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Mia for Unclear Magazine. đ€
@pompomsquad

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Marilyn photographed by Milton Greene on the set of The Prince and the Showgirl
Marilyn Monroe in How To Marry A Millionaire (1953)
âEarly in my time at Fox I was eager for expire and became known as the âtest boy.â That is, I would play the male lead opposite any actress being screen-tested for a potential contract. I tested with Marilyn twice: once when she first got her contract at Fox, and another time in 1951, when we co-starred in Letâs Make It Legal. Marilyn and I had no actual scenes together in the final film, but during our test she seemed slightly nervous.â - Robert Wagner
Marilyn Monroe and Robert Wagner in a screen test for Letâs Make It Legal on June 14th, 1951.
Marilyn Monroe by Bert Stern, 1962. Marilyn herself drew orange crosses on the photos she disliked, even though they were all beautiful.

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Marilyn Monroe by Eve Arnold, 1955.
The idea of the leopard in the bulrushes appealed to her sense of comedy, She was intrepid. She stood in (the swamp), sat in it, lay in it until the light started to go and I called a halt. She climbed out, covered in mud, but she was exhilarated â and giggling. ~ Eve Arnold
Jenniferâs Body Reunion: Megan Fox and Diablo Cody Get Candid About Hollywood
âI would say most people assume that Iâm not very smart or educated or earnest, because I have this image that Iâm sort of narcissistic, chasing attention, and wanting people to like me. It makes me laugh because Iâve done plenty of interviews and when you read the article from beginning to end you can see that Iâm not your typical music video model.â
Sharon Tate at Summitridge Drive, 1968. Photos by Alan Pappé

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Sharon Tate in Valley of the Dolls (1967)
Sharon Tate on the set of Donât Make Waves (1967)
Sharon Tate in âValley of the Dollsâ, 1967.
Scarlett White's writings and drawings.

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