BRION GYSIN

@briongysin

My given name is Brion. My Celtic mother was thinking of one of those insufferable phony kings of Ireland and spelt it with an a: Brian. Official documents took care of that and spelt it Brion, like the famous wine of Bordeaux, Haut Brion. I accepted this gladly and dropped all my other given names when I became an American citizen.

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danskjavlarna

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A shadow looms over this collection of vintage sundials.

#HERE TO GO

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garadinervi

Brion Gysin, Stories, Inkblot Publications, Oakland, CA, 1984 [The Bookplate, Boston, MA]

garadinervi

Brion Gysin 23, I.C.B.M., Caen / Editions Cactus, Herouville Saint Clair, 1993 [BeatBooks, Longborough, Compton, West Sussex]. Cover photograph by Charles Gatewood. Contributors: William Burroughs, Hamri, Lawrence Lacina, Udo Breger, Bernard Heidsieck, Henri Chopin, Ira Cohen, John Giorno, Guy Schraenen, John Geiger, Steve Lacy, and Daevid Allen, among others. Published on the occasion of the exhibition ‘Brion Gysin Play Back’, Espace Électra, Paris, January 14 – February 16, 1993

garadinervi

Brion Gysin, Who Runs May Read, Foreword by Jürgen Ploog, Inkblot Publications, Oakland, CA / Xochi, Brisbane, 2000 [BeatBooks, Longborough, Compton, West Sussex]. Cover Art by Gysin

garadinervi

Brion Gysin, Untitled, 1962 [Centre Pompidou, Paris. © Galerie de France, Paris. Photo: © André Morin]

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garadinervi

Brion Gysin, Untitled, 1962 [Centre Pompidou, Paris. © Galerie de France, Paris. Photo: © André Morin]

garadinervi

Brion Gysin, Untitled, 1962 [Centre Pompidou, Paris. © Galerie de France, Paris. Photo: © André Morin]

garadinervi

Brion Gysin, Untitled, 1963 [Centre Pompidou, Paris. © Galerie de France, Paris. Photo: © Audrey Laurans/Centre Pompidou]

garadinervi

Brion Gysin, Untitled, 1960 [Centre Pompidou, Paris. © Galerie de France, Paris. Photo: © Georges Meguerditchian/Centre Pompidou]

garadinervi

Brion Gysin, Untitled, 1960 [Centre Pompidou, Paris. © Galerie de France, Paris. Photo: © Audrey Laurans/Centre Pompidou]

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garadinervi

Brion Gysin’s Dreamachine, with two calligraphic drawings by Brion Gysin, Text by Andrew McKenzie (The Hafler Trio), R. Botnik T.V. / The World Network System Communication, 1988, Edition of 100 numbered copies [BeatBooks, Longborough, Compton, West Sussex]. Cover Art by Gysin

garadinervi

Dreamachine Plans created by Brion Gysin, Temple Press Limited, Brighton, Sussex, 1992 [BeatBooks, Longborough, Compton, West Sussex]

garadinervi

Brion Gysin, A Trip from Here to There, 1958 [MoMA, New York, NY]

infiniterichesinalittleroom

“WE ARE HERE TO GO” - @briongysin

We remember back in 1986 when Brion Gysin was becoming ever more sick. We visited him the week before he dropped his body. At one point, he asked me to go out and have a coffee while the funeral staff came to measure him for a coffin. He was pale, as if he were literally fading away from reality and becoming semitransparent. We took a Polaroid, one of our prized possessions. "Gen," he said, "I can't take this pain any longer. I need to go." Our heart faltered for a second. He was our mentor, our teacher, our engine of hope. And he was leaving. We said to him, very sincerely and seriously, "I'm going to make sure that nobody forgets about how important your work is until it gets recognized." It became one of our life tasks. To proselytize his works, his ideas; keep his books and artworks available and influential. This is what we've done. He deserved it. He generated the most important techniques and tools of the last century for short-circuiting control and moving the culture in a new direction.

from NONBINARY by Genesis P-Orridge

#Genesis P-Orridge #Genesis Breyer P-Orridge #brion gysin #nonbinary #throbbing gristle #william burroughs #william s. burroughs #psychic tv #abrams press #death #mortality #trans #pandrogyne #transgender #jon savage #peter christopherson #brion gysin: his name was master

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infiniterichesinalittleroom

https://monoskop.org/images/3/37/Painful_But_Fabulous_The_Lives_and_Art_of_Genesis_P-Orridge.pdf

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