I am the contortionist. Nice to meet you. I write on AO3 and here. Things will be happening soon. Be aware of this. Incase anyone couldn't guess, I will mainly be writing about JJBA, who would've known. I hope you enjoy my work.
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I imagine that Buccellati refused to allow Abbacchio to meet Narancia and Fugo until he toned the drinking way down. And Abbacchio in him fashion would stop cold turkey for like 3 mouths straight. Like Mista didn't meet recovering alcoholic Abbacchio but he heard about him. Fugo and Narancia met a far more irritable Abbacchio. The met a man who was ready at any moment to end it all but didn't because Buccellati believed in him, and gave him a reason to keep living. I don't imagine Buccellati talking much about it, but everyone knows it. It's an unspoken thing everyone can see they just say nothing about.
After Mista joins Abbacchio had broken his sober streak, but he had strict rules for himself. No more than two or three drinks per day. No drinking on jobs. Things like that.
Nobody understands the way I do I fear. I mean people characterize Bruno Buccellati one of two (in MY OPINION) incorrect ways. They either make him a sweet unassuming 'mother' figure or a cold and bitter more angsty teenager. Bruno Buccellati is neither. He is a wet napkin that is drying in the sun. He's a broken chair with wood glue drying in the cracks. He's a drowned phone sitting in a bag of rice. He is a broken, sad, scared, individual who has recently found the conviction to do what must be done but before Giorno had yet to find the confidence to actually start. He was so busy putting the pieces back together for his team members that he didn't bother with his own until he had to confront the boss. He is someone who is looking towards the future, someone who was shaped by the past, and someone who won't let the tragedies of his youth stop him. He may have allowed his sentimentality and passion stall his efforts, but he would never give up on what he believes in.
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Oh to be a member of the italian mafia. Oh to meet a blonde teenager who says something spiritually enlightening and become devoted to him. Oh to watch all my friends die gruesome deaths and come out of it still willing to devote my life to the criminal organization that killed them. Oh to see a person who saved your life and you were bonded to in a familial sense have a similar sort of holy way of living only to sacrifice himself for his cause. Oh to see someone you've known for a week alter the course of your life and the lives of those around you. Oh to realize said blonde teenager is not only lucky, but that he has fate on his side. Oh to have a cannon line calling him fate. Oh oh oh to have a weird superstition about 4.
Oh to be Guido Mista, coming to realize that Giorno Giovanna is NOT just some teenager Bruno took pity on.
A lot of people write Giorno and Dio meeting as a happy event, where Giorno is happy to see Dio and Dio loves his kid. That sadly is not what would happen. Dio being the vile creature he is would get murdered by his son who despite being the leader of the Italian mafia has strict and unmovable morals.
Another thing I see is the idea that Giorno would have some big reaction to learning that his father is dead or meeting Jotaro who killed Dio. He wouldn't. Sure maybe somewhere deep down in his body he would feel a twinge of anger but it wouldn't be for Dio or at Jotaro it would be at himself for being disappointed. He built an image of Dio in his head and reality didn't match. I think Giorno would completely understand that Dio had to die. In fact I think that if Giorno was in Jotaro's shoes he would have done it himself.
I mainly disagree with people portraying Giorno having emotional outbursts. Sure he shows a lot of emotion, but he wouldn't have an uncontrolled burst. It'd be small and almost unnoticeable.
When I first consumed jjba one of the things that really stood out to me was the large amount of sexual violence that happens in the series. I've only read up until the end of sbr but from memory I can't think of a single part that didn't include it.
TW: talk of rape, sexual assault, grooming, and realized sexual violence under cut
A non-exhaustive list of explicit sa based off of memory:
Dio forcing a kiss onto Erina
Dio releasing a zombie minion onto Poco's Sister who almost rapes her (memory is fuzzy on this one)
Multiple instances of Nazis sexually assaulting native women
A orangutan that almost rapes a child
Polnareff' sister who is murder raped
The water serial killer from the start of the series having murder raped multiple boys
Yoshikage Kira and literally all of his victims
The woman Mista saves from being raped
Fugo being groomed, sexually pressured, and nearly assaulted by his old professor while he was still a young teen
Melones stand baby face forcing itself onto the woman on the train
Jolyne being forced to bend over naked for the corrupt cops power play
Diego's mom being pressured to have sex with her employer then harassed after refusing
Ringo Roadagain was almost raped as a child after his family was murdered by his attempted rapist
Funny Valentine graphically raping Lucy Steel on page
And despite that being such a long list it still doesn't cover any of the things in the series that carry the scent of sexual violence, exploitation, and grooming.
There's quite a few good examples of this underlying tone of sa in regards to Dio so let's go over those for my explanation.
Dio is often scene shirtless and rubbing Jonathan's body while staring in the mirror during part 3. I truly believe that Dio would have a complex about having sex using Jonathan's body and considering that he manages to have 4 known kids during this time make my suspicious of him being gross about having Jonathan's body as his own feel more substantiated.
Kakyoin is isolated from his family and brainwashed by Dio and then forgets most of his time with Dio via the brainwashing and what I believe to be a trauma blackout. We get no further knowledge on what Dio does to Kakyoin during this time but the scenes and information we do get all feels like Dio is trying to seduce Kakyoin who is very much a teenager, minor, and child.
Pucci is definitely groomed by Dio thats not up for debate but whether or not it was sexual in nature isn't explicitly stated but heavily implied. Dio gets far to close to Pucci with their faces only a few cm apart, he's seen laying in his bed with Pucci and puts his hands on Pucci multiple times without Pucci reacting negatively. Far to enamored with Dio to care about his own well being. I ask you to please rember that Pucci was also a minor when he knew Dio.
There is a reason why Dio as a character has so much of this underlying tone of SV about him. Sexual assault is one of the most immoral things you can do against another. It shows a utter lack of regard or empathy for another person's will, autonomy, and body inflicting life long trauma all for the sake for the attackers own validation.
Dio doesn't care for other people, their life, their bodies, their trauma. All that mattered to Dio was his own wants. He wanted money and power so he killed George Joestar and didn't ask. He wanted power so he turned himself into a vampire and tried to turn Jonathan too. He wanted sex, as seen by his 4 kids, so I don't believe this would be where he draws the line.
And the sexual violence fits into a larger trend of gratuitous body horror. As sexual violence is categorically a type of body horror (as seen best with Lucy Steel) does have it's place in its JoJo's.
But it's execution can be iffy at times. I feel like alot of the sexual violence in part 2 (one of my favorite parts) really drops the ball on how serious it can be while part 7 I feel like has the best execution of it I've seen done in JoJo's yet.
Ringo Roadagain's assault was taken seriously by the narrative despite him being male, which is very rare for the genre. And despite how graphic and uncomfortable Lucy Steel's assault was it really showed how horrific of a villain he was and is treated with a seriousness that makes you nauseous. The pregnancy with a corpse head also is a horrific but impactful repression of being pregnant with your rapists baby.
This isn't to say that part 7 gets it perfect (Mountain Tim being a favored character despite trying to get with a 14 year old is not okay nor normal and should of had more consequences) but it's definitely a more impactful, non voyeuristic depiction of sv that I've seen in Manga.
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Fair warning, I'm going to hurt everyone with this one. Sorry in advance!
Bucciarati is such an incredible character...
In his backstory we see him make a choice to stay with his father. Not because he wanted to chose a parent, no child ever does, but because he as a young child was able to see emotions and process things that many adults wouldn't even pick up on. Bucciarati chose to live with his father to keep his father alive. He did everything in his power in order to keep his father alive, and to protect his father. Including becoming a 'murderer' at 12 (I believe that's how old he was) when he killed two men to save his father. Bucciarati then decided, since he'd already killed two people he may as well take the leap and join the mafia to secure protection to his family that needed it.
Bucciarati recruited Fugo. An angry, volatile, and incredibly intelligent child. He claimed to want Fugo to join him because of how smart he was. I think it's because Bucciarati saw himself in Fugo. He saw an angry boy who was struggling and empathized with him. Bucciarati saw himself at 12 after he'd just killed two men in Pannacotta Fugo and decided he would take care of him. Because that was him.
Bruno then found Abbacchio. A former police officer who had nothing left to live for. Bucciarati saw in Abbacchio what he himself felt. Blame for a death of another. Guilt over that death slowly eating away at Abbacchio as it once did Bucciarati. And Bucciarati decides to ask Abbacchio to join him. And this saves his life. I will always stand by the claim that Abbacchio would have killed himself if Bruno didn't get him. And with the fact that we see Bucciarati have an innate ability to see the emotions others are feeling since a very young age (like with his father) it's very likely he knew that if Leone Abbacchio didn't join him he'd end up dead.
Narancia Ghirga is a very different case however. Bucciarati didn't want to pull him into the mafia life. It was Fugo that found Narancia and Fugo who brought him to Bucciarati. Narancia was sick, starving, and abandoned by everyone he knew, he was at the lowest point of his life. Bucciarati lifted him up, because he knew what that low does to a person. He wanted to give Narancia a chance to live. And Narancia out of admiration joined the mafia. He asked for forgiveness rather than permission.
Then Guido Mista, who did the right thing. Mista who saved a woman from being raped. Mista who went to jail for defending himself and a woman he didn't know. Bucciarati bailed him out of jail and asked him to join his group. Because he and Mista did the same thing. They both became murderers trying to defend someone. Bucciarati being a child is likely why they called his case strictly self defense. Mista being much older was persecuted and jailed for essentially the same thing Bucciarati did. And he wouldn't stand for that.
Bruno Bucciarati seeing the drugs the boss peddled, and forming the thought to betray the boss because of it. This was way before he met Giorno or Trish. It was because the boss had indirectly killed his father. But Bucciarati didn't act on it. He didn't even plan something. Because he was scared, not for himself, but for the family he built from the ground up. For the children he took under his wing, for the men he'd grown to care about, for the people who became his home.
Then, Giorno Giovanna comes along. Giorno Giovanna who is like him. Who can read people's emotions and intention. Who is burdened by memories of his childhood. Who has the same dream of ridding his home of drugs being peddled to children. Giorno fucking Giovanna who is 15 years old, and has a plan and a dream. And Bucciarati can just see that he will accomplish it. And this blonde boy brought the courage Bucciarati needed to put his plan into motion.
And he let his team join him in that plan after the boss tried to kill Trish. A girl they'd protected with all their might, a girl Bucciarati couldn't just watch die. A girl he again saw himself in. He couldn't let that happen.
Bruno Bucciarati died in the name of his dream, he saw his family die. The exact thing he was terrified of happening again. His family was breaking, dying, but he couldn't stop because if he did it would all be in vain. And he made damn sure that Narancia and Abbaccio didn't die pointless deaths.
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