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This was parked in front of the club

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people keep recommending bad poetry about hope and love check out this GOOD poem (it's a bad poem about the world being a shithole)
Generally the houses of Muslim people are very colorful. Behind the quilt in the middle unused quilts are stacked up in a heap. Scanned from the book Desert Village, Life & Crafts; Gujarat, Rajasthan; 1985; Hiroko Iwatate
We really went from "free the nipple" to "um the public didn't consent to you wearing a choker"
I put a bouquet in my hair and called it fashion.

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i've neglected to comment on recent discussions regarding pedophilia, incest, and related kinks for a variety of reasons, but it is a topic I can not in good conscience scroll by and say nothing forever.
i've outlined in a past post my opinion on the concept of pedophilia (thanks to tumblr's useless search function I can't find the post) but regardless, I subscribe to the model of human sexuality that goes as follows: it is so obviously socially constructed and conditioned there is really no point in arguing it is innate, and innate/'biological' arguments feed directly into reactionary sentiment surrounding sexuality. probably preaching to the choir here but felt the need to clarify regardless.
patriarchal societies (and resulting "family units") have widespread issues with child sexual abuse and sexuality. it has been stated before that incestuous abuse is an inevitable result of patriarchal family structure--especially with the role of the father. at the same time, there exists this persistent sexual shame and repression that--especially when coupled with entitlement--is a breeding ground for depravity. these things seem contradictory on the surface: everyone knows of the nefarious pedophile, but victims of sexual abuse (especially children) (especially if the perpetrator is a family member) are so often failed by law enforcement and peers alike when they try to do everything 'correctly'. everyone insists they hate pedophiles and rapists but the second that shadowy cartoon villain image is shattered by reality, they refuse to accept it. the reality is simple: perpetrators of such crimes are more likely to be someone you know, someone you trust, even someone you love. there are also common misconceptions about csa that I do hold the "innate" model of pedophilia accountable for: not enough people are aware that an adult can sexually abuse both children and adults, and be "attracted" to both. while some offenders may have a preferred age, they are still opportunists, and not all are wealthy or respected enough to have preferences in victims like those in the epstein files. I put "attracted" in quotes earlier because the way people who commit sex crimes are approached in most related research is frankly stupid as hell and it's very hard to take any of it seriously. or "interviews with pedophiles". to me this is about as useful and insightful as true crime content. oh well, it'll still be taken far more seriously by society at large than anything i'm saying here will, because terms like "feminism" and "social construct" are scary buzzwords to many.
now this is where I may upset people. a lot of discourse surrounding incest and pedophilia is extremely online. like i'm going to be so completely honest, I do not give a fuck if someone watches an anime with incest in it, or engages in some sort of sexual roleplay with another adult. do I think lolicon and shotacon are particularly helpful additions to society? no. but these did not appear out of nowhere as some sort of conspiracy to make people abuse children. rather, they feed into already existing power structures. cart before the horse type of situation. anime in particular gets a lot of flack for its themes but the men making whatever media you find acceptable will form secret societies, blackmail each other, and even travel internationally for the opportunity to rape children so perhaps the reality is capitalism and patriarchy reward this behavior universally.
the current attitude towards victims of csa/incest is hostile and far removed from reality and my recommendation is reading about how average people and the legal system actually react to these cases in real life. about how there are entire organizations whose purpose is defending child abusers. it's ironic, isn't it? how the fuck do you get to such a point, where "pedophile" is such a horrible thing to be, but the money and legal power sure seems to paint a very different picture? this is again where I mention the 'very online' phenomenon. a lot of outrage you see online is performative. I feel like as social media use becomes more common, this will be more and more of an issue. we have a unique ability today to hear from and communicate with more people than ever before. with that comes consequences if you do take internet algorithms driven by engagement as accurate portrayals of wider communities offline. remember outrage drives engagement. you are more likely to see something online that pisses you off. maybe it'll even be this post today.
father-daughter incest is the most commonly reported. this is only as "natural" as the concept of the nuclear family.
by the way I chose to post this not because I aim to argue with any particular user. I was just genuinely furious over some of the things i've read. I can look away one or two times, i've been on the internet long enough, but it's been like, a month. my biological father is a serial sex offender, okay? i've known these contradictions in society a long time. coincidentally, i've never wanted to live
The thing about American "leftist" comedians is that they aren't actually leftist, they are the Imperial Court Jesters. They stand on a stage, point directly at the blood-soaked gears of the war machine, make a little tee-hee noise, and the crowd erupts. Not because they are critiquing the machine, but because the laughter is a pressure release valve for the people inside it. Take the video of that stand-up asking the defense contractor if she helped Trump bomb those 160 Iranian school girls, and everyone laughing, including the contractor herself. That laughter is ritual absolution. The contractor laughs because she knows she will never face a tribunal. The audience laughs because they get to feel "self-aware" without having to actually stop anything. The joke doesn't condemn the contractor; it humanizes her, turns her into a lovable scamp who just happens to have a job graphing the velocity of shrapnel through children's bodies. By making it a punchline, the comedian sanitizes the atrocity. The blood is scrubbed off the stage. The audience gets to say "wow, we are so edgy for talking about it" while the person who builds the bombs gets to chuckle and order another drink. It is not satire, it is a team-building exercise for the empire.
Then there is the YouTuber talking about Transformers, casually dropping the "Iraq war aesthetic" like it's a color palette. Desert punk. Military core. A vibe. This is what happens when your country hasn't had a war on its own soil in living memory; the violence becomes media, a backdrop for childhood toys. The explosions are no longer the sound of mothers screaming; they are cool action sequences. They are digesting the visual debris of massacre as a nostalgic fashion choice, scraping the trauma off and compressing it into a genre for their retro-futurist fantasies. The apocalypse becomes a mood board.
And finally, the girl recounting celebrity love triangles from her childhood, flippantly mentioning how the U.S. was "busy with the Iraq war or whatever." Or whatever. That single phrase is the thesis statement of American innocence. Over a million dead, a region destabilized for a century, an endless river of grief; and for her, it was the commercial break between pop culture segments. It didn't raise her rent. It didn't stop her Wi-Fi. The violence is geo-locked to brown skin and distant deserts, just background noise like a refrigerator humming. She has the luxury of forgetting because the machine doesn't eat her children, it eats yours.
Americans don't hate the machine; they love the output. They hate the mess of it. So they turn it into jokes, into aesthetic, into "whatever." Because if they stopped laughing, if they stopped scrolling, if they actually looked at the 4K drone footage of the aftermath instead of the cool explosion CGI in their movies, they would have to realize that the lithium in their phones, the gas in their tanks, and the comfort of their suburban cul-de-sacs are all greased with the fat of foreign children. And they can't handle that. So they laugh. They turn it into a vibe. They call it "the Iraq war or whatever." You can't deconstruct the master's house with the master's jokes, especially when the punchline is the corpses holding up the floorboards.
Frederick Douglass: What to the Slave is the Fourth of July?
The great abolitionist Frederick Douglass “spoke truth to power” most unforgettably on July 5, 1852, in Rochester, N.Y.
There is not a nation on the earth guilty of practices more shocking and bloody than are the people of the United States, at this very hour.
Go where you may, search where you will, roam through all the monarchies and despotisms of the Old World, travel through South America, search out every abuse, and when you have found the last, lay your facts by the side of the everyday practices of this nation, and you will say with me, that for revolting barbarity and shameless hypocrisy, America reigns without a rival!
the same way Christopher Nolan makes smart movies for dumb people Guillermo del Toro makes weird movies for normal people
“Teachers are often unaware of the gender distribution of talk in their classrooms. They usually consider that they give equal amounts of attention to girls and boys, and it is only when they make a tape recording that they realize that boys are dominating the interactions. Dale Spender, an Australian feminist who has been a strong advocate of female rights in this area, noted that teachers who tried to restore the balance by deliberately ‘favouring’ the girls were astounded to find that despite their efforts they continued to devote more time to the boys in their classrooms. Another study reported that a male science teacher who managed to create an atmosphere in which girls and boys contributed more equally to discussion felt that he was devoting 90 per cent of his attention to the girls. And so did his male pupils. They complained vociferously that the girls were getting too much talking time. In other public contexts, too, such as seminars and debates, when women and men are deliberately given an equal amount of the highly valued talking time, there is often a perception that they are getting more than their fair share. Dale Spender explains this as follows: “The talkativeness of women has been gauged in comparison not with men but with silence. Women have not been judged on the grounds of whether they talk more than men, but of whether they talk more than silent women.” In other words, if women talk at all, this may be perceived as ‘too much’ by men who expect them to provide a silent, decorative background in many social contexts.”
—
PBS: Language as Prejudice - Myth #6: Women Talk Too Much (via misandry-mermaid)
Every EVERY women’s studies class I’ve been in has had this problem and failed to address it.
(via iamayoungfeminist)

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"im joking"
- the joker