SOMEWHERE/IN/TIME

"Step into the tomb-tunnel of LN2 VAPOR and you tip into a version of this palo-alter reality. The sculptures that form the polyurethane vertebrae of the show are iceless cores corkscrewed out of future (ransacked cryogenic facility), present (survivalist’s techno-bunker) and past (Lascaux caves on ketamine). Every timeline riddled with vanity and hubris, the privilege of our magnificent nows. LN2 is liquid nitrogen, the extreme cold making it the perfect cryogenic fluid. What we call “cryogenics” is actually “cryopreserving”. (...) Liquid, common in Benoit Ménard’s work, trickles through articulate piping, the guts of the sculptures, tapping out onto contact mics that create loops and reactions in Théo Pozoga’s soundtrack."

"Step into the tomb-tunnel of LN2 VAPOR and you tip into a version of this palo-alter reality. The sculptures that form the polyurethane vertebrae of the show are iceless cores corkscrewed out of future (ransacked cryogenic facility), present (survivalist’s techno-bunker) and past (Lascaux caves on ketamine). Every timeline riddled with vanity and hubris, the privilege of our magnificent nows. LN2 is liquid nitrogen, the extreme cold making it the perfect cryogenic fluid. What we call “cryogenics” is actually “cryopreserving”. (...) Liquid, common in Benoit Ménard’s work, trickles through articulate piping, the guts of the sculptures, tapping out onto contact mics that create loops and reactions in Théo Pozoga’s soundtrack."

"Step into the tomb-tunnel of LN2 VAPOR and you tip into a version of this palo-alter reality. The sculptures that form the polyurethane vertebrae of the show are iceless cores corkscrewed out of future (ransacked cryogenic facility), present (survivalist’s techno-bunker) and past (Lascaux caves on ketamine). Every timeline riddled with vanity and hubris, the privilege of our magnificent nows. LN2 is liquid nitrogen, the extreme cold making it the perfect cryogenic fluid. What we call “cryogenics” is actually “cryopreserving”. (...) Liquid, common in Benoit Ménard’s work, trickles through articulate piping, the guts of the sculptures, tapping out onto contact mics that create loops and reactions in Théo Pozoga’s soundtrack."

"Step into the tomb-tunnel of LN2 VAPOR and you tip into a version of this palo-alter reality. The sculptures that form the polyurethane vertebrae of the show are iceless cores corkscrewed out of future (ransacked cryogenic facility), present (survivalist’s techno-bunker) and past (Lascaux caves on ketamine). Every timeline riddled with vanity and hubris, the privilege of our magnificent nows. LN2 is liquid nitrogen, the extreme cold making it the perfect cryogenic fluid. What we call “cryogenics” is actually “cryopreserving”. (...) Liquid, common in Benoit Ménard’s work, trickles through articulate piping, the guts of the sculptures, tapping out onto contact mics that create loops and reactions in Théo Pozoga’s soundtrack."

"Step into the tomb-tunnel of LN2 VAPOR and you tip into a version of this palo-alter reality. The sculptures that form the polyurethane vertebrae of the show are iceless cores corkscrewed out of future (ransacked cryogenic facility), present (survivalist’s techno-bunker) and past (Lascaux caves on ketamine). Every timeline riddled with vanity and hubris, the privilege of our magnificent nows. LN2 is liquid nitrogen, the extreme cold making it the perfect cryogenic fluid. What we call “cryogenics” is actually “cryopreserving”. (...) Liquid, common in Benoit Ménard’s work, trickles through articulate piping, the guts of the sculptures, tapping out onto contact mics that create loops and reactions in Théo Pozoga’s soundtrack."

"Step into the tomb-tunnel of LN2 VAPOR and you tip into a version of this palo-alter reality. The sculptures that form the polyurethane vertebrae of the show are iceless cores corkscrewed out of future (ransacked cryogenic facility), present (survivalist’s techno-bunker) and past (Lascaux caves on ketamine). Every timeline riddled with vanity and hubris, the privilege of our magnificent nows. LN2 is liquid nitrogen, the extreme cold making it the perfect cryogenic fluid. What we call “cryogenics” is actually “cryopreserving”. (...) Liquid, common in Benoit Ménard’s work, trickles through articulate piping, the guts of the sculptures, tapping out onto contact mics that create loops and reactions in Théo Pozoga’s soundtrack."

"Step into the tomb-tunnel of LN2 VAPOR and you tip into a version of this palo-alter reality. The sculptures that form the polyurethane vertebrae of the show are iceless cores corkscrewed out of future (ransacked cryogenic facility), present (survivalist’s techno-bunker) and past (Lascaux caves on ketamine). Every timeline riddled with vanity and hubris, the privilege of our magnificent nows. LN2 is liquid nitrogen, the extreme cold making it the perfect cryogenic fluid. What we call “cryogenics” is actually “cryopreserving”. (...) Liquid, common in Benoit Ménard’s work, trickles through articulate piping, the guts of the sculptures, tapping out onto contact mics that create loops and reactions in Théo Pozoga’s soundtrack."

"Step into the tomb-tunnel of LN2 VAPOR and you tip into a version of this palo-alter reality. The sculptures that form the polyurethane vertebrae of the show are iceless cores corkscrewed out of future (ransacked cryogenic facility), present (survivalist’s techno-bunker) and past (Lascaux caves on ketamine). Every timeline riddled with vanity and hubris, the privilege of our magnificent nows. LN2 is liquid nitrogen, the extreme cold making it the perfect cryogenic fluid. What we call “cryogenics” is actually “cryopreserving”. (...) Liquid, common in Benoit Ménard’s work, trickles through articulate piping, the guts of the sculptures, tapping out onto contact mics that create loops and reactions in Théo Pozoga’s soundtrack."

"Step into the tomb-tunnel of LN2 VAPOR and you tip into a version of this palo-alter reality. The sculptures that form the polyurethane vertebrae of the show are iceless cores corkscrewed out of future (ransacked cryogenic facility), present (survivalist’s techno-bunker) and past (Lascaux caves on ketamine). Every timeline riddled with vanity and hubris, the privilege of our magnificent nows. LN2 is liquid nitrogen, the extreme cold making it the perfect cryogenic fluid. What we call “cryogenics” is actually “cryopreserving”. (...) Liquid, common in Benoit Ménard’s work, trickles through articulate piping, the guts of the sculptures, tapping out onto contact mics that create loops and reactions in Théo Pozoga’s soundtrack."

"Step into the tomb-tunnel of LN2 VAPOR and you tip into a version of this palo-alter reality. The sculptures that form the polyurethane vertebrae of the show are iceless cores corkscrewed out of future (ransacked cryogenic facility), present (survivalist’s techno-bunker) and past (Lascaux caves on ketamine). Every timeline riddled with vanity and hubris, the privilege of our magnificent nows. LN2 is liquid nitrogen, the extreme cold making it the perfect cryogenic fluid. What we call “cryogenics” is actually “cryopreserving”. (...) Liquid, common in Benoit Ménard’s work, trickles through articulate piping, the guts of the sculptures, tapping out onto contact mics that create loops and reactions in Théo Pozoga’s soundtrack."

"Step into the tomb-tunnel of LN2 VAPOR and you tip into a version of this palo-alter reality. The sculptures that form the polyurethane vertebrae of the show are iceless cores corkscrewed out of future (ransacked cryogenic facility), present (survivalist’s techno-bunker) and past (Lascaux caves on ketamine). Every timeline riddled with vanity and hubris, the privilege of our magnificent nows. LN2 is liquid nitrogen, the extreme cold making it the perfect cryogenic fluid. What we call “cryogenics” is actually “cryopreserving”. (...) Liquid, common in Benoit Ménard’s work, trickles through articulate piping, the guts of the sculptures, tapping out onto contact mics that create loops and reactions in Théo Pozoga’s soundtrack."

"Step into the tomb-tunnel of LN2 VAPOR and you tip into a version of this palo-alter reality. The sculptures that form the polyurethane vertebrae of the show are iceless cores corkscrewed out of future (ransacked cryogenic facility), present (survivalist’s techno-bunker) and past (Lascaux caves on ketamine). Every timeline riddled with vanity and hubris, the privilege of our magnificent nows. LN2 is liquid nitrogen, the extreme cold making it the perfect cryogenic fluid. What we call “cryogenics” is actually “cryopreserving”. (...) Liquid, common in Benoit Ménard’s work, trickles through articulate piping, the guts of the sculptures, tapping out onto contact mics that create loops and reactions in Théo Pozoga’s soundtrack."

"Step into the tomb-tunnel of LN2 VAPOR and you tip into a version of this palo-alter reality. The sculptures that form the polyurethane vertebrae of the show are iceless cores corkscrewed out of future (ransacked cryogenic facility), present (survivalist’s techno-bunker) and past (Lascaux caves on ketamine). Every timeline riddled with vanity and hubris, the privilege of our magnificent nows. LN2 is liquid nitrogen, the extreme cold making it the perfect cryogenic fluid. What we call “cryogenics” is actually “cryopreserving”. (...) Liquid, common in Benoit Ménard’s work, trickles through articulate piping, the guts of the sculptures, tapping out onto contact mics that create loops and reactions in Théo Pozoga’s soundtrack."

"Step into the tomb-tunnel of LN2 VAPOR and you tip into a version of this palo-alter reality. The sculptures that form the polyurethane vertebrae of the show are iceless cores corkscrewed out of future (ransacked cryogenic facility), present (survivalist’s techno-bunker) and past (Lascaux caves on ketamine). Every timeline riddled with vanity and hubris, the privilege of our magnificent nows. LN2 is liquid nitrogen, the extreme cold making it the perfect cryogenic fluid. What we call “cryogenics” is actually “cryopreserving”. (...) Liquid, common in Benoit Ménard’s work, trickles through articulate piping, the guts of the sculptures, tapping out onto contact mics that create loops and reactions in Théo Pozoga’s soundtrack."

"Step into the tomb-tunnel of LN2 VAPOR and you tip into a version of this palo-alter reality. The sculptures that form the polyurethane vertebrae of the show are iceless cores corkscrewed out of future (ransacked cryogenic facility), present (survivalist’s techno-bunker) and past (Lascaux caves on ketamine). Every timeline riddled with vanity and hubris, the privilege of our magnificent nows. LN2 is liquid nitrogen, the extreme cold making it the perfect cryogenic fluid. What we call “cryogenics” is actually “cryopreserving”. (...) Liquid, common in Benoit Ménard’s work, trickles through articulate piping, the guts of the sculptures, tapping out onto contact mics that create loops and reactions in Théo Pozoga’s soundtrack."

"Step into the tomb-tunnel of LN2 VAPOR and you tip into a version of this palo-alter reality. The sculptures that form the polyurethane vertebrae of the show are iceless cores corkscrewed out of future (ransacked cryogenic facility), present (survivalist’s techno-bunker) and past (Lascaux caves on ketamine). Every timeline riddled with vanity and hubris, the privilege of our magnificent nows. LN2 is liquid nitrogen, the extreme cold making it the perfect cryogenic fluid. What we call “cryogenics” is actually “cryopreserving”. (...) Liquid, common in Benoit Ménard’s work, trickles through articulate piping, the guts of the sculptures, tapping out onto contact mics that create loops and reactions in Théo Pozoga’s soundtrack."

"Step into the tomb-tunnel of LN2 VAPOR and you tip into a version of this palo-alter reality. The sculptures that form the polyurethane vertebrae of the show are iceless cores corkscrewed out of future (ransacked cryogenic facility), present (survivalist’s techno-bunker) and past (Lascaux caves on ketamine). Every timeline riddled with vanity and hubris, the privilege of our magnificent nows. LN2 is liquid nitrogen, the extreme cold making it the perfect cryogenic fluid. What we call “cryogenics” is actually “cryopreserving”. (...) Liquid, common in Benoit Ménard’s work, trickles through articulate piping, the guts of the sculptures, tapping out onto contact mics that create loops and reactions in Théo Pozoga’s soundtrack."