Jules of Nature
Monterey Bay Aquarium

★
trying on a metaphor
taylor price

pixel skylines
noise dept.
h
macklin celebrini has autism

#extradirty

祝日 / Permanent Vacation
PUT YOUR BEARD IN MY MOUTH
almost home

Product Placement
Xuebing Du

JVL

Kiana Khansmith
dirt enthusiast
NASA
Cosimo Galluzzi

seen from United States

seen from United Kingdom

seen from United States
seen from United States

seen from United States

seen from United States
seen from United Kingdom
seen from France
seen from United States

seen from Malaysia
seen from United States

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seen from Italy

seen from Türkiye

seen from Malaysia

seen from South Africa
seen from Uzbekistan

seen from Germany
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seen from El Salvador
@austinchasegordon

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Deafheaven // Canary Yellow
I have wondered about the language of flowers, and I have wondered about the language of flowers And you, elaborate mosaic, greeting me Gentle, the swamp takes my ankles
wandrlust: 1970s Motels by Mike Mandel
Via Maison Lemarié

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I have oft been asked what constructed a monster in me? how does one curate it? how does one become it? Where I was concerned, an answer does exist within the marrow of horrors, it is plain in terms yet terse, I am not capable of forgiveness, nor am I capable of asking for it. The hurts that ever got inflicted on my skin, I never discarded it, I kept etching it in crevices, solidified it, so much so that it architectured a Palisade, it martyred every warmth within my skin, it cold pressed my mind into a significant horror. There, it is, the prologue of a pious monster, a heartless dreamer, and a ruthless annihilator.
Channing M (via de-morte)
Tomás Sánchez (Cuban, b. 1948), Luz de una tarde de tormenta [Light of a stormy afternoon], 1990. Oil on canvas, 22 x 28 in.
Grete Popper - Mlha, 1930-1939

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How knowledge can be a euphemism for wreckage, as in I will wreck you. How I am terrified by human frailty
— Catherine Bresner, from “To Know a Thing,” the empty season
Caspar David Friedrich, A Walk at dusk (details), c.1830-1835
All my love—and all its ashes.
Heinrich Heine, from Book of Songs; “Where is Now your Precious Darling,” (via violentwavesofemotion)

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Skeleton Praying (c. 1600s) Skeleton Pleading (c. 1600s) Marble floor of the Cornaro Chapel