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how measurements work in canada (ie/ badly)
@/teaboot
This isn't even a joke it's just what we do

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Lexis - Complaint to Ea-Nāṣir in Akkadian
In the late 18th century BC, a trader called Nanni bought copper from merchant Ea-Nāṣir, but was not happy with his purchase. This complaint letter was found in Ea-Nāṣir's house in the ancient city of Ur and is the oldest known customer complaint in the world. The language of this text is Akkadian, a Semitic language spoken in the Akkadian empire in ancient Mesopotamia (modern-day Iraq). It's distantly related to Arabic and Hebrew, but developed in contact with the unrelated but geographically close Sumerian language. The text was written on clay, inscribed with a stylus, then dried and sent to Ur.
There are multiple chapters that are set in hospitals where the characters are attempting to recover from injuries that never fully heal. I must once again stress that my experience in WWI was perfectly normal.
There is a giant horrible mudplain full of unrecoverable and perfectly preserved dead bodies that the characters have to walk through in a land where the air is poisoned gas, and on a compLETELY UNRELATED NOTE: WWI WAS TOTALLY FINE AND NORMAL!!
Uh??? Tolkien did not claim that???
"One has indeed personally to come under the shadow of war to feel fully its oppression; but as the years go by it seems now often forgotten that to be caught in youth by 1914 was no less hideous an experience than to be involved in 1939 and the following years. By 1918, all but one of my close friends were dead."
He talked about how WWI affected his writing all the time, he was not in denial for how it affected??? Am I missing something????
https://www.tolkiensociety.org/blog/2017/09/tolkien-as-war-novelist-another-way-of-dealing-with-trauma-through-writing/
what Tolkien was adamant about, which has been confusing people for several decades now, is that he wasn't writing about World War Two
He was also very clear that he was not writing allegory. Now, some people are not very clear on what allegory means. "Allegory" and "symbols" are not the same thing. Allegory is a type of symbolism, but there are a lot of ways of doing symbolism that aren't allegory ... and a lot of people are kind of fuzzy on that. The way allegory is most commonly used in literary and religious analysis is that there is a direct, almost 1:1 correspondence between the literary figure and what it is standing in for.
So, for example, Pilgrim's Progress is an allegory of Christian salvation. It's sort of a novel? There are characters who do stuff? but also they are very one-dimensional. The main character is a guy named Christian--yes, really!--who is journeying from his hometown ("the city of destruction") to the Celestial City (heaven). There is not much subtlety to it. It is pretty much what it is. There is no slippage, no playing around with the theme, no places where the symbolism is ambiguous. John Bunyan, the author, is hitting you over the head every step of the way with the Meaning That You Are Supposed To Be Getting From The Story.
Not all allegories are that crude or simplistic; the Narnia books are also allegory for Christianity. They have a lot more subtlety to them and a lot more nuance, and there's a lot of stuff in there that isn't allegorical, but on the crucial matters there is still a 1:1 correspondence. Aslan is Jesus. He's not like Jesus, he's not a character that has some similarities to Jesus or takes themes from the stories of Jesus, he is Jesus.
Tolkien is not doing allegory. Tolkien is taking the material of his life--his faith, his experiences in WWI, his linguistic and historical knowledge, his favorite books--and using them as the building blocks of his story. The themes and imagery and symbols draw heavily from all of that, the characters and settings draw heavily from all of that, but they are too complex to be allegorical. There's a lot of symbolism! It's not allegory.
So, for example, let's take the Dead Marshes referenced above. Does the experience of walking through this muddy wasteland with corpses all around that are rotting but still look like people draw from Tolkien's WWI battlefield experience of dead bodies in the trenches? Of course it does! but there are also a lot of differences. These dead are not from the current war, they are from a previous one--they are a reminder of old conflicts, of the ways the systems and powers of the current war have not come out of nowhere, there is history here. There is meaning that is not drawn from the Somme. And they are also drawing from literary references Tolkien was familiar with--primarily William Morris. Modern readers don't get the references because we have generally not read The House of the Wolflings, but that doesn't mean that the references aren't there.
So people read Tolkien's insistence that he didn't write allegory, and take that to mean that he's saying there isn't symbolic and thematic references. And that isn't what he meant! And also, we focus so much on the thematic references to WWI and Christianity, and we miss most of the other references, which makes it seem like Tolkien's only drawing on WWI, when he's actually doing something more complex.
shut the fuck up

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Fire Eel (Mastacembelus erythrotaenia), family Mastacembelidae, order Synbranchiformes, found in freshwater habitats in SE Asia
This species is not a “true eel”, but is in a group called the spiny eels.
photograph by Stan Sung
hey itll be okay. blorbo covered in blood
Common garter snakes (Thamnophis sirtalis) during breeding season in Canada
by Dash Huang
trains really did use to go chuka chuka chuka chuka choo choo
Full Patreon comic here: https://www.patreon.com/emilyscartoons

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found these two little squabs (baby pigeons) at the foot of a tree on a street (so in the little square of dirt surrounded by concrete). notice the excellent (for a pigeon) attempt at a nest, which suggests the two did not fall out of a tree and land in perfect duo formation.
they were also full of energy, as can be seen in these Action Shots:
many passerbys stopped and we all made concerned noises but i think they were there On Purpose. not the safest or best place, so who knows how long they’ll last.
and two trees down, at the base of another tree:
another very hopeful Mama Pidge
deploy the bok choy: operation bloom
(getting a taste of my own medicine) actually this is okay. Is this what you guys have bene whining about? Jesus christ
One more for the collection. Book is Stars at Last by Jessica Jocelyn
That is DIABOLICAL museum design, A++, no notes

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"Shimmering night" by Inaslind.
Lexi Lee Schnabel (American), Who Goes There, 2024, Oil on canvas