For the "Out of Milk"/ 22 Panels that always work exercise at BCR meeting, 3-13-14. Dan Mazur

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For the "Out of Milk"/ 22 Panels that always work exercise at BCR meeting, 3-13-14. Dan Mazur

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BCR exercise. We’re out of milk, you guys.
Rough pencils for page 2. I used a similar no-panels falling composition for my work on Eden Expedition. There's really no dialog in this page so I felt there did not need to be a rigid sequence of panels. There just needed to be a top left bridge from the action on the previous page and a bottom right indication of a more distant falling figure. Everything else hopefully obvious.
Rough pencils for page 1. I broke the contents of the opening scene across all the panels in the page. Getting a shot of the horizon, and a robot pilot, and a fight, and being able to introduce all the major characters in the first panel to be compositionally difficult. I wanted to emphasize the action and character designs first. I relied on Dr. Megalo's "M" insignia to weld all the elements of the page together and lead the user through the sequence.
Carl Tsui
Rough pencils for page 3. I continue my no panels motif. The hand sequence is an unscripted add-on as an economical (i.e. lazy) and different take on the link up between the two characters. Before going to a tighter penciling stage I'd probably rearrange and resize various elements. Mainly to give emphasis to the half-body shot of Owl and Pussycat. It's the only panel in the story that visually indicates a relationship between the two characters beyond crime fighting partners.
Carl Tsui

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Blue pencils, page one of "The Owl and the Pussycat," drawn by Dan Mazur, from JL Bell's script
Not an original design by far, but it was irresistible not to do a pin up for a character named Pussycat!
Carl Tsui
Got sucked into the details of the character so this ended up being more mainstream then jokey as planned.
Got sucked into the details of the character so this ended up being more mainstream then jokey as planned.
Full set of Owl & Pussycat thumbnails (JL Bell script, Dan Mazur art).

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The Owl and the Pussycat, thumbnail p 1 Dan Mazur.
This is a rough thumbnail of page 1. I've actually compressed this a bit... done the entire page 1 in a 3/4 splash, then pulled the first two panels of page 2 into this one.
Dr. Megalo character sketch by Dan Mazur. He's supposed to be a mole. With surgically enlarged brain. And a taste for fine Italian shoes.
Thumbnails for Owl and Pussycat by Mike Tomasulo
Somewhat larger sketches for page layout for Owl and Pussycat by Mike Tomasulo.
My female, swashbuckling version of Dr. Megalo. Thanks to J.L. for the extra brainstorming!

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I swear I was doing the Megalo-as-old-guy concept before John mentioned it! :)
For the BCR working method project: page one of "The Owl and the Pussycat," drawn by Melvin Cartagena.