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@c-chiachia
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裂谷,2023
轉場,2023
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Adrop
圖塊的背叛 The Treachery of Blocks, 2021
(AutoCAD Color Index #0, #1, #2, #3, #4, #5, #6, #7) 組件,絹印於紙。
設計圖中的圖標代表著特定的意義,使溝通更加簡便,如同文字具有了共同的解讀方法。作品使用灌木在設計圖中常見的圖標樣式,軟體AutoCAD稱呼其為圖塊(block),而設計者們熟知此一圖塊為一株灌木。每種圖塊代表著不同品種的灌木,來自真實灌木的形象,通常由製圖者們簡化造型、自由地繪製。
AutoCAD設計圖,我們從來沒有看見真實的灌木,自然只是看見圖塊。不過,我們可能也沒有仔細觀看圖塊,而是透過圖塊看見灌木的想像。
Blasé-LEE Chia-Chia solo exhibition
-The things formed silently. It is what someone be blasé about.

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麻木-李佳珈個展
Blasé-LEE Chia-Chia solo exhibition
✸ 《麻木-李佳珈個展》探索環境的形成因素與力量,將形塑環境的方法挪用在創作上。作品不附屬於建築或特定地點,且其樣貌隨著展出地點而變......Keep reading
2021年6月 | 個展於本網頁舉辦,因應 COVID-19 改為線上展覽。 | 麻木-李佳珈個展---展覽作品探索環境的形成因素與力量,將形塑環境的方法挪用在創作上。作品不附屬於建築或特定地點,且其樣貌隨著展出地點而變。展覽談到的形塑環境,參考了植物種植的環境控制和設計。從植栽
✸ 異動 ✸ 因應COVID-19疫情警戒,展覽改至線上展示。 Due to COVID-19, The exhibition is held on this site. 原展覽資訊如下
造林 2021
2020 stone lithography
第二張影子 The 2nd Shadow
架起影子張成的網
影子使我們認定那實體的存在,像是一種對真理的證明工具,憑藉我們對「原本」的印象,這讓副本能夠解讀,然而在副本的前身也可能是另一個副本,它們生生不息的再產過程如同物件的生命,使副本「再產」或是「重生」成了同一回事。如此創作可能朝向副本,或是朝向了原本,藉時間的累積或許能得到解答。其中透過「曝光」捕捉了那些序列或無序的,副本與副本的中間片段,在緩慢或剎那的曝光下,讓隱微的感覺成為可見的模樣。然而,曝曬在陽光下的模樣卻不是每次相像,那可以視為一些碎片。我們因此在這些碎片之上建立整體,或是傾聽碎片之內,它低語著的那些操作活動和「觸感」,從生活的身影、肌肉的抽動到下陷的凹痕,隨著時間的推進,把它看成了永無止盡的永恆,也可能是無時間之別地反覆織著「第二張影子」?
「第二張影子」是一個探索版畫媒介的團體展覽,同時也思考,當我們探索這充滿看似完善的知識、這種已經進入歷史的媒介,它還有何種價值。展覽中的觀察、等待或是刻意製造的事件,這些創作姿態及作品,使版畫媒介的創作質性得以延展。這些觀點是摘錄兩年來我們的創作思索,我們以版畫媒介為展覽核心,各自發展不同傾向的關注,擴展與關係著這些論點。
第二張影子 The 2nd Shadow
開幕座談:9.18五 16:00-18:00
展期:9.19六-9.26六
時間:週一至週五 15:00-19:00 週六日 12:00-18:00
地點:臺藝大影音大樓一樓(板橋大觀路一段59號)
藝術家:
/楊淯麟/林亞翰/林芷吟/李佳珈/
The 2nd Shadow
Date: 9.19-9.26 Mon-Fri 15:00-19:00 Sat-Sun 12:00-18:00
Opening: 9.18 Fri 16:00-17:00
Venue: NTUA, Banqiao, New Taipei City
Artists:
/YANG, Yu-Lin/LIN, Ya-Han/
/LIN, Chih-Yin/LEE, Chia-Chia/

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Brick Wall, 2020, Lee, Chia-Chia
exhibition view The 2nd Shadow 第二張影子
2020.12.31