"Te voglio bene assaje, Ma tanto tanto bene sai è una catena ormai, Che scioglie il sangue dint' 'e 'vvene sai." da Tito Presi Tramite Flickr: Tito Presi cantante www.youtube.com/watch?v=y_N1Ii1tJRw&list=PLmTzW86B5tu...
YOU ARE THE REASON
Stranger Things
Peter Solarz
AnasAbdin
styofa doing anything
Misplaced Lens Cap

Discoholic 🪩
Three Goblin Art
Aqua Utopia|海の底で記憶を紡ぐ

d e v o n
tumblr dot com
Keni

@theartofmadeline
hello vonnie
"I'm Dorothy Gale from Kansas"

#extradirty

titsay

JVL
Today's Document
seen from Germany

seen from Malaysia
seen from France

seen from Germany

seen from United States
seen from United States
seen from Germany

seen from Venezuela
seen from United States
seen from Malaysia
seen from Malaysia

seen from United States
seen from Netherlands
seen from Germany
seen from United States

seen from Malaysia
seen from Malaysia
seen from South Africa

seen from T1

seen from United States
@barbarabonanno
"Te voglio bene assaje, Ma tanto tanto bene sai è una catena ormai, Che scioglie il sangue dint' 'e 'vvene sai." da Tito Presi Tramite Flickr: Tito Presi cantante www.youtube.com/watch?v=y_N1Ii1tJRw&list=PLmTzW86B5tu...

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
For the attention of Don MacAskill. I would like to report that Flickr has been penalizing my work for the past year. Despite being a paying user for ten years, I am constantly excluded from Explore and face unjustified censorship. I kindly ask for respect and a proper review of my account.
I see you, I pout, I avoid you... if necessary, I defend myself. da Barbara Bonanno BNNRRB Tramite Flickr: The instruction manual for my character in four steps and a single uncovered eye. First I spot you, then I pout to clear things up, and then I try to avoid you by hiding behind my hair. But watch out: the barrier is thin, and if necessary, I am absolutely ready to defend myself.
The ethics of sobriety: the historic "Plava" Barracks in Massa da Barbara Bonanno BNNRRB Tramite Flickr: "Plava" Barracks – Provincial Command of the Carabinieri | Massa (Tuscany) A geometric shot of the main facade of the historic "Plava" Barracks in Massa (MS), originally established as a Military District and currently serving as the headquarters of the Provincial Command of the Carabinieri. This image invites a profound reflection on the concept of institutional presence and the cultural divide between our European identity and the one across the Atlantic. The value of sobriety and memory: Looking at the facade, what stands out is a sober, measured, and ethical elegance. The symmetrical lines and architectural details do not chase glitz or pomp; instead, they convey a sense of moral duty and deep roots within the local community. There is no room here for the tacky showmanship or muscular ostentation typical of American military aesthetics, where architectural gigantism and flags obsessively waved everywhere serve to justify a geopolitical ideology based on constant interventions all over the globe. Here, the presence of symbols is restrained and solemn: the institutional flags are discreetly integrated above the entrance, and the word "PLAVA" is not a warmongering cry. Rather, it is a quiet, respectful tribute to the memory of the fallen and the historical sacrifices of World War I along the Isonzo River. It is a monumental yet integrated structure within the urban fabric—one that speaks of defense, community, and moral rigor, while flatly rejecting any form of exhibitionism. Location: Via XXVII Aprile, Massa, Tuscany, Italy
A headless figure, a Captain America stripped of all reason and blinded by power, emerges from the darkness under a pouring rain. In place of the mind, only brute force remains, advancing blindly to crush the earth. But the true visual and political core of this shot is his operational limb: a sick right arm, marked by the symbol of Israel, which becomes the infected and ruthless tool used to carry out the act. There is no thought, no justification, only a toxic and pathological alliance that, despite its own blindness and corruption, keeps on trampling and defacing the entire world.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
"Childhood is light, chasing the sun; adults look away, staring into the void."
“I am the Daughter of Yahweh (יהוה). My brother Jew, Christian and Islam have betrayed my Father.” da Barbara Bonanno BNNRRB Tramite Flickr: This sentence, written on a board and held in my hands, is a declaration of truth. Yahweh (יהוה) is my God, my Father. I do not speak on behalf of religions. I speak as His direct daughter—without intermediaries, without institutions. I call Jew, Christian, and Islam “brother” as if they were proper names—symbolic persons representing the three great monotheistic religions. But today, these religions have lost the voice of the Father. They bless wars, kneel before power, and let injustice rule. And no one says a damn thing. I do. Because they have betrayed my Father. And I, as His daughter, cannot remain silent.
"Paolo Giannotti: I captured the genius long ago, today I celebrate it." da Barbara Bonanno BNNRRB Tramite Flickr: Some people go to the theater just to be seen; then there’s Paolo Giannotti, who tells the theater’s story from the inside, bringing to light anecdotes that would make even the most austere private boxes blush. In this shot, Paolo is savoring a well-deserved moment of triumph after shaking up the Guglielmi Theater in Massa for its 140th anniversary. His show, 'The performance is suspended because the power went out' (based on his book of the same name—a must-read for anyone wanting to avoid being just another 'provincial nobody'), was a smash hit. It reminded everyone that culture isn’t some dusty relic, but something alive, pulsing, and damn funny. Writer, historian, journalist, and occasional 'shaman' of local traditions, Paolo is that rare figure who can talk about city history without making you check your watch every five minutes. Here you see him in full 'Paco Ignacio Taibo II' mode, ready to enjoy the smoke of a victory that’s still burning bright. A small note on the photo: I took this shot some time ago. I’m publishing it now because timing is everything in irony, as it is in art. While everyone is just now noticing his great theatrical genius, I have always captured his charisma through his gaze, his cigar, and his intellect. I guess I simply saw it coming. For those who missed the triumph: 👉 lanazione.it www.lanazione.it/massa-carrara/cronaca/i-140-anni-del-gug... pin.it/6JF9XfnRS www.facebook.com/profile.php?id=61565613342551&commen... www.flickr.com/photos/192876881@N08/52696423847/ www.flickr.com/photos/192876881@N08/52115115894/

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Massacred while begging for help: Israel killed even those who came to save her.
Hind Rajab was born on May 3, 2018, in Gaza City, Palestine, into a civilian population living under blockade, repeated military operations, and structural deprivation. She was a child, with no political role, no protection, and no possibility of escape from the reality imposed on her life. On January 29, 2024, while attempting to flee the Tel al-Hawa area with members of her family during an Israeli military offensive, the vehicle they were in was struck by Israeli fire. The adults and children with her were killed. Hind survived the initial attack, wounded and trapped inside the car, surrounded by the bodies of her relatives.
For hours, she remained in contact by phone with operators of the Palestinian Red Crescent Society. Her voice—frightened, lucid, and desperate—documented in real time the abandonment of a child under fire. She described tanks nearby and begged for rescue. A medical team was dispatched after coordination intended to allow safe passage. That ambulance was also hit, and the two paramedics sent to save her were killed. Contact with Hind was lost. For days, her fate remained unknown. On February 10, 2024, after Israeli forces withdrew from the area, her body was found alongside those of her family and the rescue team.
The case provoked global outrage. The Palestinian Red Crescent accused Israeli forces of deliberately targeting both civilians and coordinated medical responders. Amnesty International attributed the killing of Hind and the paramedics to the Israeli army, describing it as a violation of the laws of war and fundamental human rights. Independent investigations and journalistic reconstructions have challenged official denials and reinforced the evidence of military presence and responsibility in the area at the time of the attack. No definitive judicial accountability has followed.
Hind Rajab has become one of the most devastating symbols of the war in Gaza: a child left alive long enough to ask for help, then killed along with those who tried to reach her. Her death embodies the collapse of protection for civilians and the targeting, direct or indirect, of those who attempt to save them.
I publish this series to remember the real history, to honor those who gave their lives for dignity, freedom and justice, to oppose propaganda, to speak to younger generations, and to invite conscience and resistance. I publish it also because what is happening in Gaza today cannot be separated from a long history of violence, dispossession and denial of rights. When a child can be trapped under fire, calling for help for hours, and the rescue meant to save her is destroyed, it is not an accident: it is the breaking of every boundary that should exist, even in war. This series exists to name responsibility, to refuse silence, and to insist that no power has the right to erase human life without consequence.
PROVERBS da Barbara Bonanno BNNRRB Tramite Flickr: Cc by-nd 4.0