Tessa Thompson as King Valkyrie THOR: LOVE AND THUNDER (2022)
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@blackwidowyael
Tessa Thompson as King Valkyrie THOR: LOVE AND THUNDER (2022)

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NATASHA ROMANOFF in CAPTAIN AMERICA: THE WINTER SOLDIER (deleted scene)
once in a dream, i thought i could be anyone i wanted.
FLORENCE PUGH as YELENA BELOVA BLACK WIDOW (2021) dir. Cate Shortland
in honour of international florence pugh day
BLACK WIDOW (2021)
hny comrades

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Iâm sorry, but is this the same bitch that was giving Natasha shit for being overly dramatic with her poses??
Gurl. Really? đ
âbest shot you ever took?â
âthe one i didnât take.â
THIS IS A NATASHA NOSTALGIA POST FOR A NATASHA NOSTALGIA EPISODE
Also Yelena appreciation...
iâm going to be blunt, and iâm being blunt because you all know that this is true. if yelena had been confirmed gay in the comics, the âdiscussionâ on mcu vs. comics wouldnât even exist. it wouldnât. the second there was a hint that she likes girls, it would be accepted as law, and you know it.Â
but because sheâs aromantic asexual, yâall act like itâs some big joke. you act like this is something âup to interpretationâ and you pull these âmcu isnât the comicsâ debates out of your butts for one reason and one reason only:
you canât stand aro-aces having something for themselves.Â
you canât stand it. for whatever reason, itâs some personal affront to have a single character, a woman, who doesnât experience sexual or romantic attraction exist. for whatever reason, itâs a sin that there are others like her who love and relate. for whatever reason, itâs completely unnatural for real life people to want to see themselves represented.Â
i donât understand what is so, so hard about just giving people one thing as their own. you arenât better than another minority. you arenât. let aro aces have one single thing for once in their lives. for a people, for a community that bands together when it comes to being left out of so many things, itâs disgusting to see yâall literally use the same tactics of those who have subjugated you on those within your own community.Â
yelena belova is aromantic asexual. yelena belova is aromantic asexual. yelena belova is aromantic asexual.
that is not an opinion. that is not a headcanon. that is not a sin. that is not some mistake. itâs fact. itâs truth. itâs law.Â
itâs beautiful and itâs fucking real. start acting like it. start treating it as such.Â
Yeeeeessssss!!!!!!
Yelena: Do you want a quickie?
Kate: Ex-excuse me?
Yelena: A quickie, one of those cake things.
Kate: ITâS PRONOUNCED QUICHE.

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no one:
steve rogers and natasha romanoff in every mcu movie:
Accurate
And we love them for it.
Leave mom and dad alone.
sUch a p0ser đđ
BLACK WIDOW (2021) dir. Cate Shortland
my friend got me a yelena poster. life goals complete
Clint: Please, Iâm begging you, go to the hospital.
Natasha: Oh, Iâm sorry is this OUR stab wound now?
Clint: What?.. No?
Natasha: I didnât think so. Stay out of it.
One of those days
Hey y'all! I just received my first request from @thoughfulmilkshakeface, and here it is, hope you all enjoy! psa I am taking requests, mainly Natasha/Yelena/Wanda centric, and I dont do reader inserts or anything too smutty so feel free to leave smth in ma inbox ;)
Natasha has bad days. Clint knows this, and he also knows that the bad days will pass, making space for the good ones, where they can go out to the movies, or grab lunch, or take Lucky to play ball in the park without the change of routine sending her reeling.
It is these days that he treasures the most, when he can pretend, even if it is only briefly, that they are just another normal couple, with normal problems like squabbles over whoâs turn it is to take out the trash or clean up after the dog.
Today is not one of those days.
Clint can tell from the moment they wake up. He cracks open an eye just in time to see the flash of metal handcuffs disappearing into Natashaâs nightstand.
The handcuffs rarely make an appearance anymore, and only on those nights where she is filled with an anxious restlessness, a sense of uneasiness that only the cool slicing of the metal can satiate.
She never talks about it, refuses to acknowledge that they still have a lingering control over her that she canât quite shake. Clint understands what it is like to feel that lack of autonomy, and never pushes her to stop.
Lucky knows that Natasha has bad days as well. She stumbles past where he is eagerly awaiting breakfast, straight to the gym without so much as a glance in his direction. It is like she is barely even there.
Clint drags himself into the kitchen, narrowly avoiding hitting Lucky in the face as he reaches down to pat him through a haze of sleep. He fills Luckyâs bowl, and slides two pop tarts onto a plate. A smile almost reaches his face as he thinks about the plan Nat concocted to sneak them past the addicted demi-God upstairs.
And they wait for the last member of their family to return. Sometimes, an hour in the gym is enough to shake whatever demons were haunting her away and she returns more present, having slipped out of whatever funk she is in.
Today is not one of those days.
They watch the clock as the hands trail round the hour, and into the next. Lucky whines, pressing himself against Clintâs leg. He is weirdly intuitive, can always tell when somethingâs not right. Almost two hours have passed. Natashaâs coffee has grown cold in the pot.
âI guess youâre right, bud,â Clint sighs, rubbing Lucky behind the ears. âIâll go check on her.â
At first, he thinks the gym is empty. Music blares out of the speakers as he scans every corner.
He finds her huddled in a crack between the wall and a punching bag. From her vantage point, she has a clear view of the entire gym, but she doesnât even blink as he settles down in front of her.
Natâs eyes are glassy, unfocused. Clint waves a hand in front of her face, trying to get her attention. He is wary of touching her when sheâs like this, but he really needs to get her to the apartment. Clint can see the blood leaking through her pointe shoes, feet white with the ribbons tight enough to cut off her circulation. Slowly he loops one arm around her shoulders, the other under her knees, narrating as he does so.
No matter what, Clint wants her to feel at least some semblance of control.
âAlright, Tash, back to the apartment. I got you, itâs okay.â He glances at her briefly, to see if he has gotten a response, but she has retreated so far into herself that she canât hear him. Dissociated, the part of his mind that has attended many therapy sessions with her, supplies.
She has frozen by the time he tries to deposit her on the couch. Eventually, he just sits down with her draped over his lap, hoping that the feel of him breathing would help to ground her. He thinks back to the day before, trying to remember what could have triggered it. Nothing springs to mind, although new triggers still pop up now and then. Maybe something from a mission?
Lucky worries when he sees Natasha like this. It makes Clint sad, and then neither of them will take him to the park. He leaps onto the couch, burying his muzzle in Natashaâs face and showering her with kisses. Suddenly, she stirs, breath shuddering in her chest.
âNat, youâre okay, youâre safe. Weâre in the apartment.â
One hand comes up, shielding her face, while she desperately tries to wriggle out of Clintâs lap. Her breath is beginning to come faster as she squirms, unable to escape Luckyâs slobbery hold.
âNatasha, itâs just Lucky, youâre okay.â
âClint?â
âYeah. Can you breathe with me?â
She canât.
She can feel her breath whistling in her chest, coming faster and faster and despite this feel the lack of oxygen in her brain. Lightheaded. She doesnât think her legs would support her right now if she tried to run.
Run away from all of this. All these emotions, clawing at her chest and anxiety buzzing in her brain and tingling on her skin and she can't breathe, she canât-
Breathe.
One fist gripping Clintâs shirt, the soft fabric grounding, while simultaneously keeping herself as far away from him as possible, curled on the opposite side of the couch.
Through the icy panic, she tries to focus on his chest. Watching it rise and fall. She manages to take gulps of air to match, feeling the fog slowly evaporating around her.
âIdiot dog,â she mutters, pushing Lucky away from her.
The buzzing panic leaves her as quickly as it arrives, leaving her drained. The world is far too bright, too sharp, now.
Clint is watching as she tries to collect herself. Natasha feels her mask slamming into place, protecting her from the world and hiding her humiliation. Sheâs not sure how she got to the couch, but she can feel the concern and smothering pity rolling off of Clint in waves and she hates it.
She just wants to be alone, until she can forget again.
âNat-â
âI donât want to talk about it.â
Clint presses his lips together. This repression shit canât be healthy, but he knows better than anyone that thereâs no point trying to make Natasha talk when she doesn't want to.
âFine. We donât have to talk. Can I at least look at your feet?â
Natasha glances down. Her feet are waxy, apart from the red marks made by the ribbons chafing. Blood has congealed around the box of the shoe, spattering its way up the shank.
âI can do it myself, Clint,â
âNatasha, I swear to God.â Clint pushes her back down as she tries to stand, going into the kitchen to grab the first aid box.
Carefully, he unties the ribbons, prying the shoes off her feet. The blood is sticky, and it takes a while for him to get them off without ripping the skin further.
Eventually, both shoes are discarded and he gets a proper look at her.
âNat, what happened?â
Clint had hoped it would be an easy fix, just a couple of blisters, but apparently it wasnât one of those days, and nothing was easy. Hundreds of shards of glass are embedded in the soles of Natashaâs feet, and when he looks back to her shoes, he can see more littering the soles.
He gets to work, painstakingly removing each shard and cleaning the cuts, before covering them in adhesive bandage. Questions can come later, when Nat is not still partially dissociated on the couch with a vaseâs worth of glass in her feet. Lucky watches, resting his head on Natashaâs lap. This time, she doesnât push him away, running her fingers through his fur.
âI needed to know that I hadnât got soft.â
The words echo in the silence, although they were barely audible. Clint carefully schools his expression, keeping his posture open and relaxed.
âAnd dancing with glass in your shoes proves that how?â
âWe used to do it,â Natasha pauses, staring intently at a spot on Luckyâs back, âbefore.â
Clint nods in understanding. It doesnât surprise him, seems very on-brand given the sparse details she had shared over the years.
âYou havenât gotten soft, Tash. Why would you think that?â
âBut I have,â she presses, leaning forward, âI see it all the time. They told me I could never form attachments, that it would make me weak. And I canât do the missions I did before,â
âCanât or wonât? You didnât have any choice over taking missions, Tash. Just because SHIELD does things differently doesnât mean youâre any less of an agent.â
âTheyâre in my head all the time,â Natasha admits. âI can hear them. Telling me Iâm sloppy. Weak. They would be so angry if they could see me now. I just. I just needed to feel like I was,â
She breaks off, staring at her hands.
âLike what?â Clint prompts gently.
âMade of marble. Thatâs what they used to say to me.â
âTheyâre not here now, Nat. We are. Your family. You donât need to be all perfect and tough around us.â
Nat shakes her head in exasperation, eyes roaming around the room as she searches for an explanation.
âBut I still want them to be proud of me. Itâs fucked up. Iâm fucked up. They took everything from me and I still want to make them proud.â
âThey tortured you, Natasha. They raised you, thatâs not just going to go away. Youâre not under their control anymore. I just want you, whatever that is.â
Suddenly, she canât stand this conversation anymore, ignoring her protesting feet as she stalks into the kitchen. Clint follows, Lucky not far behind.
âLove is for children.â
âIt doesnât have to be.â
Natasha huffs out a laugh, turning away to reach a mug. âYouâd have to be stupid to want me.â
âI guess I really am an idiot then.â Clint reaches out, tugging on her arm until she is facing him.
âLucky too,â he adds as the dog jumps up, pawing Natashaâs legs.
âIdiot dog.â A tiny smile graces the corner of her mouth.
âYouâre more than just an incredible agent, Tash. Youâre my best friend, my family. I love you.â
She ducks her head, staring at their intertwined fingers.
âI love you too, idiot.â
Clint grins. It was one of those days.

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Iron Man 2 (2010)Â dir. Jon Favreau
Scarlett Johansson as Natasha Romanoff Black Widow (2021) dir. Cate Shortland
this film is everything