Gold Diggers of 1933 (1933)

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Gold Diggers of 1933 (1933)

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footlight parade, busby berkeley |1933|
Dames (Dir. Ray Enright, Busby Berkeley, 1934).
Gold Diggers of 1933
Dancing in Film: The kaleidoscopic top shot (made popular by Busby Berkeley)
42nd Street (1933) dir. Lloyd Bacon Singin’ in the Rain (1952) dir. Gene Kelly, Stanley Donen Beauty and the Beast (1991) dir. Gary Trousdale, Kirk Wise The Lion King (1994) dir. Rob Minkoff, Roger Allers The Big Lebowski (1998) dir. Joel Coen, Ethan Coen Reefer Madness (2005) dir. Andy Flickman Mamma Mia! (2008) dir. Phyllida Lloyd Hail, Caesar! (2015) dir. Joel Coen, Ethan Coen Paddington 2 (2017) dir. Paul King Mamma Mia! Here We Go Again (2018) dir. Ol Parker

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Solaris (Andrei Tarkovsky, 1972)
The Mirror (1975) dir. Andrei Tarkovsky
“I love walking around the city. I catch the Metro North train at 11:40 every morning. I go to the same gym that I’ve been going to for forty years. Then I just start walking. If you take big strides it really stretches you out. And there are millions of other people walking around. You never feel alone. People smile at you. On weekends I’ll bring my granddaughters with me and we’ll tour different neighborhoods. We’ve seen ten or twelve so far. Sometimes I get to borrow them for the whole afternoon. But they’re at sleep away camp right now so I’m missing them a lot. And that’s about it. I do a little shopping at the thrift store. I stop and read the paper. I eat at outdoor restaurants. It’s simple but I found what makes me happy and I’m doing it. And when I’m heading home at night, sometimes I think: ‘I just had the best day of my life.’”
John Brosio, Paintings.
Astonishing paintings by John Brosio plucked directly from the haunting visions that permeate through the mind while one sleeps.
Don’t miss Supersonic Art on Instagram!
Baleal is one of my favorite portuguese cities. It doesn’t have much to offer – just few restaurants, one supermarket, bunch of happy guys and the perfect surf. Yep, that’s more than enough for me.

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Nightcrawler (2014) dir. Dan Gilroy

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