oh siddhartha gautama, called Buddha, we're really in it now

JVL
almost home

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YOU ARE THE REASON
i don't do bad sauce passes

β£ Chile in a Photography β£
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"I'm Dorothy Gale from Kansas"

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@becoming-with
oh siddhartha gautama, called Buddha, we're really in it now

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i'm actually fucking obsessed w this video
Imagine instead of epic rap battles of history it was epic music concrete battles of history
So you don't care about leafs/berrys no more?... Lol..
ok when did i say that

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Derek Boshier (1937-2024) β Colorgate [oil on canvas, 1987]
ABSOLUTELY not this is a celebration that she (older meal ticket girlfriend who he cheats on all the time) organized on facebook for his first month holding down a landscaping cleanup job after he got out of prison for robbing a hotel for the 46 dollars cash the staff had between them then running into a lamppost in her 2014 kia soul and resisting arrest
π The natural history of Carolina, Florida, and the Bahama Islands: London: Printed for B. White, 1771. Original source Image description: Illustration of a large reddish-brown crab labeled βCancer ferreus,β depicted with detailed segmented legs and pincers. The crab is shown alongside a green leafy plant with elongated leaves and yellow oval fruits or seeds. The style is naturalistic, typical of 18th-century scientific illustrations, with fine line work and color shading. This image is from the 1771 publication βThe natural history of Carolina, Florida, and the Bahama Islands,β emphasizing the marine and coastal wildlife of the Carolina region. The background is plain, focusing attention solely on the crab and plant elements.
*turns my attention inwards* mmmmm. no *turns my attention back outwards* oh god

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Really have fallen off the free improv crap for some time. I guess I've just never been able to square with it's tendency towards shock and violence rather than constructive freedom and complexity. But sad about my own patterns of abandoning things to try find the "true thing" (there is no true thing, there are only true ways).
I have this river stone which does some gorgeous harmonic stuff if you excite the harmonic positions on the string length with it (lmao) and I'm tempted to give it to a friend of mine for his birthday on solstice since he does that kinda work more than me. I think it's the right call since we worked on some free improvisation stuff as a duo for a while and he has an experimental lap guitar setup where he uses stones often.
But man that stone is kinda part of the thread of my life. But it probably still will be one. Also his birthday is solstice and I seem to be building a pattern of giving things away on solstice. So
The Dow Jones moved on the Z-axis for the first time recently.
βItβs coming right at us!!β
istheveilbetweenworldsthinrightnow.com
Veil status: normal
Tomorrow's veil: normal to thick
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in the final accounting, rational understanding submits to compassion.

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You literally have to understand how people think and feel or everything else will be wrong
I sure would like to be able to say that capital is a uniquely self-destructive system that the contradictions will become untenable and that it can't metabolize it and that it's going to fall and that it's going to fall in our favor and that all of the atrocities committed to get us to where we are are going to be shown to be pointless and are going to experience retribution on historical time, that the arc of history tends towards justice and that all the evils we see perpetrated in the name of building the system we have will be able to mark the system as evil and lead it to fall and that the evil of the system and the fact that structurally materially it's going to fall are the same thing... materialism with the moralism baked in... That the God of the material world that doesn't exist is good. that the millenarianism subtly baked into Marxism is going to be shown to be accurate and that there's going to be a chaotic revolution and that something better is going to come out of the ashes... it's a dark perspective but in a world where it seems like we're heading for the period of chaos anyway it's a very compelling perspective but I don't know if I can say that. And people have said that before and turned out to be wrong about how adaptive capitalism has proven to be. I'm not sure. it's not that I look out look to undermine that narrative either because I'm also suspicious of the postmodern suspicion of meta narratives... I think stories are the medium by which we live I just don't know I just don't know what I can say. and I don't know what can be said concretely. in terms of where we're headed historically and concretely in terms of what the nature of capital is and concretely in terms of what what's going to happen in, to, of, put a fine point on it, to reduce it in a way that's overly simplified in a evocative way, and in an a pointed way to how this line of thought heads. I don't know if we're going to be saved or damned. And I don't know if God's a good guy or not. and I don't know if community gardens are going to provide any sort of answer oor grounding or you know it's just a bourgeois fantasy that's gonna get washed away with everything else. I don't know I really don't I don't know how much can be said about any of this, concretely. Even though there's a bunch of this stuff that I would really like to say. And yet, for thinking people, living in this time, those questions seem to demand answers. and that's... that's a tension that I think either you work through while seeing clearly or you shy away from it and you end up trying to work through it anyway. without being able to see what you're doing, right, the choice of whether or not to put blinders on doesn't change where you are on the trail, right? I just don't know. And I think being honest about that, rather than performing some rhetorical smugness of uncertainty, the way that a lot of poststructuralists love to do is probably more honest.
But then again maybe I'm still stuck on the earlier part of the dialectic where these rhetorical claims are seen as transcendent. And if instead they're seen as actions in the world, then maybe I can say all that stuff because in saying it, it's attempting to build a certain kind of world. And that's the tough part of it is because you take deleuze all the way to the conclusion..... then it becomes overtly initially a refutation of Plato. But then eventually, it becomes a way of seeing that actually in a strange way validates Plato and the world of forms and all that. So I don't know. I don't know. I don't know. But I wanna be able to say it anyway.
Because the truth is, my positive affect is already an instrumental performance. Doesn't mean... it isnt authentic. We're talking about a realm beyond authenticity. It means that I was extremely depressed until I realized It wasn't doing anything for me, no matter how much it seemed to correspond with reality. And that maintaining a positive affect it does far more for me and how I engage in the world than the alternative. And the question of, am I lying to myself now, or was I lying to myself then, seems to miss the point.