BCR's Working Method

For the "Out of Milk"/ 22 Panels that always work exercise at BCR meeting, 3-13-14.  Dan Mazur

Rough pencils for page 2. I used a similar no-panels falling composition for my work on Eden Expedition. There's really no dialog in this page so I felt there did not need to be a rigid sequence of panels. There just needed to be a top left bridge from the action on the previous page and a bottom right indication of a more distant falling figure. Everything else hopefully obvious.

Carl Tsui

Carl Tsui

Blue pencils, page one of "The Owl and the Pussycat," drawn by Dan Mazur, from JL Bell's script

Carl Tsui

Got sucked into the details of the character so this ended up being more mainstream then jokey as planned.

Got sucked into the details of the character so this ended up being more mainstream then jokey as planned.

Full set of Owl & Pussycat thumbnails (JL Bell script, Dan Mazur art).  

This is a rough thumbnail of page 1.  I've actually compressed this a bit... done the entire page 1 in a 3/4 splash, then pulled the first two panels of page 2 into this one.

Dr. Megalo character sketch by Dan Mazur.  He's supposed to be a mole.  With surgically enlarged brain.  And a taste for fine Italian shoes. 

Thumbnails for Owl and Pussycat by Mike Tomasulo

Somewhat larger sketches for page layout for Owl and Pussycat by Mike Tomasulo.

My female, swashbuckling version of Dr. Megalo.  Thanks to J.L. for the extra brainstorming!

For the BCR working method project: page one of "The Owl and the Pussycat," drawn by Melvin Cartagena.