life is starting to feel like this scene from icarly
taylor price
$LAYYYTER

⁂

Discoholic 🪩
Jules of Nature
ojovivo

roma★
PUT YOUR BEARD IN MY MOUTH
🪼

JVL

★
AnasAbdin
Game of Thrones Daily

祝日 / Permanent Vacation
he wasn't even looking at me and he found me
wallacepolsom
Not today Justin
"I'm Dorothy Gale from Kansas"

titsay
seen from United States

seen from United States

seen from Malaysia
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seen from Jamaica
seen from Jamaica

seen from Malaysia

seen from Malaysia
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

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seen from Malaysia
@caleanamajored
life is starting to feel like this scene from icarly

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steam repeatedly notifying you that a friend is booting up a game thats clearly not cooperating feels like ur sitting inside and someone outside keeps trying to rev up a lawnmower
Incoming - William H. Hays
American , b. 1956 -
Colour reduction linocut print , 9 x 12 in.
21 more days… mfw when my nails just shot out from my lame feet 😔✊

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silver and gold
By Youran Tang
Shirō Kasamatsu aka 笠松 紫浪 aka Kasamatsu Shiro (Japanese, 1898-1991, b. Asakusa, Tokyo, Japan) - Tidal Hour (Shiodoki), 1964, Woodblock Print: Ink, Color on Paper
I remember when I was younger, anytime I watched a movie where the characters have to kill a scary monster/alien, I always thought the act of killing it was intended to be part of the horror. Like there’s this amazing creature that we’ve never seen before, and maybe under different circumstances we could’ve coexisted with it, but it’s trying to attack you and you have to defend yourself, but by destroying it you also destroy the ability to ever understand it and that’s sad and is supposed to make you feel conflicted.
It was not until well into my adulthood that I realized most people do not have complicated feelings about movies where people have to kill a scary alien monster, nor is that necessarily meant to be part of the narrative (unless it very obviously is). They just want the scary thing to die because it’s scary. I don’t have a real conclusion to this I just started thinking about it for some reason.
Everybody in the club Yield to my will

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"Beneath The Golden Willow"
Ed Perkins.
Charles van Beveren (detail)
Amy Katherine Browning (English 1881-1978), Lime Tree Shade, 1913, Oil on canvas

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Happy pride to those 5 seconds where Charlie Swan thought Jacob was coming out to him in the most insane way possible
family portraits
i immediately started weeping when i drew jonathan