for me

Behind a Little House, by Manuel Cosentino

Claude Monet’s water structure and shades.

Giulia Bianchi

"You're safe"

— Ryan O’Connell (via bnmxfld)

Lockdown Moons, England 2020 | Taken from my bedroom window 

Archive - Portrait session, Self Assignment 2014 ,in Cannes 📸Photo by Thomas Laisné

Some drawings I did for our school exhibition ! 

It’s cinema, and it unveils itself as cinema. It’s a reverse shot between the two characters. And at that point, it’s not about the story anymore. It’s about you being in your seat, her being in her theater seat, and you watching. First you’re watching Héloïse, and then you’re watching Adèle Haenel performing, and then you’re watching a film ending, with room for your own love, because you connect with the journey of emotion. And you think, Oh, it’s sad, but suddenly, she lightens. She smiles. And maybe you reconsider your own past love.

Thelma (2017, dir. Joachim Trier)

—

Watercolor, pastel, and crayon on paper 22.38 x 19 cm (8.81 x 7.5 in.) Isabella Stewart Gardner Museum, Boston, MA, USA

“It was like a fun puzzle because there were so many moving pieces,” Shahaub Roudbari said. “It’s like designing a dance performance. It’s a fun ballet of the camera, the stunt performers, and the actors, and they all have to move in sync. That’s the challenge we live for.”