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tributes to david lynch left at bob's big boy in toluca lake, california
happy juneteenth to everybody blackkkk!!!! 💕
if anyone wants to help out a black disabled artist who's been severely struggling today, my pay links will be below 👇🏾 i recently learned the source of most of my pain & chronic symptoms is due to a congenital absence of my inferior vena cava, and the symptoms have been progressively worsening my quality of life, so i haven't been able to work and have no money and i'm waiting on a decision for my 6th attempt at applying for disability benefits. 🥳 please share this if you don't have the means to help out!
v3nmo / p4ypal / c4shapp / k0fi
Every year I tell the socials to Give Black People Money for Juneteenth. 2026 ain't about to be different. Give a little, give a lot, give directly, give widely.
Black fam: you are invited to reply to this with your info/links!
How to Give
Directly, if you can, to someone's Venmo, Ko-Fi, PayPal, Patreon, & etc.
Buy their art, books, music, jewelry, zine, or whatever else they create. Again, directly if possible.
Don't have money? I gotchu: Promote the heck out of their creations for the next week.
Check the notes for Black people to give money to if you don't know any personally (or if you do! You might find new, cool people).
Boost this post through the holiday weekend. Boost the Black people you know or find here through the weekend.
I can hear some of you saying: But Tempest, isn't asking for money cringe?
Only if you let it be.
Let's not forget why Juneteenth is a thing. Let's not forget that here in the year of our Lort 2026 there are people in white houses saying the racist parts out loud every day. Money can't solve that or make it better.
It can give a person a spark of joy in dark times. Maybe they'll buy a nice dessert, or go out to eat when they normally couldn't, or pay a bill without having to stress. Maybe they will be so freaking excited someone bought that thing they made!
So, Black people: Ask. Everyone else: Give No shame, no shade.
Black Person to Give Money To: Nisi Shawl
Nisi is an award-winning writer, editor, and teacher who has touched many lives with their creations and their wonderfulness.
They're the co-writer of Writing the Other, a book that's helped many authors get representation right. They're on the board of Clarion West and the Carl Brandon Society, organizations that support the SFF literary community and BIPOC fandom. And they're the author of many beautiful books, including Speculation (middle grade fantasy), Everfair (afro-steampunk), and Our Fruiting Bodies (short speculative fiction), to name a few.
Venmo: @ NisiShawl
Patreon
Nisi's Books on Bookshop.org

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shawty's like a malady in my head
"I’m a cancer survivor abt to lose housing. My last ask ever for communal support is for 3k, if folks wouldn’t mind chipping in to help w the transition out of my apt, moving costs of my life upending, & losing my home b4 surgery. Thanks everyone! I (we) tried.
P/V: nubulagalaxie"
via nubulagalaxie on twitter
what

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🎬 My Cousin Vinny (1992)
The FBI cut the phone lines during the 1977 disability rights sit-in. Then they turned off the hot water.
They locked the doors from the outside. One hundred and fifty people were trapped on the fourth floor. Half of them used wheelchairs. The government assumed they would leave.
Kitty Cone was thirty-three. She had muscular dystrophy. Her muscles were failing, but her logistics were flawless. She knew how to organize people.
The federal government had promised to sign regulations protecting disabled Americans from discrimination. The policy was known as Section 504. They printed the promise on paper. Then they stalled. Without a signature, it was just typography.
The protesters entered the regional Health, Education, and Welfare building in San Francisco on a Tuesday morning. They took the elevators to the director's office. They brought sleeping bags and catheters. They informed the staff they were not leaving until the law was signed.
By sunset, the police surrounded the exits. Kitty sat near the windows. She organized the floor plan. She assigned committees for security and sanitation. She kept her medication in a small cooler.
According to federal memorandums released decades later, the strategy to end the occupation relied on medical attrition. The building was not equipped for long-term habitation. The FBI calculated that a population requiring ventilators, specialized diets, and daily medical aides would voluntarily evacuate if the environment became sufficiently hostile. They instituted a blockade.
The blockade went into effect immediately. No food deliveries allowed. No medical supplies permitted through the lobby. Guards stood at the main doors checking identification.
Kitty's muscles deteriorated faster under the physical strain. She couldn't walk. When the phone lines went dead, the fourth floor lost contact with the press. The government waited for the quiet.
Kitty dropped to the floor. She realized the barricades were designed for standing adults. The police had blocked the hallways at waist height. They hadn't blocked the linoleum.
The floors were covered in cigarette ash and spilled coffee. She dragged her body through it. She crawled under the barricades to reach the restricted elevator shafts and unguarded offices.
She carried notes in her pockets. She found a single working payphone the FBI missed. She called the local news desks. She called the mayor's office.
She crawled back. When her arms failed, someone pulled her by her ankles. The Black Panthers heard the news reports. They crossed the police lines with hot meals. The FBI could not stop them without a riot.
They shut off the elevators, so she crawled.
The occupation lasted twenty-five days. It remains the longest non-violent occupation of a federal building in American history. On April 28, the Secretary of HEW signed the regulations without a single alteration.
The protesters left the building the next morning. They went back to their apartments. The Rehabilitation Act regulations laid the groundwork for every accessibility law that followed. The HEW building still stands on United Nations Plaza. The elevators run on a schedule. The doors are heavy glass.
Kitty Cone: the woman who crawled under the barricades.
Source: Kitty Cone's oral history, Bancroft Library.
Verified via: National Museum of American History.
(Some details summarized for brevity.)

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Toshihiko Takamizawa: ‘Rose Angel’ + ‘Heart Angel’ made by: ESP Guitars, Japan