she is beauty, she is grace, she got her feelings hurt 42 times today
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Mike Driver
he wasn't even looking at me and he found me

tannertan36
almost home
Not today Justin

bliss lane
The Bowery Presents
Cosmic Funnies

Product Placement
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NASA
let's talk about Bridgerton tea, my ask is open
Xuebing Du
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@chemical-fallout
she is beauty, she is grace, she got her feelings hurt 42 times today

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Anyone can play a princess. Anyone who says otherwise has a small imagination.
Photographer: Lily Andrui
Models: Vidal Francisco and Danae Kristine
spiderman is so fucking funny dude saves like an entire country and then he goes home at the end of the day and opens his fridge and hes got like 1 egg and a half empty can of arizona tea no matter how old he is or what comic hes from thats just how peter parker lives
relatable

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Parks and Recreation, Season 5: Moodboard
5 minutes of racist, homophobic, transphobic anti-feminist Ann Coulter getting dragged on Comedy Centralâs Roast of Rob Lowe
Camiâs impression was on point too LOL
Seeing Anthony Ramos sing Dear Theodosia has been the highlight of my quarter tbh

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i saw the original comic and i screamed
Hamilton Things
- Historically and in the play, Philip died at the age of 19. He lived through 19 songs in the play (Dear Theodosia through Stay Alive [Reprise])
- In his duel with George Eacker, Philip is shot on the count of seven, which is coincidentally the number he changed the melody on during his piano lessons
- âMom, Iâm so sorry for forgetting what you taught meâ - perhaps this is a reference to his piano lessons when he was younger. Eliza taught him to count. Philip believes he miscounted, he believes that it was his fault he was shot on what he thought was the count of seven.
- Hamilton died at the age of 47. Including the Laurens Interlude, there are 47 songs in the musical.
- The ensemble member who plays Philip Schuyler, who gives Hamilton his blessing to marry Eliza, also plays James Reynolds, who blackmails Hamilton for sleeping with his wife, Maria.
- The âI know my sister like I know my own mindâ line is sung twice by Angelica, once in Satisfied and once in The Reynolds Pamphlet, both with very seperate connotations.
- Hamilton is the first to introduce more intricate, polysyllabic raps (My Shot) as opposed to the simple beats used by Laurens, Mulligan, and Lafayette, showing his intellectual ability and innovation.
- âFools who run their mouths off wind up deadâ is directly followed by Laurens introducing himself.
- Jefferson sings in a jazzy tune because he has been away for so long and therefore missed the transition from jazz to hip hop. However, he quickly adapts as shown in Cabinet Battle #1.
- Lafayetteâs increasing grasp on the English language is shown when comparing his verses in Aaron Burr, Sir and Guns and Ships.
- Angelica is the first to sing âlook around, look around, at how lucky we are to be alive right nowâ, which Eliza continues to use throughout her life.
- Angelica raps at Hamiltonâs speed because she is his intellectual equal. Eliza beatboxes because she supports him.
- âWhen my prayers to God were met with indifference, I picked up a pen, I wrote my own deliverenceâ/ âI take the children to church on Sunday, I sign of the cross at the door, and I pray. That never used to happen beforeâ. Philipâs death drove Hamilton to religion, giving him something to rely on other than his words for the first time.
- Eliza doesnât rap because she is quite literally given the most time, she lives to be 97.
- Not only did Eliza establish the orphanage, she also helped to establish the first school in Washington Heights. Lin could have included the words âin Washington Heightsâ as a reference to his other musical, but decided against it.
Petition for Anthony Ramos and Jasmine Cephas Jones to play Hamilton and Eliza in the future
Hamilton Things, in no particular order:
- Philipâs piano lesson is the same melody as the countdown to the duel
- Philip is shot by George Eaker on the count of seven, and seven is where Philip dies during Stay Alive (reprise). Also referenced early, in My Shot (whenâs it gonna get me/in my sleep/seven feet ahead of me).Â
- Eliza is one of the only mains who does not use the traditionally fast style of rap in the musical, perhaps because she was literally the one given the most time as she lived to 97
- The way the names in this musical are sung are significant. Each person has their own melody for their name. Hamilton typically sings his name in his own style, seen in the title song, even when it doesnât fit with the current melody (see Whatâd I Miss). Angelica sings it a different way (see Satisfied). Angelica and Eliza trade each otherâs melodies to sing each otherâs names in Take A Break
- You knock me out, I fall apart is used figuratively twice. Once during Dear Theodosia in happiness, once during Itâs Quiet Uptown in grief.Â
- Three people describe themselves as âhelplessâ - Eliza, Alexander and Maria Reynolds
- I may not live to see our glory/Let me tell you what I wish Iâd known, when I was young and dreamed of glory
- Burr hands the narration off three times, once to Angelica, once to Alexander and once to Eliza (Itâs Quiet Uptown, Say No To This and Who Lives Who Dies Who Tells Your Story). Having Burr as the narrator for the Hamiltons grieving the loss of their son didnât feel right, so it was given to Angelica. Say No To This is a retelling directly from Alexanderâs memories. An argument could be made that Eliza is truly the star of the musical so she narrates her own ending. Otherwise, it seems to be that Burr is the narrator, knowing full well how this will end but powerless to stop it.Â
- Washington only raps when heâs frustrated
- Not a coincidence that Burrâs line âfools who run their mouths off wind up deadâ is directly followed by Laurens introducing himself
- My Shotâs line âIs it like a beat without a melodyâ echoes The World Was Wide Enough, where there literally is Hamilton singing with no accompanying music
- Peggy is never mentioned again after âHelplessâ
- In Hamiltonâs pleading to Eliza during Itâs Quiet Uptown, he is, for the first time in the play, putting himself in her position, figuratively and musically. He is singing her past melody as opposed to his own. He uses her âlook aroundâ melody as well, in an effort to connect with her.Â

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REBLOG IF YOU ADMIRE LIN-MANUEL MIRANDA
Angelica: I will never be satisfied. Eliza: *Slides a Snickers bar across the table* Snickers satisfies so you can stay the fuck away from my husband.