soft, amused sound. âMhm, I told youâ, she hums, finally glancing at you, one eyebrow lifting slightly.
Heat creeps up your neck. âI didnât think it would get this bad.â
âMost people donât,â she says lightly, turning the wheel with smooth precision as she slows near an intersection, headlights catching on something ahead. âStorms like this have a habit of escalating.â
You follow her gaze. A cluster of hazard lights flickers in the distance, cars backed up along the road. As you get closer, you can make out the shape of it, a large tree has fallen across the lane, branches stretching wide enough to block most of the path.
âOh,â you breathe.
âYeah,â she mutters, already signaling as she begins to turn. âWeâre not going that way.â
The car shifts smoothly onto a side street, tires hissing softly against the wet asphalt. The route is unfamiliar, narrower, the streetlights fewer and farther between, casting long shadows that stretch and disappear in the storm.
âThis is going to take longer, isnât it?â you ask.
âA little,â she admits.
The word settles into the quiet between you, stretching out along with the road ahead as she guides the car deeper into unfamiliar streets, the storm pressing in from all sides. Water snakes along the edges of the asphalt, reflecting the dim streetlights in broken, wavering lines. The steady rhythm of the wipers becomes almost hypnotic.
Back and forth.
Back and forth.
Never quite keeping up but never stopping either.
You shift slightly in your seat, rolling one shoulder back as a faint ache makes itself known, the kind that comes from sitting too long, from a day that started too early and never really slowed down. You hadnât noticed it before, not during the lecture, not while walking through campus but now in the quiet warmth of the car, it begins to settle in.
Your body feels⌠heavy. Not unpleasantly so, just tired.
You sink a little further into the seat without meaning to, your grip on your own posture loosening as the tension youâve been carrying all day slowly unwinds. The warmth inside the car doesnât help, it wraps around you - a stark contrast to the storm outside. Your hands rest more loosely in your lap now, fingers no longer curled tight, your shoulders dropping just a fraction.
You glance out the window, watching the rain streak across the glass, your focus drifting slightly as the world outside blurs into shifting shapes and lights. Your eyelids feel a little heavier than they did before, your thoughts not quite as sharp, slipping more easily between one thing and the next.
You blink slowly, then straighten just a touch, as if catching yourself. âSorry,â you murmur under your breath, though youâre not entirely sure what youâre apologizing for.
Emily glances at you briefly, one brow lifting. âFor what?â
You shake your head, exhaling softly. âNothing. Just⌠long day.â
âMhm,â she hums, like she understands that without needing anything more.
The car turns again, tires gliding over the slick road as she adjusts the route without hesitation, her movements still precise, still controlled. Outside, another flash of lightning cuts through the sky, followed by the low rumble of thunder that seems to echo a little longer this time.
You shift again, settling back despite yourself, your head resting a little more fully against the seat now.
Your body feels the weight of the day. The lectures, the storm and the constnt awareness youâve been carrying since you stepped into this car, it all starts to blur together at the edges, fading just slightly as the steady rhythm around you takes over.
Back and forth.
Back and forth.
The wipers. The quiet hum of the engine. The rain. Emily.
You blink again, slower this time.
Emily drives in silence for a while, her focus steady on the road as she navigates another turn, adjusting smoothly to the unfamiliar route. Thereâs something grounding in the way she drives, controlled like nothing could truly throw her off balance, not even this.
You find yourself watching her for a moment. The way her hands move, one guiding the wheel, the other resting near the gearshift, fingers tapping lightly in that same quiet rhythm. The soft shadows shifting across her face as streetlights pass overhead. The faint crease between her brows when the rain comes down harder, her attention narrowing just slightly.
Safe. The thought slips in unexpectedly.
You feel safe.
Itâs a strange contrast to everything else youâve been feeling: nervous, aware, tired and unsettled in a way you canât quite define. And yet, beneath all of that, thereâs this quiet certainty that settles deeper than the rest.
You let out a slow breath, your head tipping back slightly against the seat. Outside, the storm continues. Inside, the warmth wraps around you, soft and steady, the rhythmic sweep of the wipers becoming almost hypnotic.
Back and forth.
Back and forth.
Your eyelids grow heavier before you even realize it. You blink once. Twice. Try to refocus on the road ahead, on the shifting lights and shadows beyond the glass. But itâs harder now. The sounds blur together. Your thoughts drift, untethered, slipping between fragments of the lecture, the storm, the memory of her voice, the warmth of the car.
You donât notice when your breathing evens out. Donât notice the exact moment your body gives in. Itâs gradual, subtle even. Your head tilts, just slightly at first, your posture loosening as the tension youâve been holding onto all evening quietly dissolves. Your fingers slacken in your lap, your shoulders sinking further into the seat.
And then it happens without you noticing it at all. One moment youâre watching the rain smear itself across the glass, your thoughts drifting somewhere soft and unfocused, and the next⌠thereâs nothing holding you up anymore. The quiet, the warmth, the steady rhythm of the drive, it all folds in around you, gentle and insistent, until your body simply gives in.
Your head tilts, slowly, almost imperceptibly at first, before it settles against the side of the seat.
Still. Your breathing evens out. The tension that had been sitting in your shoulders, in the careful way you held yourself around her â it slips away completely, leaving something softer behind.
Emily notices immediately. At first, itâs just a quick instinctive glance, the kind that comes with habit. But then it lingers. Her eyes move over you more slowly this time, taking in the shift in your posture, the way your body has relaxed into the seat, the faint parting of your lips as your breathing deepens.
You look⌠different. Smaller, somehow. The sharpness that had been there before â the awareness, the nervous energy â itâs gone. Whatâs left is something quieter. Softer. Vulnerable.
Her grip on the wheel loosens just slightly. For a moment, she says nothing, does nothing⌠just watches, the storm outside momentarily fading into the background of her attention.
Then the light ahead turns red. The car slows, rolling to a smooth stop, the engine humming steadily beneath the sound of rain hammering against the roof.
And now she has time. Her gaze shifts fully to you, unhurried and unobstructed.
She takes you in properly. The way your head has fallen to the side, resting against the seat. The line of your neck, relaxed now. The faint rise and fall of your chest. The way your hands rest loosely in your lap, fingers no longer curled in that tight, nervous hold sheâd noticed earlier.
Thereâs something about it. Something that makes her expresssion soften slightly. Without thinking too much about it, she reaches back with one hand, her movements quiet, careful as she leans just enough to grab her jacket from the back seat. The fabric shifts softly under her fingers before she pulls it forward again, her attention flicking briefly to the road, then back to you.
She hesitates for half a second. Itâs barely anything, just a pause in movement, but itâs there. Then she drapes the jacket over your lap. The motion is simple. Practical. Something anyone would do, something she should do. A small act of care, nothing more.
And yetâŚher fingers brush against your bare thigh in the process. The contact sends something sharp and immediate through her, a quiet jolt that has nothing to do with surprise and everything to do with awareness. She stills before she can stop herself, her hand lingering there for just a fraction too long, long enough to feel it. Your warm skin.
Her breath shifts, almost imperceptibly. Her gaze drops without permission, drawn to the point of contact, to the way the fabric of your skirt rests just above where her fingers had been, to the smooth line of your leg beneath it. Thereâs nothing provocative about it, not intentionally, but in this moment, in this quiet, it feels like too much.
Too close. Too easy.
Something tightens in her chest, because you donât react. You canât. Youâre asleep. Your head tipped to the side, your body relaxed in a way she hasnât seen before, unguarded and completely at ease in a space that is, whether you realize it or not, entirely under her control.
And that does something to her.
Because sheâs seen the other side of you. The way you hold yourself in her presence; just a little too aware, a little too careful. The nervous energy, the way your words sometimes come out a second too fast, like youâre trying to keep up, to match her, to not fall behind. The way you watch her, like youâre trying to read something you donât fully understand yet.
And still, you fell asleep here. In her car, next to her.
That realization settles differently, heavier. Because beneath all that nervousness, all that awareness⌠thereâs trust. You feel safe enough to let go.
And for a moment, that pulls at her in a way she didnât expect, something softer threading through the tension, something that sits alongside it instead of replacing it.
It makes the space between you feel even more fragile.
More dangerous.
Because now itâs not just about what she wants.
Itâs about what youâre giving her without even realizing it.
Emilyâs eyes drop back to where her hand still rests against your thigh. A thought slips in, quiet and uninvited. You feel so soft.
Her fingers twitch slightly against your skin, like they want to move, to trace, to test the shape of something she has no business touching. The urge is sudden and unwelcome, not crude, not careless, but something deeper. A pull. A curiosity sharpened by proximity and restraint.
She imagines, just for a second what it would feel like to let her hand stay there, to let it slide, just slightly higher.
To feelâŚ
Her jaw tightens. The thought cuts off as quickly as it came, her hand withdraws. Control. Always control. She leans back into her seat, her posture resetting, her fingers curling briefly against her palm before settling back onto the steering wheel. The red light ahead shifts to green, the world outside demanding her attention again, giving her something else to focus on.
Something safer.
She exhales slowly, steadying herself in a way no one else would notice. Because on the outside nothing has changed. Her expression is composed. Her movements precise. Her focus exactly where it should be.
But inside⌠something lingers. A quiet tension beneath the surface, a line she is very aware of. And how easily, just now, she almost stepped over it.
The car moves forward again, headlights cutting through the storm, the rain relentless against the glass.
Outside, the world is chaos.
InsideâŚ
You sleep. And she drives.
You donât wake up all at once. It happens slowly, like being pulled up through water, awareness returning in fragments before it fully settles into something coherent. First, thereâs warmth. Not the steady, contained warmth of the car, but something softer, more still. Then quiet⌠too quiet. No rhythmic sweep of wipers, no muted roar of rain against glass.
Your brow furrows faintly as consciousness catches up. Something feels⌠off.
You shift slightly, the movement small and sluggish, your body still heavy with sleep. The seat beneath you is different; angled back just a little more than before and something soft rests over your lap.
A jacket.
Something shifts near you. A presence. And then you feel it, a gentle and careful touch. Fingers brushing lightly against your temple, sweeping a loose strand of hair away from your face with a softness that feels almost deliberate in how restrained it is.
âWake up, sweetheart.â Her voice is close, closer than before.
Your eyes open, heavy with sleep, vision blurred at first as you try to make sense of where you are. Shapes come into focus slowly; the dim overhead light, the shadowed interior of the car, the faint outline of concrete walls beyondâŚ
A garage.
The passenger door is open. And sheâs standing there. Emily leans slightly toward you, one hand resting against the frame of the car, the other just pulling back from your face like she hadnât meant to linger there quite as long as she did. Her expression is calm, composed, but her attention is entirely on you.
Watching. Waiting.
You blink at her, disoriented, your thoughts still catching up. âIâŚâ Your voice comes out rough, softer than intended. You clear your throat, trying again. âIâm sorry, I didnât mean toââ
âFall asleep?â she finishes lightly.
You nod, a little too quickly, pushing yourself more upright, the movement still slow with lingering drowsiness. âYeah. I justâŚtoday wasââ
âLong,â she supplies, a faint curve at the corner of her mouth.
You exhale, relieved at the ease in her tone, at how normal she makes it sound. âYeah.â
Your gaze drifts past her then, drawn by instinct, taking in the space beyond the open door more fully this time, the concrete floor and walls, the dim lighting, the unmistakable structure of a private garage.
Your stomach dips.
âThis isnâtâŚâ you start, your voice quieter now as you look back at her. âWhere are we?â
Thereâs the smallest pause, so brief it almost doesnât exist.
But then: âMy place,â she says. Itâs delivered simply, almost casually, like it doesnât carry the weight it immediately drops into your chest. Her tone is measured, controlled like sheâs stating a fact, not something that changes the entire situation in an instant.
But it does.
Your breath catches before you can stop it, the reaction small but undeniable. âOh.â
Itâs not enough, that word. It doesnât cover the sudden awareness settling over you, the way your thoughts seem to sharpen all at once, cutting through the last remnants of sleep. You shift slightly in your seat, the jacket slipping just a little across your lap as your body readjusts, no longer soft and half-asleep but alert now, present and uncertain in a way you canât quite name.
âI thoughtââ you start, then hesitate, your brow pulling together as you try to make sense of it. âI thought we wereâŚâ
âHeading to your apartment,â she finishes for you again, her voice still calm, still even, like sheâs already anticipated the question.
You nod slowly.
She straightens a fraction, just enough to shift her weight, one hand slipping into the pocket of her slacks in a movement that feels practiced, like sheâs entirely at ease in this space, in this moment⌠in a way youâre not.
âThe roads closer to your place are flooded,â she explains, her tone steady, logical. âA couple of them are completely blocked. I tried two different routes.â
Your mind catches onto that immediately, clinging to the reasoning, the structure of it. It makes sense. Itâs practical. It gives you something to hold onto.
âThat bad?â you ask, your voice quieter now.
âMhm.â The confirmation is soft, but certain. âI could have woken you,â she adds, like itâs an afterthought, like it didnât matter enough to interrupt what had already been decided. âBut you looked like you needed the rest.â
Her gaze lingers on you then. Just for a second longer than necessary. Itâs not inappropriate. Not overt. Thereâs nothing you could point to and say thatâs wrong and yet, you feel it anyway. The attention, the way it doesnât quite feel neutral.
Something tightens faintly in your chest. You glance down, your fingers brushing over the fabric of the jacket still draped across your lap, grounding yourself in something physical, something real. âYou didnât have to bring me all the way here,â you say, your voice soft, almost careful.
âI know.â The answer comes easily, too easily. Thereâs no hesitation in it. No defensiveness. Just quiet certainty. And somehow, that makes it feel heavier.
Your eyes lift back to hers, searching, though youâre not entirely sure for what. Because everything sheâs saying makes sense.
The storm. The flooded roads. You falling asleep. Her not wanting to wake you. It all fits together in a way thatâs completely reasonable.
And yet⌠youâre here. In her garage. In her space. And sheâs standing there, watching you wake up like this was always where the night was going to end.
The thought slips in before you can stop it, and once itâs there, it lingers, impossible to fully ignore.
You swallow, your throat suddenly a little dry. âAre the roads still bad?â you ask, softer now, like youâre testing something you canât quite articulate.
She tilts her head slightly, considering the question in a way that feels just a touch too measured. âThey havenât cleared yet,â she says. âAnd itâs still not safe to drive through some of those streets.â
Again⌠reasonable.
Another pause follows, subtle but present, stretching just enough for you to feel it. You nod slowly, because thereâs nothing to argue with. Nothing to push back against.
Everything sheâs saying makes sense. It does.
And yet, thereâs something in the way she says it, in the calm control of her voice, in the way she stands there like sheâs entirely comfortable with the outcome, that leaves a quiet question forming at the edges of your thoughts.
Did she really had no choice⌠or did she choose this?
You donât voice it. She doesnât acknowledge it.
Instead, she steps back just slightly, creating space where there wasnât any before, one hand lifting in a small, effortless gesture toward the open car door.
âCome on,â she says, her tone softer now, but no less certain. âYou shouldnât stay out here.â
Out here. The words land oddly, considering where here actually is, but you donât comment on that either.
You hesitate, just for a fraction of a second, just long enough for the weight of the moment to settle properly.
Then you move. Because everything sheâs said is reasonable.
And everything you feel⌠isnât entirely convinced.
But you follow her anyway.
The transition from the garage into her house is almost seamless, and yet it feels like crossing an invisible line you canât quite step back over once youâve passed it.
Emily moves ahead of you, one hand pushing open the internal door with quiet familiarity, the other gesturing lightly for you to follow. You hesitate for the briefest second on the threshold. Then you step inside.
Warmth meets you immediately. A soft contrast to the damp chill that clings faintly to your skin from the storm, wrapping around you in a way that feels almost intentional. The lighting is low but steady, casting a golden glow across clean lines and carefully chosen details. Itâs not extravagant in the way you might expect. Thereâs no loud display of wealth, no unnecessary excess.
But itâs there. In the quality of the furniture. In the way the space feels lived in, but never cluttered. Controlled. Like her.
You take a few steps further in, your eyes moving almost involuntarily, trying to take it all in without making it obvious that you are. The living room opens up ahead, spacious but not cold, a large couch facing a fireplace that sits dark for now, waiting.
Emily doesnât pause. She shrugs off her shoes as she walks, her movements efficient, practiced. Then she turns slightly toward you, gesturing toward the couch.
âSit,â she says, her tone gentle, but not uncertain.
You obey before youâve fully decided to. Itâs instinctive.
You lower yourself onto the couch, careful, aware of yourself again in a way you hadnât been while asleep. Your hands settle in your lap, fingers threading together briefly before you force them to relax.
You feel out of place.
Emily crosses the room toward the fireplace, already reaching for what she needs without hesitation. Thereâs no fumbling, no second-guessing. It shows in the ease of her movements, in the quiet confidence of someone entirely in control of her environment.
You watch her without meaning to. The way she crouches slightly, adjusting something at the base of the fireplace. The soft shift of fabric as she moves. The way a few strands of her silver hair fall forward before she brushes them back absently.
Then the fireplace comes to life with a spark. A soft crackle follows. The fire catches slowly at first, then steadies, light blooming into the room, shadows shifting along the walls in a way that feels warmer, softer... more intimate.
She glances back at you over her shoulder, just briefly. âHave you eaten?â she asks.
The question catches you off guard, not because itâs strange, but because it feels⌠too casual.
You blink, pulling yourself back into the moment. âUh⌠earlier. Not really dinner, though.â
She hums softly, straightening as the fire settles into a steady burn. âFigures.â Thereâs no judgment in it, just observation.
She moves toward the kitchen area, not far from where youâre sitting, her presence still filling the space even as she puts a bit of distance between you.
âIâm not sure if delivery is an option tonight,â she continues, glancing toward the window where rain still taps against the glass. âStorm like this tends to shut things down.â
You nod, even though sheâs not looking at you directly in that moment.
âI can cook something,â she adds, casual again, like itâs no trouble at all. âPasta, if that works for you.â
Your throat feels a little tight. âUh⌠yeah,â you say, a little too quietly. âThatâs⌠yeah, thatâs fine.â
She glances back at you then for a second and thereâs something faintly amused in her expression. âOkay,â she says simply.
Silence settles again, but itâs not empty. Itâs full of small things: The crackle of the fire. The soft clink of something in the kitchen as she moves.
You sit there, hands still in your lap, trying to figure out what to do with yourself.
Because this isnât a lecture hall, there are no rows of seats, no other students, no distance to hide behind.
This is her spaceâŚprivate. And she moves through it like she owns every inch of it, because she does. And somehow, that extends to the moment itself, to the way the conversation unfolds.
And it extends to you.
You shift slightly on the couch, your gaze drifting toward the fire, then back to her without meaning to. Sheâs closer again now, moving between spaces with that same quiet control, like nothing about this is unusual.
Like having you here was always a possibility.
The thought sends a small, sharp feeling through your chest. You try to ignore it, but it lingers. Because the truth is, youâre nervous. More than you were in the car. More than you were in the lecture hall.
And it shows in the way you sit a little too still. In the way your eyes keep flickering toward her and then away again, like youâre afraid of being caught looking too long.
She notices⌠of course she does. Emily Prentiss notices everything.
But she doesnât call it out. Instead, she lets the moment stretch just enough, lets you settle into it in your own way, while still, somehow, holding the reins.
Exactly where she wants them.
Exactly where you let her keep them.
Time slips forward without you really noticing when it happens.
At some point, youâre no longer sitting stiffly on the edge of the couch, unsure of where to look or how to hold yourself. At some point, a plate of pasta appears in your hands, warm and simple and grounding in a way you didnât expect. Conversation comes in small, manageable pieces, nothing too personal, nothing that crosses any obvious lines. Just enough to fill the space. Just enough to make it easier to breathe.
And slowly, the room changes.
The fire burns steadily now, casting a soft, flickering glow that settles into the corners of the living room, chasing away the last of the cold that clung to you from outside. The rain has softened too, no longer violent, no longer pressing insistently against the windows⌠just a steady, quiet fall that blends into the background.
Itâs⌠comfortable. Dangerously so.
By the time your plate is empty, youâve sunk further into the couch than you meant to, your posture no longer rigid, your shoulders less tense. Emily sits at the other end, one arm resting along the back, her body angled just slightly toward you.
Your gaze drifts toward the window, following the faint trails of rain against the glass, and something clicks into place a second later.
Your bag. You straighten slightly, your brows pulling together. âIâŚâ You glance toward the direction of the garage, realization settling in. âI think I left my bag in your car.â
Along with your phone.
You shift, sitting up a little more now, your mind already moving ahead of you. âI should probably ââ
You glance back toward the window. The storm is gone or mostly. The rain is lighter now, the kind that looks manageable, almost harmless compared to what it was before. The streets arenât visible from here, but you can imagine them, wet, maybe still messy, but not impossible.
You could go. The thought settles quickly, practical, logical.You could grab your bag., call a cab and get home.
You should call a cab.
You inhale slightly, preparing to say itâŚ
âItâs late.â Emilyâs voice cuts in gently, but with a certainty that makes you pause before the words even leave your mouth.
You look at her.
Emily hasnât moved much, but her attention is fully on you now, her gaze steady, reading you in that quiet way she has, like she already knows where your thoughts were going before you even put them into words.
âThe streets are probably still flooded in some areas,â she continues, her tone calm, measured. âAnd I doubt theyâve cleared all the fallen trees yet.â
You hesitate, because that makes sense⌠of course it does. You glance back toward the window, as if you could somehow confirm it from here, as if the softer rain might contradict her. But it doesnât. It just keeps falling, steady and quiet, giving you nothing to argue with.
âI could stillââ you start, weaker this time.
âCall a cab?â she finishes.
Your lips press together. She watches you for a moment, not pushing, not interrupting, just letting the thought settle.
âResponse times will be slow,â she adds, softer now. âIf theyâre even running properly in this weather.â
Another pause. And again, you have nothing to counter it with, because itâs reasonable. Everything sheâs saying is reasonable.
âYeahâŚ,â you murmur. It makes sense.
Silence settles again, but it feels different now. Not just quiet, something more aware, something that lingers in the space between you.
You turn your head back toward her. And sheâs already looking at you. Thereâs no hesitation in it. No awkwardness. Her gaze meets yours easily, steadily, like she never looked away.
You sit on one end of the couch. She sits on the other. Thereâs distance between you, but it doesnât feel as wide as it did before.
You shift slightly, suddenly aware of your posture again, of the way youâre sitting, of your hands resting in your lap like youâre not quite sure what to do with them. Without thinking too much about it, you smooth them over your skirt, a small, grounding motion, more for yourself than anything else.
But it draws Emilyâs attention, you feel it before you even look up. The way her gaze dips, follows the movement.
And when your eyes lift again sheâs already looking back at your face.
Composed and unreadable like nothing happened. Like she didnât just track the movement of your hands over your own body with that same quiet focus she gives everything.
The shift is subtle, but you feel it. It crawls over your skin before you can name it, a quiet, electric awareness that starts somewhere deep in your chest and spreads outward, settling in your shoulders, your arms, the back of your neck. Your fingers still where they rest against your skirt, unmoving now, not because you chose to stop, but because something in you did.
Because of her.
Emilyâs gaze is still on you, heavier now. Not just observant, not just quietly attentive like before, but focused in a way that feels different. Sharper. Thereâs a weight to it that presses in, that makes your breath catch just slightly without you meaning it to.
When you finally look up It hits you all at once.
Her eyes are darker. Not literally, but something in them has shifted, deepened, like the careful distance sheâs been maintaining has thinned just enough to let something else through. Something more intent.
It makes your pulse spike. Thereâs a stillness to her, but not the relaxed kind from before. This one feels coiled. Controlled. Like sheâs holding something back with effort so practiced it almost looks effortless.
Like a predator that hasnât moved yet.
Your chest tightens. for a second you donât feel like youâre sitting across from your professr. You feel seen⌠and not in the safe, academic way youâve grown used to.
In a way that makes your skin prickle. In a way that makes it very clear youâve stepped into something you donât fully understand.
Your breath stutters. And suddenly you need to move.
âIâ I should probably go,â you say, too quickly, the words tripping over each other before you can steady them. You push yourself up from the couch, the motion abrupt, almost clumsy compared to the stillness that had settled before. âI have classes tomorrow, and I should, uh⌠prepare, and my phone is in the car, so I can justââ You donât even finish the sentence.
You turn, already half-stepping away, your thoughts scrambling for something solid, something normal to cling to, anything to break whatever just passed between you.
But you donât get far, because she moves. Fast. Not rushed, but immediate in a way that makes your breath hitch as sheâs suddenly there, coming around the couch with a kind of quiet certainty that leaves no space for hesitation.
Before you can process it, Emily is in front of you. CloseâŚ. too close.
Her hands come up firm enough to stop you, settling against your upper arms, just above your elbows. The contact is grounding and not at the same time, her grip steady, controlled, like she knows exactly how much pressure to use and no more.
You freeze. Your breath catches, your body going still under her hands, your thoughts scattering completely as your focus narrows down to one thingâŚ
Emily.
Her thumbs move slowly. Tracing small, absent circles into the fabric of your shirt, just enough to be felt, just enough to keep you there without needing to say anything yet.
You have to look up, thereâs no way not to. And when you do, you realize just how close you actually are. Close enough to see the subtle shift in her expression, the control still there but thinner now, stretched just enough to reveal what sits beneath it. Close enough to notice the way her gaze drops for a fraction of a second⌠to your lips, maybe⌠or maybe you imagine that.
Your pulse is loud in your ears. You donât move, you donât know if you can.
Because even now, sheâs not forcing you. Sheâs just⌠holding you there. And youâre letting her.
Her thumbs slow slightly, then still. Her grip doesnât tighten, but it doesnât loosen either.
And then, quietly:
âStay.â
Itâs not a command, but it lands like one anyway. Soft and low. And oh, so certain. something in your chest tightens in response, your breath catching again as the weight of it settles between you.
Because Emily is still holding the reins. Still composed. Still in control.
But thereâs something unmistakable in the way sheâs looking at you now, like if she let go of that control, even for a secondâŚ
She wouldnât stop.
Your breath catches around the word âStayâ. It settles somewhere deep, heavier than it should be, threading through the nerves already buzzing under your skin. For a second, neither of you moves. Her hands are still on your arms, warm through the fabric, steady in a way that feels grounding. You could step back, you realize that. You could. But you donât.
âI⌠should go,â you try again, softer this time, the words lacking the urgency they had a moment ago. They sound almost uncertain now, like youâre testing them rather than meaning them.
Emilyâs thumbs resume their slow movement, brushing small, absent circles that arenât absent at all.
âYou could,â she agrees quietly. The words donât match the touch. Donât match the way sheâs standing in front of you, close enough that youâre aware of her height and the faint scent of her that you hadnât noticed before but suddenly canât ignore.
Your pulse stutters.
âBut youâre not,â Emily adds. Itâs not a question.
Your lips part slightly, like youâre about to argue, about to insist, but nothing comes out. Because sheâs right, and the realization of that lands all at once, leaving you standing there, caught between instinct and something else entirely.
âI donâtâŚâ you start, your voice quieter now, less certain. âThis is⌠I mean, youâre my professor.â
There it is. The line. For a moment, something flickers in her expression recognition. Sheâs been waiting for you to say it.
âI am,â Emily says. No denial. No attempt to soften it. And yet, she doesnât step back, doesnât let go. If anything, her grip shifts just slightly, her hands sliding just enough to anchor more firmly, her thumbs stilling as her focus sharpens completely on you. âAnd youâre still here,â she continues, her voice lower now, quieter in a way that feels more intimate than before.
The silence stretches, thick with everything neither of you is saying, and then something changes. Itâs subtle at first. A shift in the air. In her posture. Like the careful restraint sheâs been holding onto slips not completely, but enough. Enough that you feel it.
Her hands guide you gently. Thereâs no force in it, no sudden movement that would make you stumble or lose your balance. Just a steady pressure, a quiet insistence as she steps forward and you step back, because you let her.
Because it feels natural to let her.
One step. Then another.
Your heartbeat is loud now, your awareness narrowing down to the space between you, to the way she moves, to the fact that sheâs watching you the entire time, checking, always checking, making sure youâre still with her, still choosing this.
You donât resist. You donât stop her. Your back meets the wall softly, the contact grounding and startling all at once, a quiet reminder of where you are, of how close sheâs brought you without you even realizing it.
Emily stops there, closer than before, but still careful⌠always careful. Her hands shift slightly again, sliding just enough to keep you there without pinning you, her touch firm but never overwhelming, like sheâs holding a line even now, like sheâs making sure you have the space to pull away if you want to. You donât.
Your breathing is uneven, your chest rising and falling just a little too quickly, your hands hovering uncertainly at your sides like you donât know where theyâre supposed to go anymore.
Emilyâs gaze drops briefly, jjust enough to take you in at this distance, to trace the shape of the moment before returning to your face. Thereâs something different in her expression now. Less restrained. Stil controlled, but only just.
âYouâre nervous,â Emily murmurs. Itâs not a question.
You swallow. âI⌠yeah.â Honesty comes easier than it should.
Her thumb brushes once more against your arm, slower this time, more deliberate. âGood,â she says softly.
The word sends a shiver down your spine before you can stop it, because it doesnât feel like reassurance. It feels like acknowledgment, like she knows exactly what sheâs doing to you. And exactly how much youâre letting her.
Emily leans in slightly, not enough to close the distance completely, not enough to take that last step without you⌠but enough that you feel it, the shift in space, the way the air between you tightens.
Her voice, when she speaks again, is quieter. Lower. âTell me to stop... and I will.â The words hang there, heavy with meaning.
An out, a line sheâs giving you the chance to draw.
Your heart pounds. You know you shouldâŚbut you donât.
And the moment Emily realizes that something in her finally gives in. Her hand lifts, fingers sliding up along your jaw, firm but careful as she tilts your head just slightly, enough to angle you where she wants you. Thereâs no hesitation in it anymore, no question. Just quiet certainty.
And then Emily kisses you.
Itâs not rushed. Itâs controlled, like everything else about her, but thereâs heat behind it now, something that had been building, pressing against the edges of her restraint, finally finding an outlet. Her lips are warm, claiming space without overwhelming you, testing the shape of the moment like sheâs committing it to memory.
Your breath catches against the older woman, your hands instinctively finding something to hold onto, her shoulders, her arms, anything solid⌠because sheâs everywhere now. Close, grounding, in control in a way that makes it easier to let go of your own.
Emilyâs other hand slides to your waist, steady and sure, fingers curling just enough to pull you closer, until thereâs no space left between you, until you can feel the line of her body against yours, solid and real and there.
You donât pull back, you donât even think about it. You lean into it and she notices. The kiss deepens with a slow, measured escalation that feels almost worse than anything rushed could have been. Her hand at your waist shifts slightly, fingers pressing just a little firmer, anchoring you there against the wall, holding you in place like she knows youâre not going anywhere, like she knows youâre choosing to stay.
Your breath is unsteady when Emily finally pulls back. Not far, just enough to create space where there hadnât been any, just enough for you to feel the loss of her lips against yours. Itâs controlled the way she does it, sheâs forcing herself to stop there instead of going further.
Her hand is still at your waist holding you in place, but thereâs restraint in it now which is more obvious than before, like sheâs tightened her grip not on you, but on herself. Her gaze lingers on your face, searching something you canât quite name.
Emily exhales slowly, her thumb brushing once against your side, more grounding than exploratory now.
âI shouldâŚâ she starts, then stops herself, her teeth catching her bottom lip as she recalibrates. âIâm trying to hold back.â Her voice is lower than before, roughened just enough to betray the effort behind it. âNot because I donât want toâŚ,â she adds quietly. âBut because I donât want to scare you off.â
The words settle between you, heavier than anything sheâs said so far.
For a moment, you just look at her. At the control sheâs holding onto so tightly. At the way sheâs giving you space, even now, even like this. At the fact that she stopped, chose to stop when she didnât have to.
You swallow, your voice softer when you speak. âIâm not scared of you.â
Her expression flickers subtly.
You hold her gaze. âIâm not,â you repeat, a little more certain this time. âI⌠I know I should probably be, but Iâm not.â A small breath leaves you, your hands finally finding somewhere to rest, lightly against her arms, not pushing, not pullingâŚjust there.
âI feel safe,â you admit, quieter now, but no less honest. âWith you.â The words come easier than they should, truer than you expected. âBecause I know you are,â you add after a beat, your voice almost thoughtful now. âSafe.â
Her eyes donât leave yours, not for a second.
You hesitate, then continue, softer still, like youâre piecing it together as you say it. âThatâs why I got into your car the first time,â you murmur. âWhy I didnât even really think about it.â A small, almost self-conscious exhale. âAnd why I fell asleep in it.â
That lands. You can see it in the way Emilyâs expression shifts, in the way something deeper settles behind her eyes.
For a second, neither of you moves.
Suddenly something in her restraint bends. Her hand at your waist tightens just slightly. Her other hand lifts again, fingers finding your jaw, your neck, guiding you just a fraction closer. This time, when she kisses you, thereâs more heat in it, more intent. Still controlled, still careful, but the restraint is thinner now, stretched to its limit, and you can feel it in the way her lips move against yours, in the way she closes that space between you completely.
Your breath catches, but you donât hesitate this time. You kiss her back. Fully.
Your hands tighten slightly where they rest against her, grounding yourself in her the same way sheâs grounding you.
And Emily feels it. Her grip at your waist steadies, firmer now, more certain as she leans into you just enough to meet you there, to match the way you kiss her without completely overtaking it. Thereâs a balance to it; one sheâs controlling, one sheâs adjusting in real time; but you can feel the heat building underneath it.
Her hand shifts slow at first. Sheâs giving you time to register it, to react if you want to, if you need to. You donât. Your breath stutters instead.
Her fingers slide from your waist, tracing along your side, down over the curve of your hip, until they reach the hem of your skirt. Thereâs a pause there just for a second, just enough that it feels intentional.
A question without words. You donât stop her and thatâs all she needs.
Her hand slips beneath, warm against your skin as it moves to your thigh, her touch firm but careful, like sheâs feeling rather than taking. Your body reacts instantly, a sharp inhale against her lips as your fingers tighten where they hold onto her.
Emily exhales softly against you, she expected that⌠she likes that. Her grip adjusts, stronger now as her hand hooks just beneath your thigh and lifts, steadying you as she brings your leg up against her side. The shift pulls you closer, changes the angle, eliminates what little space was left between you.
You feel it immediately, the press of Emilyâs body against yours, solid and grounding and intentional. Her other hand keeps you anchored, holding you there against the wall.
Reminding you zhat she has you and that youâre letting her.
The kiss deepens. Thereâs heat in it, unmistakable, threaded through with restraint that feels thinner by the second. Your breath breaks against hers, uneven, your hands shifting instinctively, one sliding up, fingers brushing into her hair without thinking, the other gripping more firmly at her arm, like you need something to steady yourself against the way the moment is tilting.
Emily responds immediately. A quiet and low sound, almost involuntary, against your lips as her hold on you tightens just slightly, to keep you right where she wants you.
Her forehead brushes yours for half a second when she pulls back just enough to breathe, her eyes searching yours again, but thereâs less distance in them now, less restraint and more want.
âStill not scared?â she murmurs, voice low, rougher than before.
You shake your head, breathless, your voice barely more than a whisper. âNo.â
And this time, when Emily kisses you again, she doesnât hold back quite as much.
The kiss turns deeper, heavier. Itâs in the way she leans into you, in the way her hand on your thigh tightens with more certainty, like sheâs finally letting herself have this moment.
Your response is immediate, instinctive. You cling a little closer, your body giving in to the pull of her, to the way she holds you, guides you, keeps you exactly where she wants you and where, by now, you want to be just as much.
Emily adjusts her hold under your thigh, and then without breaking the kiss for more than a breath, she urges your other leg up. Itâs smooth, controlled. She gives you just enough time to react, to follow the motion and you do. Your other leg lifts, your body responding without hesitation as she settles you against her fully, your legs now around her waist.
The shift pulls you flush against her, thereâs no space left now. And suddenly, the wall behind you feels less like support and more like a point of contact, because sheâs the one holding you up.
The realization hits you somewhere between breaths, between kisses⌠sheâs holding you completely. As if it costs her nothing, like sheâs done this a thousand times, like she knows exactly how to carry you without faltering for even a second.
Your hands move instinctively, gripping onto her shoulders now, anchoring yourself as the world narrows down to her: the way she keeps you right where she wants you without ever making it feel like you donât have a choice.
Emily adjusts her grip slightly, one arm steady beneath you, the other firm at your side, and then she moves. But not far, just a few steps.
Enough to shift the angle of the room, to bring the warmth of the fire fully into reach again, the glow brighter here, softer, wrapping around both of you in flickering gold. The carpet beneath is thick, plush, you barely register it before she lowers you down onto it, making sure you land gently.
You sink into it slightly, breath catching as the world tilts and then steadies again, your back meeting the softness of the floor, the firelight dancing above you.
Emily doesnât pull away, she leans over you instead, one hand still braced near your side, the other briefly leaving you, just long enough to reach back toward the couch. You hear the soft rustle of fabric before she returns, sliding a pillow beneath your head with surprising care, adjusting it until youâre properly supported.
The gesture is⌠gentle, almost disarming. And then a throw blanket follows, dragged closer, not quite placed over you yet, just there, within reach. Prepared.
Like sheâs already thinking ahead, like she always is.
Then her attention is fully back on you. She hovers above you, close but not pressing, her weight supported just enough that you donât feel trapped, just held in place by the space she occupies, by the way she frames you beneath her.
The fire flickers behind her, catching in her hair, turning the strands of grey into something softer, something warmer than youâve ever seen before. The light traces the line of her face, the sharpness of her nose, the curve of her heart-shaped lips.
You shouldnât be noticing things like that. But you are, because you canât look away and neither can Emily. Her gaze moves over your face slowly, taking you in like sheâs memorizing something, as if sheâs allowing herself to really see you without the distance of a classroom, without the structure that used to define everything between you.
Your breath is uneven, your hands unsure for a moment before they settle, one against the carpet, the other hovering near her arm, not pushing, not pulling. Just⌠there, waiting.
You feel it⌠that shift again. How it settles around you like a warm blanket. But this time itâs not sharp or overwhelming, itâs grounding. Because now you understand itâŚ
Youâre under her hands.
You are not trapped or forced, but held there softly. It feels intentional, as if you are chosen by her and somehow that makes it more real. The warmth of it settles deep into your chest. Not trapped.
Emilyâs fingers brush lightly along your jaw again, slower this time. Sheâs allowing herself to explore without rushing past it. Her thumb lingers briefly near your cheek, tracing the edge of something she hasnât fully named out loud.
Her voice, when it comes, is quieter. âStill with me?â
You swallow, your voice barely above a whisper. âYes.â
And she watches you for a second longer. She needs to be sure. She wants to be sure before she crosses a line she and you can never come back from.
Emily leans in again, drawn back to you like stopping was never really an option to begin with. One hand braces beside your head, steady against the carpet, while the other settles at your waist. When she lowers herself over you, itâs careful. Sheâs acutely aware of every inch of contact, making sure you feel her without being overwhelmed by it.
Her lips find yours again, softer this time at first, almost testing. Her lips hoover over yours for a beat, her eyes flicking over your face before they brush against yours gently. The kiss lingers, her mouth moving against yours with a kind of quiet certainty that makes your breath catch despite yourself. Her tongue brushes against your bottom lip, asking for entry.
You feel it before you fully register it, the shift of her hand at your waist, the slow slide upward beneath the fabric of your shirt, fingertips brushing against your bare skin for the first time. Her hands are warm, grounding. The contact pulls a soft gasp from you before you can stop it.
Emily reacts instantly the moment your lips part in a gasp. She deepens the kiss, closing the space you opened, her hand steady at your side as if anchoring you there while everything else tilts just slightly out of control. Her tongue brushes against yours, coaxing you. Thereâs a confidence in the way she moves, in the way she adjusts to you, like sheâs reading every reaction, every breath.
Her long silver hair falls around you like a curtain. The firelight flickers around you, casting shifting shadows across her face as she pulls back just enough to look at you again, really look at you. She stays above you, one arm still braced beside your head, the other resting lightly at your waist where your shirt has shifted just enough to reveal the warmth of your skin beneath her fingers.
Her hand moves again as her fingers trace along the bare skin of your stomach, following the natural line there before drifting lower, until they settle at the waistband of your skirt. She doesnât push further. Doesnât cross that line.
She just lingers there, waiting. Her gaze lifts to meet yours, searching, steady, giving you time to understand exactly what sheâs asking without rushing you into it.
âCan IâŚ?â she murmurs, her voice quieter now, roughened slightly by everything thatâs already passed between you. âCan I see more of you?â
The question hangs there, soft but unmistakable.
Your breath catches from the way sheâs asking instead of taking. From the way sheâs still holding the reins, but placing them, just for a moment, within your reach.
Your hands shift slightly against the carpet, your pulse loud in your ears as you look up at her, at the woman hovering above you, who only hours ago stood at the front of a lecture hall like she was untouchable.
âProfessor PrentissâŚâ you start, your voice quieter than you intend, a little unsteady, the title slipping out of habit more than thought.
It earns you a flicker of amusement. Her lips curve just slightly, the expression softer than anything youâve seen on her before, touched with something warmer, something almost fond. And then she leans down again. Not to kiss you, but to bring her mouth near your ear, her breath warm against your skin in a way that sends a quiet shiver down your spine.
âNot right now,â she murmurs, her voice low, intimate in a way that feels entirely different from anything sheâs ever said to you before. Thereâs the faintest brush of her lips near your ear, not quite a kiss, but close enough that it feels like one.
âJust Emily.â
You turn your head slightly toward her, just enough that your cheek almost brushes hers, your voice quiet, but steadier than you expect. âOkay⌠Emily.â Her name feels different on your tongue, personal.
Her hand is still at your waist, still resting at that line where fabric meets skin, still waiting, never pushing past it without you. And you feel the chpice sheâs giving you. Your fingers tighten slightly against the carpet before one of your hands lifts, hesitant for only a second before it finds her wrist.
âYou can,â you say softly. The words are simple, but they carry.
Emilyâs breath shifts. Her gaze searches yours again, like sheâs making sure you mean it, when she finds no hesitation there, no pullback, something in her expression softens even as the tension underneath sharpens.
âAlright,â she murmurs. Her fingers slide along the waistband of your skirt, not rushing, not fumbling⌠just a smooth, practiced motion as she eases it down, her touch careful, controlled, like sheâs paying attention to every reaction, every breath, every small shift in you. The fabric gives way under her hands, guided rather than pulled, until itâs no longer between you in the same way.
Then her hand moves upward this time, fingers brushing lightly along your side as they find the hem of your shirt, pausing there for just a moment, another check, another silent question.
You donât stop her. So she lifts it. The fabric slides upward, her knuckles grazing your skin as it goes, until itâs pulled away, leaving you more exposed beneath her gaze.
Her attention doesnât leave you for even a second. Her gaze roams over your body hungrily, taking you in in just your underwear in front of her. How you are laying on her carpet, in her living room, like a present half unpacked.
Emily exhales softly, almost imperceptibly. âYou areâŚâ she begins, her voice quieter now, lower. ââŚstriking,â she finishes, her gaze lifting back to yours. âand so utterly beautiful⌠and all mine.â
Thereâs something in the way she says it. She means every word and refuses to dilute it into something simpler.
Heat creeps up your chest, your neck, but you donât look away. Your hand lifts hesitantly at first, but drawn forward anyway, fingers brushing lightly against her arm, then higher. âCan IâŚ?â you start softly, your voice a little unsteady now, your hand hovering near the fabric of her blouse. âCan I see you too?â
Itâs quieter than her question had been, but it carries the same meaning, the same need.
For a second, she lets your hand linger close enough to touch, to feel the warmth of her through the fabric. Then she stops you gently. Her hand closes around your wrist as she guides your hand away from her, lowering it back down with a calm that doesnât feel like rejection so much as⌠redirection.
Her gaze softens just slightly. âLie back,â she murmurs. âLet me,â she adds, quieter still, her thumb brushing once over your wrist before she releases you. âEnjoy the show.â
You hesitate for half a second before you do as she says. Your head settles back against the pillow, your body sinking into the softness beneath you, your eyes never leaving her.
Emily straightens slowly. She reaches for the buttons of her blouse, her movements unhurried, but entirely aware of your gaze on her. One button, then another. The fabric parts gradually, revealing glimpses of fare skin beneath, the line of her collarbone catching the firelight, shadows shifting with every small movement. Her eyes find yours again as she slips the blouse from her shoulders, letting it fall aside without ceremony.
Your breath catches as you take her in properly for the first time. Itâs not just the fact that sheâs standing there in her bra, itâs how she is. The quiet confidence in the way she holds herself, the ease in her posture, like this is simply another extension of her control, another space she fully inhabits without hesitation.
Your eyes travel over the swell of her ample breasts, the softness of her fare skin. The dark fabric of her bra she still wears stands in sharp contrast against it, drawing your eyes without effort, emphasizing rather than concealing. Her hands move next to her waistband just as certain, slowly pushing it past her hips, revealing smooth and long legs in the process.
Your pulse stutters, your body still beneath her gaze even from this distance, caught in the same quiet gravity thatâs been pulling you toward her since the beginning⌠and now thereâs nothing left to soften the gravity.
âIâŚâ your voice falters, breath still uneven as your eyes trace over her again, unable to stop yourself now, not even trying. You swallow, a soft, almost disbelieving huff leaving you. âYouâre⌠unreal.â It sounds insufficient the second it leaves your lips, but itâs honest.
Your gaze drifts again, lingering, drawn to her in a way that feels almost magnetic. âI donât think Iâve ever seen anyone like you,â you admit quietly, like saying it any louder might break something.
Emilyâs eyes darken at that. Her head tilts slightly, just enough to study you for a moment longer, to take in the way youâre looking at her without reservation, without pretense.
ââŚyeah?â She murmurs, voice low and velvety.
And then she moves, closing the distance again with quiet certainty, lowering herself back over you, her presence immediate, grounding, consuming in the softest way possible.
Her hand finds your waist again, steady, familiar now. And her lips find yours. Sheâs done holding herself quite so far back. Emily kisses you without abandon, her tongue finding its way into your mouth again as she devours you. Slow, languid strokes against your tongue, her body settling more firmly on top of you. You can feel every point of where her soft skin meets yours, the only barrier between you now your underwear. But you can already feel Emilyâs fingertips brushing against the hem of your panties.
A soft whimper leaves your lips and Emily swallows it with a hum of her own. Sheâs pleased by your reaction, feels how you press your hips into her touch, desperate for more, desperate for her.
âTell me what you need, babyâ, Emily murmurs against your lips with a pleased smirk.
Your breath hitches, cheeks warming up under her attention. âYâŚyou, I need youâ, is all you manage to breath out.
The words land differently than everything else sheâs said tonight. Her expression shifts, something softer flickering through the intensity, something almost fond again.
âGood,â she murmurs. Her hand slides up your side, slower this time, giving you time to feel how her fingers trace over your soft skin, from your waist, over your soft curves until she reaches the fabric of your bra. With an easy flick of her wrist, she unclasps your bra and brushes it from your shoulders, revealing your delicate breasts to her dark gaze.
âSo pretty⌠all for meâ, Emily hums pleased. Her tongue darts out to wet her lips as her both her hands come up to cup your breasts.
You arch into her hands almost involuntarily. Your breath hitching as her hands grope at our breasts, thumbs skimming over your nipples gently before circling them. Your reaction is immediate, your nubs slowly hardening under her attention.
ââŚand so responsive.â
Your breath hitches as she slowly maps your body with her fingertips, still in control, still holding the reins and you let her, laying there under her hands as if this was always where you belonged.
Your hands move on instinct, drawn to her, fingers brushing over her sides before sliding upward, searching and finding the edge of her bra, the small, delicate clasp at her back.
But before you can reach it, Emily catches your wrists effortlessly. A quiet tch leaves her lips, her head tilting just slightly as she looks down at you, something amused flickering through the heat in her gaze. âDidnât I tell you,â she murmurs, her voice low, threaded with that same controlled authority, âto enjoy the show, baby?â
The sound you make in response is soft, almost involuntary, caught somewhere between frustration and need, your grip tightening slightly against her hands. âPleaseâŚâ you breathe, the word slipping out before you can stop it, your voice softer now, more vulnerable than before. âEmily⌠I want to see you.â
That does something. You see it in the way her expression shifts, in the way the amusement softens into something heavier. The smirk doesnât disappear, it just changes, becomes less teasing, more⌠knowing.
For a moment, she just looks at you. Sheâs taking in the way you said her name. The way you asked instead of demanded. The way youâre still there, still open, still hers in this space youâve both created.
âCareful,â she murmurs, quieter now, her thumb brushing once over your wrist where she still holds you. âI might get used to you asking like thatâŚâ
But thereâs no refusal in her tone. And you feel the shift, the way her control bends again, just slightly, just for you. Her hands release your wrists slowly, and then, without breaking eye contact, she moves. Her fingers slide to the strap at her shoulder first, pushing it down with unhurried precision. Then the other. The fabric gives way gradually, the motion smooth.
She lets you watch how her bra slowly falls away, revealing her ample breasts, her dusty nipples already standing up from arousal.
âThere,â Emily says softly, her voice lower now, roughened just enough to give away how much this is affecting her too. âHappy?â But itâs not really a question, because she can see the answer all over your face.
And the way she looks at you after that itâs pure want.
Then her hands are on you again, her fingertips grazing along your sides, sliding down to the waistband of your panties. Her fingers hook into it, knuckles grazing your hips as she eases them down your legs, baring you completely now.
You lift your hips slightly to help her remove the last barrier from your body, leaving you in nothing but your soft flushed skin on her white carpet. The light from the fireplace dances over every soft curve of your body, highlighting every dip and curve.
You mirror her then, carefully at first, waiting for her to grab your wrist again, but she doesnât, not this time. Your fingers slide beneath the waistband and her warm skin, pushing them down with careful hands. Emily let out a quiet breath, shifting to help you. The way she looked at you as the last of the barriers fell away made your stomach flip, heat pooling low in your belly.
And suddenly sheâs back on top of you, pressing her bare body into yours, feeling the weight of her breasts pressed against your chest, her legs caging you in as she straddles your lap with ease. These kisses are rough, almost desperate, as she moves from your lips to your neck, sucking a love bite right above your pulse.
Her hips grind against your stomach in need. You can feel the heat between her legs, pressing against your lower abdomen.
âI want you so muchâ, Emily breathes out against your neck, placing messy kisses there, before skimming lower. Her lips move over your collarbones, down your breasts. She lingers there, letting her tongue glide over the swell of your breasts, breathing you in, tasting you. Then lower still, until she settles above your legs.
âOpen your legs,â she murmurs, her voice low and rough. âLet me see whatâs mine.â
Emily feels your surrender, the way your body relaxes into the carpet, and it sends a wave of heat through her. She moves even closer, her hand trailing a teasing path up and down your legs until you part them for her. Â Â
âMm, good girlâ, the older woman hums, taking you in. Her fingers twitch against your legs, ghosting along your inner thighs before tugging you lower, closer to her. âLet me show you what it means to be my good girl.â
Emily shifts on top of you, parting your legs more firmly as she sets herself between them. Her eyes are darker now, heavier, as she looks down at you, laying there, so open and vulnerable. Then she lowers herself onto you, her aching clit pressing right into yours. The warmth and wetness of her clit meeting yours in a gentle kiss.
Sheâs pulling you into her more firmly, adjusting your position and hers. The first movement of her hips is shaky, skin catching on skin. It sends a sharp tingle through you nonetheless. Your eyes heavy, lips parted in a silent gasp as you look up at the older woman. Your eyes glued to the way she looks on top of you. The firelight catching in her silver hair and dark eyes, her heavy breasts sway with every movement of her hips as she grinds herself onto you. She looks like a goddess.
Every new roll of her hips sends waves of pleasure through you and her, and surely you meet her rhythm, pushing yourself into her with every glide of her hips. You swallowed thickly, watching the way Emilyâs lips parted, her breath catching as your slick bodies find each other again and again, slowly finding the perfect angle and motion to give both of you the pleasure you are looking for.
"God, you feel so good, baby," she murmurs, her voice low and reverent.
You move again, slowly spreading both of your arousal over your skin, the friction between you growing warmer, slicker, more intoxicating. Emily lets out a soft gasp, her warm hands on your hips gently guiding your movements, encouraging you to press yourself harder against her.
Everything around you is pure bliss, starting with the view of Emily on top of you, rubbing her wet pussy over yours, her hands holding onto your thighs as if she needs it to keep herself upright.
âFuckâŚbabyâ, Emily moans. Her moans are so ethereal. The way her lips part in pleasure, eyes heavy as she looks down at you, taking in the sight of your face contorted in pleasure, your breasts bouncing with every roll of her hips against you. On of her hands leaves your leg. Instead she lets her hand grope over your breasts, thumbs rubbing over your nipples to bring you even more pleasure.
Soft whimpers leave your lips, your hands searching for something you can hold onto as the pleasure inside you builds. Your fingers clench into the fabric of the carpet underneath you, then into Emilyâs legs, trying to ground you in her.
The strokes become smoother, more fluid, each crossing of your clits sending waves of pleasure through both of you. Her hands guide you as much as yours guided her, your movements perfectly in sync. The friction deepens, filling the silence with soft moans, whimpers, and gasps.
The wet, sinful sound of skin gliding over skin fills the livning room, the air thick with heat and longing. Each drag of your clits against each other sends another jolt of pleasure up your spine, making you gasp, making Emily shudder on top of you.
Slowly, both of your movements become faster, more desperate, feeling the sensation of her wetness painting your body, your swollen clits gliding over each other with so much lust. Emily wants to own you, wants to show you that you are hers now, that you give yourself to her and her control.
âCome for me, baby.â
And you do. Â You moan her name like a prayer, the sound breaking between soft whimpers and the frantic roll of Emilyâs hips against yours. The older woman doesnât slow down her movements as you shake underneath her with pleasure, your walls clenching around nothing as you come undone.
âIâve got you," Emily whispers breathlessly, her fingers pressing into your skin, coaxing you to keep going, to hold on just a little longer. Your movements are jerky as you try to move with her again, helping her to chase her high.
And then Emily falls apart on top of you. Your eyes glued to her as her head falls back with a strangled moan, her body shuddering, her thighs clenching around yours. You can feel her release coating you. Slowly, Emily collapses on top of you, skin warm with a thin sheen of sweat as she holds onto you, her body still twitching against yours as she rides out the aftershocks.
You both are breathless now, bodies trembling faintly against each other. Emilyâs arms wrap around you, cradling you close as if you were something precious.
âYou did so good for me⌠so good,â she whispers against your ear, pressing a kiss to your temple, then to the tip of your nose, and finally to your lips. She lingers there. Not with urgency anymore, not with that consuming heat from before, but with something softer. Sheâs easing you down from it, guiding you back just as carefully as she brought you there.
Her fingers trace slow, soothing patterns along your side, absentminded almost, but not really. Even now, sheâs aware of you, of every breath you take, every small shift beneath her.
Eventually, she exhales quietly and shifts her weight. Emily lifts herself from above you slowly enough that you can follow the movement, feel the change without losing her completely. The warmth of her lingers even as she reaches for the blanket nearby, pulling it over both of you with an ease that feels practiced, like sheâs done this before, taken care of someone like this before.
Or maybe just⌠knows how to.
The fabric settles around you, soft and warm, the fire still crackling nearby, filling the room with that steady, comforting sound. The storm feels far away now, irrelevant.
She doesnât put distance between you, instead, she draws you in. One arm wraps around you, firm but gentle as she pulls you against her side, your head settling naturally against her shoulder, her hand coming to rest along your arm, your back, wherever you need it.
Holding you. Keeping you there.
You feel that quiet sense of being guided, of being kept within something steady and controlled  in a way that⌠allows you to let go, to not think, to just be...
Under Her Hands.
Your breathing begins to slow, matching the rhythm she sets without you even realizing it. Her fingers continue their slow, absent patterns against your skin, grounding, reassuring, like sheâs making sure you donât drift too far too fast.
For a while, neither of you speaks, thereâs no need for it. The fire fills the silence, warm light flickering across the room, across her skin, across yours where the blanket doesnât fully cover.
Eventually, her hand stills just slightly, her thumb brushing once along your arm. âYou alright?â she murmurs, her voice softer now, stripped of that earlier edge but not of its certainty.
You nod against her, your voice quiet. âYeah.â A pause, then more honestly, âYeah⌠I am.â
You feel the faintest shift in her chest, something like satisfaction, something quieter than that but deeper too. âGood,â Emily says softly.
And the way she holds you after that⌠steady, composed, entirely in control even in something this gentle makes it clear sheâs not letting go just yet.
And you donât want her to.
Not even a little.
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nsfw below the cut!!
Sheâs old money but subtle about it. The Prentiss estate, the diplomatic trust funds, the Swiss accounts? Youâd never know unless you looked too closely⌠or saw the custom Cartier bracelet she slid onto your wrist just because it was Tuesday. She's not flashy. But everything she touches is top shelf. Her suits? Tailored. Her watch? Vintage and stupid expensive. Her perfume? Smells like old libraries, bergamot, and control. You so much as look at something in a store window and sheâs already walking in to buy it. You: âOh my god, that bag is so cute.â Emily: âDo you want it in black or red, baby?â You: â...I was just looking.â Emily: hands the sales associate her AmEx without breaking eye contact âBoth, then.â She tips waiters in triple digits and has never looked at a receipt in her life. Youâre trying to add up groceries and sheâs already swiping the card and pulling you away. âStop doing math. Youâre pretty. Let me take care of it.â Her car? German. Black. Smooth. Smells like leather and her cologne. Heated seats. Always stocked with mints, lip gloss, and those soft expensive tissues. You once mentioned you liked one of the throw blankets in her backseat and now there's a matching one at the foot of your bed at home. She gets off on taking care of you. Like. Visibly smug. She sees you curled up in her shirt, scrolling on your phone, sipping the fancy drink she brought you while she finishes work emails â and she smirks, like, âYeah. Thatâs mine.â When youâre out together? You order something cheap. She upgrades it. You say, âI can payââ She kisses your cheek and goes, âDonât make me scold you in front of the waiter.â And oh, she spoils you at home too. Bubble baths run for you. Champagne chilling in the fridge. A closet she had built just for your clothes â and itâs already half full because she âcouldnât resistâ picking up a few things she thought youâd look pretty in. You: âYouâre going to ruin me.â Emily, handing you another box: âGood.â She LOVES when you play up the spoiled princess act. You pout. She coos. You say, âEm, Iâm out of gloss,â Sheâs already opening her wallet and tilting her head, like, âThatâs a crisis. We should fix that immediately.â And donât even THINK about paying for dinner. You: âLet me just get my cardââ Emily: gently but firmly sliding the bill out of reach âYouâre not allowed to pay with your own money. You're far too pretty for that.â
NSFW VERSION!
She calls you "princess" in the same voice she uses to order $500 wine at dinner. Smooth. Controlled. Lazy with power. And you melt. Especially when itâs followed by: âTake your panties off. Now.â Emily likes you in lace. Black, sheer, expensive. She buys it for you. She peels it off you. Youâre not even fully undressed and sheâs already got you gasping. Sheâs slow. Teasing. Controlling. One hand at your throat, the other trailing down, just barely touching â âYouâll come when I say. Not a second before.â She treats sex the same way she treats money: with abundance. You want one orgasm? Thatâs cute. Sheâll give you four. You want her tongue? Her fingers? Her thigh between your legs while she whispers filthy praise in your ear? Baby, you have it all. And then some. Sheâs obsessed with the way you sound when you beg. âPlease, mommy,â âIâll be good,â âJust one more,â And she smiles, smug and warm, brushing your hair back while you're trembling. âThatâs what I thought. You sound so sweet when you remember who takes care of you.â If you act up? If youâre a brat about something â teasing her in public, pouting because she wouldnât let you come earlier â Emily handles it. Bent over the desk. One hand between your thighs. Her voice in your ear, low and dark: âYou wanna act spoiled? Iâll treat you like it. Cry for it, princess.â She loves it when you canât even stand after. You're wobbly, legs jelly, blinking up at her like youâve been wrecked. She helps you into one of her shirts. Runs a bath. Carries you if she needs to. âThere we go. My perfect little thing.â She buys you a toy once. Remote-controlled. Wears the controller to dinner. You try to behave. Try to smile through dessert. But sheâs got you twitching in your seat, trying to hide your moans behind your wine glass. And she just raises an eyebrow across the table, smirking. âSomething wrong, sweetheart?â And the praise? The way she talks to you during? Itâs lethal. âSo good for me,â âYou take it so well,â âYouâre mine. You know that? Mine to spoil, mine to ruin, mine to fuck.â And you wouldnât trade it for anything. Youâre hers. Completely, deliciously, decadently hers.
Under Her Hands | part I
description: What starts as academic admiration slowly turns into something far more complicated, as subtle glances, quiet conversations, and lingering moments blur the line between professional distance and something neither of you quite names. And the closer you get, the harder it becomes to tell whether you're reading her wrong⌠or exactly right.
Professor!Emily Prentiss x fem!student reader
tags: academic setting, professor x student, age gap, power dynamics, soft dominance, mutual attraction, protective energy, tension & chemistry
words: 9.8k
The late afternoon air hangs heavy over downtown, D.C., that strange inâbetween hour where the day hasnât quite let go, but night is already waiting just beyond the treeline. The campus of the University hums in a quieter way than it does in the morning, less hurried footsteps, fewer shouted conversations, but thereâs still a steady current of movement. Students drift between buildings, some with files tucked under their arms, others clutching paper coffee cups like lifelines.
You fall into step beside your two friends Amber and Jack as you cut across the paved path toward the university building for criminology, your shoes scraping softly against the concrete. The sky above is washed in pale gold, the last light catching on the glass windows ahead. It feels almost calm; deceptively so.
âAre you sure this is the right room?â Amber asks, glancing down at her schedule again.
âIt has to be,â Jack replies. âEveryone signed up for this class.â
That part, at least, is obvious before you even reach the doors. Thereâs a crowd gathered outside the lecture hall, more people than youâve ever seen for an elective. Not just secondâyears like you, either. You spot firstâyears hovering near the back, some whispering nervously, and even a few older students who look like theyâve already seen more than most, probably already worked in a certain field before they could apply for the FBI Academy. The low murmur of voices fills the hallway, layered with the occasional laugh, the rustle of papers, the creak of doors opening and closing.
You slow as you approach, instinctively taking it all in.
Profiling.
It had sounded almost abstract when you first signed up for it, a curiosity more than anything. Youâd told yourself it would be useful, that understanding criminal behavior could only make you a better agent. But if youâre being honest, there was something else that drew you in.
The why. Why people break. Why they cross lines others donât. Why someone becomes the thing everyone else fears.
And there was only one person teaching it this year. Even just hearing her name had been enough to make your stomach twist a little.
Emily Prentiss.
Youâd heard the stories long before you even decided to study Criminal Justice. Everyone here had. Unit Chief of the BAU. International cases. Undercover work. The kind of reputation that didnât need embellishment because it already sounded like something out of a film.
And now she was teaching.
âCome on,â your friend nudges, pulling you out of your thoughts. âIf we donât get seats, weâre going to be stuck at the back.â You push through the crowd with them, slipping inside just as a wave of students funnels into the lecture hall.
Itâs bigger than you expected, tiered seating rising in a wide semicircle, rows of long desks with builtâin microphones and worn wooden edges. The overhead lights are dimmer than usual, casting everything in a soft, muted glow. At the front, a large screen dominates the wall, currently blank, with a podium off to one side and a whiteboard stretching nearly the full width of the room.
It already feels⌠different. Most lecture halls at the University are bright, clinical. Designed for clarity, efficiency. This one feels almost deliberate in its atmosphere, the lowered lighting, the quiet hum of the projector warming up, the faint echo of voices bouncing off the high ceiling. Like youâre stepping into something more than just a class.
You and your friends manage to find seats about halfway up, sliding into the row just as it begins to fill behind you. Backpacks drop to the floor. Notebooks are pulled out. Someone two rows down is already flipping through a textbook, while another taps nervously against their pen.
You sit, but you donât fully relax. Your gaze drifts to the front of the room, to the empty space near the podium.
âSheâs not here yet,â Jack whispers.
âGive it a minute,â Amber murmurs back. âThey said this class always starts exactly on time.â That only makes the anticipation worse.
The noise in the room swells and dips in waves, but thereâs an undercurrent running through it, something tighter, sharper. People arenât just here to pass a requirement. Theyâre here because they want to be. Because theyâve heard what this course is.
Or who itâs taught by.
You catch fragments of conversation drifting from nearby seats.
ââŚheard she was in InterpolâŚâ
ââŚno, seriously, she led that case inâŚâ
ââŚyou think sheâs actually going to teach us interrogation techniques?â
Your fingers tighten slightly around your pen.
Interrogation.
Profiling.
Understanding.
You glance back down at your notebook, the blank page waiting, and for a moment, the weight of it all settles in. This isnât just theory. Not really. This is the beginning of something that will follow you into the field, into rooms where the stakes are real, where the people across from you wonât just be case studies on a slide.
A sudden shift in the room pulls your attention up again. Itâs subtle at first, the way conversations falter, voices lowering without anyone explicitly telling them to.
The door at the front of the lecture hall opens with a quiet, almost unremarkable click. And yet, it changes everything.
At first, itâs just a shift, subtle, like a current passing through the room. Conversations donât stop all at once; they taper, falter, sentences trailing off midâword. Someone near the back lets out a laugh that dies too quickly, like they realize a second too late that they shouldnât have made it.
You feel it before you fully see her. That pull. That sudden awareness that something, or someone, has entered the space and claimed it without asking.
Your spine straightens instinctively, shoulders pulling back as your attention snaps forward. Around you, the same thing happens in waves. People who were slouched moments ago sit up. Heads turn. Pens still. Even the restless tapping youâd been hearing since you walked in seems to fade into nothing.
And then you see her. She steps inside like she belongs there, like the room was waiting for her, not the other way around.
The door closes behind her with a soft thud, cutting off the last sliver of light from the hallway, and for a brief second, the late afternoon sun catches in her hair. Itâs longer than you expected, streaked with grey that doesnât age her so much as sharpen her, make her stand out in a way that feels deliberate rather than accidental.
She doesnât hesitate. Not even for a second. Her heels strike the floor in a steady, measured rhythm as she walks toward the front, sharp, clean clicks that echo just enough in the high-ceilinged room to make every step feel intentional. Thereâs no rush in her movement, no sign that sheâs even remotely affected by the sheer number of eyes locked onto her.
And there are a lot of eyes. The lecture hall is packed. Every seat taken, people lining the walls at the back. All of them watching her.
You swallow, your fingers tightening slightly around your pen. If it were you, youâd feel it. The weight of it. Youâd trip, stumble, do something, anything, to break the tension. The thought of walking into a room like this, knowing every single person was looking at you, judging you, measuring you⌠Youâd probably faceplant before you even reached the podium.
But not her. Emily Prentiss walks like sheâs done this a thousand times. Like this is nothing. Like this is hers.
Her outfit is simple, almost deceptively so. A crisp white blouse, sleeves fitted just enough to look sharp without being restrictive. A black vest over it, tailored cleanly to her frame, paired with black pants that fall perfectly to the line of her heels. Itâs professional, understated⌠and yet, on her, it feels like something else entirely.
She doesnât look around the room. Not really. Not in the way you expect. Thereâs no nervous glance, no acknowledgment of the crowd in the way most people would. If anything, it feels like sheâs already aware of everything, of everyone, without needing to visibly check. Like she doesnât need to look to know she has your attention. Because she already does.
You donât realize youâve been staring until a voice cuts softly into your focus.
âSheâs so sexyâŚâ Amber. Her whisper is barely more than a breath against your ear, but it hits you like a jolt, snapping something into place.
You blink, your gaze flicking sideways toward her for half a second, and the grin sheâs giving you is immediate; wide, knowing, absolutely shameless.
Yeah. That. Thatâs exactly what it is.
Because itâs not just that sheâs attractive. Itâs not just the way she looks, though that would be enough on its own. Itâs the way she moves. The way she carries herself. The quiet, unspoken confidence that wraps around her like a second skin. Itâs the kind of presence you feel before you understand it. And you definitely feel it.
Amber raises an eyebrow at you, her grin widening when you donât immediately look away from the front again.
Youâre staring. You know you are. And apparently, so does she.
âWow,â she murmurs, nudging your arm lightly. âYouâre not even trying to hide it.â
You huff out a quiet breath, tearing your gaze away for all of two seconds before it drifts back again, helplessly drawn in.
âI hate you,â you whisper back, though thereâs no real heat behind it.
âSure you do.â
Jack leans slightly forward from the other side, glancing between the two of you with a faint, amused shake of his head. âWe havenât even started yet,â he mutters. âAt least pretend to be professional.â
You try. You really do. You look down at your notebook, at the blank page waiting, your pen hovering just above it. But the sound of her heels stopping at the front of the room pulls your attention right back up again.
Emily Prentiss sets her things down at the podium with the kind of ease that makes it look like sheâs done this exact motion a hundred times before and maybe she has.
The bag alone catches your attention. Itâs big. Not bulky, not messy, just⌠full. The kind of bag that somehow carries everything: files, notebooks, probably three pens that donât work and one that does, maybe a spare charger, maybe something completely unrelated to work. Itâs practical in a way that feels almost out of place against the sharpness of everything else about her.
A mom-bag, your brain supplies unhelpfully. And yet, even that looks deliberate on her.
She sets it down without looking, fingers already moving as she opens it, like she knows exactly where everything is. No hesitation. No rummaging. Just one smooth motion as she pulls out her laptop, places it on the podium, and flips it open.
Her gaze lifts briefly then, not to check, not to assess, but to take in the room. Packed. Every seat filled. People lining the walls. Attention locked on her. She doesnât look surprised. Not even a flicker of it. If anything, thereâs a faint sense of expectation in the way her eyes move over the room, like this is exactly what she anticipated. Like of course the lecture hall would be full. Of course people would show up.
Because why wouldnât they?
She looks back down, connecting the cable to her laptop. The screen behind her flickers to life a second later, casting a cool glow across the front of the room. Thereâs no pause, no moment of turning the connector the wrong way, no subtle frustration.
It just⌠works. Of course it does. You canât help it, the thought flashes through your mind immediately.
Thereâs no way she got that in on the first try.
You know how those things go. USB sticks, HDMI adapters⌠it doesnât matter which one it is. You always get it wrong the first time. Flip it. Still wrong. Flip it again, somehow that fixes it, even though it shouldâve been the same as the first time.
And yet she didnât even look. Didnât check. Didnât adjust. Everything about her feels like that. Like the world just aligns itself properly around her without effort.
Itâs ridiculous. And a little unfair.
The laptop finishes connecting, and the screen behind her settles on the first slide; simple, clean. No clutter. Just a title.
Behavioral Analysis.
No flashy graphics. No attempt to impress.
She doesnât immediately start speaking. Instead, she closes the bag with a quiet, precise motion and rests one hand lightly against the edge of the podium. The other slips into her pocket, her posture relaxed, but not careless. Controlled. Always controlled.
Her gaze lifts again, scanning the room slowly. And this time, she lets the silence sit. It stretches, not awkward, but deliberate. Long enough that people start to shift slightly in their seats, long enough that the last whispers completely die out. Long enough that you become acutely aware of every small sound: The hum of the projector, the faint rustle of fabric as someone adjusts, your own breathing.
And then she speaks: âMost of you are here because you think you want to understand criminals.â Her voice is calm. Even. Not raised, but it carries effortlessly, filling the entire room without strain. A few people shift. She tilts her head slightly, eyes moving across the rows, sharp and observant.
âWhy they do what they do. What makes them different. How to catch them faster.â A pause. Not long. Just enough. Her gaze hardens, almost imperceptibly. âAnd some of you,â she continues, quieter now, but somehow more focused, âare here because you think if you can understand them⌠you can control them.â
You feel something in your chest tighten. The room has gone completely still. She lets that settle for a beat, then straightens slightly, her hand leaving her pocket as she steps away from the podium.
âBut if thatâs what youâre expecting,â she says, her tone sharpening just enough to cut through whatever assumptions anyone walked in with, âyouâre in the wrong room.â Another step. The sound of her heels against the floor echoes again, measured, precise. âBehavioral analysis isnât about control.â Her gaze sweeps across the room again, slower this time. Intentional. âItâs about understanding.â A beat. âAnd understanding means getting uncomfortable.â
Her lips press together briefly, not quite a smile, but something close to it. Something knowing. âBecause if youâre doing this right,â she adds, voice lowering just slightly, âyouâre not just studying them.â Her eyes hold on the room, on everyone.
âYouâre learning how close you are to them.â
Silence. Heavy. Intentional.
And then, just like that:
âWelcome to profiling.â
Your pen finally touches the page.
By the time the lecture ends, it feels like the room has shifted into a different world entirely. You donât even notice it at first, the way the lights seem brighter now, harsher after sitting in that dim, focused atmosphere for hours. Your neck aches slightly when you tilt your head, your fingers cramped from gripping your pen for far too long without a break.
Three hours. It hadnât felt like three hours. And yet, somehow, it had.
The scrape of chairs pulls you back as people start to stand, conversations rising again in low, energized waves. Itâs louder now than it was before the lecture, but different, less nervous, more charged. Like everyone just walked out of something they didnât fully expect.
You stare down at your notebook for a second longer and see all these filled pages. Not just bullet points or half-hearted notes, but lines upon lines, observations, phrases, questions she posed that you didnât want to forget. Youâd underlined things. Circled words. Written in the margins when you ran out of space.
You can still hear her voice in your head. Your pen taps lightly against the paper. A quiet breath leaves you before you close the notebook, fingers lingering on the cover for just a moment.
âJesus.â Amberâs voice cuts in, and you look up just in time to see her lean over, trying to peek at your notes. âYou wrote a whole novel,â she says, eyebrows lifting. âWere you even in the same class as us?â
Jack snorts from your other side, already slinging his bag over his shoulder. âPretty sure she was in a different dimension entirely.â
You huff, standing and gathering your things. âSome of us actually pay attention.â
âI was paying attention,â Jack protests immediately.
Amber gives him a flat look. âYou nearly fell asleep.â
âI did not.â
âYou literally nodded off at least twice.â
âThat was strategic blinking.â
You canât help it but you laugh, the sound slipping out easier now that the tension of the lecture has finally released. âStrategic blinking?â you echo.
Jack points at you like that proves his point. âSee? She gets it.â
âNo, I donât,â you say, shaking your head as you sling your bag over your shoulder. âThatâs not a thing.â
âIt is a thing,â he insists, falling into step beside you as the three of you shuffle out of the row with the rest of the crowd. âItâs called conserving energy.â
Amber scoffs. âItâs called being boring.â
âWow.â
âAlso,â she adds, nudging your side lightly as you reach the aisle, âdonât think I didnât notice you.â
Your stomach dips slightly. âNotice what?â
She gives you that look again. The one thatâs entirely too knowing for your liking. âThe staring.â
You almost trip on the step. âI was not staring,â you say quickly, a little too quickly.
Jack glances between the two of you, immediately interested. âOh, she was staring?â
âShe was absolutely staring.â
âI was taking notes,â you defend, even as heat creeps up the back of your neck.
Amber laughs. âYeah, I saw all that note-taking you were doing when she was walking around.â
Jack lets out a low whistle. âWow. First class and youâre already gone.â
âI am notââ You cut yourself off with a groan, pushing the door open as you step out into the hallway. âYouâre both insufferable.â
âAnd yet,â Amber says brightly, âweâre right.â
You donât dignify that with a response. Mostly because you canât.
The hallway is crowded, people spilling out of the lecture hall in clusters, voices overlapping as everyone tries to process what they just sat through. You stick close to Amber and Jack as you make your way toward the exit, the cooler evening air hitting your face the moment you step outside.
Itâs darker now. The sun has dipped low enough that the sky is painted in deep blues and fading gold, campus lights flickering on one by one along the paths. The day feels like itâs finally winding down and you feel it now, the weight of it settling into your shoulders.
Youâre tired. Not just from the lecture, but from everything. The classes before it, the constant focus, the pressure that never really leaves. And yet thereâs something else underneath it. A kind of quiet energy that hasnât faded.
âThat wasâŚâ Amber exhales beside you, shaking her head slightly. âOkay, that was actually amazing.â
You nod immediately. âRight?â
Jack shrugs, but thereâs a hint of a smile tugging at his mouth. âIt was⌠better than I expected.â
Amber nudges him. âYou mean you expected it to be boring.â
âI expected a three-hour lecture at the end of the day to be torture, yes.â
âAnd?â
He hesitates, then sighs. âAnd it wasnât.â
You grin slightly, hugging your notebook a little closer to your chest. âIt was more than that.â
Amber glances at you, amused. âYeah, we noticed. You were eating it up.â
âI justâŚâ You stop, searching for the right words, your steps slowing slightly as you near the point where the paths split. âItâs different, you know? Itâs not just theory. The way she talks about it, itâs like⌠it matters.â
âOf course it matters,â Jack says.
âNo, I meanââ You shake your head, trying again. âShe makes you think about it differently. Not just what they do, but why. And how close it is. How easy it is toââ You trail off, realizing youâre rambling.
Amber is watching you with a soft, knowing expression now. âYou like it,â she says simply.
You hesitate. Then nod. âYeah,â you admit quietly. âI really do.â
Jack bumps your shoulder lightly. âWell, congratulations. Youâve found your calling.â
Amber snorts. âOr your professor.â
âAmber...â
âWhat?â she grins, completely unapologetic. âIâm just saying, if I looked at anyone the way you looked at her, Iâd be concerned.â
âI did notââ
âYou were practically drooling.â
âI was not drooling!â
Jack raises an eyebrow. âThere might have been a little drool.â
You stare at him. âYouâre supposed to be on my side.â
âIâm on the side of truth.â
âYouâre both terrible.â
Amber just laughs, looping her arm through yours for a second before letting go as you reach the fork in the path. âThis is us,â she says, gesturing toward the dorm buildings further into campus. âDonât stay up all night rewriting your notes.â Amber steps backward, pointing at you. âNext class, I expect a full transcript.â
âGo away,â you say, but youâre smiling.
She grins back. âNight, genius.â
âNight.â
They turn, heading down their path together, their voices fading as they continue bickering with each other. And then itâs just you. The quieter path leading away from campus stretches ahead, lit by scattered streetlights. Your apartment isnât far, ten minutes, maybe less, but the distance feels welcome. A moment to breathe. To think.
Your grip tightens slightly on your notebook again. Three hours. And somehow, it still doesnât feel like enough. You glance back once, just once, toward the building you just left. And for a brief moment, you can almost hear her voice again.
âYouâre learning how close you are to them.â
A small smile tugs at your lips as you turn away, continuing down the path.
Yeah. Youâre definitely taking that class again next week.
The campus noise fades quicker than you expect. One moment there are voices, laughter, footsteps echoing off buildings and the next, itâs just the quiet rhythm of your own steps on the sidewalk, the distant hum of traffic somewhere beyond the trees, and the soft rustle of wind moving through the branches overhead.
Itâs darker out here. The kind of darkness that settles in gently, softened by streetlights casting warm pools of light onto the pavement. Your breath comes out a little slower now, your shoulders loosening as you put more distance between yourself and the academy.
Three hours of intense focus will do that. Your head is still full. Fragments of the lecture loop back through your mind, pieces of what she said clicking together in ways that feel almost⌠unfinished. Like thereâs more to understand, more to unpack, moreâ
A car engine slows beside you. At first, you donât think much of it. Cars pass here all the time, staff, faculty, the occasional late student. But this one doesnât pass. It lingers.
Your steps falter slightly, your gaze flicking sideways as the low rumble of the engine stays right next to you. The vehicle is dark, black, sleek in that understated way that immediately feels official. Clean. Government-issued clean. The subtle emblem on the plate catches the streetlight.
FBI.
Your heart skips, then stutters. The passenger window rolls down smoothly. And there she is.
Emily Prentiss sits behind the wheel, one hand resting casually at the top, the other near the window frame. The streetlight casts soft shadows across her features, and without the podium in front of her, without the screen glowing behind her, she somehow looks⌠different. Less untouchable. Still commanding. But closer.
She says your name. Not quite certain, more like a question, testing if she remembers it right. It takes you half a second to process that she knows it at all.
You stop walking. Your heart picks up, thrumming harder against your ribs in a way that feels entirely disproportionate to the situation.
âItâs⌠yeah,â you manage, clearing your throat. âThatâs me.â
Her mouth curves slightly, subtle satisfaction at getting it right. âGood. I was hoping I didnât just confidently misidentify one of my students on the side of the road.â
You huff a soft, nervous breath. âNo, you didnât.â
She glances down the street, then back at you. âDo you live far?â
âNot really,â you say quickly. âJust about ten minutes that way.â You gesture vaguely ahead.
She studies you for a brief second. âGet in,â she says lightly. âIâll give you a ride.â
Your brain short-circuits a little. âOh, no, thatâs really not necessary,â you rush to say. âItâs close. I donât mind walking.â
âItâs no trouble,â she replies easily. âItâs my direction anyway.â
You hesitate. She tilts her head just slightly, something almost amused flickering in her eyes. âItâs late. Itâs dark. And someone like you shouldnât be walking alone if they donât have to.â
Someone like you. Your stomach flips. Someone like you? What does that mean? You open your mouth to question it, but the words donât come. Because sheâs still looking at you like that. Calm. Kind. Not commanding, just offering.
And you realize youâre not going to say no. Not really.
âOkay,â you murmur, stepping closer to the vehicle. âThank you.â
You move to the passenger side, pulse thudding in your ears as you open the door and slide inside. It smells faintly of leather and something warmer, coffee, maybe. The interior is tidy but lived-in. A pair of sunglasses in the center console. A travel mug in the cupholder. A file folder on the back seat. Human things.
âSeatbelt,â she says automatically, already pulling back onto the road.
You click it into place, suddenly hyper-aware of your hands, your posture, your breathing.
âThank you,â you say again, softer this time. Almost shy.
She glances at you briefly, smiling. âItâs really no trouble. I promise Iâm not secretly grading you for accepting a ride.â
You let out a small laugh before you can stop yourself.
âAnd I meant what I said,â she adds, eyes back on the road. âItâs dark. You shouldnât have to walk alone if you donât have to.â Thereâs no hidden meaning in her tone. No weird undertone. Just genuine concern.
You shift slightly in your seat, warmth spreading through your chest that has nothing to do with nerves this time. The silence that follows isnât uncomfortable exactly, but youâre aware of it. A little too aware. You smooth your hands over your jeans, searching for something intelligent to say.
She beats you to it. âSo,â she says casually, one hand relaxed on the steering wheel. âFirst lecture. Survived?â
You blink. âMore than survived.â
âOh?â A hint of curiosity there.
âIt was⌠really good,â you say, and then immediately feel like thatâs too simple. Too small. âI mean⌠really good. It was everything I hoped it would be.â
Her lips curve slightly. âThatâs a relief.â
âYou thought it wouldnât be?â
She huffs softly. âIt was my first one.â
You stare at her. âFirst⌠ever?â you ask.
âAs the primary lecturer? Yeah.â She shrugs lightly. âIâve briefed teams. Spoken at conferences. But this?â She gestures vaguely with one hand. âThree hours of structured academia? Different battlefield.â
You canât quite hide your disbelief. âYou were nervous?â
She glances at you, one eyebrow lifting. âOf course I was nervous.â
That does something strange to you. Because in your head, Emily Prentiss doesnât get nervous. She walks into rooms and owns them. She doesnât hesitate with HDMI cables. She doesnât stumble over words.
âI couldnât tell,â you admit.
âGood,â she says dryly. âThat means I faked it well.â
You laugh again, the tension in your shoulders easing a little. âIt didnât feel fake,â you add quickly. âIt felt⌠intentional.â
She looks at you more fully this time, studying you in a way that feels less like profiling and more like interest. âIntentionalâs good.â
You nod and then you start rambling. âI wrote down almost everything,â you confess, gesturing vaguely to your bag. âProbably too much. My friends were making fun of me for it, but the way you explained behavioral proximity and the discomfort aspect and the ethical linesââ You stop to breathe. âIt just makes sense. It makes it real.â
She laughs softly. Not mocking,, but warm. âI noticed,â she says.
Your brain stalls. âNoticed?â
âThe notes,â she clarifies. âYou were very committed.â
Heat floods your face.
âItâs a compliment,â she assures you quickly, amused. âItâs rare to see someone that engaged at the end of a long day.â
You look down at your hands. âI just⌠really liked it.â Thereâs a brief pause.
âIâm glad,â she says quietly.
And thereâs something about the way she says it; less professor, more person; that makes your chest tighten. You glance at her again, really look at her this time. Without the lecture hall. Without the title hanging in the air like a shield.
Her sleeves are rolled slightly at the wrists now. Thereâs a faint crease near her shoulder where the vest mustâve shifted. A small line at the corner of her mouth that deepens when she smiles. Sheâs not just Unit Chief Prentiss. Sheâs not just Professor Prentiss. Sheâs a woman driving an SUV at night, giving one of her students a ride home because she didnât want her walking alone.
âYou know,â she says lightly, breaking into your thoughts, âfor someone who insisted it was only a ten-minute walk, you look very relieved to be sitting down.â
You let out an embarrassed breath. âItâs been a long day.â
âI remember those,â she says. âCriminology will do that to you.â
âYou studied it too?â
âAmong other things,â she replies vaguely, but thereâs humor in it.
You smile. The awkwardness is fading now, replaced with something easier. Natural. Sheâs funny. A little dorky, even. And kind. Disarmingly kind. The tension that had been sitting high in your shoulders finally easing into something softer. Something⌠warmer.
For a moment, itâs easy. Just conversation. Just the quiet hum of the engine, the low glow of the dashboard lights casting soft shadows across the interior. The world outside moves past in streaks of amber streetlights and darkened windows, the occasional passing car briefly illuminating the space between you before disappearing again.
You shift slightly in your seat, angling toward her without really thinking about it. And thatâs when it happens. Itâs subtle. So subtle you almost miss it.
Her gaze flicks toward you, not unusual, sheâs been doing that while talking, but this time it lingers a fraction longer. Not just your face. Lower. Then back up again.
Quick. Controlled. And then gone.
Your breath catches just slightly. You look down instinctively, like you might see whatever she just saw. Your hands rest in your lap, fingers loosely intertwined. Nothing unusual. Nothing that should draw attention.
You tell yourself you imagined it. You must have. Sheâs your professor. Unit Chief. Someone who walked into a room full of trained, perceptive students and held all of their attention without even trying. Someone who reads people for a living.
Of course her eyes move like that. Sheâs observant. Thatâs all.
Still⌠You swallow, your gaze drifting back to her despite yourself. Nothing has changed, thatâs the first thing you notice. Her posture is the same: straight, composed, effortless. One hand rests at the top of the steering wheel, fingers loose but controlled, guiding the car with minimal movement. Her eyes stay on the road, focused, steady. The soft glow from passing streetlights slides over her face in brief, shifting patterns, catching on the curve of her cheek, the line of her jaw.
Thereâs no sign of anything unusual. No hesitation. No awareness of the way your thoughts just spiraled somewhere they absolutely shouldnât have. Like nothing happened. Like you didnât just feel something tilt, just slightly, in the space between you.
Your fingers tighten faintly against your jeans.
Youâre overthinking it.
You have to be.
Sheâs trained to observe. To notice details other people miss. A glance doesnât mean anything. A second longer doesnât mean anything. Thatâs her job.
Your gaze drops. Her other hand rests near the gearshift, relaxed, fingers loosely curved over it. For a moment, itâs just that. Just a hand. Still. Controlled. And then her fingers move. A quiet, almost absent rhythm, tapping lightly against the side of the gearshift. Not impatient. Not nervous. Just⌠something to do. A small, unconscious motion. You watch it without meaning to.
Tap.
Pause.
Tap.
The movement is subtle, but it draws your attention in a way that feels disproportionate. Your focus narrows, catching on the details you hadnât noticed before.
Her nails. Neat. Clean. Not overly done, painted in a nude color, practical. Most of them are a little longer, evenly shaped, kept just past the fingertip. ExceptâŚ
Your breath catches.
Her middle and her ring finger are shorter. Not uneven or broken, but deliberately shorter. Your mind stutters, trying to make sense of it.
Oh.
Oh.
The realization lands slowly. Then all at once. Heat floods your face before you can stop it, your gaze snapping back up to the windshield like youâve been caught doing something you shouldnât.
You stare straight ahead, suddenly very aware of yourself. Of her. Of the small space inside the car.
Youâre definitely overthinking it.
People trim their nails differently all the time. There are a hundred normal explanations. Practical ones. Innocent ones. It doesnât mean anything.
Your heart is beating too fast. You risk another glance at her, slower this time, more careful. She hasnât changed. Still composed. Still focused on the road. The faintest hint of a smile still resting at the corner of her mouth, like sheâs carrying some private thought youâre not part of.
Her fingers tap once more against the gearshift. Unbothered. Unaffected. And for a split second, you wonder⌠Not if she knows what you noticed. But if she noticed you noticing. Your throat goes dry.
Youâre overthinking it. You repeat it to yourself, like if you say it enough, itâll settle the strange, restless feeling curling low in your stomach.
Because the alternative⌠The alternative is something youâre not even sure how to begin to process. Sheâs your professor.
And yet your grip tightens slightly in your lap. It doesnât quite feel that simple anymore.
Your gaze drifts to the window again, watching the city slide by, trying to settle your thoughts. But itâs harder now. Thereâs a quiet awareness sitting under your skin, making everything feel just a little sharper.
The hum of the engine fills the silence, low and constant, and for a few seconds, neither of you speaks. It gives your thoughts too much space, room to spiral, to replay that moment, to overanalyze every small detail until it loses all meaning and somehow gains too much at the same time.
You press your lips together, trying to ground yourself.
âSo,â she says, easy, conversational, like nothing has shifted at all. âNext weekâs lecture.â
Your attention snaps back to her, grateful for the interruption, for something normal to hold onto.
âIâm focusing on victimology,â she continues, her tone thoughtful. âBackground patterns. Risk factors. The things people overlook when theyâre too focused on the offender.â She glances at you briefly. âThink youâll come back for that one?â Thereâs a hint of something in her voice, light, almost teasing. But itâs subtle enough that you could be imagining it. Again.
You straighten slightly in your seat, nodding without hesitation. âYeah. Definitely.â You almost add of course, but you catch yourself.
She smiles. Not big. Not showy. Just enough. âIâm glad,â she says.
The car slows as she turns, the movement gentle, controlled, and you recognize your street immediately. Your stomach dips, a quiet disappointment threading through the realization.
Youâre here already. You barely noticed the rest of the drive. âJust up ahead,â you say softly, gesturing.
âI see it,â she replies.
The SUV glides forward, the familiar buildings coming into view, your apartment just a few seconds away now. The street is quieter here, softer. Dim lights in windows. A distant dog barking somewhere further down.
You shift slightly, already preparing to say thank you again, to gather your things, to step back into your own space.
And then her hand moves. Itâs quick, casual, like it means nothing. The same hand that had been resting near the gearshift lifts, crossing the small space between you, and for a brief, almost fleeting moment, her fingers brush against your thigh. Then settle. Your breath catches.
Itâs not a grip. Not anything that would draw attention if someone else were looking. Just a touch. A grounding motion. Like sheâs steadying you or herself. Or maybe neither. Maybe itâs nothing.
âDonât overthink it,â she says lightly, eyes still on the road, voice calm.
Your heart stutters. Because for a second, youâre not sure what sheâs referring to. The lecture? Your earlier rambling? Or something else entirely?
Your thoughts spiral, but before you can catch up to them, her hand is already gone. Back on the wheel. Like it never happened. Like you imagined that too.
She pulls to a smooth stop in front of your building, shifting the car into park with the same effortless precision she does everything else. Silence settles again. But itâs different now. Charged.
Your pulse is loud in your ears, your body suddenly hyper-aware of the space youâre sitting in, the place her hand had been just seconds ago, the warmth that lingers even though it shouldnât.
You stare ahead for a moment longer, trying to gather yourself. Trying to make sense of something that doesnât quite fit into anything you understand. Then you turn to her. She looks back at you.. Calm. Composed. That same faint, knowing softness at the corner of her mouth. Like sheâs exactly where she wants to be. Like nothing is out of place.
And somehow that makes it all the more confusing.
âThank you,â you say softly. âReally.â
She gives you that small, steady smile. âAnytime.â
Anytime. Your heart does that ridiculous thing again.You reach for the door handle, then pause.âAnd, uh,â you add, gathering a little courage, âfor what itâs worth? You donât have to be nervous about the lectures...â
She tilts her head slightly. âNo?â
âNo,â you say firmly. âYou were⌠perfect.â
Something flickers in her expression at that. Brief. Almost shy. âCareful,â she says lightly. âFlattery wonât get you extra credit.â
You grin sweetly despite yourself. âWorth a shot.â
She laughs. And as you step out into the cool night air, closing the door gently behind you, you realize something important.
You werenât imagining everything.
The rainy week passes faster than you expect. Classes blur into each other, notes pile up, days stretch long and exhausting, but somehow, through all of it, one thing stays sharp in your mind.
Thursday. Late afternoon. Behavioral Analysis. You try not to think too much about the car ride. About the way her hand had rested on your thigh, brief and light and impossible to fully explain. About the way she had said donât overthink it and how youâve been doing exactly that ever since.
You tell yourself it didnât mean anything. You tell yourself it was nothing. You tell yourself a lot of things. None of them stick.
And then Thursday comes. The familiar building stands ahead of you again, the sky painted in that same fading light, the air cool and crisp in a way that makes everything feel just a little more alive. You walk beside Amber and Jack, their voices filling the space easily, the rhythm of your steps syncing as you approach the lecture hall.
âYouâre excited,â Amber says, not even bothering to hide the grin in her voice.
âIâm not,â you reply automatically.
âYou are.â
âIâm not.â
âSheâs been weird all day,â Jack adds, adjusting his bag. âDistracted.â
âI have other classes,â you protest.
Amber hums. âMhm. Sure. Nothing to do with a certain professor.â
You shoot her a look, but it lacks any real bite. Because arguing would mean acknowledging something youâre still not entirely ready to put into words.
The hallway is busy, but not like last week. There are still a lot of people, clusters of students lingering outside, voices overlapping, the low buzz of anticipation hanging in the air, but itâs different. Thinner. More contained.
The overwhelming flood of curiosity from the first lecture has settled into something more selective. More intentional. You remember what people always say about these kinds of classes. They start full and then, week by week, people drop off. Lose interest. Decide itâs not what they thought it would be.
Until eventually only the ones who really want to be there remain. The thought settles somewhere in your chest as you push open the door and step inside.
The lecture hall looks the same. Dimmer lighting. The soft hum of the equipment. The large screen at the front already lit, the title slide for todayâs lecture displayed in clean, simple text.
But this time sheâs already there. Professor Prentiss stands at the front of the room, one hand resting lightly against the edge of the podium, the other holding a remote. Sheâs not moving much yet, not pacing like she had during parts of the last lecture. Just⌠waiting. Observing. Thereâs a quiet confidence in it. A sense that she doesnât need to fill the space for it to belong to her.
You feel it the moment you step in. That same pull. That same awareness that makes everything else fade just slightly at the edges. And then she looks up. Itâs immediate. Too immediate. Like she didnât just happen to glance toward the door, but knew, somehow, that you were there.
Your breath catches, just for a second, as her eyes meet yours across the room. There are too many people between you for it to make sense. Too much distance. But it feels direct, like she picked you out of the crowd without trying.
You stop for half a heartbeat, your brain scrambling to catch up with your body, with the sudden rush of heat that spreads across your chest. And before you can think better of it⌠you lift your hand.
A small, awkward wave.
The kind you immediately regret the second you do it. Oh my god. What are you doing? Your hand drops almost instantly, your fingers curling back in as if you can erase the movement, your cheeks heating so quickly it almost feels like a physical burn.
You look away for a split second, mortified. That was so embarrassing. Youâre in a lecture hall. Sheâs your professor. You donât wave at her like thatâŚ
You look back, because you canât not and sheâs still looking at you. But now sheâs smiling. Not broadly. Not something that would draw attention from anyone else. Just enough. And suddenly she winks at you, quick and subtle, gone in a second.
But it hits you like a shockwave. Your breath stutters, your entire body going still for a fraction of a second as your brain struggles to process what just happened.
Did sheâŚ
Did she justâŚ
âOh my god,â Amber breathes beside you, low enough that no one else would hear.
You donât dare look at her. You feel her looking at you, though. Feel the weight of her gaze, the way sheâs absolutely thriving off of whatever expression is currently on your face.
If you werenât standing⌠If you werenât very aware of the fact that you are in a crowded lecture hall, surrounded by people⌠youâre almost certain your knees would have given out. Because that, that was not normal. That was not something a professor does.
Your heart is racing, pulse loud in your ears as you force your feet to move again, heading toward your usual seats with Amber and Jack.
Jack, for once, is quiet.
Amber is not. âYou are in so much trouble,â she whispers, barely containing her grin.
âI didnât do anything,â you hiss back, dropping into your seat a little too quickly.
âYou waved at her.â
âI panicked.â
âShe winked at you.â
âIâŚâ You stop, your voice catching slightly. âI know.â
Amber lets out a silent laugh, shaking her head as she sits down beside you. âWow.â
Jack leans forward slightly, glancing between the two of you. âWhat did I miss?â
âNothing,â you say quickly.
âEverything,â Amber corrects at the same time.
You bury your face in your hands for half a second before dragging them down slowly, trying to compose yourself, trying to act normal, trying to ignore the way your heart is still beating too fast.
At the front of the room, Emily moves again, her attention shifting to the rest of the class as more students filter in, as if nothing just happened.
But when you risk another glance at her, you catch it again, that same faint, knowing curve at the corner of her mouth. And something in your chest tightens, because whatever this is⌠itâs not just in your head anymore.
The lecture, somehow, passes both slower and faster than it should. You notice it in fragments, the way time stretches in certain moments, when she pauses mid-sentence and lets silence settle, when she looks at someone just a second longer than necessary until they shift under it, when she asks a question and waits, not filling the gap, not rescuing anyone from it. And then there are the parts that slip by too quickly, where youâre so focused on writing, on listening, on trying to follow the thread of her thoughts, that you barely register the passing minutes at all.
Itâs different this time. Youâre not just observing, youâre participating. At some point, your hand lifts before youâve fully decided to do it, your voice cutting into the space of the lecture with a question that feels both too simple and too exposed. For a brief moment, every head in the room seems to turn, the weight of attention settling on you in a way that makes your stomach tighten.
But she doesnât let it linger. She answers you seriously, thoughtfully, building on what you said instead of correcting it, guiding it instead of dismissing it. And when you nod, when you follow, when you add something else, she smiles. Approving.
And somehow, that feels worse than being called out.
Better.
Much, much worse.
It happens again later, when she asks something of the room and the silence stretches just a little too long, and you hear your own voice answering before you can second-guess it. This time, you donât even look around to see whoâs watching. You look at her.
And again, that look. That brief flicker of something in her expression that feels like recognition, like she expected it.
By the time the lecture winds down, your hand aches slightly, your notebook filled with dense, careful lines, annotations in the margins, arrows connecting ideas that seemed important enough not to lose.
At the front of the room, Emily glances at the clock, then back at the class, shifting her weight slightly as she sets the remote down on the podium. âFor those of you who want to get ahead for next week,â she says, her voice steady, carrying easily across the room, âtake a look at chapter six in Mindhunter. Weâll be building on those concepts, but from a slightly different angle.â
A few people scribble it down immediately, you already have. Her gaze moves across the room once more, slower this time, like sheâs taking something in, measuring, observing.
âOtherwise,â she adds, a faint hint of something almost amused touching her tone, âget some rest. Youâll need it.â A pause. âThatâs all for today.â
The room exhales. Chairs scrape against the floor as people begin to stand, conversations picking up almost immediately, the tension of focus dissolving into movement and noise. You sit there for a moment longer, your pen still resting against the page, as if your brain hasnât quite caught up to the fact that itâs over. Again. Too quickly.
âOkay,â Amber says beside you, already packing her things, âthat was actually terrifying.â
You glance at her. âYou say that every time.â
âBecause it is every time,â she shoots back, shoving her notebook into her bag. âThe way she looks at people? I feel like she can see my entire search history.â
Jack huffs, slinging his bag over his shoulder. âThat would require you to have shame.â
âWow. Rude.â
You smile faintly, closing your own notebook carefully, your fingers lingering on the cover for just a moment before you slide it into your bag.
âYou were on fire today,â Amber adds, nudging you lightly. âAsking questions, answering questions⌠who are you?â
You shrug, trying to play it off, even as warmth creeps up your neck again. âI was just⌠paying attention.â
âYeah,â Jack mutters. âVery intensely.â
Amber leans in slightly, her voice dropping just enough to keep it between the three of you. âShe was looking at you a lot.â
Your heart stutters. âShe looks at everyone,â you say quickly.
âMhm.â
You donât respond, because you donât trust yourself to. You finish packing your bag, pulling the strap over your shoulder as you stand, falling into step with them as the three of you move toward the aisle, joining the slow stream of students heading for the exit.
Youâre almost at the door whenâŚ
âHey.â Her voice. It cuts through everything else.
You stop. So do Amber and Jack. You turn, your heart picking up in a way that feels entirely too familiar by now.
Professor Prentiss stands at the front of the room, one hand resting lightly against the podium, her gaze directed, not at the class as a whole, at you.
âCould you stay for a moment?â she asks. Itâs casual, professional. Thereâs nothing in her tone that anyone else could question.
Your stomach flips. âYeah,â you say, a little too quickly. âOf course.â
Amberâs head turns toward you so fast itâs almost comical. Oh no. You donât even have to look at her to know what kind of expression sheâs wearing.
Jack, for once, looks mildly impressed. âWell,â he mutters, adjusting his bag. âLook at you.â
âItâs probably about class,â you say quickly, even as your pulse climbs.
âObviously,â Amber agrees, entirely unhelpful. âDefinitely just about class.â
You shoot her a look, she grins. Then, leaning closer for just a second, she murmurs, âDonât do anything I wouldnât do.â
You stare at her. âThat is the worst advice you could possibly give me.â
âI know,â she says, pleased. âGood luck.â
Jack gives you a small, amused shake of his head. âTry not to get expelled.â
âIâm not going to get expelled.â
âFamous last words.â
You huff, but thereâs no real irritation behind it, just nerves buzzing under your skin as you watch them turn and head out of the lecture hall, their voices fading into the hallway beyond.
Itâs quieter now. A few students still linger, gathering their things, finishing conversations, but the room is already beginning to settle into that post-lecture stillness. You take a breath, adjusting your bag on your shoulder before stepping down the rows, your footsteps soft against the floor as you make your way toward the front.
Each step feels⌠louder than it should. Youâre aware of her, of where she stands, of the way her gaze follows you and because sheâs watching, you become acutely aware of yourself, too.
Of everything. Of the rhythm of your steps, just a fraction too deliberate now, as if youâve forgotten how to walk naturally under the weight of being seen. Of the way your shoulders hold, a little straighter than usual, your breath measured without you meaning it to be. Of your hands, suddenly unsure of what to do with themselves, tightening briefly around the strap of your bag before loosening again.
And of your skirt. The soft brush of fabric against your legs becomes impossible to ignore, the subtle sway with each step exaggerated in your own perception, like your body has been turned up a notch too high. You can feel it with every movement, small, ordinary sensations that suddenly feel⌠not so ordinary, not when you know sheâs watching. Not when every step carries you closer.
You donât dare look up at her immediately. Your gaze lingers somewhere just short of meeting hers, tracing the edges of the podium instead, the line of her hand resting against it, the careful stillness in the way she holds herself.
But you feel the attention, the way it doesnât waver.
And by the time you finally reach the front, stopping just a few feet away, that awareness hasnât faded, itâs settled somewhere deeper, quieter, threading itself through the way you stand, the way you breathe, the way your pulse seems just a little too present in your own ears.
Like youâve stepped into something you donât fully understand.
And canât quite step back out of.
The last of the students have filtered out now, the door at the back closing with a soft, final click. And just like that itâs only the two of you.
The space feels different now. The air heavier in a way that has nothing to do with the room itself. You stop a few feet from the podium, shifting your weight slightly, your fingers tightening around the strap of your bag.
You clear your throat, the sound a little too loud in the empty room, your fingers tightening around your bag again. âYou⌠uh- wanted to see me, Professor Prentiss?â
There it is. The title. A small thing, but it settles something back into place, if only for a moment, draws a line, reminds you of where you stand. Student. Professor. Structure. Distance.
Her mouth curves slightly at it, not quite amused, not quite something else. âI did,â she says, her voice easy, but softer than it ever is during a lecture. âYouâve been asking good questions. Engaging with the material.â
You feel heat rise again, quick and inevitable. âI justâŚfind it interesting.â
âI can tell.â Thereâs a brief pause. Not awkward, not quite. Just⌠held. Then, almost lightly, as if itâs an afterthought. âDo you need a ride home?â
You blink. The shift is so sudden it takes you a second to catch up. âOh- no, itâs okay. Iâm fine. Itâs justâŚten minutes.â
Her eyebrow lifts, slowly and she turns her head, glancing toward the tall windows at the side of the lecture hall.
You follow her gaze. The world outside is a blur of rain, heavy sheets of it slanting against the glass, the sky darkened far earlier than it should be, punctuated by a distant roll of thunder that you hadnât really registered until now.
Oh. You hesitate.
âItâs just rain,â you try, weaker this time.
âMm,â she hums, turning back to you, that same look settling in her eyes again, the one that feels like sheâs already decided something. âItâs a storm.â Another beat. âItâs still on my way,â she adds, casual, almost dismissive, as if that alone settles it.
You open your mouth. Close it again. Because the thing is, sheâs not pushing. Not really. She isnât insisting, not in any obvious way. Her tone stays light, her posture relaxed, one hand resting against the podium, the other slipping into the pocket of her slacks.
You get the distinct impression that saying no isnât actually an option she expects you to take. Or maybe just⌠not one sheâll accept.
You let out a small breath, somewhere between a sigh and a laugh. âYouâre good at this, you know.â
Her lips curve, just a little. âAt what?â
âMaking it sound like I still have a choice.â
That earns you a proper smile. âDo you?â
You shake your head before you can stop yourself, a soft huff of amusement slipping out despite the way your pulse has picked up again. âApparently not.â
âGood,â she says simply, already reaching for her things. âLetâs go.â
The underground garage is quieter than the rest of the building, the sound of the storm above reduced to a distant, muffled roar, broken only by the echo of your footsteps against concrete. You walk beside her. Not quite shoulder to shoulder, either, thereâs still space between you, still that invisible line, but it feels⌠different. Easier, maybe. Or maybe just more dangerous, now that youâre aware of it.
Her keys jingle softly in her hand, and a moment later, the black SUV unlocks with a muted click, lights flashing briefly in the dim space. That strange, heavy feeling settles again in your stomach as you reach it, not unpleasant, not at all, but present in a way you canât ignore. Anticipation, maybe. Or something youâre not quite ready to name.
You slide into the passenger seat, smoothing your skirt automatically as you settle, the fabric clinging slightly from the damp air, your skin still warm from the walk.
The door shuts. For a moment, youâre alone. Then the driverâs side opens. You donât mean to look, you really donât. But you do anyways. And you catch it, just for a second. Her eyes dropping, briefly, taking in the line of your legs, the way your skirt rests against your thighs where you sit, before lifting again, meeting your gaze as if nothing happened at all, as if it was nothing.
Your breath stutters, barely there. You donât say anything, you canât. And she doesnât either. She just settles into her seat, calm, composed, entirely in control as she starts the engine, the soft rumble filling the car, grounding, steadyâŚlike everything about her.
Like nothing has shifted.
Like you didnât just feel the air change again.
Outside, the rain pounds harder against the windshield, the world beyond blurring into streaks of light and shadow.
Inside it feels smaller, quieter and very, very aware. You swallow, fingers tightening briefly in your lap before you force them to relax, your voice coming out softer than you intend.
âThank you⌠for the ride, Professor Prentiss.â
Thereâs a brief pause. And then, without looking at you this time, her mouth curves slightly.
âYouâre welcome.â
But thereâs something in it. Something that lingers.
Something that makes that strange, heavy feeling settle just a little deeper.

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Him being a pretty crier drives me insane
Kissing Stars, Kissing Skin. ( Ryland Grace x Reader. )
There is a bigger fic coming on this topic but uhhhh i just wanted to post a lil something about his scars before the angsty-er piece comes lol.
Title: Kissing Stars, Kissing Skin. Pairing: Ryland Grace x GN! Reader. Rating: K. ( O.K for general audiences, very FLUFFY. ) Words: 950 Summary: You find yourself awake in the middle of the night to admire Ryland, even the parts of himself that are the most vulnerable. ( BOOK SPOILERS : Ryland is a lot more scarred in the book so we're playing aorund with that. ) âRyland Grace Masterlistâ
Even asleep, Ryland looked tired. Not physically, not in the way exhaustion dragged at him during long days with the Eridian children. No, this was⌠Older than that. More solemn. Something that lingered in the creases between his brows, something buried deep beneath his smile, bad jokes and large hands. Something he didn't like people to see. And you found yourself watching him now, in the middle of the night, because you loved him too much not to. Ryland was laying on his stomach beside you, one arm tucked beneath his pillow while the other rested lazily across the mattress, kissing the space between your bodies. Sometime during the wrestle to get comfortable, the blanket had slipped down and exposed the faded burn scars stretched across his neck, shoulder and arm. And in the dim biodome light, they almost shimmered silver against his skin.Â
Your chest ached softly at the sight, eyes softening. Not out of pity. God, never pity. Ryland wouldnât want that. It was just⌠Love. The overwhelming kind that settled deeply and painfully between your ribs because this man⌠Had survived impossible things and still somehow found ways to look at life with wonder.Â
Carefully⌠So carefully that Ryland wouldnât wake up, your fingers drifted towards his arm. You began tracing the most severe scar on his arm, one that had once been flushed strawberry red from angry, healing skin years ago and now only turned to a simmered faded cascade of white against his hot skin. It was like a memory had been imprinted on his body, leaving a piece of their soul behind for Ryland to take care of.
 Ryland startled at the contact suddenly, in the same way he did when he had that sensation of falling in his sleep.
"Sorry..." You whispered, trailing your hands up to his shoulder before leaving his body completely. "I didn't hurt you, did I?"
Ryland processed your voice slowly before shaking his head slightly, smushing his face deeper into the pillow with the movement as his half-lidded blue eyes peered at you with tired adoration. His hair was sticking up in soft sleep-mussed directions, golden almost in the barely-there ambient light, and there was something unbearably gentle about the way he looked at you when he was barely awake, your heart squeezing as you met his gaze.Â
âNoâŚâ He mumbled cutely, voice rough with exhaustion. âThey⌠donât hurt anymore. Sorta numb sometimes, but thatâs⌠normalâŚâÂ
The words slurred together at the edges as Rylandâs eyes drooped further, threatening to crest shut again. You took this as your chance to shuffle in closer across the small space between your bodies, blankets rustling softly around your legs and let your lips fall to his skin like they belonged there. Just a gentle kiss to his shoulder, right where the burn scar tapered toward his neck and disappeared beneath the collar of his shirt before climbing the nape of his hairline. You lingered and Ryland could feel the expanse of your breath against him which caused a small shiver to run down his spine.Â
"They look like constellations in the light, you know." Your voice was nothing more than a hushed whisper he felt drawn to as you murmured against the raised skin. Ryland stuttered a breath in at that. Then, the atmosphere got quiet. Not in the tense, stuffy way but in the way that felt like your blonde lover was drifting somewhere far from the room for just a moment. Your fingers remained careful against Rylandâs heated skin, tracing the uneven path of old damage with enough tender love that if so chose, he could lean away if it was unwanted.Â
But⌠Ryland wanted it.Â
He needed it.Â
He inched closer, the mattress shifted softly beneath you as his large body rolled just enough to tuck himself against your side, his cheek brushing your shoulder while your thumb sought to continue a path along the pale scar crossing his upper arm and forearm. His skin was warm from sleep, just enough that you could feel the intense heat of him even through the thinner fabric of your shirt and he let out the faintest sigh when your fingers smoothed along his scars again.Â
Your sleepy eyes admired them and how in the almost greyish-blue light seeping in through the windows of the room, the marks really did resemble galaxies scattering over him. Just jagged little misplacements of the Heavens. Thin silver streaks disappearing beneath freckles and golden hair like the stars being swallowed by clouds. Proof he survived something bigger than himself and somehow remained as perfect as before.
The silence was breathing around you soothingly, filled with the distant hum of the biodome life support system and Rylandâs sleepy inhales and exhales against your skin, burning your senses in the best way possible. His pretty blue eyes fell shut again somewhere along the quiet, lashes resting softly against flushed cheeks while exhaustion pulled him in inch by inch. One of his hands drifted across the blanket lazily until his long fingers found the fabric near your waist, loosely curling there.
âGo back to sleep, star man.â You whispered gently for Ryland, his mouth twitching into the faintest drowsy smile at the cute nickname as your heart fluttered and only a second later, the scientist melted fully against you, breathing evening out as sleep finally pulled him under again.
Ryland's shoulders gradually lost their tension beneath your hand until all that remained was warmth and trust. You brushed your graze once more over the faded marks on his arm before craning your head down and pressing a soft kiss against his temple where the last faded scar rested.
Taglist: @strigiform-titan @whats-my-hyperfixation @negativefoursanity @everythingismadeofchaos @t0nystank @greenlalianime @my-cat-can-slay-dragons @gardenavenue @whore-msc @goslingcore @rivercattail @ambertiger5 @starsbelongtotheworld @emmyishere77 @wayward-avenging @rocktthehouse @unabashednightmarepizza @lowbudgetdoll @lastminutescience @anixszci @lov3lanuage @hailholyground
@allthelittlethingsssss @sl13-ce @nicassie @emblunt46 @cemeterystardust @ckq-fics @writingforrhys @brunomarzbootylicker @icomewithpeace @theemeraldcorporalnik @kusogeki@starsbelongtotheworld @s4turn3st @astroangel-3000 @electro-elemena@poopoopeepeesupreme @bigsloppycrush @exactlyelectronicstudent @sayadinaa @lorraine-ackerman @sixtiessongs @introvertathome @petersluvbug@moon-trash1507 @romantics-and-eternity @faelvz @reredaydreams @ummilovesidneycrosby87 @samanddeaninatrenchcoat @cestlavie03 @matt-murdockk @shittyprofilebutfuckit
glasses are the sluttiest thing a man can wear.
glasses are the sluttiest thing a man can wear.
believe in the hail mary/this is bigger than me

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dare i say i think ryland would go absolutely feral if you called him sir teasingly, like you're being a brat, he tells you off and you suddenly whip out the 'sorry, sir' paired with eye rolling and a sarcastic tone?? i HEAVILY fw the idea of brat tamer ryland and how you'd keep pushing and pushing until he gives you a look that basically says you're done for
ugh i'm drowning in a puddle of my own drool at the thought of him crossing his arms over his chest as he waits for you to stop being a brat
Oh. OH.
So yes of course absolutely brat tammer professor ryland energy yes.
Imagine standing in the door way and you're being a little shit and he's got his arms folded while leaning on the frame and thenâ
"You done yet sweetheart?"
"Meh meh meh yeah whatever sorry sir"
Something in this man genuinely flicks into a mode you've NEVER seen before and he suddenly lunges to plant a hand at your throat and push you back into the bedroom with a hard wordless slam of his foot kicking the door shut.
ohh the look in his eyes as he's shoving you back against the bed is so stone cold you're terrified you genuinely fucked up. Then he's leaning down to whisper with a strained voice:
"I love you, but this will feel like i don't."
ok puddle of cum on the ground oh no!
i bet we'd have really good bed chem, statement
idk if ur taking requests so if not, feel free to ignore this. however, imagine if ryland was exhausted, so he just scoops up reader while their in the middle of something and the scientist just goes goes ok naptime! and since he hasnât made his bed in a few days from being so invested in research that it looks like a nest and readerâs just like ok nap time ig
the concept of sleepy ryland is giving me actual heart eyes. heâs so cutie. thank you for this request <3
Sleepy Sunday: ryland grace x gn!reader fluff
ăăâŚăăă.ăă. đŞăâËă âŚăăă.ăăËăđăă . ⌠ă đ
It's 3:32pm on a rainy Sunday in San Francisco. The windows of the tiny apartment you share with Ryland are all fogged up, making the place feel even more cozy.
Ryland is in the living room watching a documentary about space. He is halfway asleep, leaned back with his arms behind his head just as he always is before he nods off. He's wearing a pair of pajama pants and a cable knit sweater that your grandma knit him for Christmas last year.
You're in the kitchen, sitting at the head of the table with your legs stretched out, feet resting on the seat of the chair next to yours, reading a book. A fresh cup of tea sits on the table in front of you, steam still rising off its surface.
It's been a lazy Sunday. The smell of laundry detergent fills the house, the last load, your bedding, is finally finishing up in the dryer.
You hear Ryland groan and yawn from the living room, he's right on schedule for his Sunday afternoon nap.
He turns the TV volume down a smidge, another telltale sign that he's about to slip away.
But just as you turn to the next page of your book, you hear the cushions crinkle and the floorboards creak as he rises to his feet. You smile as you hear his footsteps trailing closer to the kitchen.
Your turn your head to the doorway as he enters and your heart explodes when you see him.
He's standing there, holding his glasses in his left hand hand as the other come up to rub his right eye. He smiles softly at you, then pouts.
"Mm so tired," he whines, his pouty lips never disappearing as he speaks.
"Go take a nap, honey," you hum in response, looking back at your book.
He huffs dramatically. You know what he wants and you turn your face away to crack a silent laugh.
He moves toward you, sock-clad feet dragging the floor as he shuffles over to you. You roll your eyes as he comes up behind your chair and wraps his arm around your shoulders.
He drops his head down to rest his chin on your right shoulder, pressing his cheek into yours.
His hands move to take your book from your grip and close it before placing it down on the table.
"Rylandddd," you groan.
He kisses your face sloppily, arms moving to pull your chair far away from the table.
"You are a grown man! Go take a nap on your own," you grumble, struggling to stay stern as he moves to walk in front of you.
He shakes his head, still pouting, and reaches down to scoop you up. Your arms come up and wrap around his neck, legs locking around his waist as he adjusts his hands to hold beneath your thighs.
He carries you off to his bedroom without another word. His sheets are freshly washed, all soft and fresh as he lays you down.
He strips off his sweater, leaving himself in his silly "I had potential" t-shirt, then he take his glasses off and leaves them on the nightstand.
Finally, he lays down next to you, pulling you close and wrapping you up completely in his arms.
He hums in satisfaction as he pulls the covers up to cover both of your bodies.
Your face is nuzzled into the crook of his neck and you think to yourself that he's just so warm. So soft and warm, like he always is.
You have never felt safer, and you don't think you ever will.
"Ryland," you whisper, hoping he hasn't fallen asleep yet.
"Shhhh," he replies, convinced you are going to tell him you want to get out of bed.
"I love you," you whisper, pressing a kiss to the junction of his neck and shoulder.
"I love you more," he rasps.
And you stay like this for hours, legs tangled in each other's, the fresh smell of laundry detergent wafting through the room, fog clinging to the windows.
Nothing is better than a sleepy Sunday with your lover.
Written on my computah! I hope you enjoyed the capitalization for a change ;3
I would do just about anything to make this man happy. Tbh.
tangled up with you all night
Ryland Grace x ReaderÂ
Summary: Your first date with Ryland was a disaster. At least he thinks so. And he believes that he absolutely must make up for it at the end of the night. After all, he desperately wants a second date so⌠he apologises for being such a chaotic date in the only way he knows how. And hopes that it works.Â
Themes: simp!ryland, explicit language, smut, praise kink, mild hair pulling kink, soft!dom!ryland, glasses stay ON idc
a/n: blond man with the fluffy hair and nerdy glasses so fine he got me out of âretirementâÂ
The date went horribly.Â
According to him at least.Â
You hadnât made up an excuse, or had a fake emergency phone call at any point that got you out of dinner. But Ryland knew heâd fucked it up tonight. He was genuinely surprised that you stayed till the end. It was a simple date, nothing too fancy. And yet he believed he had ruined your night by yapping your ears off. He talked about everything and nothing all at once. His kids at school, his classes, his new research, all of it and more.Â
He was a little embarrassed now upon realising that heâd been talking so much the whole night, rarely ever stopping. And he was so certain youâd never want to talk or even text him again. But then you asked him if he wanted to walk you home.Â
Ryland agreed a little too quickly. Then he felt embarrassed again. But you just laughed at his awkward little mumbles as he tried to play it cool.Â
The whole walk he promised himself heâd finally ask you questions and let you do the talking. But he ended up going off on yet another random tangent about why physical laws even exist at all. In his defense, your follow-up questions were so engaging that he felt like he could keep this conversation going forever.Â
Before Ryland knew it, you were both standing on the steps leading to your front porch. With the soft golden light like a halo all around you, Ryland knew in that moment that you were the most stunning woman he had ever and will ever meet. And he felt even worse about the evening.Â
He couldnât keep it in anymore. So he rambled on.Â
âIâm sorry,â He said, followed quickly by, âI know Iâve been aâ a mess. I am a mess.â He repeated and carried on talking. âI really wanted tonight to go well and I ruined everything by talking so much. About school, about my research, about my students and work andâ and I didnât even ask you anything about yourself, or where you are from. I barely even let you speak. Or tell me anything about yourself. On top of that Iâm wearing this stupid shirt. Thatâs not even the worst part. I didnât let you speak. Can you believe that? I went on a date with the most gorgeous woman Iâve ever met and I didnât even ask her where she was born. All I know is that you moved here, but I meanâ,âÂ
You cut him off by gently grabbing him by the collars of his blazer and pulling him in for a kiss. He wasnât expecting it so Ryland was stunned for a second or two. Then he finally kissed you back, his arms instinctively finding themselves around your waist, pulling you into his warm chest.Â
Fuck, he thought to himself, it felt nice to have his arms around you.Â
When you pulled away, Ryland was still a little stunned. All he did was blink at you with his clear blue ocean eyes. He quickly reached up and adjusted his glasses which slid down his nose. But he said nothing. He just stared down at you.Â
You kept your hands around his shoulders, looking down quickly and noticed that some type of nerdy t-shirt peeked through the blazer. It only made him even more attractive. What a nerd, you thought, sighing with adoration.Â
âListen here, Dr. Grace.â You teased him playfully, âI wouldnât have agreed to go on a date with you if I didnât like a passionate, awkward, kind of nerdy, incredibly handsome, and talkative man. Okay?â You smiled up at him.Â
âOkay?â He sounded just a little confused. Poor thing.Â
You leaned in and gave him yet another sweet kiss on the cheek. His rough stubble tickling your mouth as you did. Ryland spoke then, yet again apologising, âIâm sorry. I know that was a terrible first date. But I would really like a second one. Please, Iâll be better. I promise.â He said, giving you those sad puppy eyes. The depths of which one could write endless poems about.Â
âYou wanna come in for a bit?â You suggested. âAnd maybe we can talk about that second date?â You spoke, your hands deliberately trailing down his body. From his shoulders to his chest. He was nice and tall, the right amount of lean and muscular. Lots and lots of terrain to explore.Â
Ryland was quiet, apparently captivated by the way your hands delicately roamed down his chest. His breathing deepened. His brain was short circuiting. All he could do was silently follow your hands and fingers as they drew random shapes all over his chest. He was certain youâd be able to feel his heart thundering inside his chest by now.Â
âRyland?âÂ
âYeah. Yes? Iâm listening.â He said, then cleared his throat. He hadnât been listening.Â
Fuck he was so adorable when nervous.Â
âDo you plan on lingering out on my front porch, or will you please come inside so I can kiss you like Iâve been dying to all night?âÂ
âÂ
Stumbling into bed with Ryland crashing into you as you fell made you feel like you were floating. Like you were on a cloud and everything was perfect. Ryland was almost as giddy as you were. His touch was gentle, and a little hesitant. He waited for a greenlight from you each time his touch and kisses got more and more heated. Heâd do that thing where heâd reach for you, but then look at you over his glasses to see if it was okay, then heâd proceed enthusiastically.Â
It made you all warm and fuzzy inside each time he did that.Â
Contrary to what Ryland thought, you would say you had a great night. Nice food with a gorgeous, intelligent man who was gentle and kind and cared about his job and the environment. Who also happened to be a passionate speaker, and who spent the whole night entertaining you with his silly stories and elaborate scientific theories and more. What bliss!Â
âWe can slow down,â Ryland said, in between steamy kisses, âIf you want.â Another quick kiss. âWe can watch a movie, orâ,â He cut himself off by kissing you harder, pulling you closer. âWe donât have to, I mean I want to, but itâs not like Iâm expecting you toâ,âÂ
âRyland. Shut up and kiss me.âÂ
âOkay.âÂ
When you finally got him out of his blazer, you had to take a moment and giggle over his dorky t-shirt. One with a giant cat sitting on the Golden Gate Bridge. He looked down and let out a dramatic sigh.Â
âPlease tell me you have another one of these.â You said, already working to get him out of the t-shirt.Â
âI⌠I do.â He sounded defeated as he tossed his shirt over his head, messing up his glasses.Â
âGood,â You fixed his glasses for him before you climbed onto his lap as he sat on the edge of your bed. Looking glorious, even more so than before now that he was shirtless, just in his jeans. âBecause youâre leaving this one right here. For me.â You laughed when he tried to hide his face into the crook of your neck.Â
âYou can keep it.â His voice sounded all muffled as he spoke into your neck. Then he pulled away and looked up, his rough cheek tickling your skin in the process again. âAs long as I get to take you out on another date.âÂ
When you smiled and nodded at him, before leaning in and kissing him deeply, Ryland felt like the world around him had gotten a little brighter.Â
And he kissed you back with equal excitement, flipping you around and laying you down in bed as he hovered above you. âIâll take that as a yes.âÂ
âIt is a âyesâ, Dr. Grace.â You confirmed, reaching to touch his face.Â
Ryland smiled and said, âWell then I better make up for tonightâs disaster.â He leaned down and kissed your neck. âIâm sorry again, I keep rambling anytime I have the chance.â He kissed further down your neck as he spoke. âShut me up next time. Tell me to shut up. Please.âÂ
You giggled as he kissed and carefully bit your skin along your collarbones, making you arch your back, pressing your body further into him. âI will.â You spoke, then gasped in pleasure and surprise when you felt Rylandâs warm hands on your inner thighs.Â
He pulled away from your neck and looked down at you, âAre you okay, baby? Is this okay?â He asked in a hushed tone, keeping his hands right where they were on your skin.Â
âYes.â You whispered, then gasped again when he dove back in to kiss your neck while his hands caressed your thighs, massaging them gently. Almost lovingly. His touch was so slow in fact that you were getting more and more desperate the longer he took to touch you where you craved him the most. âRyland?â You couldnât take it anymore. He hadnât even gotten you out of your dress yet. Meanwhile he was shirtless, all that body on display and torturing you.Â
âHmm?â He looked up at you. Mouth mere inches off your skin.Â
You almost groaned at how he genuinely seemed to have no idea how badly you wanted him. âPlease stop teasing me.â You began lowering the shoulder straps of your dress all by yourself. You needed him. Now.Â
But Ryland stopped you by carefully seizing your wrists and pinning them above your head. He did it so smoothly too. âNow, when did I say you could do that?â He whispered against your open mouth. âHmm? Did I ask you to do that?âÂ
You shook your head, looking up into his gorgeous eyes and wondering where that dominant tone came from. You werenât complaining. Quite the contrary. âNo. You didnât.âÂ
He nodded slowly. âThatâs right. I said I was gonna make it up to you, didnât I? Well, I am. So let me take my time. Okay, baby? I know you want it. I can feel it. You think I canât tell how wet you are by the way youâre drenching my hand.â For emphasis, he pressed his fingers in between your legs, pressing against your very wet, very thin underwear. âHmm? You think I canât tell?âÂ
âRyland, pleaseâŚâ You whimpered when you realised he was purposely messing with you. And who knows for how long he intended to do that.Â
âOh poor you.â He teased, leaning closer until your warm breaths mingled. âIâm gonna take care of you, donât you worry. Just let me take my time. Iâve got you. I know what you want, and Iâm gonna give it to you. Just⌠let me. Can you do that for me, baby?â He kissed the corner of your mouth, making you whimper again, âCan you let me take my time with you?âÂ
âFuckâŚâ You mumbled. âYes. Yes, please. Just⌠I need you to touch me, Ryland. Please.â You begged.Â
âIâve got you. Donât worry.âÂ
He took his time in sliding the straps of your dress down your shoulders, dragging the soft fabric down your body, leaving you more and more naked and exposed under him.Â
âSo beautiful.â He mumbled to himself as his kisses followed the fabric of the dress lowering down your torso.Â
You shivered once he left your dress bunched around your waist carelessly, not fully undressing you. It wasnât just because of the slightly cold air that you shivered. It was because of how intensely Ryland was staring at you. His glasses had slid down that perfect nose yet again, he didnât adjust it this time. And somehow it made him look even hotter.Â
Fuck. Being so attracted to a manâs glassesâ placement has to be a more worrying issue. But you didnât care. All you cared about was needing his hands on you.Â
By the time Ryland finally got to actually touching you, you were a whimpering, panting, needy mess. Just writhing under him. Your brain all foggy. Your body aching with desire.Â
But he was such a fucking tease it was driving you insane.Â
He kissed down your exposed torso, your hips, your thighs, whispering, âLook at you, huh? So needy.â He kissed right above your clit, his warm breath making your body come alive. âIs this what you want? You want me to make you feel good? Huh, baby? Talk to me, come on. Use your words.âÂ
You werenât sure if youâd sound coherent if you spoke but you tried your best. âYes, please. Ryland⌠make it feel good.âÂ
âI will.â He whispered, as his hands spread your legs and you felt his mouth right on top of you. Hungry. Seeking. Wanting. His warm tongue licked along your slit, his hands spreading your thighs even further apart to give him better access.Â
It was rare to find a man who knew what he was doing down there. Especially with his mouth. But Ryland surprised you yet again with that skilled tongue of his. Your hand moved lazily, fingers sliding easily into his luscious, silky soft hair, messing it up even more than it already was.Â
You felt like your body was melting under his touch. His hands rubbing your thighs adoringly while his mouth drove you insane. He was good at making you cry out in pleasure. His tongue, skilled and soft against your wet folds. His lips with the right amount of suction on your clit.Â
You held yourself up for a moment, your elbows digging into your mattress as you looked down at him. All that golden skin, that faint layer of sweat all over him⌠he looked divine.Â
Then there were those eyesâŚÂ
Even through his glasses you could see the spark in them. You saw how they lit up each time you let out a higher pitch moan, or each time your fingers tugged on his hair, scratching his scalp so good he even let out a moan himself while he ate you out.Â
âFuck. Ryland.â You cried out, writhing under him as he pushed his tongue deeper into you. Teasing you with the softest, deliberate licks. You couldnât look away then. His stare was intense, giving you chills despite the heat inside you rising like never before.Â
He smirked then. The sound of his name leaving your mouth so desperately gave him such a rush. It drove him crazy. âOh, you like that, huh?â He whispered, his rough stubble brushing against your skin, rough against your inner thighs. He slowly brought a finger up to your clit, sliding it agonisingly slowly down your slit, parting your wet folds. âWhat about this? You like this? You sound like you do.â He paused for a second, slid a finger inside you, stroking your walls gently while he placed his mouth back on your clit for a taste and said, âYou sure taste like you do.â His tongue slowly circled your throbbing clit, then down, parting your wet folds with ease. Â
Ryland had you coming undone all over his tongue in no time. His deep blue eyes watched you in awe and how you lost control under his touch, legs shaking as he teased your clit and finger-fucked your ever so gently. Â
With his arms keeping you pinned to the mattress and unable to escape, he was so quick to figure out what worked and what didnât. What made you squeeze his head in between your thighs and what made your back arch. What made you tug on his hair harder because he loved that and what made you breathless.Â
âCome for me.â He whispered, before latching his mouth onto your pussy. Devouring you. His tongue moved in a way that made you lose control.Â
You were gasping for air, moaning his name, wanting more, and more, and more⌠You came hard, all over his tongue, your walls clenching violently around his finger, your moans and gasps of pleasure filled the room.Â
Ryland finally let go of your shaky legs and kissed his way up your body, hovering above you again. He stared deep into your eyes. You couldnât, no matter how hard you tried, look away from his pink, glistening lips. His hair was definitely messier now that youâd been so rough with it. You slid your hands back into his hair, massaging his scalp a little.Â
Ryland closed his eyes for a moment, savouring your touch. Then opened his eyes again and asked, âAre you okay?âÂ
You nodded, looking up at him. âI liked that.â You murmured, giddy with pleasure.Â
Ryland smiled down at you. âI know you did. Pretty sure I have scratches all over my neck. Gonna have to wear some turtlenecks to work for a day or two.âÂ
You both laughed.Â
Then you asked, âCan I touch you now?â Your hands were already reaching down for his belt. He nodded, but you were already undoing his buckle as you pushed Ryland down on the bed next to you and got on top of him, straddling his lap. The rough denim brushing against your bare thighs.Â
Ryland reached out to touch your face, caressing your cheek tenderly. âYou can do whatever you want.âÂ
So you did. In no time you were in between his legs, ass up in the air, with his cock in your mouth.Â
Ryland had that pleading look on his face, groaning as you took him into your mouth as much as you could. âFuck, look at you.â He whispered, still caressing your face lovingly as your tongue teased him in the best ways. âKeep your eyes on me, baby. I like how you look at me.âÂ
He held your head gently, in that same adoring manner you were starting to get used to, and watched you intently with parted pink lips, gasping in pleasure, as you took him. âThere we go.â He said, âYouâre so good at this, arenât you?â His voice was so gentle. âYouâve been wanting to do that for a while, huh?âÂ
You held his stare and nodded.Â
Ryland was so gentle with you. Even as his gasps and moans got louder and louder.Â
âFuck.â He swore. âYou want more, baby?â He lifted his hips up slowly, he held your head gently and pushed himself deeper into your mouth. âYeah? Is that what you wanted?âÂ
You squeezed your eyes shut, breathing through your nose, taking him in until he hit the back of your throat. You felt all of him, his smooth skin, his raw taste, and you couldnât get enough. Your fingers clawed at his thighs through his jeans as he groaned and grunted, filling your mouth.Â
âOh fuck.â He swore again. âGod damn it, baby, slow down.â His voice cracked as he grunted while also moving his hips, shoving his cock deeper into your mouth and helping you swallow more and more of him. His head tilted back, his lips parted as he gasped for air while you moved your mouth up and down his cock. And he looked glorious while he lost control. Those damn glasses almost falling off his face.Â
You teased him as much as you could, but he soon began begging for you to stop.Â
âCome on,â He pleaded. âI canât come yet, baby please.âÂ
Followed by more pleas.Â
âPlease, I really wanna fuck you.âÂ
âOh my god, please slow down.âÂ
âPlease donât make me come yet.âÂ
âSlow down, baby.âÂ
All said in a desperate hiss.Â
You werenât ready for the whimpers that followed his pleas. And you almost gave in and made him come because his moans and whimpers were so damn hot, but then you slowed to a stop. Pulling away and straddling him again.Â
Ryland did his best to catch his breath before flipping you two around, pinning you into the mattress again. Yet he was still panting as he looked down at you, his warm breath mingling with yours. âHad your fun?â He asked, using that playful, stern tone from earlier again.Â
He sounded so different from the man who was whimpering just a minute earlier.Â
You nodded, giggling, and clearly still riding that high from earlier. âYouâre so hot when you beg.âÂ
Ryland let out a little laugh as he leaned in to kiss your nose. Then the corner of your mouth, then along your jaw, and down your neck. âCan I make you feel good again now? Hmm? Can I please fuck you, baby?âÂ
You whined before answering, your back arching already. âYes, Ryland.âÂ
âWell spread your legs then,â He made you laugh again with his sudden, straightforward demand.Â
But you obeyed quickly. Ryland cradled your head in his hands, holding you so tenderly as if he thought you were fragile.Â
âIâve got you.â He said, as he held your stare, slowly sliding inside of you, both of you moaning softly as he went.Â
âRylandâŚâ You hissed in pleasure, unable to look away from his gorgeous blue eyes.Â
âFuck, you feel so good.â He whispered, nothing but desire and love in his eyes. He leaned in again, whispering against the corner of your open mouth, âWhere have you been all my life, huh?âÂ
You felt his cock stretching you, filling you up. Every thick inch of him sliding into your tight cunt. âOh fuck, RylandâŚâ You gasped.Â
âI know, baby. I know.â He said, pressing his forehead to yours. He held you close as he moved his hips.
âYou⌠you feel so good.â You could feel your eyes tearing up at how snug he felt inside you.Â
âI know.â He almost whimpered again.Â
He pulled away to watch you. Ryland held your stare as he reached down to grab your legs and wrapped them around his waist. He looked down to where your bodies connected, he watched his cock slowly moving in and out of you then leaned down to give you a messy kiss, swallowing your desperate moans in the process.Â
âThatâs it, baby. Let me in.â He whispered.Â
You couldnât help your loud moans as he moved his hips expertly. You thanked whoever or whatever taught him how to do that. You could feel your walls clenching around him as he sped up and pounded into you.Â
You felt all of him stretching you, filling you up, moving rapidly in and out of you until he was all you could focus on. His eyes remained fixed on yours. Ocean blue, now familiar.Â
âYou feel so goodâŚâ He whispered, pounding into you relentlessly, his hand instinctively wrapping around your throat as he bent down to bite your lower lip and tug on it. âSo perfect for me. My pretty girl.âÂ
His voice was driving you insane. You moaned at how perfect his lean body felt against yours, his weight pressing down on you. His slight stubble tickled your skin as he moved. And you slid your fingers into his hair, tugging on it even more now that you knew he liked it. He probably liked it a little too much since he wouldnât stop letting out discreet whimpers each time you gave his hair a slightly hard pull.Â
Your legs trembled as you wrapped them tighter around his waist. His thrusts, relentless and unbearably good. The pressure around your lower body, tight and hot.
Ryland looked down at you as you tightened around his cock. âHey,â He spoke softly, his thumb toying with your lower lip. âLook at me.â When you did, he whispered, âJust hold on, okay? Donât come yet. Just a little longer, baby.âÂ
You nodded, eyes half closed, but unsure if you could. He felt so fucking good and you were right on the edge⌠right on that fucking edgeâŚ
He must have noticed your eyes rolling back because he spoke again.Â
âCome on, baby.â He pleaded again, pressing his warm forehead against yours. âI know, I know.â He reassured you. âBut just hold it for me, okay? Just a minute longer, baby. I know you can do it.â He murmured. âYouâre so fucking beautiful.âÂ
The tenderness and care in his voice only made you clench around him again.Â
âOh look at you. You canât even hold it a little longer.â He gave you a lazy, cocky smile, âAre you gonna come for me now?â His hand squeezed your throat just a little, making you moan even louder. He gave you a messy kiss. âCome all over my cock then, come on.âÂ
You whimpered, unable to say anything because of how good he felt sliding in and out of you. The familiar pressure formed at your core and you whined again when his hand let go of your throat and his eager fingers found your clit, toying with it while he pounded into you mercilessly.
âThatâs it.â He cooed when your moans got louder. âYouâre doing so well for me, look at you. Now come, come all over me,â He whispered and that was all you needed to hear before you came undone all around him. Whimpering and back arching off the bed as you came hard around his cock, tightening around him.Â
Ryland kept pounding into you as your orgasm washed over you, your walls squeezing him violently. Your body trembling under his intense gaze. You felt his thrust becoming irregular, and felt his cock throb against your walls violently. âFuck.â He hissed again, then groaned as he quickly pulled out just in time and came all over your thighs. Â
You whined and whimpered as you felt his cum drip down your thighs.Â
âFuckâŚâ You whined as you caught your breath.Â
âCome here,â He whispered as pulled out and he laid down beside you, pulling you into his damp, but warm chest for a cuddle. You curled up against him in no time.Â
He panted, still catching his breath. âI think you deserve the t-shirt.â
You chuckled, still lust-drunk. âI think you deserve a second date.â
𼥠︳grant reillyŕ¨ŕ§

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think I need someone older
donât even rn shawn. donât you fucking even.
