Do I actually want to write this fanfic or do I just want to wallow in the delicious daydream like a pig in the mud?
Unfortunately I wish for others to wallow in my magnificent mud pit
Peter Solarz
let's talk about Bridgerton tea, my ask is open

Andulka
noise dept.
we're not kids anymore.
cherry valley forever

@theartofmadeline
Cosimo Galluzzi
RMH
Stranger Things
DEAR READER
he wasn't even looking at me and he found me
trying on a metaphor
Alisa U Zemlji Chuda

titsay
Show & Tell
Three Goblin Art

JBB: An Artblog!
hello vonnie
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@centaine7
Do I actually want to write this fanfic or do I just want to wallow in the delicious daydream like a pig in the mud?
Unfortunately I wish for others to wallow in my magnificent mud pit

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normalize having favorites. in fact, normalize me being your favorite. normalize loving me more than you’ve ever loved anyone else. please please please please please please
German Windows:
Goodbye, Jean-Luc. I'm gonna miss you. You had such potential. But then again, all good things must come to an end.

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I think fanfiction as a medium is different enough from mainstream literature in the tools it offers writers that it's a shame that it's not talked about more often. And it's not me saying "fanfic is better than books xD" because that sort of mindset is a symptom of people who aren't particularly well read in either medium. I'm just speaking of like... The little things you get to do with a fanfic that you genuinely can't really do in an original story.
I had a big fanfic in a previous fandom where one of the big reveals was the involvement of a kind of infamous villain, whose presence was built up to and foreshadowed through the whole fic until his reveal without ever mentioning his name, so that the name drop would be a gut punch. It worked especially well because of who the villain was and his presence in that fandom space specifically (it's very complicated) and if it was an original story this reveal wouldn't work at all the way it was written in the fic. Because if you don't have a predisposition to think about that character and his relationship to the hero in a very specific way, then just seeing their name won't do much to you; the reveal and the recontextualisation it pushes upon you hinges on your previous knowledge of the source material.
I think it's an interesting tool fanfic authors are given. One of my favorite fanfic of all time is partially a re-imagining of its source material's canon, and something it does is introduce antagonists much earlier in the story or deepen npcs' stories. It then works to evoke a tragic irony that again wouldn't work if you didn't know the source material, and it's something the author obviously has a lot of fun with.
You could call it cheap or a crutch and I mean, yeah, sure, it is a little bit: the fanfic relies on previously established emotional bonds and stakes to achieve its goal, and in some cases it saves the author from having to 'properly' build up its stakes. But I think it's INTERESTING that it has that tool at its disposal. I think it's a fun thing to play with and I think these built in expectations and emotional bonds are especially why I find story driven aus in particular to be fascinating in the amount of ways you can play with them. You know??
one of my favorite bits in lord of the rings is something the movies didn't really try to do because it's entirely internal, but sam's carrying the ring and it starts trying to do its work on him, so he's having these intrusive visions of himself marching at the head of a vast and terrible army, and he just starts laughing because, me? samwise gamgee? sam gamgee the general sam gamgee the dark lord are you for real? man i just want to go home and do some gardening. and the ring gets frustrated and it starts trying to figure out other stuff that would actually tempt sam and it's finally like, okay, but hear me out: imagine if you could have...A REALLY REALLY BIG GARDEN
and then he's like, i don't know that sounds like a lot more work than a regular garden actually. why don't we just get on with finding mister frodo
A German regional court has ruled that Google is directly liable for the content of its AI search overviews. According to the court, previou
Let’s fucking go
This is HUGE.
1. The court holds Google responsible for statements made by its AI, considering them Google's statements (search engines have limited liability for results in their engine as they're the words of other sites/companies/people), meaning when their AI lies/hallucinates they're liable for the defamation/harm resulting from those statements.
2. Google's defense that customers are generally aware of the lack of reliability and are responsible for fact checking was dismissed. As the court pointed out, that would "significantly diminish" AI Search's stated purpose and it can't be distinguished from Google's business practices/statements as a search tool.
3. Studies have found about 91% of Google's everyday AI responses are accurate, leaving millions of searches per HOUR with potential liability for falsehoods. 56% of correct responses weren't supported by the sources the AI listed. Both of which mean Google is now liable for a LOT more AI "errors."
4. Google was held liable for 80% of court costs in this case and this precedent is expected to reverberate around the world. This is a massive shift from the 3rd-party search provider role Google has previously played and it comes right as they've tied ALL searches to their AI search.
TL;DR Google reeeeeally stepped in it this time.

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One more in the W column for Japan.
Link for extension :3c
I think companies with lots of desk workers should install this by default
the thing about misogyny is that femininity is both devalued AND forced on women (and those misgendered as women). if you fail to meet the arbitrary standard of Womanly Charm you're ugly and unwanted and hate yourself and if you succeed you're shallow and brainless and weak. if you don't try to conform you're lazy and if you do you're vain. it is not possible to beat this system. feminism needs both "feminine doesn't mean weak or less-than" AND "women don't have to be feminine to have value", and if you are fighting for one of these the people fighting for the other are not your enemies, nor are they privileged over you.
this post is inclusive of trans people, including but not limited to trans women and transfeminine people. exclusionary sentiment is not welcome.
this sounds like a party to me
My favorite scenes in the LotR books are the ones where Legolas has vital information and just decides it's not important to share.
Like when Gandalf spent literal PAGES trying to figure out why the vibes were off in Moria and Legolas chimes in with just "it's a balrog :) that shit's evil :) we're so fucked :)" like what do you MEAN you knew already and just didn't tell him??
Or at the beginning of Two Towers when Aragorn thinks there's something nearby so he puts his ear to the ground to listen, and then like 10 minutes later is like "hmmm i hear horses" and Legolas is just like "mm yep. there are 105 blond bitches with spears" like you just let your friend put his face in the dirt and you can SEE them??
Legolas please gain a sense of urgency
It's because legolas hasn't spent enough time with non-elves to remember that they don't know what he knows.
gandalf is scratching his head in moria, and legolas is thinking "oh man, the wizard noticed something off *besides* the obvious balrog that we all are aware of??"
"I wonder what aragorn is listening for? must be hard to hear, what with all of the horses. How many horses are there, actually? 1... 2... 3..."
"What do your elvish eyes see?" is Aragorn saying, as politely as possible, "Because the REST OF US are at a significant disadvantage, Prince Dipshit."

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Something I feel like is very underrated about Tolkien’s writing is the way he always writes his aristocracy as having jobs.
Like most fantasy stories I read/see have a privileged ruling class whose day job is to either do politics or be idly wealthy. And then you have LOTR and the Silmarillion, where the kings and princes and queens are constantly identified by very traditionally lower-class job. Fëanor and Celebrimbor’s defining trait is their smith work. Elrond and Aragorn are constantly referred to as capital H Healers. Bards like Maglor or Daeron or Luthíen seemed to be a point of pride for their families/cities.
Idk it’s just a really cool take, esp from a British author considering the historical British “noble class” is where most of these fantasy stories draw their worldbuilding from.