They call me the agent nouner
loving the morphosyntactic implications of this construction (i.e., that "agent noun" is in fact a verb)
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let's talk about Bridgerton tea, my ask is open
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@awkwardtuatara
They call me the agent nouner
loving the morphosyntactic implications of this construction (i.e., that "agent noun" is in fact a verb)

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sorry, prev, your tags are too true to be silenced
not now mom I have to see what my mutuals with masters degrees are blogging about on tumblr
One of the things I actually really like about the Fall of Anakin Skywalker was how it showed the true horror of a popular romance trope.
Over the years, in numerous books and countless fanfics, we've all seen some variation or another of the infamous "I'd burn the world down for you." And fans always swoon over this line because it's framed as this noble or romantic gesture where the character puts their love over everything else.
What I particularly loved about the prequels was that it showed what happened when the character, in this case, Anakin, actually did burn the world down "for Padmé" and we saw how terrifying and horrendous such a thing actually is.

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maybe if i think really hard about video game character everything will be okay
Star Trek IV: The Voyage Home Are you sure it isn't time for a colourful metaphor?
death of glorfindel, performance
This is our brand new science fiction adventure character, he's a scientist and an old man. He's in a TV show called Doctor Who. He's credited as Dr Who. All production documents call him Dr Who. All promotional material calls him Dr Who. The novel adaptations call him Dr Who. The movie adaptations call him Dr Who. The original tie-in fiction calls him Dr Who. And week one of his TV show he's going to meet a guy who's like "What's your name? What do we call you?" and our hero is going to be like "hohoho hehehe you dumb motherfucker. Never talk to me again." And then he's never ever going to give anyone his goddamn name.
Wind of changes

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“are you okay?” oh my god no but for the purposes of this conversation yes i’m fine
"this is my favorite character (singular)" i say as i show you a picture of like 8 guys 2 women 2 rotting corpses 1 robot from a shitty flash animation and☝️ a tooth
Nanami's humorous "filler" episodes remind me a lot of the role of a Shakespearean fool. They're there to relieve the tension of otherwise very intense and dramatic episodes (e.g. the cow episode appearing in the middle of the Black Rose arc starting to get serious), but these episodes also exist to sneak in important ideas throughout the rest of the show -- sometimes as a preview, sometimes as a fully realized idea. From an idealized "big brother" as an "ideal man", to her fear of being consumed and forgotten while she's being left in self-aggrandizing ignorance to transform into a cow. She is the royalty digging herself into a path from which she may not be able to escape, and her episodes are the porter rambling about equivocating oneself into Hell.
I just watched ep. 24, the Nanami recap episode; it's notable to me that it only covers the seemingly "funny" moments, and not the moments that give those context, until the song about a calf lead to the slaughter plays at the end. Not the creeping realization that her irritating, mean, spiteful, and frequently outright malicious behaviour is encouraged on all sides by people like Touga and Tsuwabuki who, maliciously or not, want her to be blinded to her actions and attached to them. It leaves a lingering question of why is she like this? What's missing? throughout the recap. Also interesting is that Nanami, Utena, and Anthy spend most of the episode as shadows semi-gossiping behind a curtain, which is very reminiscent of the shadow-parable girls -- the same means by which ideas are distilled -- and it's only when she becomes angry that Nanami pushes out of the curtain and becomes real again. And of course, the position of weakness Nanami is in throughout the episode is actually one of Tsuwabuki's presumptuous imaginings, and at the very end Nanami wrests control of the situation into her own hands. Not even in a healthy way, but also by using the language of control and threats.
I don't know. All that feels like foreshadowing, or a hint thrown in the viewer's face, disguised as tension-relieving humour. It's hard to know what to take seriously with Nanami, but I'd rather err on the side of "everything".
bad news guys :(
very funny how sauron did the Dramatic Villain Monologue exactly once, nearly got overpowered by finrod's song, and then immediately decided to never do that again
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@feanorianethicsdepartment:
tbh, he does still play into tropes, he just takes care to make sure those tropes are evil vizier and master manipulator xd
Considering Celebrimbor and Ar-Pharazôn, Sauron has identified that dialogue is a far more dangerous weapon than monologue.
(Technically the song battle was also dialogue, and he did win.)

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between your ears, behind your eyes. thats where the real dog lies. 🌹
Four of Swords: Overwhelmed and in need of rest