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Slayyyter for The New York Times. đź–¤

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Marilyn Monroe in Some Like It Hot, 1959
Marilyn Monroe as Nell Forbes in Don’t Bother To Knock, 1952.
Sharon Tate wearing a pink top and headband, circa 1968.
Marilyn Monroe photographed by Milton Greene, Ballerina Sitting, New York, 1954 (x)

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Marilyn photographed by Milton Greene on the set of The Prince and the Showgirl
Marilyn Monroe in How To Marry A Millionaire (1953)
“Early in my time at Fox I was eager for expire and became known as the “test boy.” That is, I would play the male lead opposite any actress being screen-tested for a potential contract. I tested with Marilyn twice: once when she first got her contract at Fox, and another time in 1951, when we co-starred in Let’s Make It Legal. Marilyn and I had no actual scenes together in the final film, but during our test she seemed slightly nervous.” - Robert Wagner
Marilyn Monroe and Robert Wagner in a screen test for Let’s Make It Legal on June 14th, 1951.

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Marilyn Monroe by Bert Stern, 1962. Marilyn herself drew orange crosses on the photos she disliked, even though they were all beautiful.
Marilyn Monroe by Eve Arnold, 1955.
The idea of the leopard in the bulrushes appealed to her sense of comedy, She was intrepid. She stood in (the swamp), sat in it, lay in it until the light started to go and I called a halt. She climbed out, covered in mud, but she was exhilarated – and giggling. ~ Eve Arnold
Jennifer’s Body Reunion: Megan Fox and Diablo Cody Get Candid About Hollywood
“I would say most people assume that I’m not very smart or educated or earnest, because I have this image that I’m sort of narcissistic, chasing attention, and wanting people to like me. It makes me laugh because I’ve done plenty of interviews and when you read the article from beginning to end you can see that I’m not your typical music video model.”

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Sharon Tate at Summitridge Drive, 1968. Photos by Alan Pappé
Sharon Tate in Valley of the Dolls (1967)